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Archive for the ‘Film’ Category

Dina Merrill, Actress, Philanthropist, Passes

Dina MerrillDina Merrill Hartley (born Nedenia Marjorie Hutton; December 29, 1923-May 22, 2017) was an American actress, businesswoman and philanthropist.  She died peacefully at home surrounded by her family.

Merrill was born in New York City on December 29, 1923. She was the only child of Post Cereals heiress Marjorie Merriweather Post and her second husband, the Wall Street investment broker Edward Francis “E.F.” Hutton.

 She adopted the stage name Dina Merrill, borrowing from Charles E. Merrill, a distant relative and a famous stockbroker like her father. Merrill made her debut on the stage in the play The Mermaid Singing in 1945.  During World War II, she was part of the Moss Hart USO troupe and performed throughout the Pacific Theatre of Operations. Her stage career in regional and Broadway theatre took off after the war and continued through the 1990’s including the1983 Broadway revival of the Rodgers & Hart musical On Your Toes.

 Merrill appeared in more than 25 feature films including Desk Set (1957), Operation Petticoat, The Sundowners (1960),Butterfield 8 (1960), The Young Savages (1961), The Courtship of Eddie’s Father , and Robert Altman’s A Wedding (1978) andThe Player (1992).

 Merrill appeared on more than 100 television shows varying from What’s My Line to The Magnificent Ambersons.

Merrill has been married three times. In 1946 she wed Stanley M. Rumbough, Jr. and had 3 children, including David Rumbough (d. 1973)

In 1966 she married Oscar-winning actor Cliff Robertson, with whom she had Heather Robertson (d. 2007)

 In 1990’s, Merrill and her third husband, Ted Hartley, merged their company, Pavilion Communications, with the famed RKO to form RKO Pictures which made a number of feature films including Mighty Joe Young (with Disney).

 Merrill devoted a great deal of her time to public and charitable service. She was Chairman of the board and Director emeritus with over 50 years of service to the New York City Mission Society. When her son David was diagnosed with diabetes, Dina founded the Juvenile Diabetes Foundation, dedicated to diabetic research. She served as the International Ambassador for ORBIS International, the flying eye hospital which teaches advanced eye care and eye surgical techniques all over the world.

 Ms. Merrill was an energetic supporter of the performing arts. She was a founding t of te O’Neill Theater Center and an early director of the Paley Media Center. She served for 12 years as presidential appointee to the Board of Trustees of the John F. Kennedy Center for the Performing Arts. She was honored by Guild Hall, where she performed on stage for many summers in East Hampton, NY,by the naming of their theater and back theater spaces the Dina Merrill Pavilion.

She was a trustee of the Hillwood Estate, Museum and Gardens in Washington, DC.

She also served as a board member of the Population Resource Council and the Republican Majority for Choice Committee promoting “choice” for women and was a founding vice chairman of the Pro-Choice Coalition.

As a corporate leader, she served as the Vice Chairman of RKO Pictures and was actively involved in many of its productions and activities. She has served on the Board of Directors of E.F. Hutton Company and the Board of Lehman Brothers.

She is survived by her loving husband Ted Hartley, son Stanley Hutton Rumbough, and ughter Nedenia Rumbough Roosenburg and six grandchildren.

Burial services will be private for the family.  Celebrations of Dina’s life will be scheduled iks to come.

Remembrances of Dina could be sent in her name to:

Orbis International, 520 8th Avenue, 12th Floor, New York, NY, 1001

–        O’Neill Theatre Foundation, The Eugene O’Neill Theater Center, 305 Great Neck Road, Waterford, CT 06385

10037, Attention: Development Office

  Hillwood Estate Museum and Gardens, 4155 Linnean Avenue, NW Washington, DC 20008

 Messages of condolence will be gratefully received at dinamerrillremembered@rko.com

Movies That Shouldn’t Be Made into Musicals “Ground Hog Day” & “Amelie”


If you think you’re seeing double, you’ll be seeing triple and quadruple in the current mish-mash that is passing as a hit musical from London, “Ground Hog Day.” I have to say that if you haven’t seen the 1993 Bill Murray movie set in Puxitawney, PA., you’re really out of luck. Because this musical doesn’t make any sense whatsoever.. But, so I’m told,  if you’ve seen the movie, it does. Otherwise, it’s a godawful mess. Or is it? Or is that EXACTLY what it’s supposed to be? Utterly and immensely confusing, like it’s central character, Phil, a TV weather person, played very engagingly by the swaggering Andy Karl.Ground Hog Day 3

But don’t get me wrong, I’m a huge fan of Andy Karl, having seen him long ago as one of the five “Altar Boyz” Off Broadway. He was the muscle- bound one and he continued in that vein with the tremendous performance he gave in “Rocky:The Musical” which I just loved. But audiences didn’t. I thought it was a real lollapalooza and Karl gave a knock-out performance as the iconic Rocky Balboa, made famous by Sylvester Stallone. Yes, he sang, danced AND boxed his heart out in “Rocky.”Andy Karl Rocky 1

Then he had the colossal bad luck of dislocating his ACL in previews for “Ground Hog Day,” and now has become something of a Broadway legend and also, believe it or not, a front-runner for the Tony for Best Actor in a Musical, because despite performing in a black knee brace, he went on!

They should re-label “Ground Hog  Day” as “Andy Karl MUST GO ON!”

In the great theatrical tradition, nothing could stop him from giving this powerhouse, but utterly confusing performance.” Obviously in pain, he went bravely forward, over and over and over again, as the repetitious “Ground Hog Day”, a science-fiction musical if ever there was one, repeats and repeats and repeats itself. With Karl leading the charge, injured though he is, and with his knee brace clearly showing (he’s in his underwear a lot, as usual. And thank god for those terrific thighs!).

And audiences are going wild.

“Ground Hog Day” will have to run on fans of the movie, and perhaps, garbled and senseless (to me, a non-believer) as it was, that’s what audiences are craving these dark days in our country’s history. A feel-good, only partially funny, gigantic musical that makes no sense whatsoever. The world has gone mad in Puxitawney, Pa, and that’s the plot, such as it is.  Puxitawney is where the famous Puxitawney Phil, the ground hog who if he doesn’t see his shadow when he peaks of his hole in the ground means we’re getting six more weeks of winter. As far as I could tell, he didn’t see it. Thank god, it’s really now spring in NYC!

So, it’s Feb. 2nd and time and Ground Hog Day itself, keep repeating, repeating and repeating  in our beleaguered hero’s brain, while those townsfolk around him make merry and march and re-march and re-march. There is no end to those parading Pennsylvanians!

The music itself is also not much of anything. Tim Minchin who debuted so powerfully a few seasons back with the wonderful “Matilda”, here goes backward in time to really forgettable music and lyrics that seemed to be in a time-warp of their’ own, as if the magical “Matilda” had never happened.

And since this show was generated out of Australia, the small town PA. people are REALLY cartoons of what Pennsylvanians are like. Whatever they are, Pennsylvanians are not singing Australians, with bad American accents. And so the nightmarish cartoon juggernaut that is “Ground Hog Day” continues to roll over and distort and distort and re-distort everything in its’ path.

The Bill Murray movie couldn’t be this non-funny or garish. Oh, yes, and there aren’t any jokes. But there are lots of flying sets, one of which injured Andy Karl and may have won him a Tony. He deserved it for “Rocky,” but not for this mess.

And no, I’m not going to find the movie of “Ground Gog Day” and now watch it just to make sense of this gob-bil-di-gook. It would be just too painful. And I’m sure not funny, after what I’ve just been through with “Ground Hog Day:The Musical.” It’s like a night-mare you want to forget.

And “Amelie”! I hate to say anything negative about “Amelie”. It’s like kicking a kitten. I saw this French language movie, and I didn’t like it ,and can’t remember anything about it, except that Audrey Tautou is endlessly cute, and became a French icon of the ages. And I never could understand why. But there, like the Eifel Tower, she stands. Starring in French films of wildly varying quality. But an American musical?

And not casting a French girl in the lead? New York is NOT Paris, and good as she was in the original Natasha in “Natasha, Pierre and the Great Comet” off-Broadway in the circus tent, and Tony-nominated for “Hamilton,” as his hapless wife, Eliza, Phillipa Soo never had to utter a single word of dialogue. Both these great early successes for the now 26-year-old Soo were wordless, sung-through pop-operas and boy, can she sing!

She possesses one of the great powerhouse voices, and it’s a pleasure to listen to her over and over and over again on the CDs of “Natasha, Pierre” and “Hamilton.” But here in “Amelie:The Musical” with REAMS of trite, banalities to make cute, piquant, quixotic and adorable, she’s utterly at sea. She’s at a loss with no script OR music to bolster her as she had both so memorably in “Natasha, Pierre” and “Hamilton.” I wonder if it will even last until the Awards are handed out in June? Somehow, I doubt it. And I’m a Francophile.

Superb! Superb! Superb!Laura Linney & Cynthia Nixon On Bway in “Little Foxes”

When theater is this good, it’s a joy! And something as good as the current revival of “Little Foxes” on Bway at MTC with two of our absolute best actresses, Cynthia Nixon and Laura Linney alternating  roles is an evening to be treasured. And treasured again because you can see it a second time with the parts of the villainous Regina and the flibbertigibbet Birdie played by these two towering woman of the American Theater reversed. The critics were given a choice of who to see in which role first and I chose Nixon as Regina and Linney as Birdie. And I’ve never been happier! I can’t wait to see it again with the roles reversed! It’s a win-win situation. And to my knowledge this is an historic first. Actors have switched roles before, but not actresses.

And how smart of Artistic Director Lynn Meadow to allow this to happen on Bway! This is something we never see! Men have been switching up historically, since as long as I can remember. “Becket” is one example. “Othello” is another.  But women? Never! All the more cause for rejoicing. And with one of America’s great stage directors Daniel Sullivan doing the work of HIS career, too! Why I just want to tear my program up and throw it into the air like confetti! Except I won’t because it’s too precious to me as a memory of a theatrical experience that was just about perfect!Of course, I saw Bette Davis do Regina in the movie, and she was pure evil. And she got ANOTHER Oscar nomination. I saw Elizabeth Taylor, of all people, doing the last revival of “Little Foxes” to be on Bway back, when I was in high school. So I felt I knew what I was going to see when I went in to the Samuel J. Friedman Theater on W.47th. But this “Little Foxes” was a total revelation. Never before have I see Regina played as more than a two-dimensional witch of a woman. Nixon added intelligence. I’d almost say compassion to Regina’s bitchy mix.

She seemed torn, for a second, just a tiny second, as her ailing husband (a very good Richard Thomas) climbed to his death on their staircase, like perhaps she considered going to help him. But of course, she does not. She resolutely stared into the audience as he chillingly dies, crying out for her help. Shivers. It gives me shivers just to write about this.

And never also has the character of Aunt Birdie been played as anything except pathetic and bonkers. When I saw Felicia Montealegre play it opposite Elizabeth Taylor, she was totally mad, and sad. And I thought “What hell it must’ve been for her to be married to Leonard Bernstein,” which in real life,   she was.

Laura Linney has none of that. Birdie is her Hamlet. She’s feigning madness to shield herself from the blows that life and her husband (a frightening oaf, Darren Goldstein) is dealing her. When the hulking Goldstein hits her across the face, you could hear the audience gasp as well as scream. Otherwise, the production was so taut and tense, you could hear a pin drop. This superb “Little Foxes” has preserved playwright Hellman’s original three-act structure, which is kind of refreshing.  Act One and Act Two ending with curtain lines that punch you right in the gut. It’s a well-made play. Remember them?

And it’s an astonishment to see that in Laura Linney’s hands, playwright Lillian Hellman has written not one but TWO famous scenes. Of course, there is the staircase scene where Regina lets her husband die. But there’s also a staggering scene at the beginning of Act Three, where Birdie fiercely charges to her niece Alexandra (Francesca Carpanini)”Don’t be like me!” because she has never had “a happy day, a whole happy day” in her life. Birdie is a symbol of the aristocratic south that is truly gone with the wind. And Regina is its’ frightening, mercenary 20th century future.

And both actresses play these juicy roles with such smartness that we are unavoidably reminded its the repressive, male dominance of their patriarchal society that have driven them to madness(though perhaps feigned here) and murder, for real.

Cynthia Nixon, Laura Linney, director Dan Sullivan are all here to remind us that there is greatness in living theater and that “Little Foxes” is a tremendously underestimated American play. Lillian Hellman would be turning cartwheels were she still with us. Brava, Divas!

I would also lastly like to note that come the Tonys (the nominations are to be announced shortly), Ms. Linney will be considered in the Leading Actress in a Play category for her Regina and Ms. Nixon in Supporting for her Birdie, because that’s how they appeared on Opening Night.

#Little Foxes, #Laura Linney, #Cynthia Nixon, #Lillian Hellman, #Broadway (more…)

Kevin Spacey to Host This Year’s Tony Awards

This seems to be a very unusual, low-octane choice to host the high-powered Tony Awards broadcast, but there it is. Two time Academy Award Winner Kevin Spacey. However, he did win one Tony at the beginning of his career.

The most serious of recent Tony host choices  have all been song and dance men lately. Neil Patrick Harris or Hugh Jackman. Or Comics like James Corden.

The Tony Awards announced today that Tony and Academy Award winning actor Kevin Spacey will host  the 71st Annual Tony® Awards live from Radio City Music Hall in New York City, Sunday, June 11 (8:00-11:00 PM, live ET/delayed PT) on the CBS Television Network. This will be Spacey’s first time hosting the Tonys. He won a Tony Award in 1991 for Best Featured Actor in a Play for his performance in “Lost in Yonkers.” The Tony Awards are presented by The Broadway League and the American Theatre Wing.  

 

I was their 2nd choice for Usual Suspects, 4th choice for America Beauty and 15th choice to host this year’s Tony Awards. I think my career is definitely going in the right direction,” said Spacey. “Maybe I can get shortlisted to host the Oscars if everyone else turns it down.”

“We are thrilled to have Kevin, who has mastered the Broadway stage, the big and small screens and the West End, host this year’s Tony Awards! His spirit and passion for live theatre makes him the perfect host, and we can’t wait to see the energy he brings to Radio City on Tony night!” said Charlotte St. Martin, President of The Broadway League, and Heather Hitchens, President of the American Theatre Wing.

 

“We’re excited to be working with a witty and charming host who is not only a Tony-winning actor and fan of live theatre, he’s also a president who is a true champion of the arts,” said Executive Producers Glenn Weiss and Ricky Kirshner.

 

“A true star of television, film and theater, who better than Kevin Spacey to host this year’s Tony Awards?” said Jack Sussman, Executive Vice President, Specials, Music and Live Events, CBS Entertainment. “With his extensive repertoire, charisma and unparalleled dedication to live theater, we are thrilled to have him join us for this prestigious television event.” 

 

Award-winning producer and actor, Kevin Spacey, received a Tony Award in 1991 for Best Supporting Actor in Neil Simon’s “Lost in Yonkers.” Spacey has also starred in the Broadway and West End productions of “Long Day’s Journey into Night,” opposite his mentor Jack Lemmon; as well as the title role in the Sam Mendes production of “Richard III,” which toured to 12 cities around the world as part of the three year Old Vic/BAM/Bridge Project. He was made a CBE (Commander of the British Empire) by Her Majesty the Queen for his services to theatre. He has also won the Evening Standard and Olivier Awards for Best Actor for his role in “The Iceman Cometh.”

 

Inspired by Jack Lemmon, Spacey has often launched initiatives to help young people get their start in the competitive worlds of film and theatre, including: The Kevin Spacey Foundation, which offers support to young actors, writers, directors and producers (including workshops during the tour of “Richard III”); And the short film competition “Jameson First Shot,” awarded writer/directors from South Africa, Russia and the US, Canada and other countries with the opportunity to direct a short film starring a major actor. Most recently Kevin was awarded an Honorary Knighthood from Her Majesty the Queen for his work at the Old Vic, education and philanthropy.

 

Spacey currently stars in and executive produces the Netflix original series “House of Cards.” Since the show premiered in 2013, he’s been nominated for multiple Emmys and has won both Golden Globe and SAG Award for his performance as Frank Underwood. He has won Academy Awards for his performances in “The Usual Suspects” and for “American Beauty”. He was most recently seen opposite Michael Shannon in “Elvis & Nixon”. He will next be seen in “Billionaire Boys Club”, Edgar Wright’s “Baby Driver,” and “Rebel In The Rye” for director Danny Strong. For over a decade, Spacey served as the Artistic Director of The Old Vic Theatre Company in London. Spacey recently stepped down from this role, but during his time appeared on stage at the Old Vic in productions of “National Anthems,” “The Philadelphia Story,” “Speed the Plow” with Jeff Goldblum, “Inherit the Wind,” “A Moon for the Misbegotten,” and the acclaimed production of the one-man show, “Darrow” – an examination of the legendary Chicago lawyer Clarence Darrow.

 The Tony Awards announced today that Tony and Academy Award winning actor Kevin Spacey will host  the 71st Annual Tony® Awards live from Radio City Music Hall in New York City, Sunday, June 11 (8:00-11:00 PM, live ET/delayed PT) on the CBS Television Network. This will be Spacey’s first time hosting the Tonys. He won a Tony Award in 1991 for Best Featured Actor in a Play for his performance in “Lost in Yonkers.” The Tony Awards are presented by The Broadway League and the American Theatre Wing.  

 

I was their 2nd choice for Usual Suspects, 4th choice for America Beauty and 15th choice to host this year’s Tony Awards. I think my career is definitely going in the right direction,” said Spacey. “Maybe I can get shortlisted to host the Oscars if everyone else turns it down.”

“We are thrilled to have Kevin, who has mastered the Broadway stage, the big and small screens and the West End, host this year’s Tony Awards! His spirit and passion for live theatre makes him the perfect host, and we can’t wait to see the energy he brings to Radio City on Tony night!” said Charlotte St. Martin, President of The Broadway League, and Heather Hitchens, President of the American Theatre Wing.

 

“We’re excited to be working with a witty and charming host who is not only a Tony-winning actor and fan of live theatre, he’s also a president who is a true champion of the arts,” said Executive Producers Glenn Weiss and Ricky Kirshner.

 

“A true star of television, film and theater, who better than Kevin Spacey to host this year’s Tony Awards?” said Jack Sussman, Executive Vice President, Specials, Music and Live Events, CBS Entertainment. “With his extensive repertoire, charisma and unparalleled dedication to live theater, we are thrilled to have him join us for this prestigious television event.”   

Award-winning producer and actor, Kevin Spacey, received a Tony Award in 1991 for Best Supporting Actor in Neil Simon’s “Lost in Yonkers.” Spacey has also starred in the Broadway and West End productions of “Long Day’s Journey into Night,” opposite his mentor Jack Lemmon; as well as the title role in the Sam Mendes production of “Richard III,” which toured to 12 cities around the world as part of the three year Old Vic/BAM/Bridge Project. He was made a CBE (Commander of the British Empire) by Her Majesty the Queen for his services to theatre. He has also won the Evening Standard and Olivier Awards for Best Actor for his role in “The Iceman Cometh.”

 

Inspired by Jack Lemmon, Spacey has often launched initiatives to help young people get their start in the competitive worlds of film and theatre, including: The Kevin Spacey Foundation, which offers support to young actors, writers, directors and producers (including workshops during the tour of “Richard III”); And the short film competition “Jameson First Shot,” awarded writer/directors from South Africa, Russia and the US, Canada and other countries with the opportunity to direct a short film starring a major actor. Most recently Kevin was awarded an Honorary Knighthood from Her Majesty the Queen for his work at the Old Vic, education and philanthropy.

 

Spacey currently stars in and executive produces the Netflix original series “House of Cards.” Since the show premiered in 2013, he’s been nominated for multiple Emmys and has won both Golden Globe and SAG Award for his performance as Frank Underwood. He has won Academy Awards for his performances in “The Usual Suspects” and for “American Beauty”. He was most recently seen opposite Michael Shannon in “Elvis & Nixon”. He will next be seen in “Billionaire Boys Club”, Edgar Wright’s “Baby Driver,” and “Rebel In The Rye” for director Danny Strong. For over a decade, Spacey served as the Artistic Director of The Old Vic Theatre Company in London. Spacey recently stepped down from this role, but during his time appeared on stage at the Old Vic in productions of “National Anthems,” “The Philadelphia Story,” “Speed the Plow” with Jeff Goldblum, “Inherit the Wind,” “A Moon for the Misbegotten,” and the acclaimed production of the one-man show, “Darrow” – an examination of the legendary Chicago lawyer Clarence Darrow.

 

“Picnic” Greatly Revived Off Bway by Transport Group in an Inge Rep

Picnic 2How did I spend my Easter Sunday? Watching a great revival of William Inge’s best play”Picnic” by the Transport Group at the Judson Gym on Washington Square. And they were packed. On Easter Sunday and you could hear a pin drop. A really solid piece of work by all involved. “Picnic” is novelly playing in repertory with another one of Inge’s less-revived work “Come Back, Little Sheba” which I’ve reviewed elsewhere on this blog.

But director Jack Cummings III and company really hit it out of the ball-park with this really stark take on what is mainly remembered as a very lush Hollywood movie with William Holden and Kim Novak at her absolute peak, as “Madge, the pretty one.” Here we have Ginna Le Vine and the studly hunk track star from “Sheba”, the charismatic David T.Patterson.

 

Patterson does really well here as the muscle-bound tramp that the overly friendly Mrs.Potts takes in, and turns her and all her neighbors lives upside down. Played by the much better cast here Heather Mac Rae, who nearly sinks “Sheba” under her too girthy-performace. You can sense the actor’s delight in the repertory feel of playing two different roles right after the other. Especially so with Mac Rae who is just delightful ogling Hal here, and was so bad three nights ago in “Sheba.”

With this rep, the enterprising and award-winning Transport Group is trying to show NY audiences just what it is missing. Repertory is staple of European Theater and rarely seen in America.

Also appearing well-cast in the Supporting role of Howard, the reluctant suitor of school-teacher Rosemary( a tremendous Emily Skinner) is the versatile strinbean John Cariani. He played the hell out of THREE small roles in “Sheba”. A Postman, a milk man and a Telegram delivery boy. He is also the playwright of “Almost, Maine” one of the most successful Off Broadway plays of the past decade. Which was also done by the Transport Group. Picnic 6

Patterson as Hal really gets to elicit his character’s desperate pathos as he curls up into a ball of pain, crying after a fight with his best friend, who tears his already tattered shirt the only shirt he owns.Picnic 3

Holding this marvelous production together just as she is seen trying to hold her family of three from flying apart, is the simply wonderful Michele Pawk.

Picnic 1 She, who makes the role of the mother figure of the piece Flo, the surprising center of “Picnic”s beating heart. Her climatic moments after her soon-to-be wayword daughter Madge leaves her were shattering. And award-level worthy. You never remember who plays Flo, but Pawk’s Flo is the best I’ve ever seen and one I shan’t soon forget. Yes, it is Flo’s world that we see disintegrating right before her pain-stricken eyes. Bravo, Michele!Picnic 7And did I mention Dane Laffrey’s pared-down set of only seven peeling garden chairs against a blank plywood wall of flats, which left us nothing to look at except the marvelous eleven actors, the Transport Group has assembled before them? It bisected the Judson Gym’s small space diagonally and the audience was seated two-deep, as it was with “Come Back Little Sheba.” And in this cramped space, this holiday audience still gave “Picnic” a standing ovation. This was an Easter to remember, I tell you.

Massive, Historic Oscar Mess-up/Mix-up!?! WTF!?!

oscar-mix-up-1oscar-mix-up-2WTF just happened?!? Warren Beatty, who must be 😯 at least, and Faye Dunaway, who actually read out “La La Land” surely needed their reading glasses. But the card said “Best Actress Emma Stone La La Land.”

But Emma herself has been claiming that she herself has the Best Actress card with her name on it, as well as, of course, her Oscar and showed it on ABC’s post-show which is airing now.

So somebody handed Warren Beatty a DUPLICATE Best Actress card?!? How is that massive a mess-up even possible?!? Chaos! And it was incredibly gracious of the producer of “La La Land” the tall bald guy, whose name I will add in later, (Jordan Horowitz) showed the card that said “Best Picture Moonlight” and the three producers’ names.

This mess-up is all that anyone is talking about instead of about “Moonlight” a historic GAY black film. That cost about as much as the Sunday Times. Perhaps less. That historic moment is totally being buried. In fact, I didn’t hear the word “Gay” mentioned ONCE in the entire program or this ridiculous after-show were the two co-hosts, Lara Spencer and someone who is clearly really drunk. And the whole thing is cringe-worthy and whatisname Anthony Andrews(?) is saying it’s “a conspiracy” and just all of them so awkward and embarrassed that it’s a GAY film that won.

Part of me feels that Warren B. did this on purpose. Or Jimmy Kimmel was playing yet another prank. But whatever and whoever did this someone’s being fired tomorrow, if not sooner. It was so embarrassing and took away completely from “Moonlight”s winning.

I did think that something like this would happen though. Because I kept hearing how so many people didn’t like “La La Land” and it went home with the most Oscars anyway. Six.

Emma Stone’s dress was the best. The first winner wearing Givenchy since Audrey Hepburn in the 50s. It took 17 days to make. Shimmering gold, with beaded fringe. Gorgeous. Pure gold. She looked like the Oscar she won, but a little paler. Almost a rose-hued gold.emma-stone-oscar-dressAnd “Manchester by the Sea” won two. Two big ones. Best Actor for Casey Affleck and Best Original Screenplay for the brilliant Kenneth Lonergan.viola-casey-emma

Kevin O’Connell won after 21 times as an nominee for Sound! This mess-up really leaves a bad taste in the mouth. And “Moonlight” has barely made $20 million. The lowest take ever by a winner I think.

It won three awards. Mahershala Ali, Best Adapted Screenplay and Best Picture. Cra-zee, KRAY KRAY KRAY zee night but so happy for Casey Affleck and Emma Stone. And Damien Chazelle won Best Director for “La La Land.” It won Best Actress, Best Director, Best Cinematography, Best Production Design and the two musical awards.

But it’s a crying shame that this mishap is overshadowing the history that was made tonight. A GAY FILM JUST WON BEST PICTURE!!! How historic is that?!?

Sasha Stone at Awardsdaily is the only one who had an inkling of his, but it was more than a wish, a hope, and yes, Sasha, it happened. An all-black cast in a black directed and written film. That’s history, too. Or should I say African American? I was told you don’t have to use the term African American anymore by a black female reporter at the New York Film Festival this year.

But it’s an achievement. And Sasha was right!

CASEY AFFLECK WINS BEST ACTOR!!! Emma Stone, Best Actress and then OMG!

casey-affleck-backstage-at-oscarscasey-on-boat-2CASEY AFFLECK WINS BEST ACTOR FOR “MANCHESTER BY THE SEA”!!!! YES!!! YES!!! YES!!!

He looked completely shocked. Dumbfounded. And inarticulate as always. He didn’t make a very good speech. Oh Well…The Best Man won. Denzel did not look happy…

And now, we’re on to Best Actress, with Leonardo DiCaprio presenting. EMMA STONE!!!! Another standing O!!! I predicted her, too. Only got Mahershala wrong.

Emma gives a touching, very good speech. Emotional. You just love her. Wish Casey could have given a speech like he made at the Independent Spirit Awards yesterday. Oh well…he won. And certainly deserved it. And so did she. That moment when she switches from talking to singing at the beginning of the Big Song at the end of the movie just reduced me to tears. So simple, so moving….”So here’s to the fools who dream. Crazy as they may seem.”

emma-stone-smiling“La La Land” wins Best Picture! Oh no! Now they are saying it was a mistake and that “Moon light” won Best Picture! COLOSSAL FUCK UP BY WARREN BEATTY! How humiliating! But “Moonlight” has just won Best Picture! All is confusion up there. It was “Moonlight” a tiny little gay film.

WHO WOULDA THUNK IT?!?! Sasha Stone, that’s who! Bravo Sasha! You rule! OMG!

Kimmel “It’s all my fault. I knew I would screw this up. I’ll never be back.”

I CAN’T BELIEVE IT!?!? They finally let a gay film win Best Picture. 12 Years after “Brokeback Mountain” lost….I’m in shock! The world is moving on….and very good that it has, too….

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