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Archive for the ‘French’ Category

“Dunkirk” Lives Up to It’s Oscar Hype! Mark Rylance Will Get His 2nd Oscar nom!

I just LOVED “Dunkirk”! Not a fan of war movies as a rule, the cinemaster Christopher Nolan has re-written the book on this genre as well as re-inventing it with this spectacular achievement . It’s a heart-pounding, edge-of-your-seat, white knuckle thriller as well as an eye-popping, frightening and ultimately triumphant Best Picture of the Year. Well, so far, anyway.

It’s hard to imagine anything that will top it in terms of its’ size and scope, and story, too. Christopher Nolan is the screen-writer as well as director, and also, a producer.

I found myself moved from the first frames of “Dunkirk,” with its’ magnificent Hans Zimmer score thumping and pounding and shaking the earth, which in the first shots are a picturesque rendering of the French seaside town of Dunkirk as it was then, in June of 1940 .  Nazi leaflets are dropping like autumn leaves on the young British soldiers below, who all are about to be slaughtered outright by the unseen enemies machine gun bullets.

The most unlikely, scrawny, leading young man is newcomer Fionn Whitehead, (See above and at top of page) who we are going to follow through his epic journey of struggling to survive the evacuation of 400,000 British and allied troops, who are stranded on the beaches of Dunkirk.

Bullets are ripping, searing and whizzing everywhere as Nazi planes pound the helpless soldiers, exposed, vulnerable and innumerable on the Dunkirk beach. They are just sitting ducks. “It’s like shooting fish in a barrel” one officer proclaims.

How will they EVER get out of there? And that is the drama that director Nolan is portraying so incredibly accurately, and in such a breath-taking and wholly cinematic detail. Nolan’s exacting directorial eye gives verisimilitude a new meaning.Mark Rylance with Oscar 1

Oscar winner Mark Rylance (for Best Supporting Actor for “Bridge of Spies”)  is the truly heroic, mild-mannered, stiff-upper-lipped British captain. owner of his own medium-sized,  pleasure yacht, hardly a warship. It is one of the many civilian small craft that are commandeered by Churchill to set sail across the churning English Channel and rescue all those stranded soldiers. Rylance’s no-nonsense, utterly focused, amateur seaman/citizen is a masterpiece of restraint, understatement and terse John Bull heroism.

Dunkirk 2

And he’s symbolic of one of hundreds of small boats that turned the tide of this terrible war, WWII. They did the impossible, because they had to. How they were called upon and how all they just stepped up to this incredible, daunting challenge  and how in doing so  served their country and saved the free world. Churchill’s thrilling call to arms “We will fight on the beaches!” echoes throughout the film, and as a first generation Brit myself, I was immensely proud of all of them. magnificently depicted here in this their finest John Bull hour of courage.

It’s a David v. Goliath feat, and it’s all true. This really did happen. And Nolan re-creates it down to the smallest, scarifying detail. Not even pop star Harry Styles,who acquits himself quite admirably as the gnarliest of the small group of British soldiers, teenagers, really,  can fall out of line. If you weren’t looking for him, he would blend in totally with the other young, struggling, dirty, frightened, brave soldiers.

“Dunkirk” explodes with many, many understated and marvelously compelling performances. Irish actor Cillian Murphy(below)is totally unrecognizable as a survivor of a downed plane that Rylance and his crew of two lads rescue from the sea. Is he a German? Is he a deserter?

Rylance’s scenes of struggle between him and Murphy will. I’m pretty sure,  net the Oscar winner another nomination. He’s got the biggest part. The Academy likes to nominate those they’ve awarded and nominated before. But Murphy, Whitehead, Styles and Sir Kenneth Branagh (as the British troop leader,who has the most moving single line in the film, which I won’t reveal here) are all  exemplary.


That Harry Styles in his film debut holds his own with these Knights of the Realm is as much a tribute to Nolan’s laconic, terse direction of the actors as well as the many, many ships at sea and the planes in the air. And to shoot this all on water! How did he get those incredible, aquatic shots?

Hoyte Van Hoytena, the superb cinematographer of the awe-inspiring, acrobatic camera work is surely on his way to an Oscar for his astounding work here of filming the unfilmable on land and on sea .There’s not a lot of blood in “Dunkirk” but there is an awful lot of water!  Lee Smith’s phenomenal, fast-paced film editing is going to be acknowledged, too, at awards-time, I’m so sure. “Dunkirk” is incredibly only 90 minutes! And it’s shot on film. Nothing is digital.Tom Hardy Dunkirk 1

A special note most also be taken of previous Oscar nominee Tom Hardy (for Best Supporting Actor for “The Revenant”)’s ability to act throughout the film almost entirely in a pilot’s gas mask, with only his eyes and his voice for expression.(See above) He’s got to carry nearly a third of the film in tight close-up in his fighter pilot’s cockpit. He’s as moving and as effective of those fighting to survive below, who we see in full.Dunkirk 4

This picture was made for Oscar, and it will get nominated all over the place, and deservedly so. It’s a great movie. And a great movie movie. And Number One at the box-office for the past two weeks to boot. Don’t miss “Dunkirk”!

#Dunkirk, #Mark Rylance, #Christopher Nolan, #Harry Styles, #WWII #Tom Hardy, #War Movie, #Oscars, #Best Supporting Actor, #Best Picture

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Marcel Pagnol’s Incredible “Marseilles Trilogy” now Delicious Boxed Set on Criterion

What a delicious, French, binge-watching treat is ahead for all those Francophiles out there, cineastes all, who may not yet be familiar with one of the seminal works of French cinema! It’s the maestro of maestros Marcel Pagnol’s magnificent “Marseilles Trilogy”. Critierion is now issuing a delicieux boxed set of all three films, “Marius”, “Fanny” and “Cesar,” plus a hefty “Supplementaire” disc and book, so by the end of enjoying this summertime delight, you, too, can feel you really ARE on the French Riviera, albeit in the 1930s and in black and white.

Over the course of the three, two hour-plus films, we become enthralled with the star-crossed love story of Marius and Fanny, as their thwarted tempestuous amour fou echoes down the generations of this vivid-cross-section of French MIDI life.  The MIDI of France is the southern part. And the accents and the behavior of Les Marseilliase are VERY different from the Parisiens up north. Even a character, Monsieur Brun, who is from Lyon, gets the raspberries for being stuck up and too bourgoise for the VERY working class souls who frequent Cesar’s Cafe de la Marin, where much of the action takes place and his dreamer of a son, Marius works for him as a bartender/waiter.

The larger than life Cesar is played to perfection by the legendary Raimu, who Orson Welles described as “the greatest actor of our time.” Coming from the music halls and burlesque world of the MIDI, Pagnol really “discovered” him by making him the central character of the Trilogy, and also giving him one of the greatest roles of his, or anyone’s lifetime. Sort of a French Jackie Gleason, he mesmerizes whether he is shouting at his wayward son Marius (Pierre Fresnay) or trying to placate the confused young Fanny (Orane Demazis). He dominates all he surveys.

The dashing Fresnay ( he pronounced it “Fray-nay”) became quite the huge French movie star after the incredible success of “Marius.” The great Raimu was worried about him, as Marius, though, because he was the only lead actor from “the North.” He was Alsatian. But Fresnay was a total perfectionist and studied the quirky Marseilles accent for months.

When the cast was rehearsing, he was missing for three weeks, says Pagnol, in an interview, chuckling at the memory. Fresnay was working as a waiter at a sea-side bar in Marseilles, just like his romantic character, who is torn between his love for the sea and for his Fanny. His Marius is totally believable and moving in every aspect. “I knew he would be great in the role, and he was!” says Pagnol smiling.

And Fresnay’s accent is perfection. I couldn’t tell. Sir Alec Guiness called him his “Favorite Actor.”Marseilles Post Card

Pagnol was the great pioneer of location shooting, so we become VERY familiar with the grande charme of Marseilles, here depicted as a fishing town that is growing and growing into the thriving seaport it would become. That Pagnol loved his home town and the brilliant actors and technicians all from the South of France is evident in every frame. He is the one who revealed them all to the world for the first time. People were stunned that there were such good actors from “the South” and that not all the talent in France was concentrated in Paris!

I was lucky enough to be in La Belle Marseilles once myself. When in the early ’80s I was actually at the Cannes Film Festival with a movie I was actually IN with Divine.(I was Miss Bronx) It was Andrew Logan’s “Alternative Miss World” and still ranks as my only feature film.

ANYwho- I lost my passport and had to go to the American Embassy in Marseilles which was a delightful train ride along the Riveria. I still remember the beautiful sunshine and the smell of the sea. Marseilles is really the seaport town to end all seaport towns. I remember the subway stop having a fish-tank/aquarium set beautifully right into the blue mosaic-tiled wall of the subway station. I had bouillabaisse for lunch. And I still remember it as being the best bouillabaisse I ever ate! Bien sur! It was in Marseilles!

Though this 4-disc + booklet box of joy is complete in every aspect of Pagnol’s incredible work, and Fresay and Raimu both get more than their due, I thought it odd that the petite jeune fille, Orane Demazis who played the heroine , Fanny, in this tres masculine world, was all but completely ignored. Turns out she was Pagnol’s mistress who actually bore him a child during the making of “Marius” and “Fanny”! How totally French!Marseilles Trilogy 5

 

 

 

 

 

 

 

Rejoice! “Spamilton”s Sparklingly Funny CD Is Out! & The Show Is STILL running!

Rejoice, Musical Theater Lovers! And Haters, “Spamilton”s hilarious new CD is out! Yes! The Original cast in its’ entirety has been captured forever, affording devotees of the Maestro of Mirth Gerard Alessandrini, the ability to listen to his witticisms puncture that OTHER Maestro of the Musical Moment, Lin-Manuel Miranda & his monsterpiece “Hamilton” Things were so out of control last season that when the show opened , I mean, when “Spamilton” opened, and I saw it last fall, that other show “Hamilton”, it was literally eating Bway alive. Other shows were closing (“Shuffle Along” for one for instance) with lines of overnight campers-out literally littering W. 46th St. All hoping desperately to get a returned ticket. As is a  surprise character in the show is…but more on her later…

Things aren’t quite so desperate now. “Hello Dolly” is now the hottest ticket in town. And all of the original cast of “Hamilton” is gone off to Hollywood, or wherever, to be rich. Lin-Manuel himself is shooting “Mary Poppins” for Disney. I don’t know how that’s going to work out. Emily Blunt as Mary herself may save it.

We’ll see, Mary Dugan.

But in the meantime, if you STILL can’t get $800 tickets to “Hamilton” itself, “Spamilton” will do very nicely. And is a fraction of the price. It’s still at the snug Triad night club on W.72nd Street. And the CD is great! And even cheaper!  I can’t stop playing it! And laughing! Here’s a link to my original review from last fall.

https://stephenholtshow.wordpress.com/2016/10/24/spamilton-hilarious-brilliant-hamilton-spoof-off-broadway-at-the-triad/

It seems marvelously effusive in retrospect, but I still stand behind every superlative! And the cast has changed at the Triad. Only the wonderfully vermin-like Dan Rosales as Lin-Manuel and Chris Anthony Giles as the frustrated Leslie Odom as Aaron Burr(“I wanna be in the film, when it happens!) are still in it. But the new cast-members are just as hilariously versatile as the originals and they sing the range-y score magnificently.

Tristan J. Shuler as Daveed Diggs looks so much like the actor he replaced, I thought it was the same person! And he seems to just love rocking his jockeys off in “I Kill My Friends in My Underwear!” And Larry Owens is also a doppelgänger for his predecessor, playing Stephen Sondheim (yes, he’s in it, too) as Yoda. Sort of. And Ben Franklin. (Everybody in history is in this!)

I had the privilege of witnessing the performance of pint-sized Claudia Yanez playing ALLLLLL the females in the show, and I thought “Understudy! Uh-Oh!” But she was astounding, and fresh as a daisy. With a voice that could project all the way to Bayonne!

I’m also happy to report that the Playkill Program has been upgraded to allow me to include a strong mention that the amazingly adept and funny choreography on the dime-sized Triad stage is by Gerry McIntyre (“Thighs Up”!), and the just-right costumes are by Dustin Cross. Gina Kreiezermar is “Guest Diva”who does so well imitating Bernadette Peters, and Liza Minelli (among others) crying, disguised as a homeless woman who enters from the audience “Tickets. I need tickets! For a desperate diva!” to the music of the Beggar Woman from “Sweeney Todd.”

And I can now give fulsome credit to the zany, wonderful Glenn Bassett as the Queen of Broadway, who plays Jonathan Groff as the campy King George III to a T and remarks that his number is really the Beatles’ “Penny Lane” as he leads the audience in a rousing chorus of “Gay, gay, gay, GAY!”

Lin-Manuel himself has been to see it TWICE! And is quoted as saying,

“I laughed my brains out!”

“Bandstand” Another Great New Musical Arrives on Bway!

Broadway is just bursting with musicals as the season is quickly drawing to a close and the Drama Desk nominations have been announced (See post before this one.) And a marvelous surprise was awaiting me when I saw “Bandstand” last night. It’s one of the best! And in the year of “Natasha, Pierre…and the Great Comet”,”Come From Away” and “Hello Dolly” that is really saying something. I had heard nothing about it. Didn’t know what I was in for. But trust me. It’s a Wow! I know I just said that about “Hello Dolly,” but this is a NEW musical. Brand new, with an entirely new score set at the end of World War II, as the boys come home to…Cleveland.

I know that doesn’t sound like a great premise for a musical, but believe me, it was tremendous. Tremendously rewarding in its’ own sweet way. And it heralds the arrival of a sparkling new bunch of musical talent. Composer Richard Oberacker, who co-wrote the lyrics with Rod Taylor, has written a marvelously melodic, but also dramatic score with one terrific tune after the other.Written in what I guess you could call Swing time.

The band is made up of overseas warriors coming home to find no jobs in Cleveland.(Think “Best Years of Our Lives”) and no work.

Laura Osnes is the only previously known quantity as the leading lady. Formerly “Cinderella” herself, and of course, “Hamilton”s great Tony-winning choreographer, Andy Blackenbuehler, who here makes his stunning directorial debut and well as keeping the dancing GIs and snappy home girls as peppy as a gin fizz.

But the real find is their incredible young leading man, the charismatic Corey Cott, who opens the show and brings down the house in a wife-beater! Wailing a solo tune that bears his name “Donny Novitski.” The hairy-chested but wiry and very, very angry Cott howls up a storm about his plight and the war (and his Polish last name).

Corey Cott turns out to be the man of the hour from “Gigi”! He was the Louis Jourdan role in the delightful musical  of the classic movie, which played all too briefly last season on Bway. Coery Cott in Gigi 1

Cott’s got it all, and is allowed to show his great musical as well as emotional range here, as he returns from the war, truly scarred and troubled, whose only solace is playing his music.He convincingly morphs into ambitious band-leader D0nny Nova, who falls madly in love, natch, with the adorable Ms. Osnes. She is a local girl and a Gold Star war widow, and Danny was her late husband’s best friend. Julia, who has the unfortunate last name of Trojan. So she is Julia Trojan for most of “Bandstand”, and Osnes does her best work ever in this challenging, dramatic role, where she has to go from shy Sunday school church singer to swinging big band belter. And she does. And she’s been awarded a Drama Desk nomination for Best Actress in a Musical. This is in a year when her co-nominees are none other than Bette Midler, Patti LuPone,and Christine Ebersole. She and Cott sing their hearts out. And win ours in the process.

But I’m up in arms about the criminal overlooking of Corey Cott come awards time, which is upon us. Donny Novitsky a.k.a. Donny Nova is as equally challenging and demanding a role as Osnes’ Gloria Trojan. He should’ve been recognized. His vocal range is amazing and his sense of humor right on target. He sees Frank Sinatra as his competitor.  “He’s over-rated and he sings flat.”

I also have to say, I found “Bandstand”s book, funny and sharp, and amazingly well-written. And again it’s Oberacker and Taylor, who wrote it along with all the orginal music in the show. “Bandstand” is certainly a winner on all fronts. I couldn’t have enjoyed it more. And the fact that the main music is being played onstage by “Bandstand”s centraI characters, gives the 1940’s inflected  music extra-snappy pizzazz, and oomph is another charming, jazzy plus. I hope audiences find it and embrace it the way Danny and Laura so romantically embrace each other in this tuneful war-time( and post-war) romance.
It’s at the Bernard B. Jacobs Theater on W.45th Street, right in the heart of Bway. And I hope Bway audiences take it to their hearts, too.

Movies That Shouldn’t Be Made into Musicals “Ground Hog Day” & “Amelie”


If you think you’re seeing double, you’ll be seeing triple and quadruple in the current mish-mash that is passing as a hit musical from London, “Ground Hog Day.” I have to say that if you haven’t seen the 1993 Bill Murray movie set in Puxitawney, PA., you’re really out of luck. Because this musical doesn’t make any sense whatsoever.. But, so I’m told,  if you’ve seen the movie, it does. Otherwise, it’s a godawful mess. Or is it? Or is that EXACTLY what it’s supposed to be? Utterly and immensely confusing, like it’s central character, Phil, a TV weather person, played very engagingly by the swaggering Andy Karl.Ground Hog Day 3

But don’t get me wrong, I’m a huge fan of Andy Karl, having seen him long ago as one of the five “Altar Boyz” Off Broadway. He was the muscle- bound one and he continued in that vein with the tremendous performance he gave in “Rocky:The Musical” which I just loved. But audiences didn’t. I thought it was a real lollapalooza and Karl gave a knock-out performance as the iconic Rocky Balboa, made famous by Sylvester Stallone. Yes, he sang, danced AND boxed his heart out in “Rocky.”Andy Karl Rocky 1

Then he had the colossal bad luck of dislocating his ACL in previews for “Ground Hog Day,” and now has become something of a Broadway legend and also, believe it or not, a front-runner for the Tony for Best Actor in a Musical, because despite performing in a black knee brace, he went on!

They should re-label “Ground Hog  Day” as “Andy Karl MUST GO ON!”

In the great theatrical tradition, nothing could stop him from giving this powerhouse, but utterly confusing performance.” Obviously in pain, he went bravely forward, over and over and over again, as the repetitious “Ground Hog Day”, a science-fiction musical if ever there was one, repeats and repeats and repeats itself. With Karl leading the charge, injured though he is, and with his knee brace clearly showing (he’s in his underwear a lot, as usual. And thank god for those terrific thighs!).

And audiences are going wild.

“Ground Hog Day” will have to run on fans of the movie, and perhaps, garbled and senseless (to me, a non-believer) as it was, that’s what audiences are craving these dark days in our country’s history. A feel-good, only partially funny, gigantic musical that makes no sense whatsoever. The world has gone mad in Puxitawney, Pa, and that’s the plot, such as it is.  Puxitawney is where the famous Puxitawney Phil, the ground hog who if he doesn’t see his shadow when he peaks of his hole in the ground means we’re getting six more weeks of winter. As far as I could tell, he didn’t see it. Thank god, it’s really now spring in NYC!

So, it’s Feb. 2nd and time and Ground Hog Day itself, keep repeating, repeating and repeating  in our beleaguered hero’s brain, while those townsfolk around him make merry and march and re-march and re-march. There is no end to those parading Pennsylvanians!

The music itself is also not much of anything. Tim Minchin who debuted so powerfully a few seasons back with the wonderful “Matilda”, here goes backward in time to really forgettable music and lyrics that seemed to be in a time-warp of their’ own, as if the magical “Matilda” had never happened.

And since this show was generated out of Australia, the small town PA. people are REALLY cartoons of what Pennsylvanians are like. Whatever they are, Pennsylvanians are not singing Australians, with bad American accents. And so the nightmarish cartoon juggernaut that is “Ground Hog Day” continues to roll over and distort and distort and re-distort everything in its’ path.

The Bill Murray movie couldn’t be this non-funny or garish. Oh, yes, and there aren’t any jokes. But there are lots of flying sets, one of which injured Andy Karl and may have won him a Tony. He deserved it for “Rocky,” but not for this mess.

And no, I’m not going to find the movie of “Ground Gog Day” and now watch it just to make sense of this gob-bil-di-gook. It would be just too painful. And I’m sure not funny, after what I’ve just been through with “Ground Hog Day:The Musical.” It’s like a night-mare you want to forget.

And “Amelie”! I hate to say anything negative about “Amelie”. It’s like kicking a kitten. I saw this French language movie, and I didn’t like it ,and can’t remember anything about it, except that Audrey Tautou is endlessly cute, and became a French icon of the ages. And I never could understand why. But there, like the Eifel Tower, she stands. Starring in French films of wildly varying quality. But an American musical?

And not casting a French girl in the lead? New York is NOT Paris, and good as she was in the original Natasha in “Natasha, Pierre and the Great Comet” off-Broadway in the circus tent, and Tony-nominated for “Hamilton,” as his hapless wife, Eliza, Phillipa Soo never had to utter a single word of dialogue. Both these great early successes for the now 26-year-old Soo were wordless, sung-through pop-operas and boy, can she sing!

She possesses one of the great powerhouse voices, and it’s a pleasure to listen to her over and over and over again on the CDs of “Natasha, Pierre” and “Hamilton.” But here in “Amelie:The Musical” with REAMS of trite, banalities to make cute, piquant, quixotic and adorable, she’s utterly at sea. She’s at a loss with no script OR music to bolster her as she had both so memorably in “Natasha, Pierre” and “Hamilton.” I wonder if it will even last until the Awards are handed out in June? Somehow, I doubt it. And I’m a Francophile.

Can Meryl Parlay Her Golden Globes Speech Into Oscar #4?

meryl-streep-oscarHer Unforgettable Speech at the Golden Globes last Sunday was fiery, brilliant And she reminded us all that she is the greatest there ever was and certainly deserved her Lifetime Achievement Award. I certainly agreed with every word she said, but was she doing something more? Was she going for the Gold? Was she consciously or unconsciously trying to secure her Oscar Number Four? This time it would be for “Florence Foster Jenkins” which she is currently nominated for both SAG and BAFTA?

It could happen.

She effectively upstaged every one and everything that night at the Globes and ended up on the front page of every newspaper and magazine world-wide, looking like she had just one something BIG. Like an Oscar. The nominations are going to be announced on Tuesday morning, Jan. 24, albeit in a new format. They are going to be  shown as a live feed to all and sundry, not a live announcement in front of an audience of press at 5am PST as always before. So it can be shown as part of GMAmerica. We’ll see how this gambit works out.

But Meryl will be nominated again, you can take it to the bank, for her astonishing star turn as the worst opera singer who ever lived Florence Foster Jenkins in the hilarious, touching movie of the same name.florence-foster-jenkins-2-jpg

And in a tumultuous year where she was one of the bravest possible making the political statement that she did, SAG may decide to reward her courage first, when it holds its’ ceremony this week. And that may set the stage for her to win her fourth Oscar, too, tying her with all time winner Katherine Hepburn. Although Young Emma Stone seems a slam dunk at SAG. Best Actress is the only place SAG members can vote for the” La La Land” juggernaut.

The 67 year young veteran has some stiff competition this year.Perhaps her stiffest ever, as she is looking at her 20the Oscar Nomination! 20th! That’s already a record breaking honor.meryl-streep-2

The Best Actress race is the tightest in Oscar history. We have front-runner and Golden Globe winner Emma Stone, closely followed by BFCA winner Natalie Portman as Jackie, and now French icon Isabel Huppert, who just won ANOTHER Best Actress trophy at the Palm Springs Film Festival for the French language film “Elle.” Huppert also just won the New York AND LA film critics, so she’s on a major role. Meryl could upstage them all. Once Again. The power and anger and eloquence behind her Globes speech is something SAG, then the Academy might want repeated on their stages, too. It made headlines.

Supposedly going to be the lowest rated Oscar broadcast in years, industry voters may just want La Streep to put it back on top. and needless to say, her Florence was a fine, fine award-caliber performance. She’s got stiff competition with Stone and Portman and Huppert, but they’ve got stiff competition, too. And with Taraji P. Henson’s “Hidden Figures” suddenly trouncing “Star War: Rogue Nation” at the box-office this MLK long weekend. It’s going to be quite a jam-packed category. Stay tuned.florence-foster-jenkins-3#Meryl Streep

#Oscar Number Four

#Florence Foster Jenkins

#Meryl Streep

#Hugh Grant

#Best Actress Oscar

#Acceptance Speech at Golden Globes

#Golden Globes

#Natalie Portman

#Emma Stone

#Isabelle Huppert

#La La Land

 

 

 

 

 

 

 

 

 

 

 

 

La La Land Most Golden Globe Noms Seven!

la-la-land-8The Nomination announcement of the Golden Globe Awards always seems to me to be more important to The Race than the actual awards presentation themselves. THIS is the day when all the barriers are broken and all the gloves come off and the speculation just HAS to stop. Because well, we’re faced~ AT LAST~ with the actual participants in this Oscar saga. Or Awards saga, or what have you. NOW we know. With a historic SEVEN nominations for “La La Land” it is what has been rumored all along and I heartily concur, a great big fat solid award-winning hit!golden-globe-1

I loved it as I said the day before yesterday and the Hollywood Foreign Press Association loves it, too. And I’m so glad they did.

Sure, I feel sorry for the runner-up, the VERY deserving beautiful “Manchester by the Sea.” Of course, there’s a bias there, too. I love New England. Manchester by the Sea seems like a Cape Cod town not unlike Provincetown, with all the gay people removed. And in winter.

And yes, if that sounds depressing, it is. But it’s WONDERFULLY depressing. It’s THAT good a film. It may even be a great one, a classic. It’s GOOD depressing. It makes you think. It’s screenplay and director, both the great Kenneth Lonergan got nominated, and that’s very important.manchwarwe-by-the-sea-6

And it got nominated for Best Actor Casey Affleck, yes, him again. And Best Supporting Actress Michelle Williams, who will sadly lose in that category, if Viola Davis stays in that category.manchester-by-the-sea

Everything seems set in stone(though it’s not) once the Golden Globe nods are announced. THESE are the contenders, the people all the Oscarologists and Oscar strategists will have to bob and weave around. Yes, and SAG, too.

The Broadcast Film Critics moved their CEREMONY to last night and no one even knew it was on! So even though there was the strange upset of Emma Stone for Best Actress by Natalie Portman’s “Jackie,” it barely registered with the general public, which in this case means the Academy voters.jackie-tourBut it WAS noticeable because it was the only upset.

It will register with them the way that Isabelle Huppert’s three wins for Best Actress from the New York Film Critics, the LA Critics and the National Board of Review. As hardly a blip on the radar.

This season is going to now be all about “La La Land”s winning everything and whether or not that means Emma Stone loses to Natalie Portman. Emma will, of course, win in Best Actress Comedy or Musical and Portman will win in Best Actress Drama. Then what happens at the Oscars is anyone’s guess.

I know you’re all dying to know who actually WAS nominated for Best Actress, Drama, well, besides Portman it was Huppert, Amy Adams for “Arrival”, Jessica Chastain for “Miss Sloane” and the wonderful Ruth Negga for “Loving.” But the battle royal is shaping up between Emma Stone and Portman.

“Jackie” a film I loved personally and thought “How could the Academy deny this films’ greatness?” got only Portman as a main nominee. No screenplay. No director. No Best Picture. It WILL do much better at the Oscars. But compare the Golden Globe nods. “La La Land”s 7 to “Jackie”s 1.

Then of course, there’s the always unpredictable Supporting categories that suddenly seem to be the most predictable of all. Mahershala Ali wins for “Moonlight” and Viola Davis for “Fences.”

There was a serious lack of support for “Fences” too. Like “Jackie” it was surprisingly snubbed for Best Picture Drama, Best Director Denzel and Best Screenplay (by the late August Wilson). However, yes, Denzel did get ANOTHER Best Actor nod. But he and Viola were the only two from “Fences” which shocked me.

That will change come the Oscars, too. But it doesn’t have the myriad possibilities of nominations in the below-the-line categories that “La La Land” and also, unbelievably “Jackie” does.

And then what if the Academy decides, as it did so recently with Kate Winslet, to put Viola Davis not in Supporting, but lead for “Fences”?!?!? And why do I think they may just do that and who would get bumped out?fences-1

Taraji B. Henson already saw all the air go out of her tires this morning and only Octavia Spencer from “Hidden Figures” got in.

And it seems pre-ordained now that Mahersala and Viola will just march in lock step to the Oscars and Supporting duo winners(not from the same film) seem to keep doing. As recently as Lupita Nyongo and Jared Leto only three years ago,

If Viola had to break up the Natalie v. Emma log jam, I think she would win. Then Michelle Williams would win in Supporting for HER incredible performance in “Manchester by the Sea.”

We shall see…

For a list of the complete Golden Globe nominees go of course to http://www.awardsdaily.com

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