a.k.a. "The Oscar Messenger"

Archive for November, 2012

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Oscar’s Surprise Nominee from “Les Miz” ~ Eddie Redmayne!

Of all the awards huzzahs coming out of the NYC screenings of “Les Miserables” yesterday, none could be more of a pleasant surprise than the startling agreement among all who attended that the Best Supporting Actor from “Les Miz” is not neccasarily Russell Crowe as the villain Javert, but Eddie Redmayne in the usually thankless role of the young hero Marius! Raves for Eddie and his untofore unheard beautiful ringing tenor voice moved the audience to tears! And Cheers! Here he is last year discussing “Marilyn” via Satellite from London!

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Eddie Redmayne ~ Best Supporting Actor for “Les Miz”?

As the reviews keep trickling in, http://www.movieline.com is positing the interesting theory that it is Eddie Redmayne as Marius, the romantic interest, who sings “Empty Chairs and Empty Tables” and many other numbers, that is emerging as the surprise potential nominee from the early screenings today of “Les Miz” in NYC.

Russell Crowe’s singing as expected isn’t up to the operatic demands of the score and movieline thinks that Sasha Baron Cohen and Helena Bonham-Carter as the villainous comic relief are just well, out of place, with the somber tone of the overall movie.

But people WERE crying. And cheering. And jumping to their feet and shouting “thank you” to Anne Hathaway, who seems the most likely nominee now for Best Supporting Actress. Fantine is a relatively short role in this long (2 hr.35 min.) musical, but she seems to be catching fire like nobody’s business in Supp. Actress.

So movieline thinks that the Best Supporting Actor in “Les Miserables” is Eddie Redmayne. Ok. I’ll buy that. Game on! I’ll second that emotion.

People crying, cheering, jumping to their feet? Sounds like an Oscar winner to me.

“Les Miz” First Preview in NYC to Cheers! Standing O! Could get historic 16 Oscar Nominations!

“Les Miserables” previewed this afternoon to a packed, cheering crowd at Lincoln Center’s Alice Tully Hall. And the reaction is ecstatic according to those who were there, applause at the end of every number, and standing ovation and cheers greeting director Tom Hooper and the cast members Anne Hathaway, Amanda Seyfried and Eddie Redmayne who were there also in attendance.

Kris Tapley at http://www.hitfix.com who was there and who has that wonderful podcast with Anne Thompson every week called Oscar Talk(but not this week) says in the comments his just-printed piece is getting that he thinks that Hugh Jackman(Jean Valjean), Russell Crowed(Javert), Anne Hathaway(Fantine), Eddie Redmayne(Marius), Amanda Seyfried(Cossette), Samantha Barks(Eponine), Sacha Baron Cohen(Thernadier) and Helena Bonham-Carter (M. Thernadier) could ALLLL get nominations.

Well, that sounds like a SAG Ensemble nod right there.(There as a screening earlier today for their nominating committee) and if Tapley is RIGHT. That’s One lead Best Actor for Jackman. THREE Supporting Actor nods of Redmayne, Crowe and Cohen and FOUR for Best Supp. Actress for Hathaway, Seyfried, Barks, and Bonham-Carter.

Well, THAT alone would be historic and mean that “Les Miz” is going to end up with a staggering number of nominations. Maybe the highest vote total ever.

Best Picture, Best Director(Hooper), Best Actor, 3 Best Supp. Actors, 4 Best Supp. Actresses, Best Original Song(They added one called “Suddenly”) Best Costumes, Best Production Design, Best Editing, Best Sound Editing, Best Sound Mixing. That’s SIXTEEN!

I’m not counting Best Score, because that has to be written directly for the screen, but this certainly was not.

Scott Feinberg at http://www.thehollywoodreporter.com is a bit more balanced than Tapley. He thinks Jackman in a very crowded Best Actor race SHOULD be nominated but may struggle to get in. And he thinks that only Hathaway is a slam-dunk in the Supporting races.

I’m just THRILLED! I can’t wait to see it!

And I bet you can’t either. It opens on Christmas Day.

Video

Happy Thanksgiving! Ann Dowd, Part 2!

Happy Thanksgiving, dear readers, dear cineastes, and here’s what I have to be thankful for! This second part of this wonderful video interview with Oscar Seeker Ann Dowd of “Compliance”! Imagine ME, being actually approached to help with an actual Oscar campaign! And being effective at it, it seems! Enjoy!

Camera & Editing by Kevin Teller

Video

Oscar Hopeful Ann Dowd of “Compliance”, Pt.1

A very brave and courageous, nevermind talented lady, Ann Dowd, is trying to mount her OWN ONE-WOMAN Oscar campaign for Best Supporting Actress, even though she’s the lead, in  Sundance sensation “Compliance.” Listen as Ann explains all.

Camera & Editing ~ Kevin Teller

Oscar Collision ~ Too Many Best Actors

This year the Oscar Best Actor category is screaming with the sounds of too many viable Best Actor candidates colliding with & virtually  killing each other to get into the race. There are only five slots. And seven talked-about performances.

Everyone puts Daniel Day Lewis’s Abraham Lincoln at the top. But I don’t. And cold, technical performance that bored me to tears and left me wanting something that Day-Lewis doesn’t have in abundance – warmth. He’s not a warm cuddly Lincoln. He’s, well, a British Lincoln.

Why couldn’t they have gotten an American actor to play Lincoln? That’s basically what’s wrong with it. PLUS it’s like eating Brussel Sprouts for two and a half hours. It’s good for you, THEY SAY. But oh the taste!

But people are still ranking him #1. But he’s got two Oscars already. A stumbling block you can’t erase. But he will likely get nominated despite the Brussels Sprout Factor.

Most likely to unseat him is the still unseen Hugh Jackman in”Les Miserables.” He’s also the only one of these guys in a musical. Which is either a huge plus, or a huge minus.I’m sure the always terrific Jackson delivers as he always has in the past. He’s never had a part like this before. He’s hosted the Oscars, successfully, and if he’s as good as I’m hearing, he’s in like flint.

Denzel Washington has gotten rave reviews for his alcoholic pilot in”Flight” and  is doing very well at the box office. He’s an almost knee-jerk reaction. If he’s THIS good, they just nominate him. But he’s got two Oscars already, too, like Day-Lewis, this is probably an obstacle he can’t overcome. Or hide.And “Flight” is being named “a popcorn movie.”

I don’t think Bradley Cooper in the just opening Rom Com “Silver Linings Playbook” is gonna make the cut. It’s a comedy and he’s totally overshadowed by his co-star Jennifer Lawrence who looks like she’s going to not only get nominated but win.

Cooper, playing a manic-depressive SCREAMS his way through two-thirds of the movie, TRYING to make you believe he’s manic. It’s inaccurate and I found THAT depressing. Bi-polar disorder is not something to be laughed about and certainly not something to be treated lightly. With the competition so tight, I don’t think he makes this cut.

Someone in a lightweight film, with serious undertones is Sir Anthony Hopkins, playing a beloved Hollywood Legend Sir Alfred Hitchcock, in the droll biopic “Hitchcock.” The Academy nominates him constantly and his total physical transformation into the corpulent legendary Master of Suspense hits all the right notes and is poignant and winning, too. He’s got one Oscar for “Silence of the Lambs” which was inspired by the serial killer Ed Gein, who is also a character in Hitchcock. His Hitchcock is haunted by the right ghosts. I say he gets in. AND he’s SIR Anthony Hopkins after all. And the Academy always feels it needs that touch of class. I liked his Hitch so much, I’ve seen it twice! Unlike “Lincoln” which I hope I never see again as long as I live.

Life’s too short for another “Lincoln.”

And then we have crybaby Joaquim Phoenix, who like Bradley Cooper, is in a Weinstein Co. production. His comments that Oscars are “total utter bullshit” may have eliminated him for this very competitive race. “The Master” was a polarizing movie that hasn’t done well anywhere. He, like Cooper, could get left out. He doesn’t have an Oscar, and probably at this rate never will. He’s apologizing all over the place now, but the damage his done. Will the ever-snobby, but sometimes forgiving, Actor’s Branch nominate him anyway? It such a tight year, it’s not looking solid for him. And Hitchcock himself NEVER won an Oscar for Best Director. Now being acknowledged as the greatest film maker of all time, the Academy may want to sort of correct his over-sight.

Then there’s the out-of-nowhere news that recent Supporting Actor winner of a couple of years back German Actor Christophe Waltz is going lead for the also still-unseen “Django Unchained.” A slightly desperate Weinstein ploy, methinks, because they sense that neither Bradley Cooper nor Joaquim Phoenix, will get in.

THEY know, the Weinstein Co. they KNOW how the tea leafs are reading and they are not spelling out TWC, as they have in the past two years for their magnificent winners in Best Picture and Best Actor, “The King’s Speech” and Colin Firth and “The Artist” and Jean DuJardin.

Putting Waltz in lead says something about his co-star Jamie Foxx, ANOTHER previous Oscar Winner for “Ray”. Guess they aren’t even considering he’s got the right stuff this year for a nod. And if he’s going up against Denzel….

Finally, the only other serious Best Actor contender is the simply stupendous Jon Hawkes, as the heart-breaking polio victim, in an iron lung no less. The Degree of Difficulty in “The Sessions” is off the charts, and I think that is going to rate with the Actor’s Branch.

So how I see it now – It’s Hugh Jackman, Sir Anthony Hopkins, Daniel Day-Lewis, Denzel Washington and Jon Hawkes.

With all of the Weinstein boys canceling each other out.

Sounds unbelievable, but it COULD happen.

JEFF WELLS Pre-TIFF’12 ~ Stephen Holt Show

The Internet Legend Himself Jeff Wells of http://www.hollywood-elsewhere.com stops by for an entetraining chat about Porter Air and his trouble getting to Toronto for the Film Festival. He talks about Telluride, “The Master,” “Argo”, “Central Park Five”, “Amour” and many other films.

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