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Archive for the ‘documentary’ Category

“Roma” Wins Best Picture from the Broadcast Film Critics! Close ties with Gaga, no REALLY!Christian Bale wins TWICE!

“Roma” makes history at the Broadcast Film Critics tonight. It becomes the first foreign language film to ever win Best Picture. It also won Best Director for its genius helmer Alfonso Cuaron, and he also won for Best Cinematography. Altogether “Roma” won the most awards tonight as it also won Best Foreign Film.

History was also made when Glenn Glose for “The Wife” tied with Lady Gaga for “A Star is Born.” That is a combo I thought I would never in this life see onstage together ! Both WINNING!

For those who care about these things, Lady Gaga’s leading man/director/co-screenwriter/co-producer Bradley Cooper once again got  SQUAT! Nada. Nothing Zilch! Just like he also got completely shafted by the Golden Globes.

Gaga’s win here least keeps her in the race, to some degree. But the Academy, who hands out the Oscars is going to give it to 70-something veteran Glenn Close, who has six previous nominations and no wins.

Mahershala Ali nailed Best Supporting Actor once again for “The Green Book,” and he will probably go on to repeat his Golden Globe triumph at the Oscars. This category is now officially closed.

Regina King also won, AGAIN, for “If Beale Street Could Talk” but she won’t win at the SAGS because she wasn’t nominated there. Watch Amy Adams for “Vice” take that.

Christian Bale was TWICE tonight for his evil vice president in “Vice.” This makes him almost a lock now for Best Actor at the Oscars,

YEAR’S TEN BEST FILMS 2018

1.BOY ERASED

2.ROMA

3. MARY POPPINS RETURNS

4.YOU WERE NEVER REALLY HERE

5. THE FAVOURITE

6. THE GREEN BOOK

7.THE BALLAD OF BUSTER SCRUGGS

8.THE ISLE OF DOGS

9.MAMA MIA,HERE WE GO AGAIN!

10.ORSON WELLES’ THEY’LL LOVE ME WHEN I’M DEAD

It’s Over 100 Degrees in NYC. Perfect Antidote Mhz’s “Antartica:In the Footsteps of the Emperor”


New York is melting in over 100 degree temperatures. It’s brutal out there. So why not stay inside In the air-conditioning and watch the latest from Mhz? “Antarctica: In the Footsteps of the Emporor”

This is a very different offering from Mhz who usually specializes in heavy duty European television crime dramas. A favorite of mine “Maigret,” but their new “Antarctica:In the Footsteps of the Emperor.” is something else entirely. It’s a delightful French documentary on the sub-Artic continent, by Luc Jaquet, who brought us the equally delightful “March of the Penguins” in 2016.

And once again, those penguins steal the show. This documentary focuses on the filmmaker/photographers themselves. An intrepid band of French Antarctic enthusiasts, who just HAVE to  photograph every single aspect of the frozen continent. Their journey is compelling because they feel that climate change has even affected this least approachable of land masses. It’s melting fast. And they show it.

They have found traces of human waste and pollution in the water and also in what the birds and other mammals are eating…And the penguins! How can one not love the most humanoid of birds, who all resemble Alfred Hitchcock? To me any way. And we are engaged in their struggle to survive the brutal arctic conditions. They upstage the filmmakers at every turn, but we form concerns, too, about this intrepid band of Frenchmen, who are so obsessed with Antarctica, they even want to photograph and record what’s BENEATH it. Have you ever seen the UNDERside of an iceberg? Well, you will here in this terrific doc.

Your heart is in your mouth as these daredevil deep-sea divers go  beyond the beyond. To depths of the oceans bottom that were unimaginable heretofore. Laurent Ballest and Vincent Munier and their crew attempt, and succeed where to bravely go where no man has gone before.

“It’s like walking on the moon!” They exclaim, in French, over and over. And you’ll feel like you’ve taken a really cool and cooling escape from the heat of planet earth, when you watch Mhz’s enchanting and thrilling “Antartica:In the Footsteps of the Emperor.” Emperor Penguin, of course. It’s the perfect summertime movie!

Agnes Varda, 89, Is Up, in More Ways than One @ the NYFF!

Everything is so up at the NYFF 55, it makes my heart sing! Not the least of which is their big tribute to the tiniest of French Grande Dames du Cinema, Agnes Varda. My latest review at Awardsdaily.com on the great French icon. I called it “Hot at 89” And it was published within minutes! Beautiful lay-out by Sasha Stone and her gifted editor Ryan Adams! Merci a tous, as Agnes would say.

http://www.awardsdaily.com/2017/10/01/hot-89-agnes-varda-nyff-french-cinema-Agnes Varda truck 1icon-honored/

“Indecent” Glorious Lesbian/Jewish Musical Play


“Indecent” is Pulitzer Prize Winning Lesbian playwright Paula Vogel’s masterpiece. This great American playwright has finally found her voice at age 68 and her greatest triumph. “Indecent” is now at the Cort Theater on Broadway and long may it run. As long as “Fiddler on the Roof,” which it strangely resembles, though it is really a straight play with a lot, and I mean a lot, of  joyous songs and dances  in Yiddish . Perfectly, flawlessly executed under director/collaborator Rebecca Taichman’s masterful hand.Paula Vogel & Rebecca Taischman

At this point in my LONNNNG, career as also a gay playwright, actor, director and critic, I thought I knew every gay and lesbian play backwards and forwards and inside out, four ways to Sunday and back again. But “Indecent” shocked me, not by its’ touching, almost reticent depiction of Lesbian-Jewish love at the turn of the last century. (1907 to be exact), but by the fact that “Indecent” is a play-within-a-play-within-in play and that play was the first successful lesbian play just about ever.

And it was written by a newly married heterosexual Jewish playwright Sholem Asch and called “Got fun Nekome” or “God of Vengeance.” “Indecent” is a celebration and almost a complete re-staging of this incredibly important, seminal, nearly lost GLBT play. We see scenes from it acted out and re-acted endlessly.Indecent 3

It’s certainly one of the best plays of the year, and the most pertinent in this era of incipient terror that is upon us. “Indecent” couldn’t be more timely, or more beautiful. And it’s simple, so simple, and yet utterly complex. So complex, it has sub-titles or super-titles above the action telling us what, when and in what language, the present scene is taking place. It’s a very nifty device, and the shifting Yiddish/English text is glorious in its’ magnificent execution.

Imdecent 1It’s ensemble cast of seven, plus three on-stage actor/musicans,  is flawless. And the story and history of “God of Vengeance” is unbelievably dramatic and true.

Of course it was banned and the cast jailed when they LAST tried to do it on Broadway in 1923. By that time “God of Vengenance” had been a hit all over Europe and also in the Yiddish theater here in New York. But they hit the proverbial wall uptown when they were declared “Obscene, indecent, immoral and impure” and shut down immediately.

It’s ninety minutes and a harrowing delight. Let me add that the final song “Wiegala” heard near the play’s conclusion, was written by Ilse Klein, a nurse at the children’s hospital in Theresienstadt, one of the most notorious concentration camps. She sang this song as a lullaby for the children in the wards there before they were to be transported. It is said she sang this song in line to the gas chambers.Indecent 8Are you crying yet? I was. Yes, “Indecent” will move you to tears and to dance and sing and celebrate Paula Vogel’s breath-taking triumph of a life time.

Debbie Reynolds Dies One Day After Carrie Fisher “Brights Lights” both

carroe-fisher-debbie-reynolds

Hollywood’s heart is surely broken forever with the devastating news of Legend Debbie Reynolds death the day after her beloved daughter Carrie Fisher’s death. I’m sad. I’m reeling. I just saw them featured quite marvelously in “Bright Lights” a doc on their tangled lives at the NYFF. And the thing that struck me so much about “Bright Lights” by Fisher Stevens, was how much they loved each other. How much fun they had and what a joy and a treat this documentary was.

It’s supposed to air on HBO, now probably sooner rather than later, but don’t miss it. It now has an air of tragedy hanging about it, that both Fisher and Reynolds dispel completely by their constantly being “On.” And entertaining us mightily and forever. It’s a fitting tribute to them, as they always say.

And they don’t hold back. It’s like they just couldn’t. But they loved each other and clearly couldn’t live without each other as events have sadly born out.

When I heard Carrie had died, I just KNEW in my heart that her death would kill Debbie, too, and it did. Their houses adjoined each other more or less “up a steep hill” as Carrie put it in Hollywood. They collected endless memorabilia from the Golden Days, and now Debbie herself, one of the biggest symbols of Hollywood’s hey day that there ever was is gone.

I can scarcely stand it. Debbie Reynolds played such a large role in my life, always the smiling, dancing teenager from “Singin’ in the Rain” and “Tammy” that song that never leaves your mind. And she was even nominated for an Oscar once for “The Unsinkable Molly Brown.”

Carrie had “Star Wars” a bigger hit financially than any of her mother’s films ever were. And her now iconic Princess Leia never really bowled me over. But her millions of fans disagree.

I loved her acerbic wit, which the film “Bright Lights” capitalizes on by starting with Carrie calling Debbie “tsu-Mommy,” but not to her face. When she enters the room with Debbie in it, it’s always “Mommy.” And the sweetness is not faked for the cameras.

With all her addictions and bipolar disorders, I always thought of Carrie as crashingly normal despite her upbringing and her surroundings. And so did she.

Debbie once said of Carrie “She’s genuine.” And she was. They both were.

We, the fans, are with them forever and are happy that they are together again in Hollywood Heaven. And we do have this great upcoming doc “Bright Lights” to watch over and over again as soon as it starts airing.

No Mommie Dearest relationship here. They truly loved each other. Don’t miss “Bright Lights.” Their bright lights will never go out.

#Debbie Reynolds Death

# Bright Lights doc

# Carrie Fisher Death

NYFF Opens with “The 13th” by Ava DuVernay

angela-davis-1My review of the Opening of the 54th New York Film Festival with Ava DuVernay’s incredible doc, “The 13th” a veritable history of racism and descrimination in our country.

Here’s the link to the article at http://www.awardsdaily.com

http://bit.ly/2djnDC1

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