Archive for June, 2015
ON HISTORIC SUPREME COURT DECISION
George Takei is traveling this morning, but upon receiving the news of today’s Supreme Court Decision released this statement on behalf of himself and the entire company of his upcoming Broadway musical Allegiance.
“This is a happy day, not just for LGBT Americans, but for all Americans. It is the beginning of an era where we no longer will speak about same-sex marriage, but of marriage. And one day, we need not speak of LGBT rights, for they simply will be human rights. Across this great land, families are celebrating because we truly are one family”.
This is a thrilling moment in time. As with the story of Allegiance, we are truly “One Family…Indivisible.” This historic day and decision by the highest court in our land makes us all truly united and one.
CELEBRATE LOVE AND EQUALITY FOR ALL AT
“ I T S H O U L D A B E E N Y O U ”
WITH BUY ONE GET ONE FREE SPOUSE TICKETS
IN HONOR OF THE SUPREME COURT’S HISTORIC DECISION
New York, NY (June 26, 2015) – In honor of the Supreme Court’s historic decision to give marriage equality to all, It Shoulda Been You is inviting everyone to celebrate love and equality with buy-one, get-one-free tickets to share with your spouse (even if you haven’t had the chance to make it officially legal yet!). This special offer is valid for just 72 hours and will end Monday, June 29, 2015 at 12 pm. It Shoulda Been You’s equality offer is valid for all performances in July. The offer may be redeemed via Ticketmaster.com using the code MEQ1, by calling 877-250-2929, or in person at the Brooks Atkinson Theatre box office (256 W 47Th Street).
Directed by Emmy and Tony Award-winner David Hyde Pierce, It Shoulda Been You has been celebrating marriage equality since it began performances in March. The only show on Broadway to include a gay wedding, a lesbian wedding, and a straight wedding, the production regularly expands on its message of love and acceptance in a variety of ways. Several couples have proposed and exchanged vows on stage, including a young gay couple who are now happily engaged. The producers of It Shoulda Been Yourecently invited all of the Justices of the Supreme Court to see the show for a positive example of what love and marriage equality look like.
It Shoulda Been You is a culture clash for the ages when two families from wildly different backgrounds come together to celebrate a wedding. As if the union wasn’t complicated enough, the bride’s ex-boyfriend arrives, bringing the wedding to a screeching halt and throwing both families into hysterical chaos. Plots are hatched, promises broken, secrets exposed – and the bride’s resourceful sister is left to turn an unmitigated disaster into happily ever after. It Shoulda Been You puts a refreshingly modern spin on the traditional wedding comedy, proving that when it comes to wedding day insanity, it’s all relative.
It Shoulda Been You features an original book & lyrics by Brian Hargrove and music by Barbara Anselmi. Tony and Emmy Award-winner Tyne Daly and Tony Award-winner Harriet Harris, lead an all-star cast of Broadway luminaries which also includes, Sierra Boggess, David Burtka, Lisa Howard,Edward Hibbert, Tony Award-nominee Montego Glover, Josh Grisetti, Adam Heller, Michael X. Martin, Anne L. Nathan, Nick Spangler and Chip Zien.
The full creative team for It Shoulda Been You includes Josh Rhodes (Choreography) Anna Louizos(Set Design), William Ivey Long (Costume Design), Ken Billington (Lighting Design), and Nevin Steinberg (Sound Design), with additional lyrics by Jill Abramovitz, Carla Rose Fisher, Michael Cooper, Ernie Lijoi and Will Randall.
It Shoulda Been You is produced on Broadway by Daryl Roth, Scott Landis, Jane Bergère, Jayne Baron Sherman, Patty Baker, Broadway Across America, Clear Channel Spectacolor, Gloken LLC, James L. Nederlander, John O’Boyle, Judith Ann Abrams/Jacki Barlia Florin, Old Campus Productions/Ready to Play, and Sara Beth Zivitz/Passero Productions.
It Shoulda Been You plays Tuesdays at 7 pm, Wednesdays at 2 pm and 8 pm, Thursdays at 7 pm, Fridays at 8 pm, Saturdays at 2 pm and 8 pm, and Sundays at 3 pm. Tickets are on sale to the public via Ticketmaster.com or by calling 1-800-653-8000. A limited number of $35 Rush Tickets are also available for same-day purchase at the Brooks Atkinson box office. There is a limit of 2 rush tickets per person, and they are only available in-person at the box office.
I never thought I’d live to see the day. This is what we have all been struggling for all these years and now it’s finally happened! I’m overcome with joy and gratitude to all my GLBT brothers and sisters who have fought the long, hard fight and many of them their lives and careers to the Gay Rights movement that started with some angry drag queens at Stonewall in 1969, and has ended today in 2015 with this historic ruling.
What a moment for us all! Words cannot express…
A Southern novelist to the core, the same question can be applied to that other great Southern writer of one, only one highly successful novel,Margaret Mitchell. And that novel, of course, was “Gone with the Wind.”
I never thought it was a particularly confusing question. The international acclaim, critically and monetarily would be hard to top. They said what they had to say, and that was that. Same question as why did Greta Garbo retire so early? She wanted to.
But now another NEW book by Harper Lee has purportedly been discovered and will now be published in July. The suspense is mounting. Is it any good? Will it be the caliber of “To Kill A Mockingbird”?
How can it be?
It’s an impossible mountain to climb, and the fact that it was written a long time ago, maybe a VERY long time ago makes me feel that Harper Lee, being the wise woman that she was/is, just didn’t want it to be seen or read.
This may and I emphasize MAY have been the first book she wrote BEFORE “To Kill a Mockingbird” made her a literary sensation.
The book that she shopped around to publishers when she was an unknown first novelist in New York struggling to make her name. And it was rejected by everyone. I know the feeling.
And THEN she wrote “Mockingbird” plainly and simply and it, like “Gone With the Wind” really did not need a follow-up.
“Go Set a Watchman” – What an awkward, collegiate writing class title! Is probably not a patch on “Mockingbird.”
I think this whole thing is a literary stunt of the first water. Maybe she needs the money in her twilight years. Maybe, it’s been suggested, she doesn’t really know, cognitively, what really is going on with her unheard of, silent second book. Or was it her first surpressed one?
We’ll find out very soon. One thing’s for sure. It will be an international best seller. Interest in it is very, very high. But will it be any good? Or will it be very bad? That remains to be seen.
I, for one, can’t wait. And “Hey, Boo!” is a great documentary on Lee and is coming up soon on PBS. Don’t miss it.
New York metro area celebration “THIRTEEN Days of Harper Lee” features special broadcasts, web exclusives and event at Tisch WNET Studios at Lincoln Center
Watch films and and connect with more than 200 cultural icons atpbs.org/americanmasters
One of the most influential American novels of the 20th century and biggest bestsellers of all time,To Kill a Mockingbird was believed to be the first and only novel by Nelle Harper Lee (born April 28, 1926), until now. On July 14, HarperCollins will release Lee’s earliest known work, Go Set a Watchman, featuring characters from her Pulitzer Prize-winning novel, which was published 55 years ago (July 11, 1960).
In honor of this landmark literary event, THIRTEEN’s American Masters series presents a newly updated version of Emmy®-winning filmmaker Mary McDonagh Murphy’s 2012 documentaryHarper Lee: Hey, Boo, broadcast as Harper Lee: American Masters on Friday, July 10, 9 – 10:30 p.m. on PBS (check local listings). The author of Scout, Atticus & Boo: A Celebration of To Kill a Mockingbird, Murphy was able to read an advance copy of the new novel before updating the film and will live tweet (#HarperLeePBS) during the broadcast.
“Go Set a Watchman was written before To Kill a Mockingbird and believed to be lost or destroyed. Its remarkable discovery allows readers of Lee’s beloved classic the chance to see Atticus and Scout again. How and why this happened is a mystery we unravel in the new version of the documentary,” said Murphy.
In the New York metro area, PBS flagship station THIRTEEN, which produces the American Masters series, will celebrate the release of Go Set a Watchman with “THIRTEEN Days of Harper Lee,” a 13-day, multi-platform event on-air, online and in the community from Sunday, July 5 – Friday, July 17. Highlights include an online book club in partnership with the New York Public Library (July 6-13); new, multimedia To Kill a Mockingbird classroom resources for teachers on PBS LearningMedia (July 7); the premiere of a MetroFocus interview with Murphy (July 9 at 7 p.m. on WLIW21, 8:30 p.m. on THIRTEEN and 10:30 p.m. on NJTV); a free screening of Harper Lee: American Masters and a Q&A with Murphy at the Tisch WNET Studios at Lincoln Center streamed live online (July 13); web exclusive content; broadcast interstitials and more.
Lee once said she wanted to be South Alabama’s Jane Austen, but became an enigma when she stopped speaking to press in 1964 after her whirlwind success. Harper Lee: American Mastersoffers an unprecedented look at Lee’s life, illuminates the phenomenon behind To Kill a Mockingbird and the Oscar®-winning 1962 film adaptation, and previews Go Set a Watchman, which Lee wrote in 1957. The documentary features interviews with Lee’s friends and family – including her centenarian sister Alice (now deceased) – who share intimate recollections, anecdotes and biographical details for the first time: Lee’s rise from small-town Alabama girl to famous author, her tumultuous friendship with Truman Capote, and the origin of her most memorable characters: Atticus Finch, his daughter Scout, her friend Dill, and Boo Radley.
The film also explores the context and history of the novel’s Deep South setting and the social changes it inspired after publication and through the feature film starring Gregory Peck. Oprah Winfrey, Rosanne Cash, Tom Brokaw, Pulitzer Prize-winners Rick Bragg, Anna Quindlen, Richard Russo, Jon Meacham and Diane McWhorter, James Patterson, Wally Lamb, Scott Turow, civil rights leader Andrew Young, and others reflect on the novel’s power, influence, popularity, and the ways it has shaped their lives.
“Harper Lee was ahead of her time. She challenged the social order and made a cultural impact withTo Kill a Mockingbird that still resonates today. I’m thrilled that American Masters is able to give viewers a sneak peek at Lee’s new novel,” said Michael Kantor, executive producer ofAmerican Masters.
Launched in 1986, American Masters has earned 28 Emmy Awards – including 10 for Outstanding Non-Fiction Series since 1999 and five for Outstanding Non-Fiction Special – 12 Peabodys, an Oscar, three Grammys, two Producers Guild Awards and many other honors. Now in its 29th season on PBS, the series is also seen on the WORLD channel. To take American Mastersbeyond the television broadcast and further explore the themes, stories and personalities of masters past and present, the series’ companion website (http://pbs.org/americanmasters) offers streaming video of select films, interviews, photos, outtakes, essays and more.
Harper Lee: American Masters is a production of Mary Murphy & Company, LLC. Mary McDonagh Murphy is producer, writer and director. Rich White is director of photography. Christopher Seward is editor and producer. Michael Kantor and Susan Lacy are executive producers for American Masters. The series is a production of THIRTEEN PRODUCTIONS LLC for WNET.
So the Tony Awards, or lack thereof, claims Victim #2, “Gigi” is set to close on Sunday, June 21. This is after the announcement that “The Visit” is closing this Sunday. And I’m predicting there will be more.
I guess Broadway audiences weren’t ready to absorb TWO Vincent Minnelli French-ified adaptations this year. And “An American in Paris” stole “Gigi” Gallic thunder.
Based on one of Hollywood’s and Minnelli’s most delightful,enduring and multiple Oscar-winning confections, “Gigi:The Musical” glowed and throbbed in my estimation, but only got one Tony nomination, for Best Featured Actress in a Musical, Victoria Clark as Mamita. It’s the role that Hermione Gingold essayed so brilliantly in the movie, even though she was thoroughly British.
Clark did not win, and “Gigi” got zero Tonys, just like “The Visit” though it did win Best Costumes from the Drama Desk.
Au revoir, ma petite “Gigi”. I know I’ll see you soon again somewhere!
PS: A National Tour is planned.