a.k.a. "The Oscar Messenger"

Posts tagged ‘British’

Critics Choice Give “Lady Bird” NOTHING!?!? “Shape of Water” wins Best Picture

I guess the members of the Broadcast Film Critics did NOT like Anything about supposed Oscar front-runner “Lady Bird .” It got NOTHING from their award show which went out tonight on the CW. It only took two hours. They didn’t announce many of their silly, superfluous categories on air. But they still were there. As you can see by the list below. Thanks to http://www.awardsdaily.com

Next up, the SAG Awards on Sunday night. I’ll be Live-Blogging those awards, too, which are considered more seriously as they actually voted on by members of a for-real industry guild, the Screen Actors Guild.

WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”

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What Does Producers Guild List of 11 Mean?

Three Bill Boards 10Harry Styles Dunkirk 3Call Me Upside DownLady Bird 12What does the odd, never before seen, ELEVEN choices of the Producers Guild mean? Well, to the films seen above jockeying for position to get Oscar nominations it means a lot. The  five pictured above  means that they are all in like flint. They are, counting down, “The Shape of Water”, “Three Billboards Outside Ebbing Missouri”, “Dunkirk”, “Call Me By Your Name” and “Lady Bird.” They all can relax and take it easy for at least 48 hours, til the Golden Globes are announced Sunday.

Not that anyone campaigning for the Oscars EVER gets to take it easy at this time of year. Impossible! The mode now is almost always PANIC. But especially if you’ve been left out, like “Darkest Hour” and most importantly, “The Florida Project”.

All Academy Members, especially the Actor’s Branch, at this crucial point, are looking at this list. This means that poor little, brilliant, tear-jerker “Florida” may get left off the Academy’s list which always averages to something like nine. It has to duke it out with the films above and also “Wonder Woman”(can’t believe it’ll be nominated for Best Picture”), “Get Out”((ditto)) and “I, Tonya”(((Triple Ditto))) and “The Post”(yes, probably.)

“The Florida Project”s Oscar chances was mainly riding on the coattails of its Best Supporting Actor hopeful Willem Dafoe, who plays the patient, likable, motel manager. He has VERY strong competition from Sam Rockwell in “Three Billboards” and the inclusion of “Billboards” pretty much knocks Dafoe’s chances down a peg or two. Or three. Proves that people like Hollywood Producers Guild members don’t like films about people on welfare that star people on welfare. (Except for Willem Dafoe, of course.)

Rockwell’s star continues to rise and rise, and he’s even hosting SNL tomorrow night! If you compare the two, as I’m sure the Actor’s Branch members are doing right now, as they begin to vote for their nominations, Rockwell, though I can’t spoil exactly how, where and why, has the truly transformational character. He has to go through many, many amazing permutations, and his film “Three BillBoards…” is a Big Indie, almost a full-on feature film. And “The Florida Project” is not. It’s as small as small can be, and isn’t liked as much as the much admired “Billboards.”

The leaving off “The Darkest Hour” is also not good news for Gary Oldman as Winston Churchill. 19 year old(when he shot it) Timothee Chalamat (“Call Me By Your Own Name”) is really giving the veteran British character actor a run for his money, too. He’s 23 now, but would they really shaft the veteran? Timothee’s low-key charisma is charm without end…but…same with Saoirse Ronan’s lost-in-high-school Lady Bird. Two coming of age stories…Are they going to award BOTH teenagers-in-question?

I would say that those four men, Oldman, Chalamet, Dafoe and Rockwell  are the ones in serious awards contention here. They’ll all be nominated, but who will win?

“I, Tonya”s emergence out of the mire that was Tonya Harding’s life and the inclusion of it on this List of Lists really means that it has to be taken much more seriously than anyone had expected. And that not only the respected vet Allison Janney, but the emergent Australian actress Margot Robbie, is no longer merely a sex-bomb, but also quite possibly a Best Actress nominee. As unbelievable as that may have sounded even last week.

I don’t think this helps or hurts Allison Janney, as her mother-from-hell, because if “Lady Bird” is going to win anything, it’s Laurie Metcalf as Lady Bird’s mother from Purgatory in Best Supporting Actress.

So what will “Lady Bird,” which seems to be leading  the momentum. Wwhat will that mean for its lovely Irish star Saoirse Ronan and its brilliant writer-director Greta Gerwig? I’d say the jury is still out on that one, and that it’s going to be a battle to the end or a fight to the finish either way for both of them.

My Year’s Ten Best 2017!

1. CALL ME BY YOUR NAME ~ One of the Best Films Ever Made. Period. The Gay Movie, we, as gays, have been waiting for all our lives. Timothee Chalamet has won BOTH the New York Film Critics and the L.A. Film Critics Best Actor awards. Armie Hammer is his magnificent love interest and co-star.

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2. WONDER WHEEL ~ Woody Allen’s latest and Kate Winslet’s tear-stained performance is one of her best.

3. THE SHAPE OF WATER ~ Guillermo Del Toro’s Best Film. Sally Hawkins amazing as a Spanish Deaf Mute Janitress who falls in love with something akin to the Creature from the Black Lagoon. But it isn’t ridiculous. It’s beautiful and moving beyond words. She won Best Actress from the L.A. Film Critics. This film will make you cry.

4. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI– Irish Playwright Martin McDonagh’s magnificent morphing into a great American crime filmmaker. Frances McDormand and Sam Rockwell burn up the screen, literally. This film will make you angry. For all the right reasons.

5.  THE FLORIDA PROJECT ~Unbelievably, an epic film set in the make-shift budget motels across from  DisneyWorld, which was first called “The Florida Project,” as it was being built. Willem Dafoe is the sympathetic, sad sack motel manager and six year old mischief maker Brooklynn Prince rock each other’s and our world. Public access legend Sandy Kane makes a cameo appearance. She told me, “If you blink, you’ll miss me. It’s Tats over tits.”

6.ALL THE MONEY IN THE WORLD ~ Director Ridley Scott is back Big Time, as he directs Michelle Williams and Christopher Plummer in a tense, spine-tingling thriller about the ’70s kidnapping of J. Paul Getty’s grandson, who, yes, gets his ear cut off and sent to his mother (Williams.) But you can’t turn away.

7.LADY BIRD ~ Genius Greta Gerwig channels her boring, restless teenage years in  middle-class Sacramento into a box office bonanza that Irish actress Saoirse Ronan and Laurie Metcalfe as her befuddled, well-meaning mother from Hell, make herstory and could all win Oscars. Best Film of the Year from the New York Film Critics. Will it win the Oscar, too, for Best Picture? It might.

9. DUNKIRK ~ Christopher Nolan’s truly epic epic that makes all WWII war movies look like tiddly winks and utitlizes Oscar Winners  Mark Rylance, Kenneth Branagh and a cast of 100os to re-vitalize history in a seat-of-your-pants thriller diller. And rock star Harry Styles is in it, too. And he’s good!

10.  FROM THE LAND OF THE MOON ~ Marion Cotillard’s mesmeric performance once again lights up the skies in this unusual French love story.

Luminous, Lucent, Transcendant Kate Winslet Could Win Her 2nd Oscar for “Wonder Wheel”

Wonder Wheel 3

Lustrous, luminous, transcendent Kate Winslet is the wonder of Woody Allen’s new “Wonder Wheel.”
Is there any American filmmaker alive today who writes  such great roles for women? No. There simply isn’t. And as photographed by cinematographer Vittorio Storaro, Kate Winslet seems to be a cinematic miracle of color and light, majesty and emotion,

You simply can’t take your eyes off her. Storaro and Allen have combined to give her a cinematic beauty that makes you gasp, in a multi-faceted role that makes you applaud. She is playing Ginny, a Brooklyn waitress, who works in a Coney Island Clam House. I have known SOOOO many Ginnys in my lifetime, and British though she is, Winslet absolutely nails her Ginny to the Coney Island boardwalk. And it’s  stirring performance in the grand tradition. She’s every woman. And every woman I’ve known, from Brooklyn, trying to make a better life for herself and her family. And trying to find love at the same time, having given up her dreams of being an actress earlier in her life.

Winslet’s Ginny seems the simplest of creatures.. But Allen’s writing and her bravura performance proves that every woman is as complex as a whirlwind. Or a rollercoaster. Or a Wonder Wheel at  Coney Island, to use this film’s great metaphor. Winslet has never seemed so bedeviled and so bewitching at the same time. She’s a housewife in waitress’ outfit that she wears like a queen, as she goes about her frantic daily work of cooking and cleaning for the whole of Brooklyn it seems.

Allen and Storaro capture the ordinary woman’s extraordinariness. She is married to a lout (James Belushi) and having a torrid affair with Justin Timberlake, the local lifeguard. Timberlake’s string-bean-ness seems out of place as a life guard, but he, too, has movie star charisma in buckets instead of muscles, that make all the women in the film falling for him make sense.Justin Timberlake Wonder Wheel He and Belushi have both never been better.Kate Winslet 1

She is playing Ginny, a common-as-they-come Brooklyn waitress, who is as uncommon, as she is earth-bound. Winslet’s a fiery red-head this time. And in Storaro’s use of orange and amber light, she seems so on fire, she is burning up the screen. It is no surprise then that her red-headed son is an arsonist, setting  a fire every time he’s left alone. The fires remind him of his mother.

And Juno Temple is Belushi’s neglected daughter, who turns up as a “Marked” woman, being chased by the mob, because she married a gansta, and became a “canary” who sang on her husband, making her a woman on the run for her life. She hides  out in Winslet’s and Belushi’s  humble household underneath the ever-present Wonder Wheel. Young, blonde Temple has the role of her career here, too, and is doomed from the first seconds we see her taking her first tentative steps under the Wonder Wheel.

In a simple car ride in a romantic rain storm with Timberlake, she becomes, as he says “as beautiful as the rain light.”Storaro has lit her in golds and blues to emphasize her beauty as well as her melancholy. She, too, is magnificent in this film.

Storaro  and set designer Santo Loquasto make more magic by making Coney Island in the ’50s look like the Riviera.

Winslet’s performance is so heart-breaking and towering it immediately recalls the great screen performances of screen queens past. Joan Crawford in particular. The shop girl who was not a shop girl.  The waitress who was not a waitress. And reminds you that not since the ’40s have actresses consistently seen parts like this. Winslet’s Ginny is the  working class version of Cate Blanchett’s Jasmine in Allen’s recent Oscar winner “Blue Jasmine.” “Wonder Wheel” is his best film since “Midnight in Paris” and is now one of my favorite Woody Allen movies. It’s right up there with the best. It reminds me why I love Brooklyn. And New York City.

“Wonder Wheel” is a movie movie about romance and melodrama and great actresses playing great roles. And it ends this year’s superlative NYFF with a BANG!

“Dunkirk” Lives Up to It’s Oscar Hype! Mark Rylance Will Get His 2nd Oscar nom!

I just LOVED “Dunkirk”! Not a fan of war movies as a rule, the cinemaster Christopher Nolan has re-written the book on this genre as well as re-inventing it with this spectacular achievement . It’s a heart-pounding, edge-of-your-seat, white knuckle thriller as well as an eye-popping, frightening and ultimately triumphant Best Picture of the Year. Well, so far, anyway.

It’s hard to imagine anything that will top it in terms of its’ size and scope, and story, too. Christopher Nolan is the screen-writer as well as director, and also, a producer.

I found myself moved from the first frames of “Dunkirk,” with its’ magnificent Hans Zimmer score thumping and pounding and shaking the earth, which in the first shots are a picturesque rendering of the French seaside town of Dunkirk as it was then, in June of 1940 .  Nazi leaflets are dropping like autumn leaves on the young British soldiers below, who all are about to be slaughtered outright by the unseen enemies machine gun bullets.

The most unlikely, scrawny, leading young man is newcomer Fionn Whitehead, (See above and at top of page) who we are going to follow through his epic journey of struggling to survive the evacuation of 400,000 British and allied troops, who are stranded on the beaches of Dunkirk.

Bullets are ripping, searing and whizzing everywhere as Nazi planes pound the helpless soldiers, exposed, vulnerable and innumerable on the Dunkirk beach. They are just sitting ducks. “It’s like shooting fish in a barrel” one officer proclaims.

How will they EVER get out of there? And that is the drama that director Nolan is portraying so incredibly accurately, and in such a breath-taking and wholly cinematic detail. Nolan’s exacting directorial eye gives verisimilitude a new meaning.Mark Rylance with Oscar 1

Oscar winner Mark Rylance (for Best Supporting Actor for “Bridge of Spies”)  is the truly heroic, mild-mannered, stiff-upper-lipped British captain. owner of his own medium-sized,  pleasure yacht, hardly a warship. It is one of the many civilian small craft that are commandeered by Churchill to set sail across the churning English Channel and rescue all those stranded soldiers. Rylance’s no-nonsense, utterly focused, amateur seaman/citizen is a masterpiece of restraint, understatement and terse John Bull heroism.

Dunkirk 2

And he’s symbolic of one of hundreds of small boats that turned the tide of this terrible war, WWII. They did the impossible, because they had to. How they were called upon and how all they just stepped up to this incredible, daunting challenge  and how in doing so  served their country and saved the free world. Churchill’s thrilling call to arms “We will fight on the beaches!” echoes throughout the film, and as a first generation Brit myself, I was immensely proud of all of them. magnificently depicted here in this their finest John Bull hour of courage.

It’s a David v. Goliath feat, and it’s all true. This really did happen. And Nolan re-creates it down to the smallest, scarifying detail. Not even pop star Harry Styles,who acquits himself quite admirably as the gnarliest of the small group of British soldiers, teenagers, really,  can fall out of line. If you weren’t looking for him, he would blend in totally with the other young, struggling, dirty, frightened, brave soldiers.

“Dunkirk” explodes with many, many understated and marvelously compelling performances. Irish actor Cillian Murphy(below)is totally unrecognizable as a survivor of a downed plane that Rylance and his crew of two lads rescue from the sea. Is he a German? Is he a deserter?

Rylance’s scenes of struggle between him and Murphy will. I’m pretty sure,  net the Oscar winner another nomination. He’s got the biggest part. The Academy likes to nominate those they’ve awarded and nominated before. But Murphy, Whitehead, Styles and Sir Kenneth Branagh (as the British troop leader,who has the most moving single line in the film, which I won’t reveal here) are all  exemplary.


That Harry Styles in his film debut holds his own with these Knights of the Realm is as much a tribute to Nolan’s laconic, terse direction of the actors as well as the many, many ships at sea and the planes in the air. And to shoot this all on water! How did he get those incredible, aquatic shots?

Hoyte Van Hoytena, the superb cinematographer of the awe-inspiring, acrobatic camera work is surely on his way to an Oscar for his astounding work here of filming the unfilmable on land and on sea .There’s not a lot of blood in “Dunkirk” but there is an awful lot of water!  Lee Smith’s phenomenal, fast-paced film editing is going to be acknowledged, too, at awards-time, I’m so sure. “Dunkirk” is incredibly only 90 minutes! And it’s shot on film. Nothing is digital.Tom Hardy Dunkirk 1

A special note most also be taken of previous Oscar nominee Tom Hardy (for Best Supporting Actor for “The Revenant”)’s ability to act throughout the film almost entirely in a pilot’s gas mask, with only his eyes and his voice for expression.(See above) He’s got to carry nearly a third of the film in tight close-up in his fighter pilot’s cockpit. He’s as moving and as effective of those fighting to survive below, who we see in full.Dunkirk 4

This picture was made for Oscar, and it will get nominated all over the place, and deservedly so. It’s a great movie. And a great movie movie. And Number One at the box-office for the past two weeks to boot. Don’t miss “Dunkirk”!

#Dunkirk, #Mark Rylance, #Christopher Nolan, #Harry Styles, #WWII #Tom Hardy, #War Movie, #Oscars, #Best Supporting Actor, #Best Picture

Justin Timberlake Starts the Oscars Off with a Great Number & a Standing O! Mahershala Wins!

justin-timberlake-1Justin Timberlake starts off the Oscars just right with a rompin’, stompin’ raise-the-roof  with his own Oscar nominated song And it was great! From “Trolls.” He got a standing, dancing ovation! Great start! Then of course, Jimmy Kimmel  comes on and gets as he puts it, “Oh great, a sitting ovation”….

He then makes the audience give Meryl Streep a standing O.

And now, Best Supporting Actor! And here comes the lovely Alicia Vikander. She’s got a VERY deep tan.  Trying to look as un-Swedish as possible.

Mahershala Ali wins! I was wrong about Dev Patel…Another standing ovation…

A nice moving speech. His wife just had a baby and firstly he thanks his teachers, whom I know/knew the late Zelda Fischhandler and Ron Van Lieu from NYU Grad Acting. They were the first ones he thanked which was very classy of him. I saw him in many plays there and he was always as good as he was in mahershala-ali“Moonlight.” Lots of warmth in the room for “Moonlight” as Sasha Stone predicted at http://www.awardsdaily.com. And I didn’t…

His part in “Moonlight” was very small, but truly supporting. But he didn’t mention that he was a Muslim, which I wish he would’ve done.

 

 

 

Oscar Nominee, 20 yr. old, Lucas Hedges Rocks Off Broadway in”Yen”

yen-2It’s so rare to see an Off-Broadway play explode on every artistic level, as the strangely titled “Yen” does at the Lucille Lortel on Christopher St. Meant as a vehicle for rising star and Oscar nominee ( in Supp. Actor) Lucas Hedges of “Manchester by the Sea,” he surprises and surpasses on every level possible. Main among them the revelatory fact that young ( 20 yr.old ) Lucas Hedges is no flash in the pan. He fulfills every expectation and surpasses them. He is simply on his way to being one of the greatest young actors of his generation.casey-lucasHe’s shaved his mop top of solid red hair and goes completely bald as British skin-head, Hench, in Anna Jordan’s electric new play “Yen.” It is being given a superb American debut production by director Trip Cullman, whose career I have admired and followed for many years now. Cullman has a way of getting career performances out of his actors and he’s done that here with Ari Graynor, Stefania LaVie Owen and Justice Smith.

Yen which is a nick-name of Owen’s character Jen, is no walk in the park, and is not for the faint of heart. It’s a total gut punch. I felt, too, like Hedges’ character does in the play’s bloody climax, as if I was banging my head into a wall over and over and over again. The sense of the characters’ frustrations are contagious, palpable. But in the best sense of the word. It was exhilarating. And enlightening. It was like it was as dangerous as being caught in a lightning storm at sea with columns of lightning bolts shooting all around you. You see them blazing everywhere . At any moment , you might be hit.yen-1 yen-3

It starts with Hedges nude to the waist and barefoot picking his nose and watching pornography with a dead-eyed expression, while his younger brother Bobbie, also shirtless and barefoot, is jumping around the dirty bed-sit stage like a Mexican jumping bean on speed. Or meth. He’s on something. Because he doesn’t stop imitating the sound of their German Shepherd Taliban who is cooped up off-stage (we hear him, but we never see him) growling and snarling and roaring through this play, like a bat or a German Shepherd out of hell.

Juvenile delinquents – to – be, they rob stores in order to eat, and they only own one dirty T- shirt between them. And seem to have had no parenting whatsoever.yen7

Taliban is caged and so are these two teenaged boys. And we soon find out why as they drag their comatose, drug-addicted, passed-out-drunk mother in through the doorway of their rancid council flat. Ari Graynor is magnificence personified as this young actress tackles these multiple addictions and her two equally addicted, pubescent teenage sons, executing just how twisted her under-class life has made her, in a Cockney accent that is totally spot on. As is Hedges’ and is Justice Smith’s. Smith performs the disturbed Bobbie at a decibel and enery-level that is superhuman. You don’t know what dangerous thing he and/or Hench might do that prefigures the violence that occurs as the play progresses.yen-4

But the violence is not telegraphed. It’s just THERE. A part of these lower-class have-nots’ lives.  I’d say this play was a continuation of John Osborne’s Angry Young Man, working class anti-hero from the ’50s. It’s a kitchen sink drama, except these people are so poor they don’t even HAVE a kitchen sink.

As the play spirals downward, the only glimmer of hope is represented by the entrance of Jennifer or Jen. “Yen” to her family. A sweet Welsh girl, who has just moved into the neighborhood, and is clearly attracted to the hunky Hench ( Hedges )who spends most of the play in his underpants. yen-5Stefania LaVie Owen totally nails this difficult accent, too. As well embodying Yen’s warmth and gritty/slutty attraction. She is astonishingly making her stage debut in this difficult role in this difficult play. But they are all orbiting around Lucas Hedges’ miraculous sun. His talent is out-size and blazing, and he more than fulfills the high expectations his complex Oscar-nominated performance as the troubled, recalcitrant nephew in “Manchester by the Sea,” has set. And “Manchester” has set that bar HIGH.

Hench is a much more difficult role. He has to carry the entire, angry play, barefoot and half-naked, and make you hate him, but love him, and fear him and fear FOR him at the same time. It’s astonishing. HE’S astonishing.

Yen” is closing in March, so you better move fast and see it before it vanishes into theatrical lore as Lucas Hedges’ blazing theatrical debut.

#Yen

#Lucas Hedges

#Trip Cullman

#Off Broadway

#Oscar Nominee Best Supporting Actor

#Manchester by the Sea

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