a.k.a. "The Oscar Messenger"

Archive for the ‘Lesbian’ Category

“Roma” Wins Best Picture from the Broadcast Film Critics! Close ties with Gaga, no REALLY!Christian Bale wins TWICE!

“Roma” makes history at the Broadcast Film Critics tonight. It becomes the first foreign language film to ever win Best Picture. It also won Best Director for its genius helmer Alfonso Cuaron, and he also won for Best Cinematography. Altogether “Roma” won the most awards tonight as it also won Best Foreign Film.

History was also made when Glenn Glose for “The Wife” tied with Lady Gaga for “A Star is Born.” That is a combo I thought I would never in this life see onstage together ! Both WINNING!

For those who care about these things, Lady Gaga’s leading man/director/co-screenwriter/co-producer Bradley Cooper once again got  SQUAT! Nada. Nothing Zilch! Just like he also got completely shafted by the Golden Globes.

Gaga’s win here least keeps her in the race, to some degree. But the Academy, who hands out the Oscars is going to give it to 70-something veteran Glenn Close, who has six previous nominations and no wins.

Mahershala Ali nailed Best Supporting Actor once again for “The Green Book,” and he will probably go on to repeat his Golden Globe triumph at the Oscars. This category is now officially closed.

Regina King also won, AGAIN, for “If Beale Street Could Talk” but she won’t win at the SAGS because she wasn’t nominated there. Watch Amy Adams for “Vice” take that.

Christian Bale was TWICE tonight for his evil vice president in “Vice.” This makes him almost a lock now for Best Actor at the Oscars,

YEAR’S TEN BEST FILMS 2018

1.BOY ERASED

2.ROMA

3. MARY POPPINS RETURNS

4.YOU WERE NEVER REALLY HERE

5. THE FAVOURITE

6. THE GREEN BOOK

7.THE BALLAD OF BUSTER SCRUGGS

8.THE ISLE OF DOGS

9.MAMA MIA,HERE WE GO AGAIN!

10.ORSON WELLES’ THEY’LL LOVE ME WHEN I’M DEAD

SAG Nominations Out! Emily Blunt Got TWO!

I always felt that Emily Blunt was one of our best, most versatile leading lady screen stars that we have out there today, and this morning the Screen Actors Ensemble Guild secondly resounded my emotion by naming Blunt both actress for “Mary Poppin Returns” and Supporting Actress for the heroine of her husband John Grazinski’s horror film in “The Quiet Place.”She’s up against formidable competition in the form of Lady Gaga in “A Bore is Starred”, seven time nominee Glenn Close in “The Wife,”Melissa McCarthy in “Can You Ever Forgive Me?” and fellow first time nominee Olivia Coleman in “The Favourite.”

Does being nominated for both performances in both categories for two different movies give Blunt the edge in this most hotly contended of categories? It just might.

A veteran of British stage, screen and TV(She even appeared in a Miss Marple once as one of the murder victims!), she scored States-side in a big way with her memorable turn as Meryl Streep’s assistant in “The Devil Wear’s Prada” and though she’s been working consistently since then. she never had THEE role that would indelibly lift her from working actress to star, but she’s got TWO this year.

She’ll never be obscure again, For the list of the other nominees and nominated films go to http://www.awardsdaily.com

Golden Globes Nominations Out! “Boy, Erased” Gets Two! Lucas Hedges Best Actor. Drama!


This year’s Golden Globes Nominations have just been announced. And they seem to be earlier than ever. The LA Film Critics haven’t even announced yet! So here they are. And for a complete list go to http://www.awardsdaily.com. I’m just over the moon that my #1 film of the year was remembered twice. The incredible Lucas Hedges got nominated in Best Actor, Drama for “Boy, Erased.” It also got nommed for Best Song.

This is what Lucas had to say about this,

“I honestly didn’t expect this and am completely thrilled. Thank you to the Hollywood Foreign Press for this incredible nomination. I loved playing Marlo, so this is a real honor.”

The 21-year-old phenom is currently on Broadway in Kenneth Lonergan’s “The Waverly Gallery” and so he can’t do the usual glad-handing and campaigning that has become an inevitable, and necessary, component of this Awards’ race.

No stranger to the Golden Globes and the Hollywood Foreign Press Association, who give them out, Lucas was up two years ago in Supporting for “Manchester by the Sea,” also by the superb author/director Kenneth Lonergan.

It should also be noted that the HFPA nominated both gay characters in “Can You Ever Forgive Me” played by Melissa McCarthy (Lead actress) and Richard E. Grant (Supporting). as well as all three lesbian characters in “The Favourite” played by Olivia Coleman(Lead) and Emma Stone and Rachel Weisz(supporting.)

The Golden Globes become more and more important every year and this year they seem more on point than ever. And they certainly are a hoot and half to watch. And they very often are extremely predictive of the Oscars. Academy voters use the Golden Globe lists as a cheat sheet. Their inclusion on this list will mean the films will be watched and discussed. And in the case of “Boy, Erased,” which is about the heinous practice of gay conversion therapy, which is still legal in over thirty states, it is IMPORTANT and timely.

Post-script: the other Masterpiece that’s out there this year, “Roma” was nominated for Best Foreign Film, because it’s in Spanish. Alfonso Cuaron was nominated as Best Director and  Best Screenplay. And if there was an award for Best Cinematography, he’d be nominated for that, too,  for the stunning Black and White footage that he shot entirely himself!

Gotham Nods Go Big for “The Favourite”

The Gotham Awards Nominations have been announced(They are always the first to do so.) and my favorite film, or ONE of my favorite films of the year “The Favourite” scored big with three major nominations. Including a brand-new category “Female Ensemble” for all three tremendous actresses, Rachel Weisz, Emma Stone and Olivia Colman.

Doesn’t help figure out who is going where with the Oscars. But Colman WANTS to be run in lead, whether she wins or not. And both Weisz and Stone have Oscars of their own already. If that happened, the duo would be in Supporting(and deserve to be). Emma Stone is really the lead here, but all ways here are the Queen’s way. And the Queen(Olivia Colman) wants to be in lead, and so it shall be. Unless the Academy decides to go its own way(as it often does.)

Recently when Kate Winslet had some category confusion going on for her two roles in “The Reader” and “Revolutionary Road,” while she won TWO Golden Globes that year, the Academy went with only “The Reader” as the Actress contender. And Winslet won it.

Olivia Colman is an Oscar newbie, and though she has a stellar career in British films and onstage, she’s more or less unknown here. And she’s not an ingenue, just breaking through.

“The Favourite” was also nominated for Best Feature and Best Screenplay. This squarely puts it in running for Oscar nods in all those categories.

Of the other much-talked about contenders for Best Actress, only Glenn Close for “The Wife” made it here with the Gothams, who are the East Coast equivalent of the Indie Spirit Awards.

Yalitza Apericio was nominated as Best Breakthrough Performance for “Roma.”

I think all these five above mentioned women are going to be nominated for the Oscars, too.

For complete list go to http://www.awardsdaily.com, and you can also find my complete review of “The Favourite” there.

My First Review at Awardsdaily for this year’s New York Film Festival

So proud, as always to continue my magnificent relationship, with the great Oscar site Awardsdaily! Here’s a link to my first review of the New York Film Festival’s Opener “The Favourite.” www.awardsdaily.com/2018/10/09/new-york-film-festival-review-the-favourite/

So much Oscar confusion with this one because the three leads, Olivia Colman, Rachel Weisz(both pictured above) and the beauteous Emma Stone(pictured on Awardsdaily.com) are all sooooo excellent. Too much of a muchness? Not in this case!

“The Favourite” is one of MY favorite films of the year!

“Bernhardt/Hamlet” She’s great. The play is not.


A theater goddess walks among us. Clearly, British actress Janet McTeer is one of the greats. Anyone who saw her “Doll’s House” back in the day can attest to this. Anyone who sees Theresa Rebeck’s half-baked “Bernhardt/Hamlet” will wonder why this acting colossus is attempting this pygmy play.

And of course, the answer is “There are no great parts for women.” Or few great parts as the play makes abundantly clear. Over and over and over again. Pedantic, didactic and I agree with playwright Rebeck’s conclusion. And frustration. But the means she uses to execute her thesis, and this is a thesis play. Collegiate. If she were in college, and she wrote this at the time she was in college, say roughly the 1970s, it may have seemed like something sparkling and new, but as “Bernhardt/Hamlet” as presented on Broadway by the redoubtable Roundabout, it is trite, trite, trite.

However the sublime Janet McTeer makes you almost forget all these things. Almost. If  Hamlet was a vivacious housewife who just solved her servant problem.And she is surrounded by some of the best young actors working today. Dylan Baker, Matt Saldivar, Nick Westrate and main among them, Jason Butler Harner. And they are all defeated by this mediocre material that the Roundabout is trying to foist on us as a silk purse, when it’s really the sow’s ear. Or in this case, the entire sow.

McTeer is a gargantuan presence. She is six-foot five at least, with the deepest and most resonant of voices. She has played many, many male roles herself, recently a remarkable Petruchio, in the Public Theater’s Shakespeare in the Park’s all female “Shrew” a few seasons back. And on-screen she was the transvestite lover of Glenn Close in “Albert Nobbs.” So she is no stranger to cross-dressing. Nor, evidently, was the diminutive  Bernhardt, who was barely five feet.

Considered to this day, the greatest actress of the 19th century, she was a dyed-in-the-wool eccentric. She slept in a coffin. She had a leopard for a pet, and wore a hat made out of bats’ wings. The only way we non-time-traveling mortals can experience her greatness today is by reading about her in the many, many books and biographies of “La Divina” as she was known. And the contemporary reviews of her critics. Don’t forget the critics! George Bernard Shaw and Oscar Wilde both adored her and wanted her in their plays.

None of this is in “Bernhardt/Hamlet.” Rebeck the writer makes her seem smaller than life and seems to have tailored this play as simply as a vehicle for the dynamic McTeer. Who deserves to have plays written for her. Just not this one.

She seems like a socialite, a gad-fly, someone who likes to have a beer and pal around with the guys, rather than sleep with them. She had many, many lovers and yes, McTeer kisses Butler Harner (As Edmund Rostand) again and again and again. As if to prove some kind of heterosexual point.

The great French playwright wrote “Cyrano de Bergerac” for her, but the part of Roxanne is hardly what you remember Cyrano for. And she chastises him, but he doesn’t make the part any better, and she still continues her affair with him. And yes, they kiss and they kiss and they kiss at every opportunity. Rebeck even presents us with Rostand’s wife,(Ito Aghayere) who in a very bizarre scene, seems to condone the affair, but that’s about as eccentric as this earth-bound Berhhardt is allowed to get.

Rebeck  has made the great Bernhardt seem very everyday as an actress. She seems remarkably superficial, constantly complaining the Shakespeare’s greatest play had too many words  in it. And constantly going “up” (forgetting her lines) in rehearsals, which this Bernhardt seems to treat as a schlog and a joke.

Ah! But then McTeer is allowed to do “Hamlet” straight on, it is just wonderful. And a great gift to those who witness it. There are only TWO niggardly moments that Rebeck allows her to play Hamlet at full throttle..

At the beginning of Act Two, she gets to do the entire “What a piece of work is man” scene with Rosencrantz and Guildenstern. And she and Dylan Baker play the Ghost scene as if it were a love scene and it works. (pictured above^)How it works! These two moments really are worth the price of admission. I just which we had a chance to see the great Janet McTeer do ALL of the real Hamlet and not just this shoddy imitation.

And would that the witty and wonderful late playwright Wendy Wasserstein was still with us. SHE would’ve made Bernhardt scintillating, rather the mundane feminist Rebeck leaves us with.

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