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Archive for the ‘Foreign Films’ Category

Producers Guild Announces Their Nominations

manchester-by-the-sea-8The Producers Guild has just announced its’ all-important ten nominations. They are listed below alphabetically. And it’s interesting to note that “Silence,” “Nocturnal Animals” and “Jackie” are completely left out. But a super-hero film like “Deadpool” is left IN.

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:

 

  • Arrival

Producers: Dan Levine, Shawn Levy, Aaron Ryder, David Linde

 

  • Deadpool

Producers: Simon Kinberg, Ryan Reynolds, Lauren Shuler Donner

 

  • Fences

Producers: Scott Rudin, Denzel Washington, Todd Black

 

  • Hacksaw Ridge

Producers: Bill Mechanic, David Permut

 

  • Hell or High Water

Producers: Carla Hacken, Julie Yorn

 

  • Hidden Figures

Producers: Donna Gigliotti, Peter Chernin & Jenno Topping, Pharrell Williams, Theodore Melfi

 

  • La La Land

Producers: Fred Berger, Jordan Horowitz, Marc Platt

 

  • Lion

Producers: Emile Sherman & Iain Canning, Angie Fielder

 

  • Manchester By the Sea

Producers: Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck, Kevin Walsh

 

  • Moonlight

Producers: Adele Romanski, Dede Gardner & Jeremy Kleiner

 

La La Land Most Golden Globe Noms Seven!

la-la-land-8The Nomination announcement of the Golden Globe Awards always seems to me to be more important to The Race than the actual awards presentation themselves. THIS is the day when all the barriers are broken and all the gloves come off and the speculation just HAS to stop. Because well, we’re faced~ AT LAST~ with the actual participants in this Oscar saga. Or Awards saga, or what have you. NOW we know. With a historic SEVEN nominations for “La La Land” it is what has been rumored all along and I heartily concur, a great big fat solid award-winning hit!golden-globe-1

I loved it as I said the day before yesterday and the Hollywood Foreign Press Association loves it, too. And I’m so glad they did.

Sure, I feel sorry for the runner-up, the VERY deserving beautiful “Manchester by the Sea.” Of course, there’s a bias there, too. I love New England. Manchester by the Sea seems like a Cape Cod town not unlike Provincetown, with all the gay people removed. And in winter.

And yes, if that sounds depressing, it is. But it’s WONDERFULLY depressing. It’s THAT good a film. It may even be a great one, a classic. It’s GOOD depressing. It makes you think. It’s screenplay and director, both the great Kenneth Lonergan got nominated, and that’s very important.manchwarwe-by-the-sea-6

And it got nominated for Best Actor Casey Affleck, yes, him again. And Best Supporting Actress Michelle Williams, who will sadly lose in that category, if Viola Davis stays in that category.manchester-by-the-sea

Everything seems set in stone(though it’s not) once the Golden Globe nods are announced. THESE are the contenders, the people all the Oscarologists and Oscar strategists will have to bob and weave around. Yes, and SAG, too.

The Broadcast Film Critics moved their CEREMONY to last night and no one even knew it was on! So even though there was the strange upset of Emma Stone for Best Actress by Natalie Portman’s “Jackie,” it barely registered with the general public, which in this case means the Academy voters.jackie-tourBut it WAS noticeable because it was the only upset.

It will register with them the way that Isabelle Huppert’s three wins for Best Actress from the New York Film Critics, the LA Critics and the National Board of Review. As hardly a blip on the radar.

This season is going to now be all about “La La Land”s winning everything and whether or not that means Emma Stone loses to Natalie Portman. Emma will, of course, win in Best Actress Comedy or Musical and Portman will win in Best Actress Drama. Then what happens at the Oscars is anyone’s guess.

I know you’re all dying to know who actually WAS nominated for Best Actress, Drama, well, besides Portman it was Huppert, Amy Adams for “Arrival”, Jessica Chastain for “Miss Sloane” and the wonderful Ruth Negga for “Loving.” But the battle royal is shaping up between Emma Stone and Portman.

“Jackie” a film I loved personally and thought “How could the Academy deny this films’ greatness?” got only Portman as a main nominee. No screenplay. No director. No Best Picture. It WILL do much better at the Oscars. But compare the Golden Globe nods. “La La Land”s 7 to “Jackie”s 1.

Then of course, there’s the always unpredictable Supporting categories that suddenly seem to be the most predictable of all. Mahershala Ali wins for “Moonlight” and Viola Davis for “Fences.”

There was a serious lack of support for “Fences” too. Like “Jackie” it was surprisingly snubbed for Best Picture Drama, Best Director Denzel and Best Screenplay (by the late August Wilson). However, yes, Denzel did get ANOTHER Best Actor nod. But he and Viola were the only two from “Fences” which shocked me.

That will change come the Oscars, too. But it doesn’t have the myriad possibilities of nominations in the below-the-line categories that “La La Land” and also, unbelievably “Jackie” does.

And then what if the Academy decides, as it did so recently with Kate Winslet, to put Viola Davis not in Supporting, but lead for “Fences”?!?!? And why do I think they may just do that and who would get bumped out?fences-1

Taraji B. Henson already saw all the air go out of her tires this morning and only Octavia Spencer from “Hidden Figures” got in.

And it seems pre-ordained now that Mahersala and Viola will just march in lock step to the Oscars and Supporting duo winners(not from the same film) seem to keep doing. As recently as Lupita Nyongo and Jared Leto only three years ago,

If Viola had to break up the Natalie v. Emma log jam, I think she would win. Then Michelle Williams would win in Supporting for HER incredible performance in “Manchester by the Sea.”

We shall see…

For a list of the complete Golden Globe nominees go of course to http://www.awardsdaily.com

“La La Land” Sweeps Oscar Off His Feet. Emma Stone Will Win Best Actress!

la-la-land-1I must say, I resisted “La La Land” for the longest time imaginable. I, a musical comedy queen par excellence, just did not believe the hype, that this small scale musical(seems like there’s only two people in it) couldn’t with one fell swoop bring Musicals back to the movies? And go on to win Every Single Critics Best Picture Award in the book? And have a real shot at winning the Best Picture Oscar, too? And a singing and dancing Emma Stone was going to waltz her way to the Dobly Pavillion and dance off with her own Best Actress Oscar, too? Well, that’s exactly what happened. To this film with the ridiculous title. It’s winning everything.

And I finally saw it and I fell in love with it.

Hard.la-la-land-2

Starring two of the most beautiful people in the world, the aforementioned Emma Stone and the dazzlingly handsome Ryan Gosling, they not only sing their way into your heart, they dance there, too! And Ryan Gosling turns out to be an ace jazz piano player, and plays all the film’s musical numbers himself. Yes! With his own real hands! Brilliant 32- year- old director, a Hollywood wunderkind, if ever there was one. Damien Chazelle might be dancing with more than one Oscar in his hands come Awards Night.

He’s done the impossible. He’s single=handedly brought musicals back to the movies, and he did it last year, too, with the astounding debut film “Whiplash.”

la-la-land-3Which, for all its’ dramatics, was really a musical too. About Jazz, again. And both films are going to go down in Hollywood history as will Stone, Gosling, and Mandy Moore the brilliant choreographer. And yes, there is a third part in this film, too, J.T. Simmons, the sadist drum-teacher of “Whiplash,” which won him an Oscar last year. Here he’s a uber-nasty manager of the nightclub of sorts that our Hero Sebastian, (Gosling) has been reduced to playing Christmas ditties in.

“La La Land” is the perfect film. For this year. It’s total escapism, and that’s what we all need right now. It just seems impossibly wonderful and harks back to all the great Movie Musicals of the 1930 through ’50s.

Being a song and dance man myself (I’ve also written MANY musicals myself, way back when, and an opera, too), I know what Seb (as she calls Gosling) and Mia(Stone) are going through. And it’s total rejection almost all the time. That’s Show Biz. And that’s particularly LA, where I lived for one year, and wondered how the dreams were manufactured that got me there.

“La La Land” is a love poem to LA. And I have never seen it look so gorgeous. The cinematography is candy coated and Ms. Stone wears bold, single colored costumes. After a particularly brutal audition experience, she walks sadly down pinkish Hollywood streets in a royal  blue dress. She later wears a solid yellow. Redheads are NEVER supposed to wear yellow, but Stone does, and she’s forever going to be associated with the “little yellow dress” that she’s seen dancing with Gosling as he falls in love with her.la-la-land-4 la-la-land-5

Oh yes, Stone is playing the ultimate Aspiring LA Actress. She’s so frustrated, she starts writing her own play, a one woman show for herself. I can related. I’ve done that, too. And she doubles her despair by becoming a playwright/actress.

And she doesn’t understand or “get” jazz. So. of course, she’s at cross-purposes with Seb, because he’s the ultimate jazz aficionado, who wants to own his own jazz club some day. She wants to be a star. And somehow, through the magic of movies, they find each other and fall predictably in love, but not toooo predictably.la-la-land-6

“La La Land” starts with a massive traffic jam on a highway(some things never change. I hate cars. I hate smog. And I hated LA until I saw this lovely picture.) The entire stalled group of honking horns and frustrated drivers then inexplicably burst into song and dance. “Another Day of Sun,” which I found a bit much. Seb and Mia don’t sing and dance here. He honks his horn at her. She gives him the finger, and drives off. This I could relate to.la-la-land-7

But “La La Land” is a slow burn. It’s takes it’s time getting to where it wants to go, but boy, oh boy, when it gets there, it just KILLS you. I just couldn’t stop the tears. And in this last part of the movie, Emma Stone goes from being just Emma Stone, who we’ve now seen for years, the almost garden variety movie ingenue doing almost the same raspy-voiced, big-eyed schtick, suddenly transforms into the great Screen Goddess we all hoped she would be, and she turns into an actress of such unexpected depth and poignancy, as well as beauty, that glows like uranium, or more accurately Oscar gold.

She’s Hollywood’s new Princess. The envelope, please.la-la-land-8

E.T.A. “La La Land” just led the pack with SEVEN Golden Globe nominations! More on this later.

Oscar Upside Down ~ “Fences” Finally Screens & Changes Everything

fences-1Well, I don’t think any of the as yet unseen Oscar-seeking films is going to FINALLY screen with the impact that “Fences” just did on Saturday night in LA. I always said it would win everything. It’s certainly going to get nominated for everything under the sun, as I always predicted it would.

Denzel Washington, who directed as well as starred in this film, has done himself really proud this time, everyone says, by successfully managing the stage to screen transfer that was everyone’s bugaboo. Chiefly Jeff Wells at http://www.hollywood-elsewhere. But no more. He didn’t think it would transfer to screen well enough to be “an Oscar movie.” But now that he’s seen it, he’s crazy about it.

I, having seen it twice onstage, was just blown away by Denzel’s greatest performance. And Viola Davis’, too. Both of them at their best ever and evidently judging by all the early news. (See Anne Thompson’s piece on Indiewire) It’s nothing fences-3but huzzahs. According to Sasha Stone. http://www.awardsdaily.com there was a standing ovation!

Even though everyone who was at that screening was supposed to hold their critical tongues until the film’s review embargo is lifted. I was not there. I was here, in NYC, but I can tell you what all and sundry have been saying  and it’s nothing but raves. Just the way it was on Broadway. Just as I predicted.

And yes, even Jeff Wells admitted, that Denzel could win his third Oscar, for his re-creation of combative Detroit garbage man. Troy Maxon.fences-6

I never thought I’d ever hear Jeff say that. He’s been a staunch “Manchester by the Sea” supporter since he saw it at Sundance.  And “Manchester” is a wonderful film. I  loved it, too. I hope it wins Something.

“Fences” ascendance is very bad news for the “Manchester by the Sea” bunch. Casey Affleck will now not win his front-runner Oscar for Best Actor. He’ll lose to Denzel. And since Viola has determined to “go Supporting” she’ll win that category.viola-davis-1fences-5 And there goes Michelle Williams front-runner status as the injured ex-wife in “Manchester.” Viola has gotten the Supporting Category all sewn up now. Too bad for three, now maybe four time nominee Michelle. There’s nothing to stop Viola. Her role as Denzel’s injured, long-suffering wife is the type of role the Academy LOVES to reward.

The surprise to me is that there may actually be THREE Supporting Actors nominated from “Fences.” Stephen Henderson, who was in the original Broadway cast, but whose performance I don’t remember at all. Mykelti Williams who was also in the Bway cast but he made even less of an impression than Henderson. I mean, I remember Henderson, APPEARING in it. He was there. But I don’t remember what he did. And I don’t remember Williams at all.

I was too dazzled by Denzel and Viola, I guess. They really were electrifying. And then there’s the role of the son, which I remember vividly. It’s a large, juicy part, and as played by newcomer Jovan Edson, he’s up to be nominated, too.

The three of them could all be nominated and cancel each other out, like the three gran dames of “Tom Jones” did in Supporting Actress in another decade long, long ago. Dame Edith Evans, Joyce Redman and Diane Cilento all went home Oscarless, tom-jones-1while fellow brit Dame Margaret Rutherford won for the V.I.P.S.

And of course, it’s going to be nominated for Best Picture, too, and certainly Best Director. Denzel who has two Oscars already could win two more that night of nights.  Best Director and Best Actor.fences-2And the late August WIlson, who wrote the screenplay before he died, could win posthumously for Best Adapted Screenplay. Wouldn’t that be something? You heard it here first, folks! Below is a shot of the entire cast at the Q&A in L.A.

OscarsSoWhitefences-4,no more. At least not this year!

 

 

 

 

Edgar Ramirez & Ana de Armas “Hands of Stone”

Edgar Remirez and And de Armas two of the hottest, rising stars of the Hispanic world, or any world, chat about how proud they are of their new movie “Hands of Stone”. Just out from the Weinstein co, the film is a biopic of the life of legendary Panamanian boxer Roberto Aranas. Filmed completely in Panama and co-starring Robert De Niro as his trainer and rock star Usher doing his first serious boxing, and acting role as Sugar Ray Leonard.

Editing by Kevin Teller

#Edgar Ramirez #Hands of Stone # Ana de Armas # Roberto Aranas

#Panama #Boxing # Boxing Movie # Robert de Niro # Usher

Brady Corbet Scores & Scares with His First Film Ultra-Creepy “Childhood of a Leader”

Brady Corbet 1Brady Corbet, an Indie actor whose work I’ve admired and followed, suddenly has done a 360, while still in his 20s and directed his first film, the ultra-creepy psychological horror film “Childhood of a Leader.”And I’m predicting after seeing this rather unforgettable, and unclassifiable thriller, he’s going to go on to direct more, much more. A dedicated cinephile, who lives in New York and Paris. This film is partially in French and is very European in its’ dark, unsettling sensibilities.

It calls to mind “The Bad Seed” in its’ unrelenting look at the horror a child can wring on his (or her) family. Although the child Prescott  ( Tom Sweet) in this movie, is not ever smiley faced and isn’t really deceptive, he’s out front and unrelenting in his hostility to his parents, his father, Liam Cunningham, who is an American and his European wife a terrific,nuanced Berenice Bejo. Childhood of a Leader 1

This is sort of grand allegorical fantasy of what would Hitler have been like as a child, if he was from a privileged Upper Class Franco -American diplomatic background. Based loosely on a short story by Jean Paul Sartre, Prescott seems to be a tiny Hitler through and through. And his sympathetic parents seem totally at a loss as to what to do with him.

Childhood of a Leader

It’s gripping, I’ll say that much and the wonderful Berenice Bejo is incredibly sympathetic and also coldly repellant in the role that is simply called “The Mother.” The film seems to be saying that all of Prescott’s(and later the free world’s) problem are a result of Mom.

“Childhood of a Leader” has already won Best Director and Best First Film for Brady Corbet when it premiered at the Venice Film Festival last year. And I think Corbet is going to go on to win many, many more accolades in this chosen career either as a director or an actor.Keep an eye on him.

Dame Judi Dench to Play Queen Victoria ~ AGAIN!

Judi Dench as Elizaberth 1This is very exciting news! Academy Award Winner Dame Judi Dench is set to play Britain’s Queen Victoria in a new film produced by Focus Features, directed by Oscar Nominee Stephen Frears. It’s called “Victoria and Abdul.”This is the news from Kristin Carag, the publicist of the film, who just sent me this exciting press release. I thought I’d print all of it for you.

Judi won an Oscar for playing Queen Elizabeth 1(pictured above) in “Shakespeare in Love.” And the last time she played Queen Victoria in “Mrs. Brown”, she got Oscar nominated, but didn’t win. I think in all she’s received something like six nominations as detailed below.

Like Audra McDonald with the Tonys, and Meryl Streep with the Oscars, every time she does something of this magnitude, she gets a nomniation. Sasha Stone has a saying “Never underestimate Judi Dench.”Judi Dench in Mrs. Brown 1

DAME JUDI DENCH TO STAR FOR DIRECTOR STEPHEN FREARS

IN VICTORIA AND ABDUL

 

FOR IMMEDIATE RELEASE

 

LONDON, June 17th, 2016 – Academy Award winner Judi Dench will star as Queen Victoria and Academy Award nominee Stephen Frears (The Queen) will direct Working Title Films’ Victoria and Abdul, to which Focus Features will hold worldwide rights as part of the company’s renewed global initiative. The movie is slated to go into production this year for a 2017 release. Focus will release the movie domestically and Universal Pictures International will distribute the film around the world. Victoria and Abdul is being co-financed by Focus in association with BBC Films.

 

The screenplay of Victoria and Abdul is by Lee Hall, an Academy Award nominee and Tony Award winner for Working Title’s Billy Elliot; and is based on Shrabani Basu’s book Victoria & Abdul: The True Story of the Queen’s Closest Confidant.

 

Victoria and Abdul was developed by Beeban Kidron and Lee Hall at Cross Street Films with BBC Films, and is being produced by Ms. Kidron, Academy Award nominee Tracey Seaward (The Queen), and Working Title’s co-chairs Tim Bevan and Eric Fellner. Mr. Bevan and Mr. Fellner have produced several Working Title movies for Focus release, including the Best Picture Oscar nominees Atonement and The Theory of Everything.

 

The film tells the extraordinary true story of an unexpected friendship in the later years of Queen Victoria’s remarkable rule. When Abdul Karim, a young clerk, travels from India to participate in the Queen’s Golden Jubilee, he is surprised to find favor with the Queen herself. As the Queen questions the constrictions of her long-held position, the two forge an unlikely and devoted alliance with a loyalty to one another that her household and inner circle all attempt to destroy. As the friendship deepens, the Queen begins to see a changing world through new eyes and joyfully reclaims her humanity.

 

Ms. Dench will be playing Queen Victoria for a second time in Victoria and Abdul, having been Oscar-nominated for her previous portrayal in Mrs. Brown. She won her Academy Award for portraying Queen Elizabeth I in Shakespeare in Love; and later received Best Actress Oscar nominations for her performances in Mr. Frears’ Philomena, also a Best Picture Oscar nominee, and Mrs. Henderson Presents.

 

Victoria and Abdul reunites Working Title with Ms. Kidron, Mr. Frears, and Mr. Hall. Working Title has made five previous projects with Mr. Frears; and has made multiple films with Ms. Kidron and Mr. Hall, including Bridget Jones: The Edge of Reason and the global hit Billy Elliot, respectively.

 

Christine Langan, head of BBC Films and executive producer of Victoria and Abdul, said, “BBC Films is delighted to have supported Lee Hall’s terrific script and extremely excited to be back in business with the winning combination that is Stephen Frears and Judi Dench.”

 

Focus chairman Peter Kujawski commented, “It is a true privilege to collaborate with the great Stephen Frears and the legendary Judi Dench to tell this story of discovery, and it is always an event when Tim and Eric make a film that promises to move and delight audiences around the world.”

 

Tim Bevan and Eric Fellner have been co-chairs of Working Title Films, one of the world’s leading film production companies, since 1992. Working Title has made more than 100 films that have grossed over $6 billion worldwide. Its films have won 12 Academy Awards (for Tom Hooper’s Les Misérables and The Danish Girl; James Marsh’s The Theory of Everything; Tim Robbins’ Dead Man Walking; Joel and Ethan Coen’s Fargo; Shekhar Kapur’sElizabeth and Elizabeth: The Golden Age; and Joe Wright’s Atonement and Anna Karenina), 39 British Academy of Film and Television Arts (BAFTA) Awards, and prizes at the Cannes and Berlin International Film Festivals.

 

Mr. Bevan and Mr. Fellner have been honored with the Producers Guild of America’s David O. Selznick Achievement Award in Theatrical Motion Pictures, the PGA’s highest honor for motion picture producers. They have been accorded two of the highest film awards given to British filmmakers: the Outstanding British Contribution to Cinema award at the BAFTA Awards, and the Alexander Walker Film Award at the Evening Standard British Film Awards.  They have also both been honored with CBEs (Commanders of the Order of the British Empire).

 

The company’s commercial and critical hits include The Interpreter, About a Boy, Notting Hill, Elizabeth, Fargo,Dead Man Walking, Bean, High Fidelity, Johnny English, Billy Elliot, Four Weddings and a Funeral, Bridget Jones’s Diary, Bridget Jones: The Edge of Reason, O Brother, Where Art Thou?, Love Actually, Shaun of the Dead, Pride & Prejudice, Nanny McPhee, United 93, Mr. Bean’s Holiday, Hot Fuzz, Elizabeth: The Golden Age, Burn After Reading,Frost/Nixon, Atonement, Senna, Tinker Tailor Soldier Spy, Anna Karenina, Les Misérables, I Give It A Year, About Time, Rush, The Two Faces of January, Trash, The Theory of Everything, Legend, Everest, The Programme, The Danish Girl, Grimsby, and Hail, Caesar!

 

Working Title’s upcoming slate includes Bridget Jones’s Baby, directed by Sharon Maguire and starring Renée Zellwegger, Colin Firth, and Patrick Dempsey; The Snowman, directed by Tomas Alfredson and starring Michael Fassbender, Rebecca Ferguson, and Val Kilmer; and Baby Driver, directed by Edgar Wright and starring Lily James, Ansel Elgort, Kevin Spacey, and Jamie Foxx.

 

Focus Features (www.focusfeatures.com) acquires and produces specialty films for the global market, and holds a library of iconic movies from fearless filmmakers. In addition to Victoria and Abdul, upcoming domestic releases from Focus include Kubo and the Two Strings, the new family event movie from animation studio LAIKA, directed by Travis Knight with a voice cast that includes Charlize Theron, Art Parkinson, Ralph Fiennes, Rooney Mara, George Takei, Cary-Hiroyuki Tagawa, Brenda Vaccaro, and Matthew McConaughey; Colin Trevorrow’s The Book of Henry, starring Naomi Watts, Jaeden Lieberher, and Jacob Tremblay; Tom Ford’s drama Nocturnal Animals, starring Amy Adams and Jake Gyllenhaal; the real-life story of heroism The Zookeeper’s Wife, directed by Niki Caro and starring Jessica Chastain; the action spy thriller The

Coldest City, directed by David Leitch and starring Charlize Theron and James McAvoy; J.A. Bayona’s visually spectacular drama A Monster Calls, starring Sigourney Weaver, Felicity Jones, Lewis MacDougall, and Liam Neeson; and Jeff Nichols’ Loving, based on the love story of Richard and Mildred Loving, portrayed by Joel Edgerton and Ruth Negga, which world-premiered at the 2016 Cannes International Film Festival.

 

Focus Features and Universal Pictures International are part of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment television networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. NBCUniversal is a subsidiary of Comcast Corporation.

#        Judi Dench                                                                    #      Dame Judi Dench #Shakespeare in Love, #Oscar, #Queen Victoria, #Victoria and Abdul, #Focus Features                                                                #

 

 

Contacts:             Adriene Bowles/FOCUS FEATURES                          Cathy Dunkley

adriene.bowles@focusfeatures.com                                      cathy.dunkley@freuds.com

 

 

 

 

 

 

 

 

Kirstin Carag

Director of Digital PR

Focus Features

1540 Second Street, Suite 200

Santa Monica, CA 90401

424-832-5573

 

 

 

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