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Posts tagged ‘Best Actress’

Greta Gerwig is a genius! Her first film “Lady Bird” Is Brilliant! Will be nominated for many Oscars!

Greta Gerwig is a genius! There are no ifs and or buts about it, she just IS! Her new film “Lady Bird” is so brilliant, you can’t believe it. And she wrote it and directed it, too! Superbly! We’ve all known her as an actress. She emerged in her early 20s to become the Queen of Mumblecore. But she’s the Queen of Mumblecore no more! In her 2O’s, she seemed to be in every single Indie film that was happening during “The Mumblecore Period”. I never thought she was mumbling. Her light as a quirkily original young actress, always outshone most of her films. One notable exception was Whit Stillman’s witty,wicked take on college sororities,”Damsels in Distress.” Stillman and Gerwig seemed a perfect match. Later she began to turn up in more adult roles, like Mike Mills’ “20th Century Woman” and last year’s “Jackie.”

Indeed her style and wit seems the most similar to Stillman’s fizzy blend of champagne and real pain.

“Lady Bird”s big shocker and also its redemption is that is based in HIGH SCHOOL! Yes, it’s a coming of age story. That old trope which seems as ancient as time immemorial. A young teenage age girl struggles to find herself and to come to terms with her harassed embarrassment of a nagging mother. How cliché is that? But in Gerwig’s amazing young hands she turns this time-worn epic into something quite wonderful and new. In that alone, it’s amazing. It transcends genre, time and place.

She seems to have invented teen-ager-dum, or rather re-invented it. Set in the mid-1980s, we see Lady Bird fighting with her frazzled Mom. Sairose Ronan plays Lady Bird and Laurie Metcalf her Mom, and BOTH are going to the Oscars this year  with a ton of other nominations. Including, yes, Gerwig herself, breaking in to the male-only best directing category as well for sure the Best Original Screenplay category.And young Irish actress Saoirse Ronan, who plays Lady Bird so convincingly at the same time, she seems to be channeling Gerwig herself. As is we’re seeing a halo-gram projection of Gerwig’s inner life. As she desperately tries to escape her ho-hum life in Sacramento “the mid-west of California” and go to a college in the East where it seems everything is “more exciting in a place like, y’know, Connecticut.’

In the first amazing scene in the film, we see her fighting with her mother about this who is adamant that she go to a Community College in Sacramento. Lady Bird screams and jumps out of the moving vehicle. And that’s just the first scene of the movie!

We’re with Lady Bird every step of the way, as she continues her fight in every aspect of her life in Sacramento. Especially the hide-bound Catholic school she attends where all the students have to wear the traditional uniform of the blue  plaid skirt and ugly, flat-chested navy blue jumper.

Lady Bird 10

How did Gerwig pull off this amazing double hat trick of writing & directing a major motion picture? At the press conference at the NYFF last month, she told a room of spell-bound press (pictured above ^) that being ”a film director is what I always wanted to be” And that as a much-employed actress, she was always studying just how all the great directors she was working with were doing it. An apt student, very much like Lady Bird herself, she clearly didn’t miss a trick.

And it has to be said that young(21) Saiorse Ronan is something of a genius herself. She plays the title role so that you love her AND hate her. She’s died her hair nearly every color of the rainbow, but it’s not becoming.

Lady Bird 11And she’s the first potential Best Actress nominee that has every played the leading role in a film with a full face of realistic teenaged acne. Ronan at her early age has been nominated TWICE already. For Best Actress just last year in “Brooklyn,” and for playing the villainous child Bryony Tallis in “Atonement.” And she’s really quite a good-looking young lady. Ingenue! Oscar can’t resist that word. Ingenue! She might be the one that takes the Oscar home this year. AND she’s Irish playing a convincing Californian….

And now that the film “Lady Bird” itself is such a success on every level, I don’t think we’ll be seeing much of Gerwig herself in front of the camera. She’s going to continue on with writing and directing and I hope she never stops! Her talent seems unfathomable and endless. I can’t wait to see what she does next!

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Luminous, Lucent, Transcendant Kate Winslet Could Win Her 2nd Oscar for “Wonder Wheel”

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Lustrous, luminous, transcendent Kate Winslet is the wonder of Woody Allen’s new “Wonder Wheel.”
Is there any American filmmaker alive today who writes  such great roles for women? No. There simply isn’t. And as photographed by cinematographer Vittorio Storaro, Kate Winslet seems to be a cinematic miracle of color and light, majesty and emotion,

You simply can’t take your eyes off her. Storaro and Allen have combined to give her a cinematic beauty that makes you gasp, in a multi-faceted role that makes you applaud. She is playing Ginny, a Brooklyn waitress, who works in a Coney Island Clam House. I have known SOOOO many Ginnys in my lifetime, and British though she is, Winslet absolutely nails her Ginny to the Coney Island boardwalk. And it’s  stirring performance in the grand tradition. She’s every woman. And every woman I’ve known, from Brooklyn, trying to make a better life for herself and her family. And trying to find love at the same time, having given up her dreams of being an actress earlier in her life.

Winslet’s Ginny seems the simplest of creatures.. But Allen’s writing and her bravura performance proves that every woman is as complex as a whirlwind. Or a rollercoaster. Or a Wonder Wheel at  Coney Island, to use this film’s great metaphor. Winslet has never seemed so bedeviled and so bewitching at the same time. She’s a housewife in waitress’ outfit that she wears like a queen, as she goes about her frantic daily work of cooking and cleaning for the whole of Brooklyn it seems.

Allen and Storaro capture the ordinary woman’s extraordinariness. She is married to a lout (James Belushi) and having a torrid affair with Justin Timberlake, the local lifeguard. Timberlake’s string-bean-ness seems out of place as a life guard, but he, too, has movie star charisma in buckets instead of muscles, that make all the women in the film falling for him make sense.Justin Timberlake Wonder Wheel He and Belushi have both never been better.Kate Winslet 1

She is playing Ginny, a common-as-they-come Brooklyn waitress, who is as uncommon, as she is earth-bound. Winslet’s a fiery red-head this time. And in Storaro’s use of orange and amber light, she seems so on fire, she is burning up the screen. It is no surprise then that her red-headed son is an arsonist, setting  a fire every time he’s left alone. The fires remind him of his mother.

And Juno Temple is Belushi’s neglected daughter, who turns up as a “Marked” woman, being chased by the mob, because she married a gansta, and became a “canary” who sang on her husband, making her a woman on the run for her life. She hides  out in Winslet’s and Belushi’s  humble household underneath the ever-present Wonder Wheel. Young, blonde Temple has the role of her career here, too, and is doomed from the first seconds we see her taking her first tentative steps under the Wonder Wheel.

In a simple car ride in a romantic rain storm with Timberlake, she becomes, as he says “as beautiful as the rain light.”Storaro has lit her in golds and blues to emphasize her beauty as well as her melancholy. She, too, is magnificent in this film.

Storaro  and set designer Santo Loquasto make more magic by making Coney Island in the ’50s look like the Riviera.

Winslet’s performance is so heart-breaking and towering it immediately recalls the great screen performances of screen queens past. Joan Crawford in particular. The shop girl who was not a shop girl.  The waitress who was not a waitress. And reminds you that not since the ’40s have actresses consistently seen parts like this. Winslet’s Ginny is the  working class version of Cate Blanchett’s Jasmine in Allen’s recent Oscar winner “Blue Jasmine.” “Wonder Wheel” is his best film since “Midnight in Paris” and is now one of my favorite Woody Allen movies. It’s right up there with the best. It reminds me why I love Brooklyn. And New York City.

“Wonder Wheel” is a movie movie about romance and melodrama and great actresses playing great roles. And it ends this year’s superlative NYFF with a BANG!

Oscar Nominees Begin to Arise at NYFF


Oscar Nominees, potential Oscar Nominees, Begin to Emerge as the New York Film Festival reaches its’ much touted half-way point.

Last Flaf Flying 1
The biggest winner so far seems to me to be Steve Carell, who has two strong possibilities in two films, one in the Festival, one outside it. The hilarious “Battle of the Sexes” and the somber “Last Flag Flying”.Steve Carell

I would say that his hysterical turn as blow-hard Tennis Pro Bobby Riggs is almost sure to be nominated in the Supporting category for Carell. I would’ve said that his MUCH more serious turn as the grieving father in “Last Flag Flying” was also a Supporting performance, but some are saying he’s lead.

It would be just like the mercurial Carell to end up in both categories. He’s well-liked and clearly at a career high, so it’s entirely possible.

I’m SURE they are going to nominate Emma Stone, last year’s winner for “Battle of the Sexes.” That would be in the Best Actress category for her portryal of closeted lesbian Tennis Pro Billy Jean King. Best Actress is now more jammed than ever with potential nominees clamoring to get in. Saoirse Ronan is pitch perfect at the rebellious teen in “Lady Bird.” She’s definitely an “In”. As is Laurie Metcalfe, also on a roll, after winning the Tony this year for “Doll’s House, Part 2.” Her put-upon hard-working mom to Ronan’s rambunctious teen daughter is as maddening as she is sympathetic. She’s “In” in Supporting, never having even been nominated for an Oscar before.

Another surefire “in” is Willem Dafoe in the magnificently original “Florida Project.” He could win in this category, Supporting Actor, but he’ll be up against Carell, or even Bryan Cranston AND Laurence Fishburne for “Last Flag Flying”. Though I would say Cranston and Fishburne are BOTH leading roles.”Florida Project” also has a secret weapon in six-year-old Brooklynn Kimberly Prince. Florida Project 1They nominated another six-year-old and quite recently, too. Quevezhane Wallis in “Beasts of the Southern WIld.” Hey, even in a crowded year for Best Actress , like this one, powerhouse charmer Brooklynn( that’s with two “n”s thank you very much.)could surprise.

A complete unknown still is Kate  Winslet’s performance  in the still unseen “Wonder Wheel” of Woody Allen. It closes the Festival and absolutely no one has seen it yet. But the buzz is deafening and the production photos look awesome.

Someone who is NOT getting in to the crowded Best Actress race is octogenarian Dame Judi Dench, who I’ve admired and loved all my life. But “Victoria and Abdul” is the worst thing she’s ever done. Sad to say. Long, slow, and although she’s her usual great self in the funny first half, in the second more serious half, she had sooooo many death scenes, I couldn’t WAIT for her to die. Which is an awful feeling for a potential Best Actress nominee. She’s been to the Queen Victoria well one too many times now. She’s been there, done that, and quite frankly her failure to carry this film through to the end, just sickened me. Yes, even Judi Dench is human. She just doesn’t know when to stop.

Can’t wait for “Wonder Wheel” this Friday and for “Wonder Struck” by Todd Haynes tonight at the NYFF. Their Opening Night film was “Last Flag Flying” and “Wonder Struck” is their Centerpiece and “Wonder Wheel” closes it.

A superb film that is none of those things but “Call Me By Your Name” is Luca Guadagnino’s masterpiece and a gay love story to end all gay love stories. Timothee Chalament, is the teen in THIS coming of age story. He’s also playing a bad boy rock musician in “Lady Bird. ”

Army Hammer is the other half of this lovely gay love duo, and BOTH performances are so powerful, they could BOTH get nominated. Chalamet in lead and Hammer in Supporting.

As bizarre as it sounds all these films could get nominated for Best Picture. That’s how good the New York Film Festival has been this year.Call Me By your Name 1

Amazing Emma Stone Dazzles in “Battle of the Sexes”! Best (Lesbian) Tennis Movie EVAH!


“Battle of the Sexes” is one of the Best Films of the year. It contains the best ever filmed Tennis Match, and last year’s Oscar Winner Emma Stone is just GLORIOUS in it! She’s in her prime here and proves that yea, she CAN act up there with the Big Ones in Hollywood Heaven.. And will for sure garner her second Oscar nomination for her charming, conflicted Tennis Queen Billie Jean King.

“Battle of the Sexes” while it purports to elucidate the Tennis Match to end all Tennis Matches of the 1970s (And I don’t even like Tennis!)between feminist heroine Billie Jean King and self-proclaimed Male chauvinist Pig Bobby Riggs (an excellent Steve Carrell), it really is Billie Jean’s surprising coming out love story between her and her devoted hair dresser (in more ways than one)(Andrea Riseborough). Their extended, erotic, lesbian love scenes are something to cheer about. They’ll leave you as breathless as the participants. Tender, beautiful, moving.

I can’t ever remember this many completely shown Sapphic sex scenes in a mainstream American film, and that really is just a joy to behold. Not over-the-top, not overdone, Stone & Riseborough really hit the mark as two lovers who must hide in the shadows and sneak around even though it’s the supposedly enlightened 1970s.

Actually, Emma Stone has never been better. She is growing before our delighted eyes in to one of the Best Screen Actreses Maybe Ever. And Steve Carrell is at the top of his game here, too, as the buffoon-ish Bobby Riggs. “The Battle of the Sexes” is a Match Set. Love All.
“The Battle of the Sexes” is that rare thing, and truly refreshing movie.

CD of “Natasha, Pierre & the Great Comet…”A Masterpiece Recording of a Masterpiece Musical!

The soon-to-be-released 2-disc CD of the Original Broadway Cast of “Natasha, Pierre and the Great Comet of 1812” is a masterpiece of recording of a masterpiece musical. I’m sorry, I just can’t stop the superlatives when talking about “Natasha, Pierre..” or as some call it “The Great Comet.” But whatever you call it, I predict it’s going to land like a bomb in the middle of TONY awards season. It’s due out May 19 and it will be flying off the shelves, like, well, like the great comet that it memorializes forever in this dazzling pop-opera spectacle that I’ve seen FOUR times and I can’t wait to see again!

Natasha, Pierre 22And yes, the magnificent lyric baritone of the legendary Josh Groban pierces through the massive ensemble and breaks your heart, with a vocal range we have barely heard him use before, especially thrilling in the darker, almost guttural, lower tones. Groban is turning into a consummate actor-singer right before our very eyes, and he has been selling out Broadway with this fiery, very avant-garde opera that challenge him at every step he takes and every note he sings and he meets the challenges magnificently..

And yes, I could see him singing at the Met one of these years. His voice just grows in depth and resonance in this incredible recording, as his performance as Pierre Bezukov has grown, too, since I first saw it. “Poor, bewildered Pierre, a warm-hearted Russian of the old school” sings the full-throated chorus, masterfully orchestrated by composer Dave Malloy. He was nominated for TWO Tonys, for his score and his orchestrations of it.

Natasha, Pierre 20Groban has two stunning solo numbers “Dust and Ashes” which ends his Act One and the title song, which ends the show. He is also singing throughout the entire score, with that pure, moving voice that is sometimes here almost a rock rasp. “What? What? WHAT?” he wails as his cousin Maria Demitryevka (the frightening Grace McLean) tells him some very alarming news indeed regarding his unrequited love, beautiful, young Natasha.

His Pierre is angry, frustrated, and almost always reading or drunk. He is married to “a bad wife”, the slinky, sensual Amber Grey as Helene.

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She continues with this sensational role of “the slut”, wailing like a blues singer, belting out “Charmante,” wearing green furs and sequins, and sounding for all the world like a Russian Billy Holliday. As she helps seduce innocent Natasha, a better-than-ever Denee Benton, for her dissolute brother Anatole.Denee Benton 1

He is played to the hilt and beyond by Lucas Steele, who has also been with the show through all the years of its’ many peregrinations as has Amber Grey, McLean and many others. He actually has a larger role than Groban!Josh and Lucas

“Natasha, Pierre…” has had a grueling five year journey From the tiny Ars Nova theater Off-Off Broadway to the festive circus tent in the meat-packing district, where I first saw it. where they served dinner! They also went to Boston to the ART theater there. All the while under the stupendously inventive guidance of  director Rachel Chavkin. who is herself nominated for a Tony, too.

“Natasha, Pierre…” has now been nominated for TWELVE Tony Awards and I hope it wins all of them. Groban, Benton and Steele have all been nominated in their categories, but only Lucas Steele of the actors has won an award for the evil Anatole so far. He scored a prestigious Lucille Lortel Award.Lucas Steele 1Lucas Steele Lucille Lortel Award 1

In his category, Best Featured Actor in a Musical, he’s up against Broadway veteran Gavin Creel, who is a riot in “Hello, Dolly!” Both shows are mega-hits, but Steele’s Anatole is so dastardly, and also so devilishly handsome and sexy AND he plays the violin, having a wild solo as he fiddles away, preparing his plans to abduct the underage Natasha. He’s married already, and it’s a crime that he’s about to perpetrate. Yes, even in 1812 Moscow, he would be considered a criminal. and yes, this is all out of a tiny sliver of the 1000+plus-paged novel “War and Peace” from which this epic is adapted by the uber-talented Malloy.

This sliver is so epic…you can only imagine what the rest of Tolstoy’s classic novel is like. Believe it or not, I read it in the 8th grade. The other kids in the Bronx Catholic boys school I was doomed to,  made fun of me carrying his huge tome around with me for a year.

“Are you really reading all that?”

Yes, I was and I did, and I’m so glad now that I can say that I felt every inch a genuine Russian after reading it and especially seeing “Natasha, Pierre” FOUR times! And now this extraordinarily beautiful, tuneful, masterfully recorded treasure of a CD is coming soon! May 19! Remember that date!

I saw “NPATGCOE,” as the Internet might abbreviate, this last time, seated RIGHT ON THE STAGE! Every time you see it sitting in a different place in the wildly re-devised Imperial theatre,  it’s like seeing a different play! When you’re sitting on the stage itself, you feel like you are IN the play! The stage actually vibrates with the bass notes of the synthesizer that sometimes Josh Groban himself is playing in the pit of the orchestra. Which is stage center and completely unhidden.Natasha, Pierre Marquis

In fact, from his first entrance in front of a blinding blaze of  white lights, he is playing the accordion himself, and he rarely if ever leaves the stage.  Bespectacled Pierre is Tolstoy’s alter-ego. He is one of the first, modern anti-heroes. He is thoroughly depressive, a big Russian,
beaten-up bear of a character. And yes, he’s the hero of “War and Peace.”  Groban to his everlasting credit has totally immersed himself to the point of unrecognizability in his heroic, vanity free performance. He is wearing a fat suit. He now lumbers and growls and shuffles his considerable weight as a middle-aged man would. His long, thin fingers shake with what may be delirium tremens as in a man who drinks Way too much. His young brow is now furrowed, without any make-up.

You can hear this bear of a character that he is so perfectly portraying growling through the CD like a wounded animal. But like the maestro he is, Pierre’s voice, his howl of pain, is always also modulated and very, very beautiful.  And moving.Natasha, Pierre Broadway SetYou must hurry and buy it. I predict it will be a best seller, the first Broadway recording and the best maybe ever. It could go platinum in five minutes. And go see Groban live and onstage before he leaves the show forever in July. He’s entitled. He’s been packing them in on Broadway, for nearly a year, revitalizing it and don’t even get me started on Mimi Lien’s transformative set and the wild, magnificent lighting of Bradley King! Both also nominated for Tonys. I hope they all win!

I also have to add that there seems to be a thousand-voiced choir, an epic number of voices that call themselves “The Great Comet Singers” who are pictured in the CD program and contribute to the amazing sound and rhythm of “Balaga” and “The Abduction.” They are also credited as “Shakers.” Because the audience was all given egg-shaped shakers to increase the beat of the delirious troika ride to end all troika rides in Act Two. Yes, “Natasha, Pierre and the Great Comet” of 1812 will abduct you, too. Your heart, I mean. You’ll never think of musicals the same way again.

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#Natasha, Pierre, # The Great Comet of 1812, #Natasha, Pierre and the Great Comet of 1812 # Josh Groban, #Lucas Steele, #Tony Awards, #Denee Benton, #Russia, #War and Peace

“La La Land” Wins Both Music Awards, “Manchester” wins Best Original Screenplay

city-of-stars“La La Land” wins two more making four so far. Best Song “City of Stars” and Best Score. And now Ben Affleck and Matt Damon are presenting Best Original Screenplay. I hope it’s “Manchester by the Sea”!

And It is!!!!!

casey-lucasTHRILLING!!!!

And “Moonlight” wins Best Adapted Screenplay.  Lots of Applause. A very popular choice. And it’s a Gay Movie. Who woulda thunk it?

It’s won two. The same as “Hacksaw Ridge”. Now the big awards are upon us.

Halle Berry, looking younger than ever, but with an awful Afro, giving out Best Director.

Damien Chazelle, the youngest Best Director in Oscar history, just won Best Director. So that’s five so far. It’s only going to win two more, if I’m right Actress and Picture.

First time an American director has won in YEARS, believe it or not.

 

 

Live Blogging the Oscars! First up, Lucas Hedges!

lucas-hedges-oscarlucas-hedges-shaved-headlucas-hedges-manchesterLive Blogging the Oscars has begun! I never start this early! It’s barely 6pm EST, but Supporting Nominee Lucas Hedges of “Manchester by the Sea” just gave the first speech of the evening to Sandy Kenyon of ABC.

Lucas was in full head-shaved mode for his hit Off Broadway play “Yen.” His trade-mark red-hair was completely gone. He was rocking an out-sized but chic, black bow-tie and traditional tux and he told Kenyon straight off “I don’t think I’m going to win.” But quickly added “The Nomination is the Win.” And compared it to riding on a roller-coaster and that his car had to go through three security/bomb searches on this way it. “They were all dressed up”(the Security men) like they were in Robo-Cop. It’s crazy.” And Kenyon wanted to know how it felt to be nominated for the Oscar at age 20. “It’s unbelievable. I can’t believe I’m here.”

Newsflash! Not! Natalie Portman of “Jackie, up for Best Actress, isn’t coming tonight, “because of her pregnancy.” Which didn’t stop her from coming six years ago, when she was also pregnant, and nominated for “Black Swan” which she won. She probably knew she wasn’t going to win this time. Nothing’s going to stop Emma Stone in “La La Land.” So Portman didn’t want to show up,  pregnant, and lose.

She got to the Golden Globes alright. But she did look very large.natalie-portman-pregnant#Oscar Red Carpet

#Lucas Hedges

#Natalie Portman

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