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Oscar Nominees Begin to Arise at NYFF


Oscar Nominees, potential Oscar Nominees, Begin to Emerge as the New York Film Festival reaches its’ much touted half-way point.

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The biggest winner so far seems to me to be Steve Carell, who has two strong possibilities in two films, one in the Festival, one outside it. The hilarious “Battle of the Sexes” and the somber “Last Flag Flying”.Steve Carell

I would say that his hysterical turn as blow-hard Tennis Pro Bobby Riggs is almost sure to be nominated in the Supporting category for Carell. I would’ve said that his MUCH more serious turn as the grieving father in “Last Flag Flying” was also a Supporting performance, but some are saying he’s lead.

It would be just like the mercurial Carell to end up in both categories. He’s well-liked and clearly at a career high, so it’s entirely possible.

I’m SURE they are going to nominate Emma Stone, last year’s winner for “Battle of the Sexes.” That would be in the Best Actress category for her portryal of closeted lesbian Tennis Pro Billy Jean King. Best Actress is now more jammed than ever with potential nominees clamoring to get in. Saoirse Ronan is pitch perfect at the rebellious teen in “Lady Bird.” She’s definitely an “In”. As is Laurie Metcalfe, also on a roll, after winning the Tony this year for “Doll’s House, Part 2.” Her put-upon hard-working mom to Ronan’s rambunctious teen daughter is as maddening as she is sympathetic. She’s “In” in Supporting, never having even been nominated for an Oscar before.

Another surefire “in” is Willem Dafoe in the magnificently original “Florida Project.” He could win in this category, Supporting Actor, but he’ll be up against Carell, or even Bryan Cranston AND Laurence Fishburne for “Last Flag Flying”. Though I would say Cranston and Fishburne are BOTH leading roles.”Florida Project” also has a secret weapon in six-year-old Brooklynn Kimberly Prince. Florida Project 1They nominated another six-year-old and quite recently, too. Quevezhane Wallis in “Beasts of the Southern WIld.” Hey, even in a crowded year for Best Actress , like this one, powerhouse charmer Brooklynn( that’s with two “n”s thank you very much.)could surprise.

A complete unknown still is Kate  Winslet’s performance  in the still unseen “Wonder Wheel” of Woody Allen. It closes the Festival and absolutely no one has seen it yet. But the buzz is deafening and the production photos look awesome.

Someone who is NOT getting in to the crowded Best Actress race is octogenarian Dame Judi Dench, who I’ve admired and loved all my life. But “Victoria and Abdul” is the worst thing she’s ever done. Sad to say. Long, slow, and although she’s her usual great self in the funny first half, in the second more serious half, she had sooooo many death scenes, I couldn’t WAIT for her to die. Which is an awful feeling for a potential Best Actress nominee. She’s been to the Queen Victoria well one too many times now. She’s been there, done that, and quite frankly her failure to carry this film through to the end, just sickened me. Yes, even Judi Dench is human. She just doesn’t know when to stop.

Can’t wait for “Wonder Wheel” this Friday and for “Wonder Struck” by Todd Haynes tonight at the NYFF. Their Opening Night film was “Last Flag Flying” and “Wonder Struck” is their Centerpiece and “Wonder Wheel” closes it.

A superb film that is none of those things but “Call Me By Your Name” is Luca Guadagnino’s masterpiece and a gay love story to end all gay love stories. Timothee Chalament, is the teen in THIS coming of age story. He’s also playing a bad boy rock musician in “Lady Bird. ”

Army Hammer is the other half of this lovely gay love duo, and BOTH performances are so powerful, they could BOTH get nominated. Chalamet in lead and Hammer in Supporting.

As bizarre as it sounds all these films could get nominated for Best Picture. That’s how good the New York Film Festival has been this year.Call Me By your Name 1

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Agnes Varda, 89, Is Up, in More Ways than One @ the NYFF!

Everything is so up at the NYFF 55, it makes my heart sing! Not the least of which is their big tribute to the tiniest of French Grande Dames du Cinema, Agnes Varda. My latest review at Awardsdaily.com on the great French icon. I called it “Hot at 89” And it was published within minutes! Beautiful lay-out by Sasha Stone and her gifted editor Ryan Adams! Merci a tous, as Agnes would say.

http://www.awardsdaily.com/2017/10/01/hot-89-agnes-varda-nyff-french-cinema-Agnes Varda truck 1icon-honored/

My First NYFF rave for “Awardsdaily” this year.”Last Flag Flying”

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“Dunkirk” Lives Up to It’s Oscar Hype! Mark Rylance Will Get His 2nd Oscar nom!

I just LOVED “Dunkirk”! Not a fan of war movies as a rule, the cinemaster Christopher Nolan has re-written the book on this genre as well as re-inventing it with this spectacular achievement . It’s a heart-pounding, edge-of-your-seat, white knuckle thriller as well as an eye-popping, frightening and ultimately triumphant Best Picture of the Year. Well, so far, anyway.

It’s hard to imagine anything that will top it in terms of its’ size and scope, and story, too. Christopher Nolan is the screen-writer as well as director, and also, a producer.

I found myself moved from the first frames of “Dunkirk,” with its’ magnificent Hans Zimmer score thumping and pounding and shaking the earth, which in the first shots are a picturesque rendering of the French seaside town of Dunkirk as it was then, in June of 1940 .  Nazi leaflets are dropping like autumn leaves on the young British soldiers below, who all are about to be slaughtered outright by the unseen enemies machine gun bullets.

The most unlikely, scrawny, leading young man is newcomer Fionn Whitehead, (See above and at top of page) who we are going to follow through his epic journey of struggling to survive the evacuation of 400,000 British and allied troops, who are stranded on the beaches of Dunkirk.

Bullets are ripping, searing and whizzing everywhere as Nazi planes pound the helpless soldiers, exposed, vulnerable and innumerable on the Dunkirk beach. They are just sitting ducks. “It’s like shooting fish in a barrel” one officer proclaims.

How will they EVER get out of there? And that is the drama that director Nolan is portraying so incredibly accurately, and in such a breath-taking and wholly cinematic detail. Nolan’s exacting directorial eye gives verisimilitude a new meaning.Mark Rylance with Oscar 1

Oscar winner Mark Rylance (for Best Supporting Actor for “Bridge of Spies”)  is the truly heroic, mild-mannered, stiff-upper-lipped British captain. owner of his own medium-sized,  pleasure yacht, hardly a warship. It is one of the many civilian small craft that are commandeered by Churchill to set sail across the churning English Channel and rescue all those stranded soldiers. Rylance’s no-nonsense, utterly focused, amateur seaman/citizen is a masterpiece of restraint, understatement and terse John Bull heroism.

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And he’s symbolic of one of hundreds of small boats that turned the tide of this terrible war, WWII. They did the impossible, because they had to. How they were called upon and how all they just stepped up to this incredible, daunting challenge  and how in doing so  served their country and saved the free world. Churchill’s thrilling call to arms “We will fight on the beaches!” echoes throughout the film, and as a first generation Brit myself, I was immensely proud of all of them. magnificently depicted here in this their finest John Bull hour of courage.

It’s a David v. Goliath feat, and it’s all true. This really did happen. And Nolan re-creates it down to the smallest, scarifying detail. Not even pop star Harry Styles,who acquits himself quite admirably as the gnarliest of the small group of British soldiers, teenagers, really,  can fall out of line. If you weren’t looking for him, he would blend in totally with the other young, struggling, dirty, frightened, brave soldiers.

“Dunkirk” explodes with many, many understated and marvelously compelling performances. Irish actor Cillian Murphy(below)is totally unrecognizable as a survivor of a downed plane that Rylance and his crew of two lads rescue from the sea. Is he a German? Is he a deserter?

Rylance’s scenes of struggle between him and Murphy will. I’m pretty sure,  net the Oscar winner another nomination. He’s got the biggest part. The Academy likes to nominate those they’ve awarded and nominated before. But Murphy, Whitehead, Styles and Sir Kenneth Branagh (as the British troop leader,who has the most moving single line in the film, which I won’t reveal here) are all  exemplary.


That Harry Styles in his film debut holds his own with these Knights of the Realm is as much a tribute to Nolan’s laconic, terse direction of the actors as well as the many, many ships at sea and the planes in the air. And to shoot this all on water! How did he get those incredible, aquatic shots?

Hoyte Van Hoytena, the superb cinematographer of the awe-inspiring, acrobatic camera work is surely on his way to an Oscar for his astounding work here of filming the unfilmable on land and on sea .There’s not a lot of blood in “Dunkirk” but there is an awful lot of water!  Lee Smith’s phenomenal, fast-paced film editing is going to be acknowledged, too, at awards-time, I’m so sure. “Dunkirk” is incredibly only 90 minutes! And it’s shot on film. Nothing is digital.Tom Hardy Dunkirk 1

A special note most also be taken of previous Oscar nominee Tom Hardy (for Best Supporting Actor for “The Revenant”)’s ability to act throughout the film almost entirely in a pilot’s gas mask, with only his eyes and his voice for expression.(See above) He’s got to carry nearly a third of the film in tight close-up in his fighter pilot’s cockpit. He’s as moving and as effective of those fighting to survive below, who we see in full.Dunkirk 4

This picture was made for Oscar, and it will get nominated all over the place, and deservedly so. It’s a great movie. And a great movie movie. And Number One at the box-office for the past two weeks to boot. Don’t miss “Dunkirk”!

#Dunkirk, #Mark Rylance, #Christopher Nolan, #Harry Styles, #WWII #Tom Hardy, #War Movie, #Oscars, #Best Supporting Actor, #Best Picture

Magnificent Laura Linney Headed to Best Actress Tony for “Little Foxes”


Newsflash! I just saw “The Little Foxes” for a second time and had an incredible theatrical experience all over again. This time I saw Laura Linney in the leading role of the much-maligned, anti-heroine Regina Giddens, and in Linney’s lustrous hands, she is evil no more. She is simply magnificent.

Because Laura Linney plays this part startlingly, with love.

You feel she loves her dying husband (Richard Thomas, never better) and is torn apart by his chronic illness and approaching demise, and is preyed upon by her two evil brothers (Michael McKean and Darren Goldstein) in ways that have twisted her and embittered her, to the point where she seems like a woman who is a classic villainess. But is she? Linney’s unforgettable performance makes us question and re-see Regina in a very wonderful, complicated, modern light.

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If she’s a villainess, she’s a villain  that you’re rooting for. And in her own way, she wins.

I think playwright Lillian Hellman has written someone much more complex than originally thought. Laura Linney’s Regina is a valiant, strong woman, who has had her heart broken and has to resort to her brutish ways, which is exactly how her cigar-smoking brothers are treating her She replicates them as the play’s action progresses, words and acts that she is not really comfortable with. But if she has to do them and say them, she will. Men behave this way. Why can’t she?

Linney plays her as the ultimate Southern Belle. I kept thinking of Scarlett O’Hara, a Southern woman, who has to be a monster to survive the Civil War. Linney’s Regina has to become a monster to survive her family. It’s also interesting to note that both these fictional Southern female icons where written in the same decade, the 1930s by Southern women writers, Lillian Hellman and Margaret Mitchell.

At the performance I saw, the supporting cast just jumped up quite a few notches in their various roles. Caroline Stefanie Clay as the devoted, but tart Mammie of the household got tarter. Michael Benz as the dumb son of the horrid brother Horace, got dumber, and Darren Goldstein as Horace became even more frightening and brutish. Michael McKean became so oily & slimy, you’d think he was going to slip off the stage. Their cigar smoke wafting over the first few rows of the house, was as nauseating as their behavior.

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Tony Nominee Richard Thomas loves and understands his difficult wife and blames himself for the bitch he now sees standing before him, as he’s dying. You really sense the rich history of their marriage. And you sense his love and deep, deep regrets that the sweet girl he married has turned into this grasping, acquisitive virago, who is capable of killing him.

And Linney’s Regina is just the ultimate Southern belle. She just smiles and smiles, and butter could melt in her mouth. She is so sweet at the start(and flirty) that her smile could give you diabetes. She’s Scarlett O’Hara at the Twelve Oaks ball, surrounded by potential suitors, all wanting her hand. Except Regina’s already married, but the way she behaves you’d never know it.

lITTLE FOXES 14She’s voluptuous and she’s beautiful and she’s charming. But don’t cross her, or god forbid underestimate her! She’s not just a pretty plaything for her dastardly, thieving brothers to dominate and manipulate in their nefarious ways and schemes.  And you cheer for her, when she gets the best of them at the end.

This production is so different for the one I saw several weeks ago, with the two female leads reversed, that I just couldn’t believe it. With this masterful, magnificent Regina, Laura Linney becomes one of the great actresses of our time. As she lets her sick husband die in the famous staircase scene at the end, you sense her heartbreak that her life and her love for him has come to this. It’s killing her as she kills him. She lets out a moan at one point, watching him die, and facing upstage, in a green dress, the color of money, that is positively earth-shattering.

And what of her fellow  co-star and switch-ee, Cynthia Nixon? After glorying in her very different Regina, I felt she really played Aunt Birdy is a two-note character, as most do. Laura Linney did not. She had many varied colors in her Birdy palette, whereas Nixon seems to fade into the background, and just stares at the incredible performance Linney is giving. Her Regina was ice-cold, and very, very intellectual. It was all in her head. The wheels were always turning. LITTLE fOXES 3

And there seemed to be nothing between her and her sick husband. She hated him as much as she hated her hateful brothers. You understood her Regina, and it’s just as valid an interpretation as Linney’s much softer, conflicted one.  But her Birdy was a disappointment to me. It was almost like Nixon was so checked out, she was phoning her Birdy in. And reverting to the classic Birdy as a stage drunk. I think she was drinking more than Linney as Birdy did. Nixon’s Birdy was a dyed-in-the-wool alcoholic. It’s almost like she wasn’t even there.

And now that the Tony Awards and the Drama Desks nominations have come out, Laura Linney is nominated, she’s clearly in the lead in the race for Best Actress. And Cynthia Nixon has been placed in the Supporting Actress category. Linney has been nominated three times (as she has for the Oscar) and never won. Nixon has two Tonys already. In a weak category, Nixon may win again. The award given for both performances, really.

Linney has got competition from Laurie Metcalf in “Doll’s House, Part Two” a play that is the last one I’m going to see this season. So we’ll see how this all plays out.

Seeing it for a second time, I noticed the cracks in the ceiling set and that the ugly, tiny chandelier was positively filthy, and the set itself seemed skewed slightly, like everything was off-kilter in this mad house, and more than a little falling apart. The furniture seemed grand, but didn’t match and the upholstery and rug were faded. Bravo to set designer Scott Pask for creating this worn-down mausoleum for these snake-pit characters to writhe in.

But what a magnificent theatrical experience to see these two astounding American actresses tackle an American classic TWICE! GO TO BOTH!!!Little Foxes 11
#Little Fozes, #Laura Linney, #Cynthia Nixon # Regina Giddens, #Scarlet O’Hara, #Lillian Helman, #Southern Belle

Massive, Historic Oscar Mess-up/Mix-up!?! WTF!?!

oscar-mix-up-1oscar-mix-up-2WTF just happened?!? Warren Beatty, who must be 😯 at least, and Faye Dunaway, who actually read out “La La Land” surely needed their reading glasses. But the card said “Best Actress Emma Stone La La Land.”

But Emma herself has been claiming that she herself has the Best Actress card with her name on it, as well as, of course, her Oscar and showed it on ABC’s post-show which is airing now.

So somebody handed Warren Beatty a DUPLICATE Best Actress card?!? How is that massive a mess-up even possible?!? Chaos! And it was incredibly gracious of the producer of “La La Land” the tall bald guy, whose name I will add in later, (Jordan Horowitz) showed the card that said “Best Picture Moonlight” and the three producers’ names.

This mess-up is all that anyone is talking about instead of about “Moonlight” a historic GAY black film. That cost about as much as the Sunday Times. Perhaps less. That historic moment is totally being buried. In fact, I didn’t hear the word “Gay” mentioned ONCE in the entire program or this ridiculous after-show were the two co-hosts, Lara Spencer and someone who is clearly really drunk. And the whole thing is cringe-worthy and whatisname Anthony Andrews(?) is saying it’s “a conspiracy” and just all of them so awkward and embarrassed that it’s a GAY film that won.

Part of me feels that Warren B. did this on purpose. Or Jimmy Kimmel was playing yet another prank. But whatever and whoever did this someone’s being fired tomorrow, if not sooner. It was so embarrassing and took away completely from “Moonlight”s winning.

I did think that something like this would happen though. Because I kept hearing how so many people didn’t like “La La Land” and it went home with the most Oscars anyway. Six.

Emma Stone’s dress was the best. The first winner wearing Givenchy since Audrey Hepburn in the 50s. It took 17 days to make. Shimmering gold, with beaded fringe. Gorgeous. Pure gold. She looked like the Oscar she won, but a little paler. Almost a rose-hued gold.emma-stone-oscar-dressAnd “Manchester by the Sea” won two. Two big ones. Best Actor for Casey Affleck and Best Original Screenplay for the brilliant Kenneth Lonergan.viola-casey-emma

Kevin O’Connell won after 21 times as an nominee for Sound! This mess-up really leaves a bad taste in the mouth. And “Moonlight” has barely made $20 million. The lowest take ever by a winner I think.

It won three awards. Mahershala Ali, Best Adapted Screenplay and Best Picture. Cra-zee, KRAY KRAY KRAY zee night but so happy for Casey Affleck and Emma Stone. And Damien Chazelle won Best Director for “La La Land.” It won Best Actress, Best Director, Best Cinematography, Best Production Design and the two musical awards.

But it’s a crying shame that this mishap is overshadowing the history that was made tonight. A GAY FILM JUST WON BEST PICTURE!!! How historic is that?!?

Sasha Stone at Awardsdaily is the only one who had an inkling of his, but it was more than a wish, a hope, and yes, Sasha, it happened. An all-black cast in a black directed and written film. That’s history, too. Or should I say African American? I was told you don’t have to use the term African American anymore by a black female reporter at the New York Film Festival this year.

But it’s an achievement. And Sasha was right!

CASEY AFFLECK WINS BEST ACTOR!!! Emma Stone, Best Actress and then OMG!

casey-affleck-backstage-at-oscarscasey-on-boat-2CASEY AFFLECK WINS BEST ACTOR FOR “MANCHESTER BY THE SEA”!!!! YES!!! YES!!! YES!!!

He looked completely shocked. Dumbfounded. And inarticulate as always. He didn’t make a very good speech. Oh Well…The Best Man won. Denzel did not look happy…

And now, we’re on to Best Actress, with Leonardo DiCaprio presenting. EMMA STONE!!!! Another standing O!!! I predicted her, too. Only got Mahershala wrong.

Emma gives a touching, very good speech. Emotional. You just love her. Wish Casey could have given a speech like he made at the Independent Spirit Awards yesterday. Oh well…he won. And certainly deserved it. And so did she. That moment when she switches from talking to singing at the beginning of the Big Song at the end of the movie just reduced me to tears. So simple, so moving….”So here’s to the fools who dream. Crazy as they may seem.”

emma-stone-smiling“La La Land” wins Best Picture! Oh no! Now they are saying it was a mistake and that “Moon light” won Best Picture! COLOSSAL FUCK UP BY WARREN BEATTY! How humiliating! But “Moonlight” has just won Best Picture! All is confusion up there. It was “Moonlight” a tiny little gay film.

WHO WOULDA THUNK IT?!?! Sasha Stone, that’s who! Bravo Sasha! You rule! OMG!

Kimmel “It’s all my fault. I knew I would screw this up. I’ll never be back.”

I CAN’T BELIEVE IT!?!? They finally let a gay film win Best Picture. 12 Years after “Brokeback Mountain” lost….I’m in shock! The world is moving on….and very good that it has, too….

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