a.k.a. "The Oscar Messenger"

Archive for the ‘women’s rights’ Category

John Glowacki Does “Brokeback” Scene

I saw the annual NYU Grad Acting Actors Presentations and John was one of the fine actors they were presenting with a song(not usually) and two scenes,one of which he also wrote(!) and the other this searing, powerful scene from “Brokeback Mountain.” John is unforgettable in it truly. It’s haunting. AND heartbreaking. His future seems so bright. And I’m happy and proud to bring him to you today on “The Stephen Holt Show.” There’s Part One also where he sings and Part Three where I do a brief interview with him.  You can also see this on my You Tube channel. http://www.youtube.com/Stephenholtshow

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Cher Saves “Mamma Mia 2,” but It’s Hard to Resist


When Cher, yes, CHER, enters in the Final Act of “Mamma Mia 2,” she saves the film, and yes, kicks it upstairs into Gay Heaven, or at any rate, Camp Heaven with a good, swift  stilletto-heeled sureness, only a stage and screen legend like Cher could provide. Pow! All the dullness and wishy-washiness of her young co-stars vanished, and NOW we were in the midst of a glorious fun-filled summer musical romp. She was so good, I immediately re-wrote my mind’s middling review and began raving like a teenaged fan-girl. Which let’s face it, is a cheery place to be in these troubled times. I guess I ended up loving it, and wanting to see it again. No, really.
In spite of all good sense, I found myself totally abandoning myself to its epic silliness. And why not? I always loved ABBA as a guilty pleasure. Those original, now classic, tunes got me through some very dark times when I was a house-cleaner in London in the ’80s. I was trying to get my plays done and become a right, proper British actor in the grand tradition. And it was tough. But ABBA was so uplifting, it made me forget all the charring.

I was a “Super Trooper”, and now Cher is a Super Trooper, too. In fact, she climaxes this barely organized mish-mash with that song, as well as her much heralded “Fernando” duet. As she and Andy Garcia(yes, ANDY GARCIA!) tango and sing their hearts out, both Senior Citizens now, as fire-works explode behind them, like it was 1968. Or ’86. Or one of those years, or decades that Cher’s career spans and she’s still singing! She’s a goddess for the ages. And FINALLY makes up for Meryl Streep not being in this movie except as a ghost.

You see, “Mamma Mia 2: Here We Go Again” does not really have a center to it, until Cher appears at the end like the Deus Ex Machina that she is. “Here We Go Again” flips back and forth in time between two stories, both starring lovely young blondes, Amanda Seyfried and Downtown Abbey’s Lily James. They both have to carry half the film each.

It seems Meryl’s character has died a year before “Mamma Mia 2” starts and her cinematic daughter Sophie (Seyfried) has to carry on without her, trying to re-build her mother’s dream of a turning their Greek island into a perfect Aegean guest house. Meanwhile, the film flashes back in time to the ’70s, when Donna (Lily James) was a wild young thing cavorting all over the continent, shagging everybody in sight.

Thus explaining (or trying to) how three different men could have potentially been the father of the single Mom Meryl’s child. As played by a trio of young hunks, notably “War Horse”s Jeremy Irvine (who grows up to be Pierce Brosnan). They make the case quite clearly how and why the young Donna/Meryl couldn’t keep her hands off all of them, one after the other, in rapid succession.

I would say Josh Dylan, who is making his big screen debut here as the young yachtsman that one day would become Stellan Skarsgard, has the best chiseled bod. British actor Hugh Skinner, who plays the young Colin Firth, doesn’t really get enough foreshadowing that his character is in later life going to be gay. An interesting opportunity missed.

Though Firth does camp up a storm in his own reserved way as his grown up self, and Christine Baranski (and Julie Waters) are back supplying even more camp (as if this film needed it).Which goes to prove something I’ve always felt. There can never be too much of a muchness. Or too much camp. Camp makes you happy. And so will “Mamma Mia 2.”

And last but not least, the young British hunk of hunks Dominic Cooper is back again as Sky, Sophie (Seyfried)’s hotter than hot love interest, and absentee husband. Dominic was one of the many stars of my year’s Best Film of that year “My Week with Marilyn” playing Milton Green, Marilyn Monroe’s ex-lover and now exasperated agent. He was also one of the original “History Boys” on Broadway and in film, and has been on “The Stephen Holt Show” more times than just about any one else (in this movie).And he used to date Cher! He just told Stephen Colbert. So it must be true!

Come Ride Rodgers & Hammerstein’s Wonderful, Rousing Revival of “Carousel” on Bway!

 

“Come ride away with me! And I will take you to heights you never dreamed of! ” beckons the plaintive/beautiful “Carousel Waltz” that opens Rodgers and Hammerstein’s classic “Carousel” now being magnificently revived on Broadway, directed masterfully by Jack O’Brien. It stars, as the star-crossed lovers Julie Jordan and Billy Bigelow, Jessie Mueller (“Beautiful”) and Joshua Henry(“The Scottsboro Boys”).

And “Carousel” is sounding more blissfully like an opera than ever. with the largest, most opulently orchestrated orchestra (with a harp even!) I’ve ever heard on Broadway! Orchestrations by the great Jonathan Tunick and Musical Supervision by Andy Einhorn.

The legendary lyric soprano Renee Fleming is on hand, too. To make the point even more clearly that Rodgers and Hammerstein meant to break your broken heart even further with a celestial, moving “You’ll Never Walk Alone.”

You can’t miss this one! All you musical  theatre romantics out there!. It will make you cry from the first chords of the wordless, long, lush overture that opens with the “Carousel Waltz ” as Santo Loquasto’s glittering cup-cake-like tiara of a shimmering crown descends to represent the top of this dizzying merry-go round, as Tony-winning choreographer, Justin Peck keeps his dancers flying, spinning through the air. You MUST ride their joyous Carousel with all these wonderful artists on it! It’s a joy ride of a revival that surprises and startles and blows you away over and over again. especially musically. Particularly if you think this is an over-familiar chestnut of a  score that has no surprises left to find. You’ll never be able to forget the sounds this magical musical makes..


As perfectly classical as this “Carousel” is in every respect, it is breaking ground thoroughly too with its casting of African-American Joshua Henry, who proves beyond a doubt that he is one of the best great baritones Broadway now has, but that also director Jack O’Brien’s color-blind casting gives this masterpiece even more depth and timeliness that it’s ever had.

Joshua Henry’s reluctant wooing of white Jessie Mueller seems a perfect match, and gives credence to the other small town New Englanders giving vent to their small-town New England prejudicial warnings to Julie Jordan(Mueller). Their constant put-downs of Billy Bigelow(Henry) now seems justified from the 19th century point of view. It reminds us that their admonishments of an inter-racial romance’s “ending will be sad” prove true  as the (spoiler alert) Second Act turns tragic.

Billy never thinks he’s good enough for Julie and events bare him out.

Joshua Henry brings down the house with a rage-full “Soliloquy,” turning it more powerfully dark than I’ve ever remembered it. When he sings he doesn’t want his unborn daughter “to be dragged up in slums with a lot of bums like me,” it is coming from a place of pain that Rodgers and Hammerstein never envisioned.

And Jessie Mueller is a revelation too, singing in a sweet coloratura soprano that we’ve never heard her use before. She’s always been a Broadway belting baby utilizing her killer voice in the lower veiled registers. She now shows that her vocal and emotional range is limitless. She also doesn’t shy away from the passion Julie is feeling that propels her to Billy. “What’s the Use of Wond’ring” which is often just a throw away, here becomes a life lesson. 

It is foreshadowing as she is joined in its sad, resigned tones as Mueller proves to be a true relation of Renee Fleming, who joins her in the song and agrees with her. And then on Billy’s horrifying death, a bloody one this time, when Fleming tells Mueller over Billy’s dying body “You’ll Never Walk Alone,” she shakes the heavens as well as the rafters with the celestial perfection of her legendarily, thrilling voice.

My only disappointment, and it was a big one, was that Tony Winner Lindsey Mendes was out the night I saw it. She was replaced by a very bland, super-white, uptight college girl, which is not what Carrie Pipperidge’s character is supposed to be at all. I disliked her so much I won’t even mention her name.

And SHE won the Tony? In THAT part? Ms. Mendes must’ve been terrific, because the massive achievements of Joshua Henry, Jessie Mueller and Renee Fleming were world-class, unforgettable.

The excited audience applauded everything. The opening carousel appearance, and stopped almost every single number with rounds of applause also, WITHIN the song. I’ve never seen anything like it.

And last but not lost, Method Actress Margaret Colin proves that tasty, tacky, businesswoman/owner of the carousel, Mrs. Mullins demands and commands every single second of her stage time. She makes one wish she had more to do and even makes you think that SHE should have had a rousing song, too. I’ve never seen a “Carousel” with such a strong Mrs.Mullins. In Ann Roth’s flouncy, bouncy costumes, Colin’s virago becomes a diva.

I could see this “Carousel” over and over and over again, and I can’t wait til the next time I do!

Happy Gay Pride 2018!!!

Happy Gay Pride Day 2018!!!

And Still More SAG Live Blogging!Gary Oldman Wins ~Again!

Once again, the same performer wins the SAG award as has one the Golden Globes and the Critics’ Choice, Gary Oldman, for his incredibly distinguished Winston Churchhill in the Darkest Hour. This is all feeling a bit been there done that this year. Now, more so than ever. But Oldman’s was a truly transformative and amazingly accurate portrayal of the great British Statesman, who it is said saved the world from Hitler.

More SAG live-blogging! The Same People Keep Winning!

With Sam Rockwell and Allison Janney both winning the Supporting Actor awards tonight as they did last week at the Golden Globes and the Critics Choice Awards last week, they have now both won all three main precursor awards leading up to the Big One = the Oscar.

It’s coming up in March, the Academy Awards night itself, but the nominations will be announced on Tuesday. Which ends the official Phase Two of the run-up to the main awards themselves and begins Phase One, which is what happens AFTER the actual nomination are announced. But the fact that these two marvelous performances, have now both won every award they possibly could win, before the Oscars themselves. 

Means that they are marching in lock-step to the Dolby pavilion.

Rita Moreno gave a funny introduction to her friend Morgan Freeman’s Lifetime Achievement Award. On a night supposedly honoring women, it should have been a woman they honored. I think Freeman knew that. He gave a VERY short speech and both got off the stage.

Live Blogging the SAG Awards 2018!!!

And now it’s finally here! It’s SAG time!The 24th Annual Screen Actors Guild Awards will be handed out tonight in Hollywood and I’ll be here with you, dear readers, dear cineastes trying to capture as many moments as I can. For you to enjoy.

Most of the evening’s time will be spent honoring TV shows…There are only five main awards for film, which is what The Stephen Holt Show and its blog is all about movies, movies, movies. So we’ll skip the TV awards, shall we? And there are no male presenters tonight. No black dresses, as at the Golden Globe Awards. In a show of solidarity for the #Me,too and # Times Up movements.

Sam Rockwell, Frances McDorman and Woody Harrelson did introduce the first film clip of those five films nominated for Best Ensemble, “Three Billboards Outside, Ebbing, Missouri.” They are a trio who get along very well. Very comedic. Though the film is deadly serious. But with a deadly sense of humor. Frances, notoriously, fashion-adverse was wearing a sky- blue floor-length gown with kind of a shoulder-covering short cape.

Allison Janney, in a silver lame gown, with padded shoulders. Very elegant, and she thanked  co-star Margot Robbie who plays her ice-skating daughter.

Sam Rockwell wins Best Supporting Actor! Moving speech! “Those of you out there you are trying to be actors, hang in there! Woody Harrelson, I love you very much! Frances McDormand, you are a powerhouse!” He was so happy! He was just projecting happiness all over the room, and that there was so much of it, he would burst at any minute, he couldn’t contain all the joy he was feeling. A beautiful moment.

Sam and Allison also both won the Golden Globe and the Critic’s Choice Award in their categories. Looks like it’s going to be a “Three BillBoards” kind of night. This bodes very well for Frances McDormand in her category.Sam at SAGSam Rockwell acceptance speech SAG

 

 

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