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And Still More SAG Live Blogging!Gary Oldman Wins ~Again!

Once again, the same performer wins the SAG award as has one the Golden Globes and the Critics’ Choice, Gary Oldman, for his incredibly distinguished Winston Churchhill in the Darkest Hour. This is all feeling a bit been there done that this year. Now, more so than ever. But Oldman’s was a truly transformative and amazingly accurate portrayal of the great British Statesman, who it is said saved the world from Hitler.

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More SAG live-blogging! The Same People Keep Winning!

With Sam Rockwell and Allison Janney both winning the Supporting Actor awards tonight as they did last week at the Golden Globes and the Critics Choice Awards last week, they have now both won all three main precursor awards leading up to the Big One = the Oscar.

It’s coming up in March, the Academy Awards night itself, but the nominations will be announced on Tuesday. Which ends the official Phase Two of the run-up to the main awards themselves and begins Phase One, which is what happens AFTER the actual nomination are announced. But the fact that these two marvelous performances, have now both won every award they possibly could win, before the Oscars themselves. 

Means that they are marching in lock-step to the Dolby pavilion.

Rita Moreno gave a funny introduction to her friend Morgan Freeman’s Lifetime Achievement Award. On a night supposedly honoring women, it should have been a woman they honored. I think Freeman knew that. He gave a VERY short speech and both got off the stage.

Live Blogging the SAG Awards 2018!!!

And now it’s finally here! It’s SAG time!The 24th Annual Screen Actors Guild Awards will be handed out tonight in Hollywood and I’ll be here with you, dear readers, dear cineastes trying to capture as many moments as I can. For you to enjoy.

Most of the evening’s time will be spent honoring TV shows…There are only five main awards for film, which is what The Stephen Holt Show and its blog is all about movies, movies, movies. So we’ll skip the TV awards, shall we? And there are no male presenters tonight. No black dresses, as at the Golden Globe Awards. In a show of solidarity for the #Me,too and # Times Up movements.

Sam Rockwell, Frances McDorman and Woody Harrelson did introduce the first film clip of those five films nominated for Best Ensemble, “Three Billboards Outside, Ebbing, Missouri.” They are a trio who get along very well. Very comedic. Though the film is deadly serious. But with a deadly sense of humor. Frances, notoriously, fashion-adverse was wearing a sky- blue floor-length gown with kind of a shoulder-covering short cape.

Allison Janney, in a silver lame gown, with padded shoulders. Very elegant, and she thanked  co-star Margot Robbie who plays her ice-skating daughter.

Sam Rockwell wins Best Supporting Actor! Moving speech! “Those of you out there you are trying to be actors, hang in there! Woody Harrelson, I love you very much! Frances McDormand, you are a powerhouse!” He was so happy! He was just projecting happiness all over the room, and that there was so much of it, he would burst at any minute, he couldn’t contain all the joy he was feeling. A beautiful moment.

Sam and Allison also both won the Golden Globe and the Critic’s Choice Award in their categories. Looks like it’s going to be a “Three BillBoards” kind of night. This bodes very well for Frances McDormand in her category.Sam at SAGSam Rockwell acceptance speech SAG

 

 

My SAG 2018 Predictions

After much consideration, and I’m trying to be as simple as I can be, I think the key to this year’s SAG Awards predictions is as plain as the nose on my face. Or as plain as the nose on anyone’s face in Ebbing,Missouri. “Three Billboards Outside Ebbing, Missouri” is going to sweep and win all four of the categories it’s nominated for. The overwhelming performance of an angry, but not tear-stained, grieving mother Mildred will win Frances McDormand her second SAG award. The fierceness of her unforgiving fury will translate into universal acclaim  as she has already received., at 60, the Golden Globe for Best Actress Drama and the same at the Critics’ Choice Awards.And her co-star Sam Rockwell, as the confused small-town policeman, Deputy Dixon, who tries to help her solve the  seemingly unsolvable mystery of her daughter’s violent rape and death, will precede McDormand to the podium and win Best Supporting Actor. Both of them bumping into each other on their way to the Oscars.

And two of the a-fore-seen winners of the other two awards,  Gary Oldman as the definitive Winston Churchill in “The Darkest Hour” (Best Actor) and Allison Janney as Tonya Harding’s frightening mother in the surging “I, Tonya.” (Best Supporting Actress), both will win again.

The SAGS only give out few awards to film. Mostly, it’s television that is being awarded. And usually at the start of the show BANG! They announce one of the two  Supporting Awards. So tune in on time at 8pm tomorrow night at TNT and TBS (Check your local listings.) Or you might miss Sam winning! Hopefully, I’ll survive the suspense until Sunday night when once again, I will be live-blogging.

Their fourth nomination being the supposedly predictive Best Ensemble award. That’s the only one of “Three Billboards” four nominations that I’m a little bit shaky about. But I think it’s their night. They might not win the Oscar, but they’ll win this. It’s an actor’s actor movie. And the SAGs, lest me forget, are actors voting on actors. “Three Billboards Outside Ebbing” is co–starring some of the greatest actors of our time. Woody Harrleson, Peter Dinklage, John Hawkes, Lucas Hedges are among the long list of its’ sterling ensemble.

“The Shape of Water” can’t win because it wasn’t nominated.

It could easily go to one of the other films. I would automatically say “Lady Bird,” but that got shut out surprisingly at the Critics last week! What? What? But I’ll put my pen down for the night, and just wish all of them good luck on Sunday!

“I, Tonya” Margot Robbie & Allison Janney Are Wonderful. The Film is a Crock

“I, Tonya” is Australian actress Margot Robbie’s attempt at going for the gold, and trying to win an Oscar. She may have succeeded in getting herself a nomination the week after this on January 23. But who she’s more seriously pulled into Awards contention and the quite possibly the win, is her co-star Allison Janney, everyone’s favorite go-to actress, as her hateful mother LaVona.

And Janney has just astoundingly won TWO major awards, the Golden Globe and also the Critics’ Choice Award for Best Supporting Actress for her horrifying turn as the Wicked Witch of the Ice Rink with a parakeet on her shoulder.

Up until this past week, Laurie Metcalf had been predicted to be winning those awards, and suddenly the Golden Globes just turned this particular race, Best Supporting Actress upside-down. Just as Sam Rockwell did with Best Supporting Actor.

I found “I, Tonya” such a distasteful croc of lies, that I’ll concentrate on Ms. Janney’s chances, shall I?

Remembering all too vividly the events this loathsome episode that will forever cloud the history of figure skating, I just was not ready to listen to Tonya Harding’s side of the story. She had some foul person attack champion Nancy Kerrigan by hitting her in the shin with a mettle rod, thus effectively side-lining her and allowing the rabbity Harding to shine abd get onto the Olympic ice skating team. It was a horrifying incident and you just hated Harding for it.

Well, there’s more to the story, as it turns out. Or sort of turns out. If Harding is to be believed, which I for one, can’t. Seems that her husband/ ex-husband/ boyfriend/ whatever executed this hateful scheme .Sebastian Stan as Jeff Gilhooley is wonderfully scummy, but I didn’t believe a word out of his mouth. Both he and Robbie play the untruths they have to spout believably, which must be considered a great feat of acting on both their parts. But Robbie will be the one who wins  a nomination for producing this nauseating sea of lies. Which brings me to Allison Janney and why she keeps winning Best Supporting Actress Awards this season.

She’s got her own TV series, which she stars in every week on CBS, “Mom”. She won many, many Emmys for her yeoman multi-season run on “West Wing.” And so she is extremely familiar to viewers, and voters, who know she is NOTHING like LaVona , the very worst mother ever seen depicted as a character, reel or unreal on screen.

Laurie Metcalf’s compassionate, though beleaguered Mom on “Lady Bird” is VERY believable. She does not physically abuse her wayward daughter. But Lavona constantly smacks Tonya around and even throws a knife at her, which penetrates Tonya’s upper arm. So LoVona’ s bad behavior, makes “I, Tonya” believable and sympathetic, but only somewhat. This is a sports movie about child abuse. It’s going to seem very timely with the winter Olympics coming up.

Janney’s physical transformation is key here. She uglies up to the nth degree, and many think that’s acting, but  I don’t. However, Janney is so skilled an actress, you buy it. She’s also a comic, though horrible, relief from the incessant whining and bitch-slapping of her irritating daughter.

And I think voters are going to feel that Janney is the one to vote for, and surprisingly they say “I, Tonya” is surging right now. She’s a comfortable way in. It’s clearly a performance of someone we don’t like, by someone we do like.

And there is ONE scene in a diner, where else? Where LaVona tries to plead HER case as a mother to her destructive daughter, who hates her. And still does to this day. Janney as LaVona says that she went out and worked and gave everything to her daughter. “I didn’t stay home as bake brown betties all day.” Janney had me at that moment. And clearly she had the voters , too. So far.

Critics Choice Give “Lady Bird” NOTHING!?!? “Shape of Water” wins Best Picture

I guess the members of the Broadcast Film Critics did NOT like Anything about supposed Oscar front-runner “Lady Bird .” It got NOTHING from their award show which went out tonight on the CW. It only took two hours. They didn’t announce many of their silly, superfluous categories on air. But they still were there. As you can see by the list below. Thanks to http://www.awardsdaily.com

Next up, the SAG Awards on Sunday night. I’ll be Live-Blogging those awards, too, which are considered more seriously as they actually voted on by members of a for-real industry guild, the Screen Actors Guild.

WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”

“Three Billboards…” Superlative, explosive, knockout, lots of Nominations, but Sam Rockwell may be its only winner.



“Three Billboards Outside Ebbing Missouri” is one of the best films of this rich year. For once, the awards hype is justified. It’s a thrill ride through the unimaginable violence that plagues the small town of Ebbing, Missouri after a young girl is raped, as she is murdered, then set on fire. “Three Billboards…” is going to set the Awards season on fire, too. It will get many,many nominations.

Frances McDormand and Sam Rockwell are giving the performances of their careers, but I feel it’s Rockwell who’s going to carry home the gold. He’s been put in the category of Best Supporting Actor, though he’s arguably the co-lead. And he’s already been nominated for a Golden Globe and a SAG award. As has Frances, as has McDonagh.

I’ve been following Sam’s career since he was an Off Broadway actor, and he’s certainly a veteran now and has a role that is thrilling in its range and demands. As a small town cop, he has to be funny. He has to be a bit of a stooge and a stumblebum. And when the film turns dark, he has to go there, too,Oscar Winner Frances McDormand ( For “Fargo”) deserves the accolades that have been accruing to her powerful Mildred Hayes, the mother of the murdered girl. In a totally vanity-free performance, she dominates the screen so powerfully that you’ll never forget that clenched teeth, firmly set jaw, that uncompromised stare as she tries to find out who killed her teenaged daughter.

She astonishes in this film as a woman who can’t smile. She puts up these three billboards in a part of town where her daughter was killed accusing the police of doing nothing to find her the killer. And grief is making her look like a death’s head herself.Everyone in this town seems cut from the cloth of the Confederacy to put it mildly. And any of them could have done it. Especially a member of the Police Force.

Woody Harrelson is once again on hand to provide a firm grounding in ominous white cracker-dom at the outset. His battle with terminal cancer forms the second plot line that I won’t spoil here. But he’s great, too. Both he and his co-hort Rockwell, are both headed to the Oscars, and so is McDormand.But I wonder if the totally de-glammed McDormand is going to be any match for the younger and more comely superstars like Soirse Ronan. Sally Jenkins of “The Shape of Water” is more sympathetic and she’s mute. So Frances has some fierce competition in that category. She’s uncompromising. She’s great. But she has an Oscar already and Saoirse and Sally and even Michelle Williams or Annette Bening are all Oscar free…so far…Three Bill Boards 10

But ah! There is that Oscar golden moment for Frances when she encounters a free-ranging doe when she is tending a flowerbox she has placed near her dead daughter’s billboards. The look they share, eye to eye, female to female animal, is one of the few moments we see Mildred smile in this corrosive movie, you will NOT be able to stop thinking about.

Also the thrilling depths and layers that McDonagh has given Rockwell to play. He starts out as a crispy-crème, donut-chomping bigot. But he CHANGES. I can’t say how, but in the creation of Dixon, a co-lead to McDormand’s angry Mildred, he matches her beat for beat in VERY unexpected and powerful ways. He lives at home with his mother, who is always drunk. The Dear Readers of this blog can infer more…But what a complicated, stupendous role he’s written for Rockwell, who has never had a part this good since he debuted to much acclaim in “Box of Moonlight” in 1996. Unbelievably this prince of American actors has never even been nominated for an Oscar. Yet.

Even writer-director Martin McDonagh has an Oscar for a short he did. He’s certainly going to get a double nomination for both directing and original screenplay, and he’s going to up against Girl-Of-the-Hour Greta Gerwig in both categories for “Lady Bird.”

It’s going to be a very suspenseful Oscar night indeed. But I feel “Three Billboards” is such an IMPORTANT film, that they are going to give it Something Big, and that Something may very well be Sam Rockwell. as the irascible, temperamental, complicated drunk of a cop. That’s just him in the FIRST half of “Three Billboards…” The twists are UNBELIEVABLE, and it’s Sam’s character who gets to play all that juicy jazz as the plot and his character’s place in it unravel. He’s all but unbeatable. What a range McDonagh has allowed him to show!

The ubiquitous and wonderful Lucas Hedges, Oscar nominee of “Manchester by the Sea” is here, too, as McDormand’s bewildered, but compassionate son. In a moment of peak at the breakfast table, she lobs Fruit Loops at him.

He’s in “Lady Bird,” too as Saoirse Ronan’s high school boyfriend. And Peter Dinklage perks up the last third of the film as the town’s only human, a small person who is not small inside,   a midget, who befriends and helps McDormand in her fight against the lacksadaisical,  if  not downright indifferent, police “force.”

 

Their dinner date is a superb piece of comic timing. Yes,”Three Billboards” is darkly funny, too. This tragic tale of loss and corruption has an excellent sense of humor, too. In fact, it made me feel like I was watching a new Coen Brothers movie. The resemblance to their black humor and influence is definitely wonderfully there.

Irish playwright par excellence McDonagh, has fully made the unbelievable transition to American crime filmmaker. “Three Billboards Outside Ebbing, Missouri” thrilled me to my core with its wit, drama and intense originality.

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