a.k.a. "The Oscar Messenger"

Posts tagged ‘Silent Film’

Emily Blunt Looking at Two Oscar Nominations and/or Wins


Could 2019 be beginning with the ambrosial prospect of the brilliant British actress Emily Blunt up for TWO Oscar Nominations? One for Leading Actress for “Mary Poppins Returns” and the other for the nerve-shattering pregnant wife Evelyn in her real life husband John Grasinski’s horror film “The Quiet Place”?

Well, it’s happened already from a no-less than august awards body the SAGs, which nominated her twice in both categories. It’s almost unheard of. And she could win both.

The roles couldn’t be more diverse and more than show Blunt’s huge range as an actor. This certainly seems to be her moment. Awards-ignored for years, despite her superlative work in over 30 films, and every kind of character imaginable, 2019 finally seems to be her time to shine.

“The Quiet Place,” for those who may have missed it, is the early-in-the year 90 minute horror film that drew raves from critics as well as a boffo turn at the box-office.

incredibly taut and electrifingly directed and co-written by her real life husband John Grasinky, it stuns by the use of all things, silence. Blunt even has a deaf daughter played marvelously by the real life deaf actress Millicent Simmonds.

All are in jeopardy in a remote farm-house from a more or less traditional horror film monster (again astonishingly played by Krasinsky Himself) and if all this seems to much for the normal Awards-voting film=goer, don’t forget, they LOVE silent films(which “The Quiet Place” more or less is) and this is Emily Blunt’s year, there’s no denying itl And “The Quiet Place”s overwhelming and unexpected audience acceptance. only ads to Blunt’s momentum with Poppins. Disney had mounted a jmajor campaign for “Mary Poppins Returns” in all categories and Paramount has now done the same with “The Quiet Place.” So she was TWO major studios pushing for her.

Blunt even has a sure-fire “Oscar clip” scene where she has to give birth SILENTLY in an old-fashioned stand-alone bathtub. They all have to keep silent at all costs or the monster will incinerate them. It’s an edge-of-your-seater and in the same year as Blunt’s courageously/outrageous musical turn as  Mary Poppins, rivaling predecessor Julie Andrews, who also won an Oscar for Poppins.

It’s an awards-magnet role and Emily Blunt is the newly minted Awards magnet herself. And she’s nominated for a Golden Globe award for Best Actress in a Musical/Comedy, too.

The Golden Globes are this coming Sunday. Don’t miss them! If Blunt wins there against high-brow fellow Brit Olivia Coleman for “The Favourite”, she could very well begin her march to the Oscars! You heard it here first!

I Always liked “Vertigo”Best! Now Named #1 Film, beating “Citizen Kane!”

I always liked “Vertigo”. I always liked it better than “Citizen Kane.” I never liked “Citizen Kane” THAT much. I saw it first in London at the National Film Theater around 1970, or so. I had stayed on in England, trying to get into the Drama Schools there, and become a British Actor, which is what I always thought was the best kind of actor you could possibly be.

And I was rejected by every single one.

Although I did get a call-back to the  Bristol Old Vic, and spent a lovely weekend, or at least an over-night in Bristol…and then was rejected by them, too.

I was always unimpressed, unmoved by “Citizen Kane.” It was named, at that time “The #1 Film of All Time” and I thought I was really going to see something when I saw it at the National Film Theater. But it left me sort of cold.

I loved and related to the Susan Alexander character, his second wife, who he tries to turn into an Opera Singer. But Kane? No. A bully. A blusterer. A millionaire. Who cared? Orson Welles was good. But when you’re supposed to care about him when Susan Alexander walks out on him, and he tears up her room, I just didn’t care ~ that much.

I was glad she left him.

And “Rosebud”? I thought that was always a very contrived device. One word to sum up a whole man’s life? Nonsense!

And Orson Welles. Well, there was “Citizen Kane” and that was about it.

Whereas Alfred Hitchcock was always my main movie idol, in terms of a filmmaker, whom I constantly revere, engage with, and watch and re-watch, on an almost daily basis.

I always thought “Vertigo” was very, very good. And it was grown in my estimation of it, as I have seen and re-seen it over the years. And “Citizen Kane” no matter how many times I have tried to watch it, and tried to love it, as “The Greatest Film of All Time,” I still can’t really warm to it.

I admire Gregg Toland’s amazing camera work. And the Bernard Herrman score. He wrote the “Vertigo” score, too. The one thing the two films now battling it out at the top of the Sight and Sound Best of All Time List, have in common. I have always loved Dorothy Cummingore’s bitter drunken Susan Alexander.

And as I became familiar with Orson Welles’ back-story, you can’t help but feel for him. And the talent stopped and wasted by his ostracism from the Hollywood community.

Whereas Alfred Hitchcock who made “Vertigo” so beautifully, made many, many, many films. In many eras spanning the silent films all the way up to the 1970s.

He was the ultimate craftsman. And I have mused for years on how someone so obsessed with the technique side of films could have made so many movies that have moved me so deeply, and not just scared me to death. His characters are really quite unforgettable, too.

I mean, Norman Bates in “Psycho”? An iconic name, too. And the Bates motel? That has passed from being a movie set into common parlance. Janet Leigh’s performance as Marion Crane earned her her only Oscar nomination for Best Supporting Actress(She didn’t win)

And no matter what, Alfred Hitchcock kept making and making movie after movie after movie. He was NOT outside the studio system. Never. Like Welles became so quickly after William Randolph Hearst’s powerful press machine, the mightiest, it was said, at the time, decided to virtually halt his career in America…

Hitchcock never did anything like that. He NEVER challenged the studio heads. He worked with them, and bent them to his will.

And it’s so strange to me that “Vertigo” was never until rather recently considered the great film that it is now acknowledged to be.

That LONNNNNNG car driving scene through the streets and up and down the hills of 1950s San Francisco, with the Bernard Herrman score pulsing underneath it as James Stewart  wordlessly follows Kim Novak’s car, the essence of “pure cinema” as Hitchcock himself would call it.

And since this “Vertigo” annointment, I’ve gone back to You Tube to search for just what people thought of it then. Interviewers like Tom Snyder never mentioned it. Never asked about it. Dick Cavett at least lists it…

What can you attribute the rise of “Vertigo” to? Well, for one thing, Francois Truffaut, and the Cahiers du Cinema, who recognized it and touted it long before others did.

More about this endlessly fascinating topic of Alfred Hitchcock, the Master of Suspense, who I just called The Master soon.

And you know, he never won an Oscar?

Oscar Nominations FINALLY Announced! Quick Reactions!

So there they are, surprising one, surprising all, even me. That’s right, dear readers, dear cineastes, the Oscar Nominations for 2011 have finally been announced, and yes, I did wake up VERY early to get the news! And the shocks! The delightful shocks, like for instance, predicting Best Actress completely accurately. Meryl, Michelle, Viola, Glenn, and ROONEY MARA!

She “knocked out” Tilda Swinton, who was one of the SAG five nominees for Best Actress this year. Her film”We’ve Got to Talk About Kevin” is something the Academy clearly DIDN’T want to talk about. The mother of a school shooter is clearly now outside their “wheelhouse.”

As is Michael Fassbender full frontal onslaught and yes, his urinating, while nude, onscreen in “Shame.” I KNEW that they would not like to nominate THAT! But yes, they DID nominate Damien Bichir, which I am happy to say, I predicted.

The noble Mexican illegal immigrant/gardener is definately a heroic figure to the Academy, as Bichir, a great actor in any language, tries his best to save his teenage son from gang-life in today’s L.A.

I’m also happy to report that Gary Oldman also POPPED UP with no American precursors WHATSOVER in Best Actor for “Tinker, Tailor, Soldier, Spy” and it’s about time this great British Actor FINALLY got his first nomination!

This is probably attributable to the supposedly large British voting bloc within the Academy. TTSS got the most BAFTA nods of any film this year over across The Pond. And Oldman certainly richly deserves this for his astounding decades-long body of work. And you can see my interview with him over at my You Tube channel www.youtube.com/StephenHoltShow

Who he “knocked out” of the Best Actor face, one of the SAG Five men, was Leonardo Di Caprio for “J.Edgar” which I just totally attribute to homophobia on the part of the Academy which not so long ago denied Best Picture to “Brokeback Mountain” and gave it instead to the OK “Crash.” The worst moment in Oscar history. For me, anyway.

So out of the ten possible choices in my Oscar Nomination Predictions, Leo was the only one I got wrong. To leave out such a big star as Leo is in a Clint Eastwood-directed movie, I find shocking, SHOCKING! But Gary Oldman is a more than worthy choice, and so is Damien Bichir. Congratulations to them both!

However, I underestimataed the Academy’s enthusiasm for their #1 voting change. Because I thought it would be eight and NINE got in. Again, I got one wrong. “My Week with Marilyn” which is STILL MY OWN PERSONAL #1 movie of the year, although it did get Acting nods for the extraordinary performances of Michelle Williams as Marilyn Monroe and Kenneth Branagh in Supporting Actor, for his terrific turn as Sir Laurence Olivier.

You can see alllll the nominations listed at www.awardsdaily.com

“Hugo” to MY great shock bested “The Artist” in the number of nominations it got. 11 to “The Artist”s ten. Both got nominated for Best Picture and Best Director, which would be Martin Scorcese for “Hugo” and Michel Hazanaviscius for “The Artist”.

It was Jennifer Lawrence’s finest acting moment when she pronounced Michel H.s name correctly. Hah-zana-VIZ-use, phonetically. Accent on the VIZ.

“The Artist” also was nominated for Best Actor, Jean Dujardin, Best Original Screenplay, Best Supporting Actress – Berenice Bejo, Best Score – Ludovic Bource who was won at the BFCA AND the Golden Globes, Best Cinematography, Best Costumes, Best Editing and Best Art Direction.

“Hugo” scored mainly in the technical categories or “below-the-line” as they’re called in industry parlance, but no acting categories whatsoever, and may be the first Best Picture nominee with the most votes to ever not have ANY actors nominated at all. Not a good sign.

Historically, the film with the most nominations USUALLY wins, but not always. But “The Artist” is the clear favorite here.

Steven Spielberg saw his “War Horse” surprise in Best Picture, but also saw no actors from his film get in, and he himself didn’t either for Best Director.

Best Director including Scorcese and Hazanviscius as I said, and also Woody Allen for “Midnight in Paris” and Alexander Payne for “The Descendants.” The surprise Best Director in the Fifth slot was Terence Malick for the controversial “Tree of Life” which also got nominated for Best Picture!

Best Actor nominee for “Moneyball” Brad Pitt is in “Tree of Life” too, don’t forget, and so is The Girl of The Year Jessica Chastain. Both arguably giving better performances than they did with what they were nominated for “Moneyball” and Chastain in “The Help”, OK, but not great.

I think “The Artist” is still way out front for Best Picture. And I still think BOTH Jean Dujardin and Michelle Williams could upset.

“The Iron Lady” only got two nominations. For Meryl’s great lead performance and for Best Make-Up, which it probably will win.

Glenn Close’s passion project of 30 years “Albert Nobbs” got three nods. For Close, Supporting Actress Janet McTeer and again, Best Make-Up.

And the biggest surprise of all is the Ninth BP nominee, “Extremely Loud and Incredibly Close!” And Max Von Sydow for Best Supporting Actor in a wordless mute role in the 9/11 drama.

Oscar, a palpable presence at “The Artist” junket NYC!

Yes, I felt Oscar IN THE ROOM! There was a presence that I could really, really feel today at “The Artist”s press junket in NYC and I’ve come to the conclusion that I felt Oscar him/itself there. Everyone was sooo happy! I’ve never seen this before! EVAH! And for a comedy???

Well, Woody Allen never does press things like this. Or not much.

He did subject himself to a print media only press conference last year for “You Will Meet a Tall, Dark Stranger” and I did meet him there. He’s wonderful. What can you say? He’s Woody. And I’ve just seen “Midnight in Paris” EIGHT TIMES!

Well, it’s gonna be a very French year at the Oscars, I predict. Between “Midnight…” and “The Artist”s charming French stars and director…I really do think it’s between the two of these light-as-air Gallic breezes of up-beat comedies for Best Picture this year.

The biggest difference? Well, let’s say DIALOGUE. “The Artist” is a silent film. And also color. “The Artist” is in Black and White. No I’m not kidding. It really IS.

What was one of Alice’s tasks in “Through the Looking Glass”? Trying to imagine eight impossible things before breakfast?

Well, you can count the improbable, but very palpable rise of “The Artist” as at least two or maybe three or maybe FOUR of those impossible things.

1) It’s in Black and White

2) It’s Silent

3) It’s French. And a French film, made by French people has never won the Oscar

4) It’s a comedy

5) It’s star Jean DuJardin as very likely a Best Actor nominee(and he may WIN. See below..)

6)It’s comely leading lady, French actress Berenice Bejos will probably be nominated for Best Supporting Actress

Oh, well, that’s SIX impossible things right there.

That this small, short(100 mins.) black and white silent film just continues like Alice herself to just rise and rise and rise ~ all the way to the Oscars…probably. Well, it’s “most improbable” is most probably what Alice would say.

There was something in the air this morning. An elan. A delightful sparkle. Something had happened to alllll those present. And I do think it was that Oscar had announced himself to all and sundry that yes, they were all going to go to the Kodak Pavillion come February.

And they ALL knew it. And all were smiling, smiling, smiling…

When I said something to this effect to Berenice Bejos, the winsome Peppy Miller, the ingenue who charlestons her way into our hearts AND the heart of “The Artist” himself, Jean Valentin, (DuJardin) this morning she said “That’s what everyone keeps telling us.” And I really did believe that everyone, and not just me, was saying this to Mlle. Bejos.

And this time it wasn’t just me (or someone like Hollywood-Elsewhere’s Jeff Wells, at www.hollywood-elsewhere.com who went off on a supportive spree for this low-budget indie “Tyrannosaur” hosting three screenings in L.A. There were only TWO in NYC, and I couldn’t make either of them.) it wasn’t just me, or Jeff, going off and on about falling in love with a movie. This time “The Artist” was a movie EVERYONE had already fallen in love with. HARD .There wasn’t a cynical smirk in the room.

And I, Oscarologist that I am, really DO feel it’s going to win something. And win something BIG like “Best Picture” or Best Actor for Jean DuJardin or maybe BOTH!

It will certainly get nominated for everything under the sun, the Hollywood sun, because yes, this satire and loving tribute to silent films, was actually made and shot in Hollywood employing many below the line technical people in L.A. where the verisimilitude of making Old Hollywood movies, really never has gone far from where it all started.

And authentic “The Artist” certainly seems to be. Except that it’s made by French people. The director the almost unpronounceable Michel(pronounced like “Michelle” as in “Michelle Williams”) wait for it. Hazanavicius. Which is pronounced like the words “Hosannah!” as it “Yippee!” andvis-e-use, as only the French can pronounce that last syllable like is “ooze.” Or “Yoose”

And it’s two out-of-ballpark charming French stars Jean DuJardin and the aforementioned Mlle. Bejos( pronounced like Bay-Jo, with a hard “j”) who is the director, M. Hazanavicius’ wife IRL.

And of course, the unseen star, Harvey Weinstein,  the canny producer who bought this French bon-bon (Tom O’Neil’s descriptive word for “The Artist” and he’s right. Read his classic Oscar site www.goldderby.com for MORE on The Race) at Cannes, mais oui, in all its’ black and white gorgeousness and Harvey, the Oscar Whisperer (as Oscar Goddess Sasha Stone calls him at www.awardsdaily.com ) is VERY effective at these improbable Oscar feats. Like perhaps grabbing an Oscar win in Best Picture for a BLACK AND WHITE film with NO DIALOGUE at all, and perhaps more likely, an Oscar for Best Actor for Jean Dujardin.

Hey, I know it sounds crazy, but he’s done this before with a foreign film actor, the Italian comedian Roberto Benigni. Yes, he DID win Best Actor. For “Life Is Beautiful” I know it sounds impossible, but this is absolutely TRUE!

So Harvey and the Academy have been down this road before. But yet, have they? I mean, this is a film that yes, is made by and stars French actors, but it’s SILENT!

Harvey is going to argue in the coming months that Jean DuJardin has had the hardest (read “degree of difficulty) role in that he has to make everyone enjoy themselves WITHOUT SAYING A WORD! Now, that’s hard!

And Best Actor is shaping up to be a smack-down(Tom O’Neil’s word again) between three very successful actors, George Clooney, Brad Pitt and Leonardo DiCaprio. All incredible handsome, RICH, and very well established stars. Knocking each other out of competition, or it seems to me, this morning, cancelling each other out….Nothing the Academy hates more than rewarding RICH, GOOD LOOKING guys. OK, GREAT looking guys.  Yeah, it’s true. Just as they LOVE rewarding beautiful young girls, like this year’s Michelle Williams. Who is beyond-belief sexy and fetching as hell, as Marilyn Monroe….The Academy is nothing if not predictable.

And I thought earlier last week(which now seems like LAST YEAR in Oscar-time) that it was going to be Leo as “J.Edgar”, but I was not prepared for the critical drubbing the film got. Homophobia pure and simple, if you ask me, but still there it was landing a low-ball and way-out-side on Rotten Tomatoes. www.rottentomatoes.com And although Leo was praised for his performance…

I think that unexpectedly harsh reception (unexpected by me, I must emphasize) has knocked him down a few pegs and you can see this reflected in Stu Van Airsdale’s Oscar Index where now Jean Dujardin sits right below George Clooney on Stu’s Oscar Index this week. www.movieline.com.

And the Gurus o’ Gold, as I said, have ONLY ONE VOTE separating “The Descendants” and “The Artist.”  ONE VOTE.

And watch what happens next week when BOTH “My Week with Marilyn”‘ AND “The Artist” open ON THE SAME DAY!

Methinks Harvey W. has done it AGAIN!

And you can see my interviews with allllll these wonderful, talented people coming soon to my YouTube Channel www.youtube.com/StephenHoltShow

Excellent “Oscar Index” at Movieline asks “Is it February yet?” Lol…

Do I love that Oscar Index, penned by the redoubtable Stu Van Airsdale over at the increasingly necessary www.movieline.com ? Yes! I do! I highly recommend it for its’ humor is as good as anything in the New Yorker. Yes, I have now mentioned the words “Oscar” and “The New Yorker” in the same sentence! I admit it!

I have no ads. So I can say anything. And I do. On my blog. On my TV show.

And Stu’s Oscar Index constantly surprises me! Like for instance the major surprise this week was French actress Berenice Bejos, who I just ADORED in “The Artist,” and was always championing since I saw the movie in Montreal- well, Berenice has now bounced right into the center of the Oscar Index’ Best Supporting Actress chart! And fittingly enough, she’s pictured as a Black and White bobble-head, and like the film, she’s not in color.

“The Artist” won the Hamptons Film Festival Audience choice award this past week, so Harvey W. is once again, a happy Hamptons-goer. Last year, “The King’s Speech” won this award.

Besides the Toronto Film Festival audience award, it was the only other award it won on its’ surprising Oscar journey. “The King’s Speech” I mean. Last year, it didn’t start its’ OSCAR winning streak til that famous night at the PGA awards in Hollywood where it won, unexpectedly. Not unexpected by me, though.

But whether it’s “The Artist” or “My Week with Marilyn” the Oscar this year also seems to have Harvey’s name on it. Just like last year. Will the Academy become sick of his dominance? No. I don’t think so. They LOVE it! It’s a throw back to the days of the REAL Old Time Hollywood mogols of yore. Louis B. Mayer, David O. Selznick. Daryl Zanack. Sam Goldwyn, etc. etc. etc.

It’s a Weinstein world and we just live in it! I guess you could replace that noun with George Clooney and you’d be equally right.

Every where I turn in New York right now, George Clooney is coming at me. Off billboards, off BUS ADS, and this is just for “The Ides of March”! Which is sinking link a stone according to Oscar Index,  but is maintaining a low watt Box-Office, but holding steady. The upcoming “The Descendants” is the one who will win George his second Oscar this year. If he is to win it for anything.

And then, on that momentous day at the end of November, “The Descendants,” “My Week with Marilyn,” “The Artist,” and “Hugo” ALLLLL OPEN ON THE SAME DAY! I still can’t get over that confluence of circumstances! And release dates!

And Stu has the brilliant Viola Davis in second place this week. And he drops Michelle Williams down to third, for “The Help” and “My Weekend with Marilyn” respectively.

Now my main prob with Viola Davis is where EXACTLY Disney is gonna place her. In lead? Or Supporting? If she’s in Supporting, she’s a slam dunk. If she’s in lead, it’s iffy. And Category Confusion could lead her to end up where the equally brilliant Lesley Manville ended up last year for “Another Year.”Which is NOWHERE. It COULD happen.

Note to Disney/Dreamworks – MAKE VIOLA’S CATEGORY CRYSTAL CLEAR or else it’s Lesley Manville time…again.*sound of crickets chripping*

Oscar Index still has Meryl Streep’s unseen “Iron Lady” at No. 1 And Gorgeous George is STILL topping Best Actor, naturally. For “The Descendants” which I agree with.

But Meryl? Still? As Margaret Thatcher? One of the most unsympathetic female figures of our times? And rumored to be about her at the end of her life as an Alzheimer’s patient? Didn’t we see this movie before? With Judi Dench? And it was called “Iris”? And James Broadbent was playing her understanding care-giver of a husband? And he won a Supporting Actor Oscar for it? And isn’t James Broadbent playing that same role in “The Iron Lady”? And isn’t it directed by the woman who directed “Mamma Mia”?(which I LOVED by the way.) But the “Iron Lady” doesn’t sound like a light-hearted musical frolic. At least not on paper. Nobody’s seen it, so nobody knows. Yet Oscar Index AND the Gurus o’ Gold are putting Meryl on top of their lists. Me. I’ll wait to see it.

And yes, that’s Harvey’s movie, too…

Just to make everything even more confusing, for us. Never mind him or the entire staff of the Weinstein Co. Who are TOTALLY ready for this challenge of challenges by the way. They can handle anything. Including multiple Oscar campaigns.

Which some people, like Strand Releasing’s Marcus Hu, doesn’t seem to be able to do. At least not according to Jeffrey Wells, the untamed blogger extraordinaire who has now fallen so hard for low-budget, British Indie “Tyrannosaur” that he’s starting to try to raise money through his website www.hollywood-elsewhere.com for Olivia Colman’s lead performance.

Not having seen it, I haven’t a clue how misguided or guided this latest scream of a scheme Jeffrey, an Internet legend to put it mildly, has come up with. You can follow this critic-takes-on-the-role-of-press-agent-to-the-Oscars story blow by hilarious blow at Hollywood-Elsewhere.

It sounds just nuts. Jeffrey thinks his readers will contribute to HIS pay pal account to fund this $2000 evening screening in Hollywood. That’s what it costs, evidently per very nice screening room in L.A. Who knew?

And then, suppose he raises it? Does that mean anyone will come to the screening? First rank critics? AMPAS members? Suppose no one comes? Suppose this rash and unprecedented action turns off more Academy Members than it turns on? To “Tyrannosaur”? To Olivia Coleman? An unknown middle-aged British actress playing an abused wife in a council flat somewhere in Northern England?

I think this is all because Jeffrey was unable to switch his flight back to L.A. from NYC when the NYFF switched the press screening of “My Weekend with Marilyn” to a week ago Sunday. Causing Jeff to miss it completely. On both coasts. If he had seen it, he wouldn’t be going off the deep end like this, I can assure you. Over Olivia Coleman? Really?

Seems he doesn’t like the screenings in L.A. Strand Releasing is (not) setting up for “Tyrannosaur.” What next? And I didn’t know Jeffrey was SUCH an Anglo-phile.

Bottom line, he’s getting a lot of attention(read hits, read Internet traffic) for this. And is this helping Olivia Coleman? And her teeny tiny distributor Strand? I’ve admired Strand for years, but it’s no secret that they don’t have the big bucks. And Oscar campaigns cost MONEY. Maybe you didn’t know that, but now you do.

Is Jeffrey hurting more than he’s helping? Stay tuned. Meanwhile, enjoy Oscar Index at Movieline. THAT’S on the money.

New York Film Festival begins! I run into Nina Arianda & Hugh Dancy!

The New York Film Festival, my home town film festival begins before it starts with crack-of-dawn press screenings, just like in Toronto. And although I’ve seen “The Artist”, as you all know, and loved it in Montreal, I’m surprised and happy to say that “The Artist” is also on the bill here at the NYFF. So it debuted at Cannes, was at Telluride, Montreal, and Toronto and now New York! Support keeps building for this very unusual, but beautiful film, in Black and White and SILENT!

Will it go all the way to the Oscars? As the French say, “Pourquoi Pas?” Why not?

AND it’s got the Weinstein Company behind it. So as they say “Voila!” But will it win? THAT remains to be seen, but people keep loving it.

I think it’s paving the way, not necessarily for its’ own win, but for ANOTHER French-themed film Woody Allen’s “Midnight in Paris” and THAT could be the winner. It’s still hanging in there in theaters. Up to $54 million made so far…for Sony Pictures Classics…and Woody…

And I just bumped into, on the street, one of its’ stars, Nina Arianda! She plays Michael Sheen’s malapropping American wife, in the present sections of the film, who falls victim to “a bad oyster” at one part.

She and her dashing co-star”Venus in Furs”s Hugh Dancy both ran right into me on Broadway! I’m sure on their way to a rehearsal of “Venus in Furs” Nina’s Off-Broadway triumph that I never saw. And always felt awful that I missed, because it DID make her a star.

I know Nina from NYU Grad Acting where I saw here in many, many plays there and always thought so highly of her work. And even then she had that great comic sense that has served her so well in her Tony nominated turn in “Born Yesterday” on Broadway this past season. And also, of course, in Woody Allen’s triumph which I’ve seen now EIGHT times!

She and co-star Dancy, who is one of the finest young actors working on-screen, or stage, today, both looked very happy and startled to see me right in their path. They were crossing 8th Avenue so they couldn’t avoid me. And we exchanged “Hellos” and I congratulated Nina on her INCREDIBLE year.

Which will probably get even MORE incredible if “Venus in Furs” becomes the hit I think it’s going to be ON Broadway.

You just never know who you’re going to run into on the Rialto!

Tag Cloud

%d bloggers like this: