a.k.a. "The Oscar Messenger"

Archive for the ‘Autumn’ Category

Oscar Supporting Actress Possibilties Are Piling Up!

It’s mid-October and although New York has been enjoying an unseasonably mild fall, Mother Nature is trying to deceive us that Oscar season is not fully upon us BUT IT IS! And even the said-to-be-sparse Supporting Actress category is beginning to be piled up with potential nominees. All of them brilliant I’m happy to say.

I know one thing for sure. There are three actresses whose shots are better than others. First I’m going to start off with the least known of them. The beauteous British actress Juno Temple, who is playing full-tilt Brooklyn bombshell, Carolina, in Woody Allen’s new wonderful “Wonder Wheel” which I just saw as the closing night feature at the New York Film Festival.

Always one of honor his actresses of choice with great roles that become them, I say Temple gets in, because of the same thing happened to another little known Britisher Sally Hawkins. When she co-starred in “Blue Jasmine” with the soon-to-be Oscar winner Cate Blanchett, every Academy member WATCHED THAT SCREENER and saw how marvelous Hawkins was as Jasmine’s working class, comforting sister. The same thing will happen to Juno Temple, too.

Whatever they think of the film, Temple is getting Oscar-buzzed praise.

So is recent Tony winner for Best Actress Laurie Metcalf. Super superb as Saoirse Ronan’s put upon Mom in Great Greta Gerwig’s “Lady Bird.” Metcalf is having a banner year with the Tony win for “Doll’s House, Part Two” on Broadway and now actually having a juicy sympathetic screen role as the frantic nurse practitioner mother of wayward teenage, Lady Bird.

Because Metcalf is such a beloved industry figure, having won multiple Emmys as Roseanne’s sister on “Roseanne,” she really has the edge here. And her role as Lady Bird’s Mom has got Oscar written all over it. The kind of part that Metcalf has never really had before on film. AND she’s never even been nominated before! Believe it or not.

I would say she has the edge. And it’s definitely

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Oscar Nominees Begin to Arise at NYFF


Oscar Nominees, potential Oscar Nominees, Begin to Emerge as the New York Film Festival reaches its’ much touted half-way point.

Last Flaf Flying 1
The biggest winner so far seems to me to be Steve Carell, who has two strong possibilities in two films, one in the Festival, one outside it. The hilarious “Battle of the Sexes” and the somber “Last Flag Flying”.Steve Carell

I would say that his hysterical turn as blow-hard Tennis Pro Bobby Riggs is almost sure to be nominated in the Supporting category for Carell. I would’ve said that his MUCH more serious turn as the grieving father in “Last Flag Flying” was also a Supporting performance, but some are saying he’s lead.

It would be just like the mercurial Carell to end up in both categories. He’s well-liked and clearly at a career high, so it’s entirely possible.

I’m SURE they are going to nominate Emma Stone, last year’s winner for “Battle of the Sexes.” That would be in the Best Actress category for her portryal of closeted lesbian Tennis Pro Billy Jean King. Best Actress is now more jammed than ever with potential nominees clamoring to get in. Saoirse Ronan is pitch perfect at the rebellious teen in “Lady Bird.” She’s definitely an “In”. As is Laurie Metcalfe, also on a roll, after winning the Tony this year for “Doll’s House, Part 2.” Her put-upon hard-working mom to Ronan’s rambunctious teen daughter is as maddening as she is sympathetic. She’s “In” in Supporting, never having even been nominated for an Oscar before.

Another surefire “in” is Willem Dafoe in the magnificently original “Florida Project.” He could win in this category, Supporting Actor, but he’ll be up against Carell, or even Bryan Cranston AND Laurence Fishburne for “Last Flag Flying”. Though I would say Cranston and Fishburne are BOTH leading roles.”Florida Project” also has a secret weapon in six-year-old Brooklynn Kimberly Prince. Florida Project 1They nominated another six-year-old and quite recently, too. Quevezhane Wallis in “Beasts of the Southern WIld.” Hey, even in a crowded year for Best Actress , like this one, powerhouse charmer Brooklynn( that’s with two “n”s thank you very much.)could surprise.

A complete unknown still is Kate  Winslet’s performance  in the still unseen “Wonder Wheel” of Woody Allen. It closes the Festival and absolutely no one has seen it yet. But the buzz is deafening and the production photos look awesome.

Someone who is NOT getting in to the crowded Best Actress race is octogenarian Dame Judi Dench, who I’ve admired and loved all my life. But “Victoria and Abdul” is the worst thing she’s ever done. Sad to say. Long, slow, and although she’s her usual great self in the funny first half, in the second more serious half, she had sooooo many death scenes, I couldn’t WAIT for her to die. Which is an awful feeling for a potential Best Actress nominee. She’s been to the Queen Victoria well one too many times now. She’s been there, done that, and quite frankly her failure to carry this film through to the end, just sickened me. Yes, even Judi Dench is human. She just doesn’t know when to stop.

Can’t wait for “Wonder Wheel” this Friday and for “Wonder Struck” by Todd Haynes tonight at the NYFF. Their Opening Night film was “Last Flag Flying” and “Wonder Struck” is their Centerpiece and “Wonder Wheel” closes it.

A superb film that is none of those things but “Call Me By Your Name” is Luca Guadagnino’s masterpiece and a gay love story to end all gay love stories. Timothee Chalament, is the teen in THIS coming of age story. He’s also playing a bad boy rock musician in “Lady Bird. ”

Army Hammer is the other half of this lovely gay love duo, and BOTH performances are so powerful, they could BOTH get nominated. Chalamet in lead and Hammer in Supporting.

As bizarre as it sounds all these films could get nominated for Best Picture. That’s how good the New York Film Festival has been this year.Call Me By your Name 1

Agnes Varda, 89, Is Up, in More Ways than One @ the NYFF!

Everything is so up at the NYFF 55, it makes my heart sing! Not the least of which is their big tribute to the tiniest of French Grande Dames du Cinema, Agnes Varda. My latest review at Awardsdaily.com on the great French icon. I called it “Hot at 89” And it was published within minutes! Beautiful lay-out by Sasha Stone and her gifted editor Ryan Adams! Merci a tous, as Agnes would say.

http://www.awardsdaily.com/2017/10/01/hot-89-agnes-varda-nyff-french-cinema-Agnes Varda truck 1icon-honored/

My First NYFF rave for “Awardsdaily” this year.”Last Flag Flying”

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Louise Penny’s New #13 Gamache ~ “Glass Houses”

I wonder what’s going to happen to Louise Penny’s latest novel, hot off the presses, “Glass Houses”? It’s her 13th in a row Inspector Gamache novel. And USUALLY she hits it out of the ball park every time, but this time…Well, she’s a crime/mystery writer the world has fallen in love with, even though she’s an Anglo-Canadian writing about our beloved Montreal and the province of Quebec, where she lives.

“Glass Houses” was written very fast. It seems like the last one “A Great Reckoning” only came out last week, but actually it was last year. But still, a new book, EVERY year! I mean, that’s an incredible achievement by any definition and she’s been called “the new Agatha Christie”, which is also an incredible accolade. (She’s won Agatha Award six times!) And she sells! She tends to debut at #1 on the New York Times Bestseller list.

And it’s really difficult to write about her Chief Inspector Gamache books, because you don’t want to spoil anything. But I will say this. This is my least favorite novel of hers, so far. And I’ve read them all!

Don’t worry die-hard Gamache fans he’s very much front and center here, and Penny has created a great character in him, her lead detective. He’s retired now and living in Three Pines, the wonderful, mythical Quebec township town she’s created. It’s not real, but it’s setting is continuously beguiling and I really want to eat at the Bistro of Gabri and Olivier, right now!

Food is mentioned often, but not as much in “Glass Houses” but the Bistro Gamache fans NEED to know is where most of the action, and the eating, mais oui, happens. And Kudos to Penny for putting two very original gay Bistro/B&B owners front and center in her books. Gamache has a gaggle of sorts. What’s the French word for “Posse”? Maybe it’s posse, too, and they are all on hand, and there’s so many of them now that the ensemble tends to push the new characters almost out of the book completely.

It must sound divine to Penny fans, but — this time…
“Glass Houses” I found confusing. There. I said it. You need to know that it switches back and forth in time and seasons and locales. It’s hard to follow, until you realize that the trial that takes up half the book, is set in Montreal in the summer. Just WHAT and WHO is on trial for WHAT is also confusing. It’s made clear at the end but by then my patience with Gamache & co. was more than a little frazzled.

Then her masterpiece Ruth Zardo the crazy, foul-mouthed Octogenarian poet whose pet duck Rosa comes on. And then Gamache’s PERFECT wife Reine-Marie starts exerting her charm, and they all dine at the beautiful, homey bistro and you realize that Louise Penny is really above criticism at this point.

Especially, considering she wrote this big 400 page tome as her beloved husband, Michael, in real life, was dying.

Which kind of exemplifies the dark, threatening figure that keeps appearing on the Village Green one cold, rainy November day…Wait! How did we get to be in November? I thought it was July! Well, “Glass Houses” keeps switching back and forth, yes, confusingly.

Penny really returns to form(she really is an exquisite writer) in of all places the Author’s Note, which is at the end of the entire book. She writes feelingly about her husband’s death and ends with the lovely thought “The final thanks is to you, my friend. For your company.The world is brighter for your presence.
All shall be well.”

“Dunkirk” Lives Up to It’s Oscar Hype! Mark Rylance Will Get His 2nd Oscar nom!

I just LOVED “Dunkirk”! Not a fan of war movies as a rule, the cinemaster Christopher Nolan has re-written the book on this genre as well as re-inventing it with this spectacular achievement . It’s a heart-pounding, edge-of-your-seat, white knuckle thriller as well as an eye-popping, frightening and ultimately triumphant Best Picture of the Year. Well, so far, anyway.

It’s hard to imagine anything that will top it in terms of its’ size and scope, and story, too. Christopher Nolan is the screen-writer as well as director, and also, a producer.

I found myself moved from the first frames of “Dunkirk,” with its’ magnificent Hans Zimmer score thumping and pounding and shaking the earth, which in the first shots are a picturesque rendering of the French seaside town of Dunkirk as it was then, in June of 1940 .  Nazi leaflets are dropping like autumn leaves on the young British soldiers below, who all are about to be slaughtered outright by the unseen enemies machine gun bullets.

The most unlikely, scrawny, leading young man is newcomer Fionn Whitehead, (See above and at top of page) who we are going to follow through his epic journey of struggling to survive the evacuation of 400,000 British and allied troops, who are stranded on the beaches of Dunkirk.

Bullets are ripping, searing and whizzing everywhere as Nazi planes pound the helpless soldiers, exposed, vulnerable and innumerable on the Dunkirk beach. They are just sitting ducks. “It’s like shooting fish in a barrel” one officer proclaims.

How will they EVER get out of there? And that is the drama that director Nolan is portraying so incredibly accurately, and in such a breath-taking and wholly cinematic detail. Nolan’s exacting directorial eye gives verisimilitude a new meaning.Mark Rylance with Oscar 1

Oscar winner Mark Rylance (for Best Supporting Actor for “Bridge of Spies”)  is the truly heroic, mild-mannered, stiff-upper-lipped British captain. owner of his own medium-sized,  pleasure yacht, hardly a warship. It is one of the many civilian small craft that are commandeered by Churchill to set sail across the churning English Channel and rescue all those stranded soldiers. Rylance’s no-nonsense, utterly focused, amateur seaman/citizen is a masterpiece of restraint, understatement and terse John Bull heroism.

Dunkirk 2

And he’s symbolic of one of hundreds of small boats that turned the tide of this terrible war, WWII. They did the impossible, because they had to. How they were called upon and how all they just stepped up to this incredible, daunting challenge  and how in doing so  served their country and saved the free world. Churchill’s thrilling call to arms “We will fight on the beaches!” echoes throughout the film, and as a first generation Brit myself, I was immensely proud of all of them. magnificently depicted here in this their finest John Bull hour of courage.

It’s a David v. Goliath feat, and it’s all true. This really did happen. And Nolan re-creates it down to the smallest, scarifying detail. Not even pop star Harry Styles,who acquits himself quite admirably as the gnarliest of the small group of British soldiers, teenagers, really,  can fall out of line. If you weren’t looking for him, he would blend in totally with the other young, struggling, dirty, frightened, brave soldiers.

“Dunkirk” explodes with many, many understated and marvelously compelling performances. Irish actor Cillian Murphy(below)is totally unrecognizable as a survivor of a downed plane that Rylance and his crew of two lads rescue from the sea. Is he a German? Is he a deserter?

Rylance’s scenes of struggle between him and Murphy will. I’m pretty sure,  net the Oscar winner another nomination. He’s got the biggest part. The Academy likes to nominate those they’ve awarded and nominated before. But Murphy, Whitehead, Styles and Sir Kenneth Branagh (as the British troop leader,who has the most moving single line in the film, which I won’t reveal here) are all  exemplary.


That Harry Styles in his film debut holds his own with these Knights of the Realm is as much a tribute to Nolan’s laconic, terse direction of the actors as well as the many, many ships at sea and the planes in the air. And to shoot this all on water! How did he get those incredible, aquatic shots?

Hoyte Van Hoytena, the superb cinematographer of the awe-inspiring, acrobatic camera work is surely on his way to an Oscar for his astounding work here of filming the unfilmable on land and on sea .There’s not a lot of blood in “Dunkirk” but there is an awful lot of water!  Lee Smith’s phenomenal, fast-paced film editing is going to be acknowledged, too, at awards-time, I’m so sure. “Dunkirk” is incredibly only 90 minutes! And it’s shot on film. Nothing is digital.Tom Hardy Dunkirk 1

A special note most also be taken of previous Oscar nominee Tom Hardy (for Best Supporting Actor for “The Revenant”)’s ability to act throughout the film almost entirely in a pilot’s gas mask, with only his eyes and his voice for expression.(See above) He’s got to carry nearly a third of the film in tight close-up in his fighter pilot’s cockpit. He’s as moving and as effective of those fighting to survive below, who we see in full.Dunkirk 4

This picture was made for Oscar, and it will get nominated all over the place, and deservedly so. It’s a great movie. And a great movie movie. And Number One at the box-office for the past two weeks to boot. Don’t miss “Dunkirk”!

#Dunkirk, #Mark Rylance, #Christopher Nolan, #Harry Styles, #WWII #Tom Hardy, #War Movie, #Oscars, #Best Supporting Actor, #Best Picture

Rejoice! “Spamilton”s Sparklingly Funny CD Is Out! & The Show Is STILL running!

Rejoice, Musical Theater Lovers! And Haters, “Spamilton”s hilarious new CD is out! Yes! The Original cast in its’ entirety has been captured forever, affording devotees of the Maestro of Mirth Gerard Alessandrini, the ability to listen to his witticisms puncture that OTHER Maestro of the Musical Moment, Lin-Manuel Miranda & his monsterpiece “Hamilton” Things were so out of control last season that when the show opened , I mean, when “Spamilton” opened, and I saw it last fall, that other show “Hamilton”, it was literally eating Bway alive. Other shows were closing (“Shuffle Along” for one for instance) with lines of overnight campers-out literally littering W. 46th St. All hoping desperately to get a returned ticket. As is a  surprise character in the show is…but more on her later…

Things aren’t quite so desperate now. “Hello Dolly” is now the hottest ticket in town. And all of the original cast of “Hamilton” is gone off to Hollywood, or wherever, to be rich. Lin-Manuel himself is shooting “Mary Poppins” for Disney. I don’t know how that’s going to work out. Emily Blunt as Mary herself may save it.

We’ll see, Mary Dugan.

But in the meantime, if you STILL can’t get $800 tickets to “Hamilton” itself, “Spamilton” will do very nicely. And is a fraction of the price. It’s still at the snug Triad night club on W.72nd Street. And the CD is great! And even cheaper!  I can’t stop playing it! And laughing! Here’s a link to my original review from last fall.

https://stephenholtshow.wordpress.com/2016/10/24/spamilton-hilarious-brilliant-hamilton-spoof-off-broadway-at-the-triad/

It seems marvelously effusive in retrospect, but I still stand behind every superlative! And the cast has changed at the Triad. Only the wonderfully vermin-like Dan Rosales as Lin-Manuel and Chris Anthony Giles as the frustrated Leslie Odom as Aaron Burr(“I wanna be in the film, when it happens!) are still in it. But the new cast-members are just as hilariously versatile as the originals and they sing the range-y score magnificently.

Tristan J. Shuler as Daveed Diggs looks so much like the actor he replaced, I thought it was the same person! And he seems to just love rocking his jockeys off in “I Kill My Friends in My Underwear!” And Larry Owens is also a doppelgänger for his predecessor, playing Stephen Sondheim (yes, he’s in it, too) as Yoda. Sort of. And Ben Franklin. (Everybody in history is in this!)

I had the privilege of witnessing the performance of pint-sized Claudia Yanez playing ALLLLLL the females in the show, and I thought “Understudy! Uh-Oh!” But she was astounding, and fresh as a daisy. With a voice that could project all the way to Bayonne!

I’m also happy to report that the Playkill Program has been upgraded to allow me to include a strong mention that the amazingly adept and funny choreography on the dime-sized Triad stage is by Gerry McIntyre (“Thighs Up”!), and the just-right costumes are by Dustin Cross. Gina Kreiezermar is “Guest Diva”who does so well imitating Bernadette Peters, and Liza Minelli (among others) crying, disguised as a homeless woman who enters from the audience “Tickets. I need tickets! For a desperate diva!” to the music of the Beggar Woman from “Sweeney Todd.”

And I can now give fulsome credit to the zany, wonderful Glenn Bassett as the Queen of Broadway, who plays Jonathan Groff as the campy King George III to a T and remarks that his number is really the Beatles’ “Penny Lane” as he leads the audience in a rousing chorus of “Gay, gay, gay, GAY!”

Lin-Manuel himself has been to see it TWICE! And is quoted as saying,

“I laughed my brains out!”

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