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Posts tagged ‘Oscar nomination’

Emily Blunt Looking at Two Oscar Nominations and/or Wins


Could 2019 be beginning with the ambrosial prospect of the brilliant British actress Emily Blunt up for TWO Oscar Nominations? One for Leading Actress for “Mary Poppins Returns” and the other for the nerve-shattering pregnant wife Evelyn in her real life husband John Grasinski’s horror film “The Quiet Place”?

Well, it’s happened already from a no-less than august awards body the SAGs, which nominated her twice in both categories. It’s almost unheard of. And she could win both.

The roles couldn’t be more diverse and more than show Blunt’s huge range as an actor. This certainly seems to be her moment. Awards-ignored for years, despite her superlative work in over 30 films, and every kind of character imaginable, 2019 finally seems to be her time to shine.

“The Quiet Place,” for those who may have missed it, is the early-in-the year 90 minute horror film that drew raves from critics as well as a boffo turn at the box-office.

incredibly taut and electrifingly directed and co-written by her real life husband John Grasinky, it stuns by the use of all things, silence. Blunt even has a deaf daughter played marvelously by the real life deaf actress Millicent Simmonds.

All are in jeopardy in a remote farm-house from a more or less traditional horror film monster (again astonishingly played by Krasinsky Himself) and if all this seems to much for the normal Awards-voting film=goer, don’t forget, they LOVE silent films(which “The Quiet Place” more or less is) and this is Emily Blunt’s year, there’s no denying itl And “The Quiet Place”s overwhelming and unexpected audience acceptance. only ads to Blunt’s momentum with Poppins. Disney had mounted a jmajor campaign for “Mary Poppins Returns” in all categories and Paramount has now done the same with “The Quiet Place.” So she was TWO major studios pushing for her.

Blunt even has a sure-fire “Oscar clip” scene where she has to give birth SILENTLY in an old-fashioned stand-alone bathtub. They all have to keep silent at all costs or the monster will incinerate them. It’s an edge-of-your-seater and in the same year as Blunt’s courageously/outrageous musical turn as  Mary Poppins, rivaling predecessor Julie Andrews, who also won an Oscar for Poppins.

It’s an awards-magnet role and Emily Blunt is the newly minted Awards magnet herself. And she’s nominated for a Golden Globe award for Best Actress in a Musical/Comedy, too.

The Golden Globes are this coming Sunday. Don’t miss them! If Blunt wins there against high-brow fellow Brit Olivia Coleman for “The Favourite”, she could very well begin her march to the Oscars! You heard it here first!

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Golden Globes Nominations Out! “Boy, Erased” Gets Two! Lucas Hedges Best Actor. Drama!


This year’s Golden Globes Nominations have just been announced. And they seem to be earlier than ever. The LA Film Critics haven’t even announced yet! So here they are. And for a complete list go to http://www.awardsdaily.com. I’m just over the moon that my #1 film of the year was remembered twice. The incredible Lucas Hedges got nominated in Best Actor, Drama for “Boy, Erased.” It also got nommed for Best Song.

This is what Lucas had to say about this,

“I honestly didn’t expect this and am completely thrilled. Thank you to the Hollywood Foreign Press for this incredible nomination. I loved playing Marlo, so this is a real honor.”

The 21-year-old phenom is currently on Broadway in Kenneth Lonergan’s “The Waverly Gallery” and so he can’t do the usual glad-handing and campaigning that has become an inevitable, and necessary, component of this Awards’ race.

No stranger to the Golden Globes and the Hollywood Foreign Press Association, who give them out, Lucas was up two years ago in Supporting for “Manchester by the Sea,” also by the superb author/director Kenneth Lonergan.

It should also be noted that the HFPA nominated both gay characters in “Can You Ever Forgive Me” played by Melissa McCarthy (Lead actress) and Richard E. Grant (Supporting). as well as all three lesbian characters in “The Favourite” played by Olivia Coleman(Lead) and Emma Stone and Rachel Weisz(supporting.)

The Golden Globes become more and more important every year and this year they seem more on point than ever. And they certainly are a hoot and half to watch. And they very often are extremely predictive of the Oscars. Academy voters use the Golden Globe lists as a cheat sheet. Their inclusion on this list will mean the films will be watched and discussed. And in the case of “Boy, Erased,” which is about the heinous practice of gay conversion therapy, which is still legal in over thirty states, it is IMPORTANT and timely.

Post-script: the other Masterpiece that’s out there this year, “Roma” was nominated for Best Foreign Film, because it’s in Spanish. Alfonso Cuaron was nominated as Best Director and  Best Screenplay. And if there was an award for Best Cinematography, he’d be nominated for that, too,  for the stunning Black and White footage that he shot entirely himself!

ACE Eddie Inches Allison Janney forward towards Oscar

How important is Film Editing? Well, over the years I’ve come to recognize that Film Editors are among the most important and hardest working artists/technicians in our business. I don’t know what we’d do without them. I really can’t praise their industry and expertise and devotion to their work highly enough. People in the business know how incredibly vital their are. And after helming my own TV show “The Stephen Holt Show” for over 30 years, I do, too. God bless the film editors, and so when they chime in, in the name of their united Guild, the A.C.E. Eddie Awards, attention by AMPAS voters is paid. Seriously.

So when they gave their big award this week to the Best Edited Dramatic Film, in this case “I, Tonya,” it gave that raunchy tabloid of a film that much more of a serious contender boost. And in this case the largest recipient of the Film Editors collective good will and approval would by extention go to Allison Janney, who plays the wild-cat mother of alley-cat Tonya Harding in “I, Tonya.” This is “I, Tonya” biggest Awards bid, Best Supporting Actress. Which is turning into a mud-wrestling final between Janney and Laurie Metcalf, formerly of “Roseanne,” and this season as the Good Mom in “Lady Bird.”

“I, Tonya” was an Indie that opened late in the awards season without much fanfare, whose importance has grown by the day, as more and more people see it. So much so that Allisson Janney’s Mom From Hell is inching ever forward in her death-match struggle against Laurie Metcalf’s much more likeable Mom in “Lady Bird.” And the Ace Eddie Award just continues to add to Janney & Tonya’s steaming forward.

You see, Best Supporting Actress has become basically a two woman race between Janney and Metcalf in the Battle of the Moms. And until the Golden Globe Awards two weeks ago, Metcalf’s gold was considered in the Oscar tank.

Then a strange thing began to happen. That race just turned around and Metcalf’s main Mom competitor Allison Janney started winning every single major award going forward, the Golden Globe, the Critics Choice Award and finally the SAG Award(pictured above ^). The A.C.E. just adds to “I, Tonya’s prestige and by extension, Allison Janney’s.

Tonya Harding was not considered a prestige player in real life. So it’s ironic in the extreme that the film about her “I, Tonya” is now considered a prestige, must-see-it Oscar film contender more and more by the day.Janney is majorly known for the nearly-decade run in “The West Wing,” amassing many Best Supporting Actress in a TV Series Emmys along the way.Allison Janney 3
An excellent actress no matter what the role, her gargoyle, LaVona Harding is just another example that she can play just about ANY type of role and make audiences like it and remember it and award it.

The race between her and Metcalf is razor thin, so we must take careful note of it, this Oscar season. Even if Metcalf just ended up on the cover of EW with “Lady Bird”s star, Saoirse Ronan and creator Greta Gerwig.Sometimes Entertainment Weekly just jumps the shark and lays out their mag and covers, goes to print too early. I think this is the case here. This is a VERY volatile Oscar race this year and if they’d waited a minute or not, and saw that their supposed front-runner “Lady Bird” had not one ONE AWARD AT THE SAGS, they never would’ve run this cover. It’s premature inauguration. A few more hours and it may have been Frances McDormand and Sam Rockwell on the cover. Or Sally Hawkins and her magical Fish.

But you see just how close this supporting actress race and every category, as a matter of fact, this year is. And Brit Great Lesley Manville, an O.B. E. has been added to the mix, both here in the America Oscar Nominations and abroad at the BAFTAS in London. So do stay tuned for more mud-wrestling.

I See “Three Billboards” for the 2nd Time! A Modern Masterpiece!

Even though today’s Oscar Nominations are carrying the elegiac headline “Martin McDonagh Snubbed for Directing Three Billboards,” I saw it again before all this happened, and had such an rapturous experience I had just had to write about it. AGAIN.You really DO have to see this film twice, at least,to get what is really going on in this incredibly rich, dense screenplay that McDonagh has graced us with. I found it soooo moving all over again. And perhaps this time, it was because I was looking at it from the perspective, that yes, this is a gay story. Or is it?

Finally, there was confirmation in the voice over that today’s Oscar Nominee for Best Supporting Actor, Woody Harrelson, writes in a letter to  Officer Dixon, at a very dramatic point in the story, which I won’t spoil here, except to say that Harrelson, as Officer Willoughby is saying that he knows that the angry, violent Dixon has spent time in jail, in his past and that the other prisoners are going to think at first that he’s “homophobic and will they be surprised!”

So McDonagh slips this rather crucial piece of information into the plot in a VERY understated way,  stealth to the max, and if you’ve missed it, you’ve missed it, and missed perhaps the most important point of the story. That this is not the story of a simple bigot. It’s the story of most of the red-neck south, and particulary of a confused, violent young man, who lives at home with his ancient alcoholic mother, who’s almost embalmed in gin, and he doesn’t like it one bit. He flirts with her in a jarring, but again, understated way, tousling her hair like he would another teenagers,

He’s totally confused and his youthful energy and rage knows no outlets, except beating up his prisoners, and he seems so randomly violent, at times you think that HE’s the killer of McDormand’s teenage daughter. You think that about Harrelson, too. Everyone is under suspicion in “Three Billboards.” And I didn’t notice the resemblance between McDormand and his mother’s character, with the close-cropped, dyed, blonde hair (pictured below). The actress who plays his mother so well is Riya May Atwood.

I found that last scene so incredibly moving. And it’s so, so simple. How can I explain it without spoiling the main dynamic of the film? Except to say that everything takes another amazing twist. And you really have to be ready for it. Dixon needs to find SOMEone to talk to, someone who understands his violent rages. And she does.

Seeing it twice, I was captivated. Are they villains? Are they murderers? Or could they be? And the acting by McDormand and Rockwell is mesmerizing and fine in the extreme. It’s a master class of understatement. They hypnotize you, as each hypnotize each other. Their acting is very, very rare indeed. It is off the charts.

She’s so bereft cannot cry. Her grief is ineffable. And her rage! Which fuels the movie with explosions literally and figuratively, that take the same form as Rockwell’s incomparable, terrifying outbursts, and I can’t wait to see it again!

May they all continue to be showered with Oscars!

My Year’s Ten Best 2017!

1. CALL ME BY YOUR NAME ~ One of the Best Films Ever Made. Period. The Gay Movie, we, as gays, have been waiting for all our lives. Timothee Chalamet has won BOTH the New York Film Critics and the L.A. Film Critics Best Actor awards. Armie Hammer is his magnificent love interest and co-star.

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2. WONDER WHEEL ~ Woody Allen’s latest and Kate Winslet’s tear-stained performance is one of her best.

3. THE SHAPE OF WATER ~ Guillermo Del Toro’s Best Film. Sally Hawkins is flat-out amazing as a Spanish Deaf Mute Janitress, who falls in love with something akin to the Creature from the Black Lagoon. But it isn’t ridiculous. It’s beautiful, and moving beyond words. She won Best Actress from the L.A. Film Critics. This film will make you cry.

4. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI– Irish Playwright Martin McDonagh’s magnificent morphing into a great American crime filmmaker. Frances McDormand and Sam Rockwell burn up the screen, literally. This film will make you angry. For all the right reasons.

5.  THE FLORIDA PROJECT ~Unbelievably, an epic film set in the make-shift budget motels across the street from  DisneyWorld, which was first called “The Florida Project,” as it was being built. Willem Dafoe is the sympathetic, sad-sack motel manager and six-year-old mischief maker Brooklynn Prince rock each other’s, and our world. Public access legend Sandy Kane makes a cameo appearance. She told me, “If you blink, you’ll miss me. It’s Tats over tits.”

6.ALL THE MONEY IN THE WORLD ~ Director Ridley Scott is back Big Time, as he directs Michelle Williams and Christopher Plummer in a tense, spine-tingling thriller about the ’70s kidnapping of J. Paul Getty’s grandson, who, yes, gets his ear cut off and sent to his mother (Williams.) But you can’t turn away.

7.LADY BIRD ~ Genius Greta Gerwig channels her boring, restless teenage years in  middle-class Sacramento into a box office bonanza that Irish actress Saoirse Ronan and Laurie Metcalfe as her befuddled, well-meaning mother from Hell, make herstory and could all win Oscars. Best Film of the Year from the New York Film Critics. Will it win the Oscar, too, for Best Picture? It might.

9. DUNKIRK ~ Christopher Nolan’s truly epic epic that makes all WWII war movies look like tiddly winks and utitlizes Oscar Winners  Mark Rylance, Kenneth Branagh and a cast of 100os to re-vitalize history in a seat-of-your-pants thriller diller. And rock star Harry Styles is in it, too. And he’s good!

10.  FROM THE LAND OF THE MOON ~ Marion Cotillard’s mesmeric performance once again lights up the skies in this unusual French love story.

“Three Billboards…” Superlative, explosive, knockout, lots of Nominations, but Sam Rockwell may be its only winner.



“Three Billboards Outside Ebbing Missouri” is one of the best films of this rich year. For once, the awards hype is justified. It’s a thrill ride through the unimaginable violence that plagues the small town of Ebbing, Missouri after a young girl is raped, as she is murdered, then set on fire. “Three Billboards…” is going to set the Awards season on fire, too. It will get many,many nominations.

Frances McDormand and Sam Rockwell are giving the performances of their careers, but I feel it’s Rockwell who’s going to carry home the gold. He’s been put in the category of Best Supporting Actor, though he’s arguably the co-lead. And he’s already been nominated for a Golden Globe and a SAG award. As has Frances, as has McDonagh.

I’ve been following Sam’s career since he was an Off Broadway actor, and he’s certainly a veteran now and has a role that is thrilling in its range and demands. As a small town cop, he has to be funny. He has to be a bit of a stooge and a stumblebum. And when the film turns dark, he has to go there, too,Oscar Winner Frances McDormand ( For “Fargo”) deserves the accolades that have been accruing to her powerful Mildred Hayes, the mother of the murdered girl. In a totally vanity-free performance, she dominates the screen so powerfully that you’ll never forget that clenched teeth, firmly set jaw, that uncompromised stare as she tries to find out who killed her teenaged daughter.

She astonishes in this film as a woman who can’t smile. She puts up these three billboards in a part of town where her daughter was killed accusing the police of doing nothing to find her the killer. And grief is making her look like a death’s head herself.Everyone in this town seems cut from the cloth of the Confederacy to put it mildly. And any of them could have done it. Especially a member of the Police Force.

Woody Harrelson is once again on hand to provide a firm grounding in ominous white cracker-dom at the outset. His battle with terminal cancer forms the second plot line that I won’t spoil here. But he’s great, too. Both he and his co-hort Rockwell, are both headed to the Oscars, and so is McDormand.But I wonder if the totally de-glammed McDormand is going to be any match for the younger and more comely superstars like Soirse Ronan. Sally Jenkins of “The Shape of Water” is more sympathetic and she’s mute. So Frances has some fierce competition in that category. She’s uncompromising. She’s great. But she has an Oscar already and Saoirse and Sally and even Michelle Williams or Annette Bening are all Oscar free…so far…Three Bill Boards 10

But ah! There is that Oscar golden moment for Frances when she encounters a free-ranging doe when she is tending a flowerbox she has placed near her dead daughter’s billboards. The look they share, eye to eye, female to female animal, is one of the few moments we see Mildred smile in this corrosive movie, you will NOT be able to stop thinking about.

Also the thrilling depths and layers that McDonagh has given Rockwell to play. He starts out as a crispy-crème, donut-chomping bigot. But he CHANGES. I can’t say how, but in the creation of Dixon, a co-lead to McDormand’s angry Mildred, he matches her beat for beat in VERY unexpected and powerful ways. He lives at home with his mother, who is always drunk. The Dear Readers of this blog can infer more…But what a complicated, stupendous role he’s written for Rockwell, who has never had a part this good since he debuted to much acclaim in “Box of Moonlight” in 1996. Unbelievably this prince of American actors has never even been nominated for an Oscar. Yet.

Even writer-director Martin McDonagh has an Oscar for a short he did. He’s certainly going to get a double nomination for both directing and original screenplay, and he’s going to up against Girl-Of-the-Hour Greta Gerwig in both categories for “Lady Bird.”

It’s going to be a very suspenseful Oscar night indeed. But I feel “Three Billboards” is such an IMPORTANT film, that they are going to give it Something Big, and that Something may very well be Sam Rockwell. as the irascible, temperamental, complicated drunk of a cop. That’s just him in the FIRST half of “Three Billboards…” The twists are UNBELIEVABLE, and it’s Sam’s character who gets to play all that juicy jazz as the plot and his character’s place in it unravel. He’s all but unbeatable. What a range McDonagh has allowed him to show!

The ubiquitous and wonderful Lucas Hedges, Oscar nominee of “Manchester by the Sea” is here, too, as McDormand’s bewildered, but compassionate son. In a moment of peak at the breakfast table, she lobs Fruit Loops at him.

He’s in “Lady Bird,” too as Saoirse Ronan’s high school boyfriend. And Peter Dinklage perks up the last third of the film as the town’s only human, a small person who is not small inside,   a midget, who befriends and helps McDormand in her fight against the lacksadaisical,  if  not downright indifferent, police “force.”

 

Their dinner date is a superb piece of comic timing. Yes,”Three Billboards” is darkly funny, too. This tragic tale of loss and corruption has an excellent sense of humor, too. In fact, it made me feel like I was watching a new Coen Brothers movie. The resemblance to their black humor and influence is definitely wonderfully there.

Irish playwright par excellence McDonagh, has fully made the unbelievable transition to American crime filmmaker. “Three Billboards Outside Ebbing, Missouri” thrilled me to my core with its wit, drama and intense originality.

“Shape of Water” One of the most beautiful, though improbable, love stories ever! Sally Hawkins is Magic!

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