a.k.a. "The Oscar Messenger"

Posts tagged ‘Oscar Nominations’

Golden Globes Nominations Out! “Boy, Erased” Gets Two! Lucas Hedges Best Actor. Drama!


This year’s Golden Globes Nominations have just been announced. And they seem to be earlier than ever. The LA Film Critics haven’t even announced yet! So here they are. And for a complete list go to http://www.awardsdaily.com. I’m just over the moon that my #1 film of the year was remembered twice. The incredible Lucas Hedges got nominated in Best Actor, Drama for “Boy, Erased.” It also got nommed for Best Song.

This is what Lucas had to say about this,

“I honestly didn’t expect this and am completely thrilled. Thank you to the Hollywood Foreign Press for this incredible nomination. I loved playing Marlo, so this is a real honor.”

The 21-year-old phenom is currently on Broadway in Kenneth Lonergan’s “The Waverly Gallery” and so he can’t do the usual glad-handing and campaigning that has become an inevitable, and necessary, component of this Awards’ race.

No stranger to the Golden Globes and the Hollywood Foreign Press Association, who give them out, Lucas was up two years ago in Supporting for “Manchester by the Sea,” also by the superb author/director Kenneth Lonergan.

It should also be noted that the HFPA nominated both gay characters in “Can You Ever Forgive Me” played by Melissa McCarthy (Lead actress) and Richard E. Grant (Supporting). as well as all three lesbian characters in “The Favourite” played by Olivia Coleman(Lead) and Emma Stone and Rachel Weisz(supporting.)

The Golden Globes become more and more important every year and this year they seem more on point than ever. And they certainly are a hoot and half to watch. And they very often are extremely predictive of the Oscars. Academy voters use the Golden Globe lists as a cheat sheet. Their inclusion on this list will mean the films will be watched and discussed. And in the case of “Boy, Erased,” which is about the heinous practice of gay conversion therapy, which is still legal in over thirty states, it is IMPORTANT and timely.

Post-script: the other Masterpiece that’s out there this year, “Roma” was nominated for Best Foreign Film, because it’s in Spanish. Alfonso Cuaron was nominated as Best Director and  Best Screenplay. And if there was an award for Best Cinematography, he’d be nominated for that, too,  for the stunning Black and White footage that he shot entirely himself!

Advertisements

Could Mahershala Ali become the first African-American actor, after Denzel, to win TWO Oscars?


Could Mahershala Ali, who won the Best Supporting Actor a mere two years ago for Best Picture Winner “Moonlight”, win a SECOND Oscar in the same category for “Green Book”?

If so, he would be the first African American actor to win TWO Academy Awards, never mind two nearly in a row, after Denzel Washington won two.

In “The Green Book,” he plays a real life character, a jazz pianist sensation of the 1950s. The film is set in the rural South in 1963, when it was very dangerous for a successful Black man to have a white driver from the Bronx, played by Viggo Mortensen.

Both actors received very strong, positive notices out of Toronto, where it became a surprise hit, and won the prestigious, and predictive Grolsch People’s Choice Award, voted on by the public, vaulting all involved into the middle of the Oscar race.

The film was directed by Peter Farrelly of “Dumb and Dumberer” film.

Should this happen and Ali get nominated and win again, he would make Oscar history. No Black actor has ever won twice.

ACE Eddie Inches Allison Janney forward towards Oscar

How important is Film Editing? Well, over the years I’ve come to recognize that Film Editors are among the most important and hardest working artists/technicians in our business. I don’t know what we’d do without them. I really can’t praise their industry and expertise and devotion to their work highly enough. People in the business know how incredibly vital their are. And after helming my own TV show “The Stephen Holt Show” for over 30 years, I do, too. God bless the film editors, and so when they chime in, in the name of their united Guild, the A.C.E. Eddie Awards, attention by AMPAS voters is paid. Seriously.

So when they gave their big award this week to the Best Edited Dramatic Film, in this case “I, Tonya,” it gave that raunchy tabloid of a film that much more of a serious contender boost. And in this case the largest recipient of the Film Editors collective good will and approval would by extention go to Allison Janney, who plays the wild-cat mother of alley-cat Tonya Harding in “I, Tonya.” This is “I, Tonya” biggest Awards bid, Best Supporting Actress. Which is turning into a mud-wrestling final between Janney and Laurie Metcalf, formerly of “Roseanne,” and this season as the Good Mom in “Lady Bird.”

“I, Tonya” was an Indie that opened late in the awards season without much fanfare, whose importance has grown by the day, as more and more people see it. So much so that Allisson Janney’s Mom From Hell is inching ever forward in her death-match struggle against Laurie Metcalf’s much more likeable Mom in “Lady Bird.” And the Ace Eddie Award just continues to add to Janney & Tonya’s steaming forward.

You see, Best Supporting Actress has become basically a two woman race between Janney and Metcalf in the Battle of the Moms. And until the Golden Globe Awards two weeks ago, Metcalf’s gold was considered in the Oscar tank.

Then a strange thing began to happen. That race just turned around and Metcalf’s main Mom competitor Allison Janney started winning every single major award going forward, the Golden Globe, the Critics Choice Award and finally the SAG Award(pictured above ^). The A.C.E. just adds to “I, Tonya’s prestige and by extension, Allison Janney’s.

Tonya Harding was not considered a prestige player in real life. So it’s ironic in the extreme that the film about her “I, Tonya” is now considered a prestige, must-see-it Oscar film contender more and more by the day.Janney is majorly known for the nearly-decade run in “The West Wing,” amassing many Best Supporting Actress in a TV Series Emmys along the way.Allison Janney 3
An excellent actress no matter what the role, her gargoyle, LaVona Harding is just another example that she can play just about ANY type of role and make audiences like it and remember it and award it.

The race between her and Metcalf is razor thin, so we must take careful note of it, this Oscar season. Even if Metcalf just ended up on the cover of EW with “Lady Bird”s star, Saoirse Ronan and creator Greta Gerwig.Sometimes Entertainment Weekly just jumps the shark and lays out their mag and covers, goes to print too early. I think this is the case here. This is a VERY volatile Oscar race this year and if they’d waited a minute or not, and saw that their supposed front-runner “Lady Bird” had not one ONE AWARD AT THE SAGS, they never would’ve run this cover. It’s premature inauguration. A few more hours and it may have been Frances McDormand and Sam Rockwell on the cover. Or Sally Hawkins and her magical Fish.

But you see just how close this supporting actress race and every category, as a matter of fact, this year is. And Brit Great Lesley Manville, an O.B. E. has been added to the mix, both here in the America Oscar Nominations and abroad at the BAFTAS in London. So do stay tuned for more mud-wrestling.

“I, Tonya” Margot Robbie & Allison Janney Are Wonderful. The Film is a Crock

“I, Tonya” is Australian actress Margot Robbie’s attempt at going for the gold, and trying to win an Oscar. She may have succeeded in getting herself a nomination the week after this on January 23. But who she’s more seriously pulled into Awards contention and the quite possibly the win, is her co-star Allison Janney, everyone’s favorite go-to actress, as her hateful mother LaVona.

And Janney has just astoundingly won TWO major awards, the Golden Globe and also the Critics’ Choice Award for Best Supporting Actress for her horrifying turn as the Wicked Witch of the Ice Rink with a parakeet on her shoulder.

Up until this past week, Laurie Metcalf had been predicted to be winning those awards, and suddenly the Golden Globes just turned this particular race, Best Supporting Actress upside-down. Just as Sam Rockwell did with Best Supporting Actor.

I found “I, Tonya” such a distasteful croc of lies, that I’ll concentrate on Ms. Janney’s chances, shall I?

Remembering all too vividly the events this loathsome episode that will forever cloud the history of figure skating, I just was not ready to listen to Tonya Harding’s side of the story. She had some foul person attack champion Nancy Kerrigan by hitting her in the shin with a mettle rod, thus effectively side-lining her and allowing the rabbity Harding to shine abd get onto the Olympic ice skating team. It was a horrifying incident and you just hated Harding for it.

Well, there’s more to the story, as it turns out. Or sort of turns out. If Harding is to be believed, which I for one, can’t. Seems that her husband/ ex-husband/ boyfriend/ whatever executed this hateful scheme .Sebastian Stan as Jeff Gilhooley is wonderfully scummy, but I didn’t believe a word out of his mouth. Both he and Robbie play the untruths they have to spout believably, which must be considered a great feat of acting on both their parts. But Robbie will be the one who wins  a nomination for producing this nauseating sea of lies. Which brings me to Allison Janney and why she keeps winning Best Supporting Actress Awards this season.

She’s got her own TV series, which she stars in every week on CBS, “Mom”. She won many, many Emmys for her yeoman multi-season run on “West Wing.” And so she is extremely familiar to viewers, and voters, who know she is NOTHING like LaVona , the very worst mother ever seen depicted as a character, reel or unreal on screen.

Laurie Metcalf’s compassionate, though beleaguered Mom on “Lady Bird” is VERY believable. She does not physically abuse her wayward daughter. But Lavona constantly smacks Tonya around and even throws a knife at her, which penetrates Tonya’s upper arm. So LoVona’ s bad behavior, makes “I, Tonya” believable and sympathetic, but only somewhat. This is a sports movie about child abuse. It’s going to seem very timely with the winter Olympics coming up.

Janney’s physical transformation is key here. She uglies up to the nth degree, and many think that’s acting, but  I don’t. However, Janney is so skilled an actress, you buy it. She’s also a comic, though horrible, relief from the incessant whining and bitch-slapping of her irritating daughter.

And I think voters are going to feel that Janney is the one to vote for, and surprisingly they say “I, Tonya” is surging right now. She’s a comfortable way in. It’s clearly a performance of someone we don’t like, by someone we do like.

And there is ONE scene in a diner, where else? Where LaVona tries to plead HER case as a mother to her destructive daughter, who hates her. And still does to this day. Janney as LaVona says that she went out and worked and gave everything to her daughter. “I didn’t stay home as bake brown betties all day.” Janney had me at that moment. And clearly she had the voters , too. So far.

Critics Choice Give “Lady Bird” NOTHING!?!? “Shape of Water” wins Best Picture

I guess the members of the Broadcast Film Critics did NOT like Anything about supposed Oscar front-runner “Lady Bird .” It got NOTHING from their award show which went out tonight on the CW. It only took two hours. They didn’t announce many of their silly, superfluous categories on air. But they still were there. As you can see by the list below. Thanks to http://www.awardsdaily.com

Next up, the SAG Awards on Sunday night. I’ll be Live-Blogging those awards, too, which are considered more seriously as they actually voted on by members of a for-real industry guild, the Screen Actors Guild.

WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”

“Shape of Water” One of the most beautiful, though improbable, love stories ever! Sally Hawkins is Magic!

(more…)

“La La Land” Wins Both Music Awards, “Manchester” wins Best Original Screenplay

city-of-stars“La La Land” wins two more making four so far. Best Song “City of Stars” and Best Score. And now Ben Affleck and Matt Damon are presenting Best Original Screenplay. I hope it’s “Manchester by the Sea”!

And It is!!!!!

casey-lucasTHRILLING!!!!

And “Moonlight” wins Best Adapted Screenplay.  Lots of Applause. A very popular choice. And it’s a Gay Movie. Who woulda thunk it?

It’s won two. The same as “Hacksaw Ridge”. Now the big awards are upon us.

Halle Berry, looking younger than ever, but with an awful Afro, giving out Best Director.

Damien Chazelle, the youngest Best Director in Oscar history, just won Best Director. So that’s five so far. It’s only going to win two more, if I’m right Actress and Picture.

First time an American director has won in YEARS, believe it or not.

 

 

Tag Cloud

%d bloggers like this: