Archive for the ‘Lesbian’ Category
Good, good news! What I think is the best play of the year “Indecent” is now being given a reprieve and an extension through Aug.2. A huge jump at the box-office made the producers decide to give it a run though the summer, hoping its’ two Tony Awards and great word of mouth will keeping reaping the rewards, it so justly deserved. And it was going to close on Sunday! Imagine its’ talented ensemble cast’s surprise! The two Tony awards,to Best Director of a Play, Rebecca Taichman and Best Lighting Design for the young lighting wizard Christopher Akerlind.
The Cort Theater on W.47th Street between Broadway and Sixth Avenue will continue to be where Rebecca Vogel’s masterpiece holds court.
Happy Pride Everyone!
I’m so sad to report a play which I felt was one of the best of the year, if not THEE best, Paula Vogel’s beautiful lesbian musical play “Indecent” is closing on Sunday June 24.
It did win two Tonys, but it didn’t win the crucial Best Play of the Year Award.
Winner of two 2017 Tony Awards, INDECENT will play its final performance on Broadway on Sunday, June 25th at 3:00 PM at the Cort Theatre (138 West 48th Street, between Sixth and Seventh Avenues.) At the time of closing, INDECENT will have played 79 performances and 15 previews. One of the most talked-about plays in the 2016-17 season following its debut last year at the Vineyard Theatre in NYC, INDECENT opened on Broadway April 18 and began previews on April 4. INDECENT marked the Broadway debuts of many of the artists involved in its creation, including playwright Paula Vogel, director Rebecca Taichman, choreographer David Dorfman and members of the cast and performing ensemble.
“We are so proud and honored to have had the opportunity to introduce Broadway to INDECENT and the remarkable talents of Paula Vogel, Rebecca Taichman and this exceptional company of actors and theater artists,” the play’s producers Daryl Roth, Elizabeth McCann and Cody Lassen state. “INDECENT has touched the hearts of theater-goers who have experienced the play’s magic at the Cort Theatre for the past three months, and we hope it will continue to do so as it is presented in theaters across in the U.S., Canada and overseas in the months ahead. INDECENT is story-telling in the theater at its very best, and we are grateful that this powerful story will live on.”
The production received Tony Awards for Rebecca Taichman, Best Director of a Play; and Christopher Akerlind, Best Lighting Design of a Play; along with the Outer Critics Circle Award and Obie Award for Outstanding Director of a Play (Rebecca Taichman) and the Lortel Award for Outstanding Choreography (David Dorfman). Paula Vogel was honored with a Special Citation as playwright and mentor from the New York Drama Critics Circle, and received a Lifetime Achievement Award from the Obie Awards. INDECENT has also been selected as Best Play by the Off-Broadway Alliance.
INDECENT will continue its life beyond Broadway as a number of theaters in the U.S. and internationally are scheduled to present licensed productions in their upcoming seasons, beginning with The Guthrie Theatre in Minneapolis, this season, and The Huntington in Boston, and into next season with 20 productions anticipated at theaters in the following cities for 2018-2019:
Palm Beach, FL
Kansas City, MO
St. Louis, MO
Hamilton, Ontario, Canada
Tel Aviv, Israel
A new play by Pulitzer Prize-winner Paula Vogel (How I Learned to Drive), created by Ms. Vogel and Rebecca Taichman, and directed by Ms. Taichman, INDECENT is about the love and passion to create theatre, even in the most difficult of circumstances. The play follows a troupe of actors, the cast of Sholem Asch’s God of Vengeance, who risked their lives and careers against enormous challenges to perform a work in which they deeply believed, at a time when art, freedom and truth were on trial. It is a story told with compassion, honesty, but also with great theatricality, and joyous songs and dances.
The ensemble of INDECENT features Matt Darriau, Lisa Gutkin, Aaron Halva, Katrina Lenk, Mimi Lieber, Max Gordon Moore, Tom Nelis, Steven Rattazzi, Richard Topol and Adina Verson. The cast has – not unlike the theater troupe depicted in the play itself – been performing the play together for more than two years: during its development with the Sundance Theater Institute and Oregon Shakespeare Festival, followed by productions at Yale Rep, La Jolla Playhouse and the Vineyard Theatre, where INDECENT had its New York debut last summer.
The production also features Zoë Aqua, Ben Cherry, Andrea Goss, Eleanor Reissa, Uri Sharlin and Doug Wieselman.
INDECENT features music composed by Lisa Gutkin and Aaron Halva, who play onstage along with cast members throughout the show.
The production is choreographed by David Dorfman. Scenic design is by Riccardo Hernandez; costume design is by Emily Rebholz; lighting design is by Christopher Akerlind; sound design is by Matt Hubbs and projection design is by Tal Yarden.
Cynthia Nixon looked pretty in pink and she was lovely, moving, and angry, as she made the first political speech of the night, which surprised me, and was totally right on.
Poor Paula Vogel just got to make a short speech about her beautiful play “Indecent.” Wearing a shimmering, light blue tuxedo jacket, she matched Gavin Creel’s tux. But her outstanding Best Play Nominee deserved more than this brief sound bite.
I am so in love with the idea that this year’s Tony Awards might heavily feature two of my all time favorite theatrical events. “Natasha, Pierre and the Great Comet of 1812” the genre-busting pop-opera and “Little Foxes” which makes audiences (and critics) see double with the divine Laura Linney switching up with Cynthia Nixon. I admit to bias here, but I have the Drama Desks Awards this past Sunday to second my emotions.
Yes, I think “Natasha, Pierre…” will win many, many of its 10 nominations on TONY night, this coming Sunday. Including, I’m calling it now, Best Musical, Best Director of a Musical Rachel Chavkin, who won the DD on Sunday, Best Set of a Musical Mimi Lien, Best Lighting of a Musical, and Best Orchestrations Dave Malloy, who also wrote the incredibly, ketchy and thrilling sung-through musical score, which may also get Malloy ANOTHER Tony in that hotly contested category.
I’m going to go with the more influential than ever Drama Desk Winner for Best Actor in a Musical and think that in a surprise Andy Karl will prevail in this category.He tore his ACL, and I’ve torn mine and trust me, it’s VERY, VERY painful, and takes a LONG time to heal, and Karl, formerly nominated as Bway’s “Rocky” overcame this excruciating experience to OPEN “GROUND HOG DAY” and continue on performing it, singing and dancing as he did before, turning it into a hit, where people are coming to see HIM as well as the show. He also won an Olivier Award in London for this performance. THAT counts bigly with Tony Voters.
And his HUGE, BLACK, frightening-looking knee brace is in full view the ELEVEN times he has to change into his clothes in front of the audience. And he’s clearly in pain doing all this. This counts heavily with the TONY voters, who know the show must go on, no matter what the pain level.
I think Broadway vet Karl wins this category over 23-year-old newcomer Ben Platt in “Dear Evan Hansen.” The TONY voters, I have to add, are older and more homogeneous than even the #Oscarssowhite Academy members. Yes, AMPAS is more diverse and forward thinking than the TONYs. And pain counts. Ben Platt will have other chances.
They’re not necessarily going to GET a musical about the Internet. Some of them DON’T EVEN HAVE INTERNET. So…It’s too young for TONY, but “Natasha, Pierre…” is a masterpiece based on a masterpiece, Tolstoy’s “War and Peace”, so it’s just right. It’s got the most nominations. It’s right in the Tony voters comfort zone(s). Usually the show with the most nominations wins. Let’s see if that holds true this year on Sunday night when the awards are handed out at 8pm EST on CBS.
Surprisingly, “Natasha, Pierre…” won in EVERY CATEGORY for the Drama Desks that it was nominated for. And because it opened earlier Off-Off Bway, it was only eligible for the parts of it that were NEW to this production. And those category were Best Director of a Musical, Best Set of a Musical, Best Choreography and Best Orchestrations.
Another category that I think “NPATGCO1812” will win is Best Featured Actor in a Musical. I think the TONYs will help the astonishing Lucas Steele along on his way to mega-stardom. It doesn’t hurt that though he’s cited as Supporting, he has a larger part than Pop Superstar Josh Groban, who is also nominated in the lead category, where he faces Karl AND Platt, unfortunately, or the award handily would be his.
Lucas Steele is Anatole, Groban’s Pierre’s wayward, hedonistic brother-in-law, a very, complicated. LARGE part of the villain, as it were, of the extremely small section of “War and Peace” that has here been excerpted. He’s hot. He’s a little dumb. And he plays the violin. And he’s charismatic beyond belief and has been with “NPATGCO1812” for FIVE YEARS in all its’ growing and re-growing on its’ way to Bway. And he hits notes that are stratospheric, to say the least.
Bway vet Gavin Creel of “Hello, Dolly”, although he won the Drama Desk Award in this category, is funny, yes. But that’s about all there is to that part. , AND he was not up against his main competition, Lucas Steele that night.
Bette Midler, of course, even though she DIDN’T SHOW to pick up her Drama Desk win, as Best Actress in a Musical, will easily win in this category.
If I’m leaving out Best Play, it’s because “Oslo,” a play that bored me to death, has won every other Best Play award this year. And,yes, will probably devour the TONY, too. I wish my former guest Michael Aronov was going to win Best Featured Actor in a Play.
But I think that award, like it did at the Drama Desks, will go to Danny DeVito for “The Price.”
And as far as the Supporting or Featured Actresses are concerned, I think, like the Drama Desk it will go to Jenn Collela for “Come From Away.” And Best Featured Actress in a Play will be Cynthia Nixon. Pairing up for a win with her co-star Laura Linney, giving the performance(s) of their careers in the brilliantly double cast “Little Foxes.” What a theatrical event! And this was all Laura’s IDEA! And the Tony Voters know it and she’s never won.</a
And Best Actor in a Play? Oops, I almost forgot. Kevin Kline in “Present Laughter” and yes, he won the Drama Desk, too.
#Natasha, Pierre and the Great Comet of 1812, #Josh Groban, #Lucas Steele, #Bette Midler # Hello, Dolly, #Gavin Creel, #Dear Evan Hansen, #Ben Platt, #Andy Karl, #Groundhog Day, #Kevin Kline, #Present Laughter #Rachel Chavkin, #Laura Linney, #Little Foxes, # Cynthia Nixon
“Indecent” is Pulitzer Prize Winning Lesbian playwright Paula Vogel’s masterpiece. This great American playwright has finally found her voice at age 68 and her greatest triumph. “Indecent” is now at the Cort Theater on Broadway and long may it run. As long as “Fiddler on the Roof,” which it strangely resembles, though it is really a straight play with a lot, and I mean a lot, of joyous songs and dances in Yiddish . Perfectly, flawlessly executed under director/collaborator Rebecca Taichman’s masterful hand.
At this point in my LONNNNG, career as also a gay playwright, actor, director and critic, I thought I knew every gay and lesbian play backwards and forwards and inside out, four ways to Sunday and back again. But “Indecent” shocked me, not by its’ touching, almost reticent depiction of Lesbian-Jewish love at the turn of the last century. (1907 to be exact), but by the fact that “Indecent” is a play-within-a-play-within-in play and that play was the first successful lesbian play just about ever.
And it was written by a newly married heterosexual Jewish playwright Sholem Asch and called “Got fun Nekome” or “God of Vengeance.” “Indecent” is a celebration and almost a complete re-staging of this incredibly important, seminal, nearly lost GLBT play. We see scenes from it acted out and re-acted endlessly.
It’s certainly one of the best plays of the year, and the most pertinent in this era of incipient terror that is upon us. “Indecent” couldn’t be more timely, or more beautiful. And it’s simple, so simple, and yet utterly complex. So complex, it has sub-titles or super-titles above the action telling us what, when and in what language, the present scene is taking place. It’s a very nifty device, and the shifting Yiddish/English text is glorious in its’ magnificent execution.
It’s ensemble cast of seven, plus three on-stage actor/musicans, is flawless. And the story and history of “God of Vengeance” is unbelievably dramatic and true.
Of course it was banned and the cast jailed when they LAST tried to do it on Broadway in 1923. By that time “God of Vengenance” had been a hit all over Europe and also in the Yiddish theater here in New York. But they hit the proverbial wall uptown when they were declared “Obscene, indecent, immoral and impure” and shut down immediately.
It’s ninety minutes and a harrowing delight. Let me add that the final song “Wiegala” heard near the play’s conclusion, was written by Ilse Klein, a nurse at the children’s hospital in Theresienstadt, one of the most notorious concentration camps. She sang this song as a lullaby for the children in the wards there before they were to be transported. It is said she sang this song in line to the gas chambers.Are you crying yet? I was. Yes, “Indecent” will move you to tears and to dance and sing and celebrate Paula Vogel’s breath-taking triumph of a life time.