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TONY Predictions 2017!


I am so in love with the idea that this year’s Tony Awards might heavily feature two of my all time favorite theatrical events. “Natasha, Pierre and the Great Comet of 1812” the genre-busting pop-opera and “Little Foxes” which makes audiences (and critics) see double with the divine Laura Linney switching up with Cynthia Nixon. I admit to bias here, but I have the Drama Desks Awards this past Sunday to second my emotions.

Yes, I think “Natasha, Pierre…” will win many, many of its 10 nominations on TONY night, this coming Sunday. Including, I’m calling it now, Best Musical, Best Director of a Musical Rachel Chavkin, who won the DD on Sunday, Best Set of a Musical Mimi Lien, Best Lighting of a Musical, and Best Orchestrations Dave Malloy, who also wrote the incredibly, ketchy and thrilling  sung-through musical score, which may also get Malloy ANOTHER Tony in that hotly contested category.

I’m going to go with the more influential than ever Drama Desk Winner for Best Actor in a Musical and think that in a surprise Andy Karl will prevail in this category.He tore his ACL, and I’ve torn mine and trust me, it’s VERY, VERY painful, and takes a LONG time to heal, and Karl, formerly nominated as Bway’s “Rocky” overcame this excruciating experience to OPEN “GROUND HOG DAY” and continue on performing it, singing and dancing as he did before, turning it into a hit, where people are coming to see HIM as well as the show. He also won an Olivier Award in London for this performance. THAT counts bigly with Tony Voters.

And his HUGE, BLACK, frightening-looking knee brace is in full view the ELEVEN times he has to change into his clothes in front of the audience. And he’s clearly in pain doing all this. This counts heavily with the TONY voters, who know the show must go on, no matter what the pain level.

I think Broadway vet Karl wins this category over 23-year-old newcomer Ben Platt in “Dear Evan Hansen.” The TONY voters, I have to add, are older and more homogeneous than even the #Oscarssowhite Academy members. Yes, AMPAS is more diverse and forward thinking than the TONYs. And pain counts. Ben Platt will have other chances.

They’re not necessarily going to GET a musical about the Internet. Some of them DON’T EVEN HAVE INTERNET. So…It’s too young for TONY, but “Natasha, Pierre…” is a masterpiece based on a masterpiece, Tolstoy’s “War and Peace”, so it’s just right. It’s got the most nominations. It’s right in the Tony voters comfort zone(s). Usually the show with the most nominations wins. Let’s see if that holds true this year on Sunday night when the awards are handed out at 8pm EST on CBS.

Surprisingly, “Natasha, Pierre…” won in EVERY CATEGORY for the Drama Desks that it was nominated for. And because it opened earlier Off-Off Bway, it was only eligible for the parts of it that were NEW to this production. And those category were Best Director of a Musical, Best Set of a Musical, Best Choreography and Best Orchestrations.

Another category that I think “NPATGCO1812” will win is Best Featured Actor in a Musical. I think the TONYs will help the astonishing Lucas Steele along on his way to mega-stardom. It doesn’t hurt that though he’s cited as Supporting, he has a larger part than Pop Superstar Josh Groban, who is also nominated in the lead category, where he faces Karl AND Platt, unfortunately, or the award  handily would be his.

Lucas Steele is Anatole, Groban’s Pierre’s wayward, hedonistic brother-in-law, a very, complicated. LARGE part of the villain, as it were, of the extremely small section of “War and Peace” that has here been excerpted. He’s hot. He’s a little dumb. And he plays the violin. And he’s charismatic beyond belief and has been with “NPATGCO1812” for FIVE YEARS in all its’ growing and re-growing on its’ way to Bway. And he hits notes that are stratospheric, to say the least.

Bway vet Gavin Creel of “Hello, Dolly”, although he won the Drama Desk Award in this category, is funny, yes. But that’s about all there is to that part. , AND he was not up against his main competition, Lucas Steele that night.

Bette Midler, of course, even though she DIDN’T SHOW to pick up her Drama Desk win, as Best Actress in a Musical, will easily win in this category.

If I’m leaving out Best Play, it’s because “Oslo,” a play that bored me to death, has won every other Best Play award this year. And,yes, will probably devour the TONY, too. I wish my former guest Michael Aronov was going to win Best Featured Actor in a Play.

But I think that award, like it did at the Drama Desks, will go to Danny DeVito for “The Price.”LITTLE fOXES 3lITTLE FOXES 14

And as far as the Supporting or Featured Actresses are concerned, I think, like the Drama Desk it will go to Jenn Collela for “Come From Away.” And Best Featured Actress in a Play will be Cynthia Nixon. Pairing up for a win with her co-star Laura Linney, giving the performance(s) of their careers in the brilliantly double cast “Little Foxes.”  What a theatrical event! And this was all Laura’s IDEA! And the Tony Voters know it and she’s never won.</a
And Best Actor in a Play? Oops, I almost forgot. Kevin Kline in “Present Laughter” and yes, he won the Drama Desk, too.

#Natasha, Pierre and the Great Comet of 1812, #Josh Groban, #Lucas Steele, #Bette Midler # Hello, Dolly, #Gavin Creel, #Dear Evan Hansen, #Ben Platt, #Andy Karl, #Groundhog Day, #Kevin Kline, #Present Laughter #Rachel Chavkin, #Laura Linney, #Little Foxes, # Cynthia Nixon

Magnificent Laura Linney Headed to Best Actress Tony for “Little Foxes”


Newsflash! I just saw “The Little Foxes” for a second time and had an incredible theatrical experience all over again. This time I saw Laura Linney in the leading role of the much-maligned, anti-heroine Regina Giddens, and in Linney’s lustrous hands, she is evil no more. She is simply magnificent.

Because Laura Linney plays this part startlingly, with love.

You feel she loves her dying husband (Richard Thomas, never better) and is torn apart by his chronic illness and approaching demise, and is preyed upon by her two evil brothers (Michael McKean and Darren Goldstein) in ways that have twisted her and embittered her, to the point where she seems like a woman who is a classic villainess. But is she? Linney’s unforgettable performance makes us question and re-see Regina in a very wonderful, complicated, modern light.

Littlr Foxes 7

If she’s a villainess, she’s a villain  that you’re rooting for. And in her own way, she wins.

I think playwright Lillian Hellman has written someone much more complex than originally thought. Laura Linney’s Regina is a valiant, strong woman, who has had her heart broken and has to resort to her brutish ways, which is exactly how her cigar-smoking brothers are treating her She replicates them as the play’s action progresses, words and acts that she is not really comfortable with. But if she has to do them and say them, she will. Men behave this way. Why can’t she?

Linney plays her as the ultimate Southern Belle. I kept thinking of Scarlett O’Hara, a Southern woman, who has to be a monster to survive the Civil War. Linney’s Regina has to become a monster to survive her family. It’s also interesting to note that both these fictional Southern female icons where written in the same decade, the 1930s by Southern women writers, Lillian Hellman and Margaret Mitchell.

At the performance I saw, the supporting cast just jumped up quite a few notches in their various roles. Caroline Stefanie Clay as the devoted, but tart Mammie of the household got tarter. Michael Benz as the dumb son of the horrid brother Horace, got dumber, and Darren Goldstein as Horace became even more frightening and brutish. Michael McKean became so oily & slimy, you’d think he was going to slip off the stage. Their cigar smoke wafting over the first few rows of the house, was as nauseating as their behavior.

lITTLE fOXES 13

Tony Nominee Richard Thomas loves and understands his difficult wife and blames himself for the bitch he now sees standing before him, as he’s dying. You really sense the rich history of their marriage. And you sense his love and deep, deep regrets that the sweet girl he married has turned into this grasping, acquisitive virago, who is capable of killing him.

And Linney’s Regina is just the ultimate Southern belle. She just smiles and smiles, and butter could melt in her mouth. She is so sweet at the start(and flirty) that her smile could give you diabetes. She’s Scarlett O’Hara at the Twelve Oaks ball, surrounded by potential suitors, all wanting her hand. Except Regina’s already married, but the way she behaves you’d never know it.

lITTLE FOXES 14She’s voluptuous and she’s beautiful and she’s charming. But don’t cross her, or god forbid underestimate her! She’s not just a pretty plaything for her dastardly, thieving brothers to dominate and manipulate in their nefarious ways and schemes.  And you cheer for her, when she gets the best of them at the end.

This production is so different for the one I saw several weeks ago, with the two female leads reversed, that I just couldn’t believe it. With this masterful, magnificent Regina, Laura Linney becomes one of the great actresses of our time. As she lets her sick husband die in the famous staircase scene at the end, you sense her heartbreak that her life and her love for him has come to this. It’s killing her as she kills him. She lets out a moan at one point, watching him die, and facing upstage, in a green dress, the color of money, that is positively earth-shattering.

And what of her fellow  co-star and switch-ee, Cynthia Nixon? After glorying in her very different Regina, I felt she really played Aunt Birdy is a two-note character, as most do. Laura Linney did not. She had many varied colors in her Birdy palette, whereas Nixon seems to fade into the background, and just stares at the incredible performance Linney is giving. Her Regina was ice-cold, and very, very intellectual. It was all in her head. The wheels were always turning. LITTLE fOXES 3

And there seemed to be nothing between her and her sick husband. She hated him as much as she hated her hateful brothers. You understood her Regina, and it’s just as valid an interpretation as Linney’s much softer, conflicted one.  But her Birdy was a disappointment to me. It was almost like Nixon was so checked out, she was phoning her Birdy in. And reverting to the classic Birdy as a stage drunk. I think she was drinking more than Linney as Birdy did. Nixon’s Birdy was a dyed-in-the-wool alcoholic. It’s almost like she wasn’t even there.

And now that the Tony Awards and the Drama Desks nominations have come out, Laura Linney is nominated, she’s clearly in the lead in the race for Best Actress. And Cynthia Nixon has been placed in the Supporting Actress category. Linney has been nominated three times (as she has for the Oscar) and never won. Nixon has two Tonys already. In a weak category, Nixon may win again. The award given for both performances, really.

Linney has got competition from Laurie Metcalf in “Doll’s House, Part Two” a play that is the last one I’m going to see this season. So we’ll see how this all plays out.

Seeing it for a second time, I noticed the cracks in the ceiling set and that the ugly, tiny chandelier was positively filthy, and the set itself seemed skewed slightly, like everything was off-kilter in this mad house, and more than a little falling apart. The furniture seemed grand, but didn’t match and the upholstery and rug were faded. Bravo to set designer Scott Pask for creating this worn-down mausoleum for these snake-pit characters to writhe in.

But what a magnificent theatrical experience to see these two astounding American actresses tackle an American classic TWICE! GO TO BOTH!!!Little Foxes 11
#Little Fozes, #Laura Linney, #Cynthia Nixon # Regina Giddens, #Scarlet O’Hara, #Lillian Helman, #Southern Belle

Massive, Historic Oscar Mess-up/Mix-up!?! WTF!?!

oscar-mix-up-1oscar-mix-up-2WTF just happened?!? Warren Beatty, who must be 😯 at least, and Faye Dunaway, who actually read out “La La Land” surely needed their reading glasses. But the card said “Best Actress Emma Stone La La Land.”

But Emma herself has been claiming that she herself has the Best Actress card with her name on it, as well as, of course, her Oscar and showed it on ABC’s post-show which is airing now.

So somebody handed Warren Beatty a DUPLICATE Best Actress card?!? How is that massive a mess-up even possible?!? Chaos! And it was incredibly gracious of the producer of “La La Land” the tall bald guy, whose name I will add in later, (Jordan Horowitz) showed the card that said “Best Picture Moonlight” and the three producers’ names.

This mess-up is all that anyone is talking about instead of about “Moonlight” a historic GAY black film. That cost about as much as the Sunday Times. Perhaps less. That historic moment is totally being buried. In fact, I didn’t hear the word “Gay” mentioned ONCE in the entire program or this ridiculous after-show were the two co-hosts, Lara Spencer and someone who is clearly really drunk. And the whole thing is cringe-worthy and whatisname Anthony Andrews(?) is saying it’s “a conspiracy” and just all of them so awkward and embarrassed that it’s a GAY film that won.

Part of me feels that Warren B. did this on purpose. Or Jimmy Kimmel was playing yet another prank. But whatever and whoever did this someone’s being fired tomorrow, if not sooner. It was so embarrassing and took away completely from “Moonlight”s winning.

I did think that something like this would happen though. Because I kept hearing how so many people didn’t like “La La Land” and it went home with the most Oscars anyway. Six.

Emma Stone’s dress was the best. The first winner wearing Givenchy since Audrey Hepburn in the 50s. It took 17 days to make. Shimmering gold, with beaded fringe. Gorgeous. Pure gold. She looked like the Oscar she won, but a little paler. Almost a rose-hued gold.emma-stone-oscar-dressAnd “Manchester by the Sea” won two. Two big ones. Best Actor for Casey Affleck and Best Original Screenplay for the brilliant Kenneth Lonergan.viola-casey-emma

Kevin O’Connell won after 21 times as an nominee for Sound! This mess-up really leaves a bad taste in the mouth. And “Moonlight” has barely made $20 million. The lowest take ever by a winner I think.

It won three awards. Mahershala Ali, Best Adapted Screenplay and Best Picture. Cra-zee, KRAY KRAY KRAY zee night but so happy for Casey Affleck and Emma Stone. And Damien Chazelle won Best Director for “La La Land.” It won Best Actress, Best Director, Best Cinematography, Best Production Design and the two musical awards.

But it’s a crying shame that this mishap is overshadowing the history that was made tonight. A GAY FILM JUST WON BEST PICTURE!!! How historic is that?!?

Sasha Stone at Awardsdaily is the only one who had an inkling of his, but it was more than a wish, a hope, and yes, Sasha, it happened. An all-black cast in a black directed and written film. That’s history, too. Or should I say African American? I was told you don’t have to use the term African American anymore by a black female reporter at the New York Film Festival this year.

But it’s an achievement. And Sasha was right!

CASEY AFFLECK WINS BEST ACTOR!!! Emma Stone, Best Actress and then OMG!

casey-affleck-backstage-at-oscarscasey-on-boat-2CASEY AFFLECK WINS BEST ACTOR FOR “MANCHESTER BY THE SEA”!!!! YES!!! YES!!! YES!!!

He looked completely shocked. Dumbfounded. And inarticulate as always. He didn’t make a very good speech. Oh Well…The Best Man won. Denzel did not look happy…

And now, we’re on to Best Actress, with Leonardo DiCaprio presenting. EMMA STONE!!!! Another standing O!!! I predicted her, too. Only got Mahershala wrong.

Emma gives a touching, very good speech. Emotional. You just love her. Wish Casey could have given a speech like he made at the Independent Spirit Awards yesterday. Oh well…he won. And certainly deserved it. And so did she. That moment when she switches from talking to singing at the beginning of the Big Song at the end of the movie just reduced me to tears. So simple, so moving….”So here’s to the fools who dream. Crazy as they may seem.”

emma-stone-smiling“La La Land” wins Best Picture! Oh no! Now they are saying it was a mistake and that “Moon light” won Best Picture! COLOSSAL FUCK UP BY WARREN BEATTY! How humiliating! But “Moonlight” has just won Best Picture! All is confusion up there. It was “Moonlight” a tiny little gay film.

WHO WOULDA THUNK IT?!?! Sasha Stone, that’s who! Bravo Sasha! You rule! OMG!

Kimmel “It’s all my fault. I knew I would screw this up. I’ll never be back.”

I CAN’T BELIEVE IT!?!? They finally let a gay film win Best Picture. 12 Years after “Brokeback Mountain” lost….I’m in shock! The world is moving on….and very good that it has, too….

“La La Land” Wins Both Music Awards, “Manchester” wins Best Original Screenplay

city-of-stars“La La Land” wins two more making four so far. Best Song “City of Stars” and Best Score. And now Ben Affleck and Matt Damon are presenting Best Original Screenplay. I hope it’s “Manchester by the Sea”!

And It is!!!!!

casey-lucasTHRILLING!!!!

And “Moonlight” wins Best Adapted Screenplay.  Lots of Applause. A very popular choice. And it’s a Gay Movie. Who woulda thunk it?

It’s won two. The same as “Hacksaw Ridge”. Now the big awards are upon us.

Halle Berry, looking younger than ever, but with an awful Afro, giving out Best Director.

Damien Chazelle, the youngest Best Director in Oscar history, just won Best Director. So that’s five so far. It’s only going to win two more, if I’m right Actress and Picture.

First time an American director has won in YEARS, believe it or not.

 

 

Viola Davis Wins Best Supp. Actress, Gets Another Standing O

viola-at-oscarsViola Davis, the most expected and predicted winner of the night Best Supporting Actress for “Fences.” In a beautiful red off-the-shoulder gown with a train, she looked like she was really levitating as she give one of the greatest speeches she has ever given. Again. She always gives great speeches. viola-davis-fences-1

Kimmel joked “She just won an Emmy for that speech.” She is a great, great actress, one of the greatest on this planet. I’m in awe of her. And she’s from Rhode Island, which is where my mother was from.

This was her third nomination. She’s the first woman of color in history to have three nominations.  She should’ve been in the lead category. I wish she hadn’t switched. It was her choice, they say. I think she would’ve won whatever category she was placed in.

“The Salesman” wins Best Foreign Film for Ashghar Farhadi. A woman accepting for the absent filmmaker, who is Iranian, who was not present, protesting the recent travel ban on people from his country.

Sting sings one of his songs, this one “The Empty Chair” for the documentary on the slain journalist James Foley. Very short, but touching. Very political evening.

And it’s important to note that for the first time two African-Americans have won both Best Supporting Acting Awards in the history of the Academy and it’s about time, too, isn’t it?

“Zootopia” wins Best Animated film. There’s been no surprises tonight, unless you want to say that Mahershala Ali was a surprise. Although just about everyone else predicted him.

“La La Land” FINALLY wins something its been nominated for Production Design.la-la-land-seine

Justin Timberlake Starts the Oscars Off with a Great Number & a Standing O! Mahershala Wins!

justin-timberlake-1Justin Timberlake starts off the Oscars just right with a rompin’, stompin’ raise-the-roof  with his own Oscar nominated song And it was great! From “Trolls.” He got a standing, dancing ovation! Great start! Then of course, Jimmy Kimmel  comes on and gets as he puts it, “Oh great, a sitting ovation”….

He then makes the audience give Meryl Streep a standing O.

And now, Best Supporting Actor! And here comes the lovely Alicia Vikander. She’s got a VERY deep tan.  Trying to look as un-Swedish as possible.

Mahershala Ali wins! I was wrong about Dev Patel…Another standing ovation…

A nice moving speech. His wife just had a baby and firstly he thanks his teachers, whom I know/knew the late Zelda Fischhandler and Ron Van Lieu from NYU Grad Acting. They were the first ones he thanked which was very classy of him. I saw him in many plays there and he was always as good as he was in mahershala-ali“Moonlight.” Lots of warmth in the room for “Moonlight” as Sasha Stone predicted at http://www.awardsdaily.com. And I didn’t…

His part in “Moonlight” was very small, but truly supporting. But he didn’t mention that he was a Muslim, which I wish he would’ve done.

 

 

 

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