a.k.a. "The Oscar Messenger"

Archive for the ‘Comedy’ Category

Golden Globe Winner Sam Rockwell Rocks SNL!

Talk about timing! As the NBC promos all night were announcing before the show came on at 11:30 pm, that “red-hot Sam Rockwell” was hosting tonight’s show. Fresh off his surprise win at the Golden Globes on Sunday night, his garnering their Best Supporting Actor Award for “Three Billboards Outside Redding Missouri” was mentioned to maximum effect.

His best segment was his Opening Monologue which turned into a song and dance number ( yes, he can do both, and he’s a terrific dancer, too ) about how his award this week,( and by implication, his double win at the Critics Choice Award on Thursday night )  he sang how he’s  now gone from “A character actor to a leading man.” And this number hit just the right note of self-satire, and also  SNL’s clear championing of him in this happy moment of transition. He’ll no doubt be back there to host many, many more shows. And hooray for that!

I knew audiences knew he could play anything, act anything, and in “Three Billboards” he practically does.

But I’m sure he surprised many by singing and dancing and busting a move, as they say. Grabbing a top hat and cane and tapping off the tiny SNL stage into the audience, down the aisle and into the off-stage areas of NBC hallways, who have the room for all this action.

It concluded with him jumping on a camera crane and being hoisted aloft above the cheering, delighted crowd, as literally we all saw his star rising before us. It’s like SNL was determined to hand him an Oscar onstage. Which, by setting him up this way on the show as the host who was about to become a star, he BECAME a star literally right before our eyes. Bravo! Well done by all!

And good luck on next Sunday, Jan.21 at the SAG Awards where he again is up for his extraordinary performance in this extraordinary film.

Sam Rockwell 2

“Three Billboards” is also up for Best Ensemble and so he could actually win TWO SAG awards a week from Sunday night. It’s feeling like a coronation and I think it is.

Advertisements

Critics Choice Give “Lady Bird” NOTHING!?!? “Shape of Water” wins Best Picture

I guess the members of the Broadcast Film Critics did NOT like Anything about supposed Oscar front-runner “Lady Bird .” It got NOTHING from their award show which went out tonight on the CW. It only took two hours. They didn’t announce many of their silly, superfluous categories on air. But they still were there. As you can see by the list below. Thanks to http://www.awardsdaily.com

Next up, the SAG Awards on Sunday night. I’ll be Live-Blogging those awards, too, which are considered more seriously as they actually voted on by members of a for-real industry guild, the Screen Actors Guild.

WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”

B’cast Film Critics ALMOST the Same as Golden Globes! Except for Best Picture! Which here is “Shape of Water!”

Once again duplicating Sunday nights Golden Globes, Guillermo del Toro wins Best Director, “Big Little Lies” wins its TV categories, and so does “The Marvelous Mrs. Maisel.”

Kumail Nanjiani introduces this section reminding us that there was ONE difference from the GGs. His sweet, smart film “The Big Sick” won Best Comedy over “Lady Bird.” He didn’t phrase it like that, however, and graciously thanked the Critics. Nobody knows how hard we work.

Gary Oldman once again wins Best Actor for “Darkest Hour” for playing Winston Churchill. He slavishly thanks his director Joe Wright , who he forgot on Sunday night.

Frances McDormand ONCE AGAIN wins Best Actress in a Drama and she, like co-star Sam Rockwell, is NOT there to accept her award. But for sure, she’ll be there on Sunday night for the SAGs. You better believe it. They both will.Sam RockwellThey  are quickly becoming their own Awards juggernaut.

Three Bill Boards 10

So no, not everybody shows up for this show. How embarrassing.“Shape of Water” wins Best Film! Now THAT’S different. They all look shocked. They were  all there and they all piled onstage. Sally Hawkins and Octavia Spenser, too.

Guillermo  del Toro speaks and says “If You don’t work with these incredible women, Sally! Octavia! You don’t know what you’re missing!”

So this gives del Toro  a huge lift for Best Director. Maybe no one from “Three Billboards” was there, because they knew they weren’t winning at the end?

Biggest shock “Lady Bird” got NOTHING!?!?!?!? NOTHING!?!?

Ditto, also  nada for “The Post.”

Sooo    this a big wake-up call for “Lady Bird.” HMMMM….

DGA Nominations! Most Predictive! Snubs, Surprises

The  All Important Director’s Guild has announced its five nominations! They are considered the most predictive of all the so-called precursor awards, i.e. the most likely to repeat at the Oscars. But there are some snubs. And some surprises, too.

And the nominees are Irishman Martin McDonagh for “Three Billboards Outside Redding, Missouri”. Which seems to be growing in momentum every day.

Britisher Christopher Nolan for the WWII blockbuster “Dunkirk.” Considered one of the most important directors working today. He also directed “Batman Returns”and”Momento,” which is one of my favorite films of all time.Mexican director Guillermo del Toro for his underwater love fable “The Shape of Water”.

Ms.Greta Gerwig, breaking through the glass ceiling, with her whimsical high school coming-of-age comedy “Lady Bird.” This is her first nomination. She is one of very few women ever to receive this honor.And lastly African-American Jordon Peele  for the comedy/horror film, released last spring “Get Out.” This is also his first nomination.

In fact, all five honorees are first timers.

Who was majorly snubbed was poor Luca Guadagnino, the director of “Call Me By Your  Name.” A gay film won last year and so they are determined not to let another gay film get into the hallowed director’s circle til god knows when. It was my number one film of the year, too. Ouch.

And the biggest snub of all, Hollywood legend Steven Spielberg is left out in the cold for “The Post.” Which I saw last night and which is the last major release that is being seen, or in this case, I would say, not seen. I can’t believe that they left it out just to personally snub Spielberg. But they might have. However, the late release date on this film may just have been a reason, too. Being the last one out of the gate is no longer cool. It’s highly risky.

But congratulations to the five winners!

“Three Billboards…” Superlative, explosive, knockout, lots of Nominations, but Sam Rockwell may be its only winner.



“Three Billboards Outside Ebbing Missouri” is one of the best films of this rich year. For once, the awards hype is justified. It’s a thrill ride through the unimaginable violence that plagues the small town of Ebbing, Missouri after a young girl is raped, as she is murdered, then set on fire. “Three Billboards…” is going to set the Awards season on fire, too. It will get many,many nominations.

Frances McDormand and Sam Rockwell are giving the performances of their careers, but I feel it’s Rockwell who’s going to carry home the gold. He’s been put in the category of Best Supporting Actor, though he’s arguably the co-lead. And he’s already been nominated for a Golden Globe and a SAG award. As has Frances, as has McDonagh.

I’ve been following Sam’s career since he was an Off Broadway actor, and he’s certainly a veteran now and has a role that is thrilling in its range and demands. As a small town cop, he has to be funny. He has to be a bit of a stooge and a stumblebum. And when the film turns dark, he has to go there, too,Oscar Winner Frances McDormand ( For “Fargo”) deserves the accolades that have been accruing to her powerful Mildred Hayes, the mother of the murdered girl. In a totally vanity-free performance, she dominates the screen so powerfully that you’ll never forget that clenched teeth, firmly set jaw, that uncompromised stare as she tries to find out who killed her teenaged daughter.

She astonishes in this film as a woman who can’t smile. She puts up these three billboards in a part of town where her daughter was killed accusing the police of doing nothing to find her the killer. And grief is making her look like a death’s head herself.Everyone in this town seems cut from the cloth of the Confederacy to put it mildly. And any of them could have done it. Especially a member of the Police Force.

Woody Harrelson is once again on hand to provide a firm grounding in ominous white cracker-dom at the outset. His battle with terminal cancer forms the second plot line that I won’t spoil here. But he’s great, too. Both he and his co-hort Rockwell, are both headed to the Oscars, and so is McDormand.But I wonder if the totally de-glammed McDormand is going to be any match for the younger and more comely superstars like Soirse Ronan. Sally Jenkins of “The Shape of Water” is more sympathetic and she’s mute. So Frances has some fierce competition in that category. She’s uncompromising. She’s great. But she has an Oscar already and Saoirse and Sally and even Michelle Williams or Annette Bening are all Oscar free…so far…Three Bill Boards 10

But ah! There is that Oscar golden moment for Frances when she encounters a free-ranging doe when she is tending a flowerbox she has placed near her dead daughter’s billboards. The look they share, eye to eye, female to female animal, is one of the few moments we see Mildred smile in this corrosive movie, you will NOT be able to stop thinking about.

Also the thrilling depths and layers that McDonagh has given Rockwell to play. He starts out as a crispy-crème, donut-chomping bigot. But he CHANGES. I can’t say how, but in the creation of Dixon, a co-lead to McDormand’s angry Mildred, he matches her beat for beat in VERY in-pected and powerful ways. He lives at home with his mother, who is always drunk. The Dear Readers of this blog can infer more…But what a complicated, stupendous role he’s written for Rockwell, who has never had a part this good since he debuted to much acclaim in “Box of Moonlight” in 1996. Unbelievably this prince of American actors has never even been nominated for an Oscar. Yet.

Even writer-director Martin McDonagh has an Oscar for a short he did. He’s certainly going to get a double nomination for both directing and original screenplay, and he’s going to up against Girl-Of-the-Hour Greta Gerwig in both categories for “Lady Bird.”

It’s going to be a very suspenseful Oscar night indeed. But I feel “Three Billboards” is such an IMPORTANT film, that they are going to give it Something Big, and that Something may very well be Sam Rockwell. as the irascible, temperamental, complicated drunk of a cop. That’s just him in the FIRST half of “Three Billboards…” The twists are UNBELIEVABLE, and it’s Sam’s character who gets to play all that juicy jazz as the plot and his character’s place in it unravel. He’s all but unbeatable. What a range McDonagh has allowed him to show!

The ubiquitous and wonderful Lucas Hedges, Oscar nominee of “Manchester by the Sea” is here, too, as McDormand’s bewildered, but compassionate son. In a moment of peak at the breakfast table, she lobs Fruit Loops at him.

He’s in “Lady Bird,” too as Saoirse Ronan’s high school boyfriend. And Peter Dinklage perks up the last third of the film as the town’s only human, a midget, who befriends and helps McDormand in her fight against the lacksadaisical,  if  not downright indifferent, police “force.”

 

Their dinner date is a superb piece of comic timing. Yes,”Three Billboards” is darkly funny, too. This tragic tale of loss and corruption has an excellent sense of humor, too. In fact, it made me feel like I was watching a new Coen Brothers movie. The resemblance to their black humor and influence is definitely wonderfully there.

Irish playwright par excellence McDonagh, has fully made the unbelievable transition to American crime filmmaker. “Three Billboards Outside Ebbing, Missouri” thrilled me to my core with its wit, drama and intense originality.

Golden Globe Nominations Out!”Shape of Water” leads with 7!

The Golden Globes Nominations for this year have just been announced. “The Shape of Water” leads the pack with seven. Nominations for three of its actors, Sally Hawkins, Octavia Spenser (pictured above). Spencer plays mute Hawkins best friend at work. They are both janitresses, Also nominated for Best Supporting Actor was Dainel Jenkins as Hawkins gay next-door neighbor.

Both young lovers for “Call Me By Your Name” followed “Shape” with five Nominations. Timothee Chalamet and Armie Hammer both got nominated. And the much acclaimed supporting performance of Michael Stuhlbarg, as Chalamet’s supportive father did not. 

Instead we saw Christopher Plummer nominated for his last minute replacement performance for “All the Money In the World.’ He was the down-to-the-wire, edited in at the last minute replacing the beleaguered Kevin Spacey.

The most diverse category by far was Best Supporting Actress which featured rock singer -turned-actress Mary J. Blige ( Mudbound”)  as well as Octavia Spencer and Viet Namese actress Hung Chou for “Downsizing.”Mary J. Blige 1

For a complete list see Indiewire.com

Annette Bening’s Greatest Performance Yet in “Film Stars Don’t Die in Liverpool”

Annette Bening, one of our most enduring film stars, is better than she’s ever been  in “Film Stars Don’t Die In Liverpool” and in any other year the Oscar-less also ran would be awarded the Best Actress trophy for her astonishing portrayal of dying film star Glorida Graham.

Graham was a handful by all contemporary accounts, and was as tempestuous in real life as the characters she played in the movies. And she drank. She wasn’t Marilyn Monroe, a rival, but she did have her own Oscar for Best Supporting Actress in “The Bad and the Beautiful.”What Annette Bening does here in this straightforward biopic is to bring us into Graham’s vulnerability as well as her thwarted talent, as the chain smoking she has been doing all her life begins to take its awful toll.

It’s in her last years that she begins to take on a May-December flirtation with this young, YOUNG man, the now-hunky and all grown-up “Billy Elliot” star Jamie Bell.

The setting is Liverpool, where my father and grandparents were from, and Annette as Gloria gets more and more involved with Bell to the point where he invites her home to his humble Liverpudlian abode where he introduces her to his caring, no-nonsense parents. His mother is played by the tremendous Julie Walter, who played the ballet teacher so memorably in “Billy Elliot.”

She and Gloria develop quite a warm friendship and Graham’s twenty year plus age difference doesn’t bother either of them, as it doesn’t matter to Bell.And this is all a true story! Based on the book by the actual young actor himself. Very “My Week with Marilyn,”

And then Gloria gets lung cancer and the film turns dark. And very moving as events build to their tragic inevitable climax.

Bening is convincing in every aspect of the doomed Graham’s life. It is her greatest performance, and in any other year, she would be finally awarded the Best Actress Oscar that has eluded her all her life. She’s been nominated four times!

This year, however, has seen a plethora of brilliant actresses storming the gates of AMPAS and there’s only five slots. Which seem destined to be taken by Sairose Ronan( Lady Bird),  Sally Hawkins (The Shape of Water), Frances McDormand (Three Billboards Outside Ebbing, Missouri) and Meryl Streep (The Post).

There’s that elusive fifth slot that Bening USUALLY would slide inevitably into but this year there are great performances like Kate Winslet’s in “Wonder Wheel” that might not make it. Margot Robbie of “I, Tonya” is supposed to be the fifth nominee, but I wonder…

Manola Dargis of “The New York Times” slammed her five ways to Sunday just today, so there MAY be room for Bening if Kate Winslet doesn’t slip into Fifth Position..

But if Annette Bening does get in here, her performance as Gloria Grahame, in “Film Stars Don’t Die in Liverpool” is her best ever, she COULD win. There’s a great positive sentiment surrounding Bening. She’s made a success of her long-term marriage to Warren Beatty. That ALONE is worthy of a major award. AND she’s now President of the Academy itself. That could cut both ways. But Annette completely won me over. You’ll never be able to look at a Gloria Grahame film again without bursting into tears. As I did.

 

Tag Cloud

%d bloggers like this: