a.k.a. "The Oscar Messenger"

Archive for the ‘Comedy’ Category

And Still More SAG Live Blogging!Gary Oldman Wins ~Again!

Once again, the same performer wins the SAG award as has one the Golden Globes and the Critics’ Choice, Gary Oldman, for his incredibly distinguished Winston Churchhill in the Darkest Hour. This is all feeling a bit been there done that this year. Now, more so than ever. But Oldman’s was a truly transformative and amazingly accurate portrayal of the great British Statesman, who it is said saved the world from Hitler.

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My SAG 2018 Predictions

After much consideration, and I’m trying to be as simple as I can be, I think the key to this year’s SAG Awards predictions is as plain as the nose on my face. Or as plain as the nose on anyone’s face in Ebbing,Missouri. “Three Billboards Outside Ebbing, Missouri” is going to sweep and win all four of the categories it’s nominated for. The overwhelming performance of an angry, but not tear-stained, grieving mother Mildred will win Frances McDormand her second SAG award. The fierceness of her unforgiving fury will translate into universal acclaim  as she has already received., at 60, the Golden Globe for Best Actress Drama and the same at the Critics’ Choice Awards.And her co-star Sam Rockwell, as the confused small-town policeman, Deputy Dixon, who tries to help her solve the  seemingly unsolvable mystery of her daughter’s violent rape and death, will precede McDormand to the podium and win Best Supporting Actor. Both of them bumping into each other on their way to the Oscars.

And two of the a-fore-seen winners of the other two awards,  Gary Oldman as the definitive Winston Churchill in “The Darkest Hour” (Best Actor) and Allison Janney as Tonya Harding’s frightening mother in the surging “I, Tonya.” (Best Supporting Actress), both will win again.

The SAGS only give out few awards to film. Mostly, it’s television that is being awarded. And usually at the start of the show BANG! They announce one of the two  Supporting Awards. So tune in on time at 8pm tomorrow night at TNT and TBS (Check your local listings.) Or you might miss Sam winning! Hopefully, I’ll survive the suspense until Sunday night when once again, I will be live-blogging.

Their fourth nomination being the supposedly predictive Best Ensemble award. That’s the only one of “Three Billboards” four nominations that I’m a little bit shaky about. But I think it’s their night. They might not win the Oscar, but they’ll win this. It’s an actor’s actor movie. And the SAGs, lest me forget, are actors voting on actors. “Three Billboards Outside Ebbing” is co–starring some of the greatest actors of our time. Woody Harrleson, Peter Dinklage, John Hawkes, Lucas Hedges are among the long list of its’ sterling ensemble.

“The Shape of Water” can’t win because it wasn’t nominated.

It could easily go to one of the other films. I would automatically say “Lady Bird,” but that got shut out surprisingly at the Critics last week! What? What? But I’ll put my pen down for the night, and just wish all of them good luck on Sunday!

“I, Tonya” Margot Robbie & Allison Janney Are Wonderful. The Film is a Crock

“I, Tonya” is Australian actress Margot Robbie’s attempt at going for the gold, and trying to win an Oscar. She may have succeeded in getting herself a nomination the week after this on January 23. But who she’s more seriously pulled into Awards contention and the quite possibly the win, is her co-star Allison Janney, everyone’s favorite go-to actress, as her hateful mother LaVona.

And Janney has just astoundingly won TWO major awards, the Golden Globe and also the Critics’ Choice Award for Best Supporting Actress for her horrifying turn as the Wicked Witch of the Ice Rink with a parakeet on her shoulder.

Up until this past week, Laurie Metcalf had been predicted to be winning those awards, and suddenly the Golden Globes just turned this particular race, Best Supporting Actress upside-down. Just as Sam Rockwell did with Best Supporting Actor.

I found “I, Tonya” such a distasteful croc of lies, that I’ll concentrate on Ms. Janney’s chances, shall I?

Remembering all too vividly the events this loathsome episode that will forever cloud the history of figure skating, I just was not ready to listen to Tonya Harding’s side of the story. She had some foul person attack champion Nancy Kerrigan by hitting her in the shin with a mettle rod, thus effectively side-lining her and allowing the rabbity Harding to shine abd get onto the Olympic ice skating team. It was a horrifying incident and you just hated Harding for it.

Well, there’s more to the story, as it turns out. Or sort of turns out. If Harding is to be believed, which I for one, can’t. Seems that her husband/ ex-husband/ boyfriend/ whatever executed this hateful scheme .Sebastian Stan as Jeff Gilhooley is wonderfully scummy, but I didn’t believe a word out of his mouth. Both he and Robbie play the untruths they have to spout believably, which must be considered a great feat of acting on both their parts. But Robbie will be the one who wins  a nomination for producing this nauseating sea of lies. Which brings me to Allison Janney and why she keeps winning Best Supporting Actress Awards this season.

She’s got her own TV series, which she stars in every week on CBS, “Mom”. She won many, many Emmys for her yeoman multi-season run on “West Wing.” And so she is extremely familiar to viewers, and voters, who know she is NOTHING like LaVona , the very worst mother ever seen depicted as a character, reel or unreal on screen.

Laurie Metcalf’s compassionate, though beleaguered Mom on “Lady Bird” is VERY believable. She does not physically abuse her wayward daughter. But Lavona constantly smacks Tonya around and even throws a knife at her, which penetrates Tonya’s upper arm. So LoVona’ s bad behavior, makes “I, Tonya” believable and sympathetic, but only somewhat. This is a sports movie about child abuse. It’s going to seem very timely with the winter Olympics coming up.

Janney’s physical transformation is key here. She uglies up to the nth degree, and many think that’s acting, but  I don’t. However, Janney is so skilled an actress, you buy it. She’s also a comic, though horrible, relief from the incessant whining and bitch-slapping of her irritating daughter.

And I think voters are going to feel that Janney is the one to vote for, and surprisingly they say “I, Tonya” is surging right now. She’s a comfortable way in. It’s clearly a performance of someone we don’t like, by someone we do like.

And there is ONE scene in a diner, where else? Where LaVona tries to plead HER case as a mother to her destructive daughter, who hates her. And still does to this day. Janney as LaVona says that she went out and worked and gave everything to her daughter. “I didn’t stay home as bake brown betties all day.” Janney had me at that moment. And clearly she had the voters , too. So far.

Golden Globe Winner Sam Rockwell Rocks SNL!

Talk about timing! As the NBC promos all night were announcing before the show came on at 11:30 pm, that “red-hot Sam Rockwell” was hosting tonight’s show. Fresh off his surprise win at the Golden Globes on Sunday night, his garnering their Best Supporting Actor Award for “Three Billboards Outside Redding Missouri” was mentioned to maximum effect.

His best segment was his Opening Monologue which turned into a song and dance number ( yes, he can do both, and he’s a terrific dancer, too ) about how his award this week,( and by implication, his double win at the Critics Choice Award on Thursday night )  he sang how he’s  now gone from “A character actor to a leading man.” And this number hit just the right note of self-satire, and also  SNL’s clear championing of him in this happy moment of transition. He’ll no doubt be back there to host many, many more shows. And hooray for that!

I knew audiences knew he could play anything, act anything, and in “Three Billboards” he practically does.

But I’m sure he surprised many by singing and dancing and busting a move, as they say. Grabbing a top hat and cane and tapping off the tiny SNL stage into the audience, down the aisle and into the off-stage areas of NBC hallways, who have the room for all this action.

It concluded with him jumping on a camera crane and being hoisted aloft above the cheering, delighted crowd, as literally we all saw his star rising before us. It’s like SNL was determined to hand him an Oscar onstage. Which, by setting him up this way on the show as the host who was about to become a star, he BECAME a star literally right before our eyes. Bravo! Well done by all!

And good luck on next Sunday, Jan.21 at the SAG Awards where he again is up for his extraordinary performance in this extraordinary film.

Sam Rockwell 2

“Three Billboards” is also up for Best Ensemble and so he could actually win TWO SAG awards a week from Sunday night. It’s feeling like a coronation and I think it is.

Critics Choice Give “Lady Bird” NOTHING!?!? “Shape of Water” wins Best Picture

I guess the members of the Broadcast Film Critics did NOT like Anything about supposed Oscar front-runner “Lady Bird .” It got NOTHING from their award show which went out tonight on the CW. It only took two hours. They didn’t announce many of their silly, superfluous categories on air. But they still were there. As you can see by the list below. Thanks to http://www.awardsdaily.com

Next up, the SAG Awards on Sunday night. I’ll be Live-Blogging those awards, too, which are considered more seriously as they actually voted on by members of a for-real industry guild, the Screen Actors Guild.

WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”

B’cast Film Critics ALMOST the Same as Golden Globes! Except for Best Picture! Which here is “Shape of Water!”

Once again duplicating Sunday nights Golden Globes, Guillermo del Toro wins Best Director, “Big Little Lies” wins its TV categories, and so does “The Marvelous Mrs. Maisel.”

Kumail Nanjiani introduces this section reminding us that there was ONE difference from the GGs. His sweet, smart film “The Big Sick” won Best Comedy over “Lady Bird.” He didn’t phrase it like that, however, and graciously thanked the Critics. Nobody knows how hard we work.

Gary Oldman once again wins Best Actor for “Darkest Hour” for playing Winston Churchill. He slavishly thanks his director Joe Wright , who he forgot on Sunday night.

Frances McDormand ONCE AGAIN wins Best Actress in a Drama and she, like co-star Sam Rockwell, is NOT there to accept her award. But for sure, she’ll be there on Sunday night for the SAGs. You better believe it. They both will.Sam RockwellThey  are quickly becoming their own Awards juggernaut.

Three Bill Boards 10

So no, not everybody shows up for this show. How embarrassing.“Shape of Water” wins Best Film! Now THAT’S different. They all look shocked. They were  all there and they all piled onstage. Sally Hawkins and Octavia Spenser, too.

Guillermo  del Toro speaks and says “If You don’t work with these incredible women, Sally! Octavia! You don’t know what you’re missing!”

So this gives del Toro  a huge lift for Best Director. Maybe no one from “Three Billboards” was there, because they knew they weren’t winning at the end?

Biggest shock “Lady Bird” got NOTHING!?!?!?!? NOTHING!?!?

Ditto, also  nada for “The Post.”

Sooo    this a big wake-up call for “Lady Bird.” HMMMM….

DGA Nominations! Most Predictive! Snubs, Surprises

The  All Important Director’s Guild has announced its five nominations! They are considered the most predictive of all the so-called precursor awards, i.e. the most likely to repeat at the Oscars. But there are some snubs. And some surprises, too.

And the nominees are Irishman Martin McDonagh for “Three Billboards Outside Redding, Missouri”. Which seems to be growing in momentum every day.

Britisher Christopher Nolan for the WWII blockbuster “Dunkirk.” Considered one of the most important directors working today. He also directed “Batman Returns”and”Momento,” which is one of my favorite films of all time.Mexican director Guillermo del Toro for his underwater love fable “The Shape of Water”.

Ms.Greta Gerwig, breaking through the glass ceiling, with her whimsical high school coming-of-age comedy “Lady Bird.” This is her first nomination. She is one of very few women ever to receive this honor.And lastly African-American Jordon Peele  for the comedy/horror film, released last spring “Get Out.” This is also his first nomination.

In fact, all five honorees are first timers.

Who was majorly snubbed was poor Luca Guadagnino, the director of “Call Me By Your  Name.” A gay film won last year and so they are determined not to let another gay film get into the hallowed director’s circle til god knows when. It was my number one film of the year, too. Ouch.

And the biggest snub of all, Hollywood legend Steven Spielberg is left out in the cold for “The Post.” Which I saw last night and which is the last major release that is being seen, or in this case, I would say, not seen. I can’t believe that they left it out just to personally snub Spielberg. But they might have. However, the late release date on this film may just have been a reason, too. Being the last one out of the gate is no longer cool. It’s highly risky.

But congratulations to the five winners!

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