“Significant Other” is a VERY significant play. In fact, it’s the best play I’ve seen so far this year ON BROADWAY. It’s significant, too, that it’s on Broadway. A play like this, about this topic, is something that has never been articulated on Broadway, and certainly not from the gay character’s point of view. It’s a drama. It’s not JUST a comedy, although that’s how they’re selling it, but young gay playwright Joshua Harmon has some very important points that he wants to make, and he makes them quite strongly. He’s not pulling his punches.
Nor is his ace director Trip Cullman, who is simply one of the best young directors of his generation. And yes, it’s the Millennial generation. That’s what this play is about, purportedly. It’s 20-something cast thinks nothing of living on their cell phone and their iPhones and their computers and texting, texting, texting. Instead of really just talking to each other. But they DO talk. They have to communicate with each other. This is a play after all, and we want to see them interact with each other, and they do and it gets quite ugly and violent, by the end.
But the feelings that are being articulated here are so important, I didn’t mind how harrowing “Significant Other” gets. These things needed to be said, and playwright Harmon and director Cullman say them VERY well.“Significant Other” is a play about a young gay Jewish man named Jordan Berman, who surrounds himself with a bevy of girls, who he thinks are this friends. And as the play goes on and one by one each them leaves him to get married, until he’s left utterly alone, and we are as devastated by this climatic state of things as he is.
Gideon Glick as our soon-to-be-hapless hero will probably be nominated for Best Actor in a play as he turns from super-schlub to super-mensch. He is called upon to play a wide variety of comedy, and camp, but by the end he just breaks your heart with a violence that is quite unforgettable.
Because what “Significant Other” is about, really, is about loneliness, the only kind of loneliness many gay men will ever know. When his last BFF shatteringly leaves him, he is facing a life that is going to be lived without his (he thought) heterosexual besties. You can’t help but hate the three young women who are played so well here, the aptly named Sas Goldberg,(no, that’s her real first name), Rebecca Naomi Jones, and especially by the overweight girl, who he thought would NEVER get married, and leave him, too, Lindsay Mendes(in a beautiful, powerful performance).
The climax of the play articulates what I’ve never seen even mentioned in any gay play on Broadway or Off. Glick tears into the shocked Ms. Mendes in a tirade against heterosexual women and the institution of marriage. He realizes that this is never going to happen to him, and the love and life she has found is something that he, as a gay man, is never going to experience.
This play feels like it was written before Gay Marriage was on the table as a viable option, if that’s what you’re looking for, but it seems Gideon isn’t, not really. Not yet. He wants to hang on to his immaturity as long as possible that his life is just going to be one Bachelorette party after the other.
Of course, for balance, the trio of female characters also express their various dissatisfaction(s) with their marital states, but Gideon is just left bereft by what he sees as their betrayal of his kindness and good humor and generosity towards these women. They are exploiting his good nature, he expresses in a vitriolic scene with Ms. Mendes that could lead them both to the Tony ceremony in June. And of course, Mr. Harmon and Mr. Cullman, too.
And lighting designer Kate Voyce has to be commended, also, for her astute use of multiple chandeliers overhanging the urban interiors below. Y’know, the kind of chandeliers that just scream “WEDDING.” The institution of marriage and its’ concomitant inevitable promise of happy endings for everyone, is not the case here in “Significant Other.” It ultimately questions loneliness and leaves the gregarious Gideon Glick’s character Jordan Berman with it as his seemingly unavoidable option. And that is its’ power and greatness. Bravo to all involved in bringing this superb production to Broadway.
#Significant Other, #Gideon Glick, # Joshua Harmon, #Trip Cullman, # Broadway, # Best Play of the Year, # Tony Awards, #homosexuality