a.k.a. "The Oscar Messenger"

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Oscar Supporting Actress Possibilties Are Piling Up!

It’s mid-October and although New York has been enjoying an unseasonably mild fall, Mother Nature is trying to deceive us that Oscar season is not fully upon us BUT IT IS! And even the said-to-be-sparse Supporting Actress category is beginning to be piled up with potential nominees. All of them brilliant I’m happy to say.

I know one thing for sure. There are three actresses whose shots are better than others. First I’m going to start off with the least known of them. The beauteous British actress Juno Temple, who is playing full-tilt Brooklyn bombshell, Carolina, in Woody Allen’s new wonderful “Wonder Wheel” which I just saw as the closing night feature at the New York Film Festival.

Always one of honor his actresses of choice with great roles that become them, I say Temple gets in, because of the same thing happened to another little known Britisher Sally Hawkins. When she co-starred in “Blue Jasmine” with the soon-to-be Oscar winner Cate Blanchett, every Academy member WATCHED THAT SCREENER and saw how marvelous Hawkins was as Jasmine’s working class, comforting sister. The same thing will happen to Juno Temple, too.

Whatever they think of the film, Temple is getting Oscar-buzzed praise.

So is recent Tony winner for Best Actress Laurie Metcalf. Super superb as Saoirse Ronan’s put upon Mom in Great Greta Gerwig’s “Lady Bird.” Metcalf is having a banner year with the Tony win for “Doll’s House, Part Two” on Broadway and now actually having a juicy sympathetic screen role as the frantic nurse practitioner mother of wayward teenage, Lady Bird.

Because Metcalf is such a beloved industry figure, having won multiple Emmys as Roseanne’s sister on “Roseanne,” she really has the edge here. And her role as Lady Bird’s Mom has got Oscar written all over it. The kind of part that Metcalf has never really had before on film. AND she’s never even been nominated before! Believe it or not.

I would say she has the edge. And it’s definitely

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Oscar Nominees Begin to Arise at NYFF


Oscar Nominees, potential Oscar Nominees, Begin to Emerge as the New York Film Festival reaches its’ much touted half-way point.

Last Flaf Flying 1
The biggest winner so far seems to me to be Steve Carell, who has two strong possibilities in two films, one in the Festival, one outside it. The hilarious “Battle of the Sexes” and the somber “Last Flag Flying”.Steve Carell

I would say that his hysterical turn as blow-hard Tennis Pro Bobby Riggs is almost sure to be nominated in the Supporting category for Carell. I would’ve said that his MUCH more serious turn as the grieving father in “Last Flag Flying” was also a Supporting performance, but some are saying he’s lead.

It would be just like the mercurial Carell to end up in both categories. He’s well-liked and clearly at a career high, so it’s entirely possible.

I’m SURE they are going to nominate Emma Stone, last year’s winner for “Battle of the Sexes.” That would be in the Best Actress category for her portryal of closeted lesbian Tennis Pro Billy Jean King. Best Actress is now more jammed than ever with potential nominees clamoring to get in. Saoirse Ronan is pitch perfect at the rebellious teen in “Lady Bird.” She’s definitely an “In”. As is Laurie Metcalfe, also on a roll, after winning the Tony this year for “Doll’s House, Part 2.” Her put-upon hard-working mom to Ronan’s rambunctious teen daughter is as maddening as she is sympathetic. She’s “In” in Supporting, never having even been nominated for an Oscar before.

Another surefire “in” is Willem Dafoe in the magnificently original “Florida Project.” He could win in this category, Supporting Actor, but he’ll be up against Carell, or even Bryan Cranston AND Laurence Fishburne for “Last Flag Flying”. Though I would say Cranston and Fishburne are BOTH leading roles.”Florida Project” also has a secret weapon in six-year-old Brooklynn Kimberly Prince. Florida Project 1They nominated another six-year-old and quite recently, too. Quevezhane Wallis in “Beasts of the Southern WIld.” Hey, even in a crowded year for Best Actress , like this one, powerhouse charmer Brooklynn( that’s with two “n”s thank you very much.)could surprise.

A complete unknown still is Kate  Winslet’s performance  in the still unseen “Wonder Wheel” of Woody Allen. It closes the Festival and absolutely no one has seen it yet. But the buzz is deafening and the production photos look awesome.

Someone who is NOT getting in to the crowded Best Actress race is octogenarian Dame Judi Dench, who I’ve admired and loved all my life. But “Victoria and Abdul” is the worst thing she’s ever done. Sad to say. Long, slow, and although she’s her usual great self in the funny first half, in the second more serious half, she had sooooo many death scenes, I couldn’t WAIT for her to die. Which is an awful feeling for a potential Best Actress nominee. She’s been to the Queen Victoria well one too many times now. She’s been there, done that, and quite frankly her failure to carry this film through to the end, just sickened me. Yes, even Judi Dench is human. She just doesn’t know when to stop.

Can’t wait for “Wonder Wheel” this Friday and for “Wonder Struck” by Todd Haynes tonight at the NYFF. Their Opening Night film was “Last Flag Flying” and “Wonder Struck” is their Centerpiece and “Wonder Wheel” closes it.

A superb film that is none of those things but “Call Me By Your Name” is Luca Guadagnino’s masterpiece and a gay love story to end all gay love stories. Timothee Chalament, is the teen in THIS coming of age story. He’s also playing a bad boy rock musician in “Lady Bird. ”

Army Hammer is the other half of this lovely gay love duo, and BOTH performances are so powerful, they could BOTH get nominated. Chalamet in lead and Hammer in Supporting.

As bizarre as it sounds all these films could get nominated for Best Picture. That’s how good the New York Film Festival has been this year.Call Me By your Name 1

Agnes Varda, 89, Is Up, in More Ways than One @ the NYFF!

Everything is so up at the NYFF 55, it makes my heart sing! Not the least of which is their big tribute to the tiniest of French Grande Dames du Cinema, Agnes Varda. My latest review at Awardsdaily.com on the great French icon. I called it “Hot at 89” And it was published within minutes! Beautiful lay-out by Sasha Stone and her gifted editor Ryan Adams! Merci a tous, as Agnes would say.

http://www.awardsdaily.com/2017/10/01/hot-89-agnes-varda-nyff-french-cinema-Agnes Varda truck 1icon-honored/

My First NYFF rave for “Awardsdaily” this year.”Last Flag Flying”

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“Dunkirk” Lives Up to It’s Oscar Hype! Mark Rylance Will Get His 2nd Oscar nom!

I just LOVED “Dunkirk”! Not a fan of war movies as a rule, the cinemaster Christopher Nolan has re-written the book on this genre as well as re-inventing it with this spectacular achievement . It’s a heart-pounding, edge-of-your-seat, white knuckle thriller as well as an eye-popping, frightening and ultimately triumphant Best Picture of the Year. Well, so far, anyway.

It’s hard to imagine anything that will top it in terms of its’ size and scope, and story, too. Christopher Nolan is the screen-writer as well as director, and also, a producer.

I found myself moved from the first frames of “Dunkirk,” with its’ magnificent Hans Zimmer score thumping and pounding and shaking the earth, which in the first shots are a picturesque rendering of the French seaside town of Dunkirk as it was then, in June of 1940 .  Nazi leaflets are dropping like autumn leaves on the young British soldiers below, who all are about to be slaughtered outright by the unseen enemies machine gun bullets.

The most unlikely, scrawny, leading young man is newcomer Fionn Whitehead, (See above and at top of page) who we are going to follow through his epic journey of struggling to survive the evacuation of 400,000 British and allied troops, who are stranded on the beaches of Dunkirk.

Bullets are ripping, searing and whizzing everywhere as Nazi planes pound the helpless soldiers, exposed, vulnerable and innumerable on the Dunkirk beach. They are just sitting ducks. “It’s like shooting fish in a barrel” one officer proclaims.

How will they EVER get out of there? And that is the drama that director Nolan is portraying so incredibly accurately, and in such a breath-taking and wholly cinematic detail. Nolan’s exacting directorial eye gives verisimilitude a new meaning.Mark Rylance with Oscar 1

Oscar winner Mark Rylance (for Best Supporting Actor for “Bridge of Spies”)  is the truly heroic, mild-mannered, stiff-upper-lipped British captain. owner of his own medium-sized,  pleasure yacht, hardly a warship. It is one of the many civilian small craft that are commandeered by Churchill to set sail across the churning English Channel and rescue all those stranded soldiers. Rylance’s no-nonsense, utterly focused, amateur seaman/citizen is a masterpiece of restraint, understatement and terse John Bull heroism.

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And he’s symbolic of one of hundreds of small boats that turned the tide of this terrible war, WWII. They did the impossible, because they had to. How they were called upon and how all they just stepped up to this incredible, daunting challenge  and how in doing so  served their country and saved the free world. Churchill’s thrilling call to arms “We will fight on the beaches!” echoes throughout the film, and as a first generation Brit myself, I was immensely proud of all of them. magnificently depicted here in this their finest John Bull hour of courage.

It’s a David v. Goliath feat, and it’s all true. This really did happen. And Nolan re-creates it down to the smallest, scarifying detail. Not even pop star Harry Styles,who acquits himself quite admirably as the gnarliest of the small group of British soldiers, teenagers, really,  can fall out of line. If you weren’t looking for him, he would blend in totally with the other young, struggling, dirty, frightened, brave soldiers.

“Dunkirk” explodes with many, many understated and marvelously compelling performances. Irish actor Cillian Murphy(below)is totally unrecognizable as a survivor of a downed plane that Rylance and his crew of two lads rescue from the sea. Is he a German? Is he a deserter?

Rylance’s scenes of struggle between him and Murphy will. I’m pretty sure,  net the Oscar winner another nomination. He’s got the biggest part. The Academy likes to nominate those they’ve awarded and nominated before. But Murphy, Whitehead, Styles and Sir Kenneth Branagh (as the British troop leader,who has the most moving single line in the film, which I won’t reveal here) are all  exemplary.


That Harry Styles in his film debut holds his own with these Knights of the Realm is as much a tribute to Nolan’s laconic, terse direction of the actors as well as the many, many ships at sea and the planes in the air. And to shoot this all on water! How did he get those incredible, aquatic shots?

Hoyte Van Hoytena, the superb cinematographer of the awe-inspiring, acrobatic camera work is surely on his way to an Oscar for his astounding work here of filming the unfilmable on land and on sea .There’s not a lot of blood in “Dunkirk” but there is an awful lot of water!  Lee Smith’s phenomenal, fast-paced film editing is going to be acknowledged, too, at awards-time, I’m so sure. “Dunkirk” is incredibly only 90 minutes! And it’s shot on film. Nothing is digital.Tom Hardy Dunkirk 1

A special note most also be taken of previous Oscar nominee Tom Hardy (for Best Supporting Actor for “The Revenant”)’s ability to act throughout the film almost entirely in a pilot’s gas mask, with only his eyes and his voice for expression.(See above) He’s got to carry nearly a third of the film in tight close-up in his fighter pilot’s cockpit. He’s as moving and as effective of those fighting to survive below, who we see in full.Dunkirk 4

This picture was made for Oscar, and it will get nominated all over the place, and deservedly so. It’s a great movie. And a great movie movie. And Number One at the box-office for the past two weeks to boot. Don’t miss “Dunkirk”!

#Dunkirk, #Mark Rylance, #Christopher Nolan, #Harry Styles, #WWII #Tom Hardy, #War Movie, #Oscars, #Best Supporting Actor, #Best Picture

A Canadian Feel-Good Musical About 9/11? “Come From Away” Says “Yes”!

Having spent a large part of the past 17 years traveling to Canada and reporting very positively on Canadian culture, once again, I was not surprised by the fact that one of the hottest tickets on Bway right now is, of all things, a feel-good musical about 9/11! No, I’m not kidding. Only Canadians could have written this foot-stomping and even funny look at a tragedy, that I who was also stuck in Canada while it was happening can verify. I was trapped at the Toronto Film Festival with my camera crew of three. We were lucky. We had TRAIN tickets so we could get out of there as scheduled. But no planes were flying. FOR DAYS!

Which is what “Come From Away” is dealing with. It’s the rather arcane story(on paper) of some 7000 passengers getting diverted to Newfoundland, a small island in the far eastern part of this very large and large-hearted nation. “Come From Away” is the most positive take on Newfoundland I’ve ever seen and so enjoyable it makes the case very well for Americans, who are restive and restless in this particularly troubling time in our history to just get on a plane, boat or train as soon as possible and move there, lock, stock and barrel. Which is what “Come From Away” tries to depict. And the openness, do-good-ed-ness, politeness and warmth many American will find a tad unbelievable. But it’s true. Yes, they ARE like that. Meryl Streep recently called them “the nicest people in the world,” and I think she’s right.

Newfoundland, particularly, as strange as it may seem, is the butt of endless Canadian jokes, akin to our own misguided Polish jokes. As in “How many Newfis does it take to screw in a light-bulb?” etc.

But not the Newfoundland in “Come From Away”. The husband-and-wife writing team of Irene Sankien and David Hein, Torontonians  both, have done their homeland proud here. The strangest thing that their Newfis offer to the “plane people” is their tradition of kissing a fish(pictured above and also below),And yes, that’s Drama Desk nominee and Broadway stalwart Chad Kimball as the put-upon gay fish kisser, Kevin I. Yes, there’s a gay couple on the stranded plane, too, who are both named Kevin. “It was cute at first, but then it got old” says one Kevin.

Kimball is also called upon to play President George W. Bush, and he does it with raising nary a snicker. The Other Kevin, the amazingly versatile Cesar Samayoa also plays a Muslim, and many other dizzying roles. The whole singing cast of twelve is made to seem like a cast of thousands in that respect as they flash instantly from one role, and one accent and nationality, at the speed of light.

In such a strong ensemble, it seems unfair to single out individual actors, but I have to mention another Broadway bright light Jenn Collela, as the pilot of one of the grounded planes. She gets almost the only complete solo in “Come From Away” as  she sings about her girlhood dream of becoming a pilot in the on-point “Me and the Sky.”Come From Away 4

I wish some of the other characters were more developed. Kimball ALMOST gets a solo in “Prayer” but then others join in. It’s hard to sit for an intermission-less 90 minutes, and try in identify with an amassed crowd, as opposed to single characters. But I’m old-fashioned that way. I like characters. In plays. In musicals. On film. And this is the flaw in “Come From Away” and leads to many of its’ distressing lulls.

It’s got a rousing opening number “Welcome to the Rock” that the entire cast sings and I wish there were more songs like this. The great Christopher Ashley as director whips them into a frenzy, as much as he can. It’s hard to whip a singing throng.

This is currently being talked up as a possible Best Musical of the Year. But against “Natasha, Pierre and the Great Comet of 1812” which is just across the street, I wonder….I play the music for “Natasha, Pierre…” morning, noon, and night, and I’m talking about the ORIGINAL circus tent Off Broadway cast album which stars Phillipa Soo. And now, FINALLY, they’ve recorded Josh Groban and the Original BROADWAY cast singing it, which is due in stores any minute now….

“Come From Away” is a musical that is incredibly timely in that it’s not too early and not too late in the cultural conversation to be embraced and enjoyed for its’ light-hearted look at a national tragedy.

It’s recency cuts both ways.

CASEY AFFLECK WINS BEST ACTOR!!! Emma Stone, Best Actress and then OMG!

casey-affleck-backstage-at-oscarscasey-on-boat-2CASEY AFFLECK WINS BEST ACTOR FOR “MANCHESTER BY THE SEA”!!!! YES!!! YES!!! YES!!!

He looked completely shocked. Dumbfounded. And inarticulate as always. He didn’t make a very good speech. Oh Well…The Best Man won. Denzel did not look happy…

And now, we’re on to Best Actress, with Leonardo DiCaprio presenting. EMMA STONE!!!! Another standing O!!! I predicted her, too. Only got Mahershala wrong.

Emma gives a touching, very good speech. Emotional. You just love her. Wish Casey could have given a speech like he made at the Independent Spirit Awards yesterday. Oh well…he won. And certainly deserved it. And so did she. That moment when she switches from talking to singing at the beginning of the Big Song at the end of the movie just reduced me to tears. So simple, so moving….”So here’s to the fools who dream. Crazy as they may seem.”

emma-stone-smiling“La La Land” wins Best Picture! Oh no! Now they are saying it was a mistake and that “Moon light” won Best Picture! COLOSSAL FUCK UP BY WARREN BEATTY! How humiliating! But “Moonlight” has just won Best Picture! All is confusion up there. It was “Moonlight” a tiny little gay film.

WHO WOULDA THUNK IT?!?! Sasha Stone, that’s who! Bravo Sasha! You rule! OMG!

Kimmel “It’s all my fault. I knew I would screw this up. I’ll never be back.”

I CAN’T BELIEVE IT!?!? They finally let a gay film win Best Picture. 12 Years after “Brokeback Mountain” lost….I’m in shock! The world is moving on….and very good that it has, too….

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