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Archive for the ‘AIDS’ Category

Will Brittain’s Buff Butt Stars in Gayest Play Ever (at the Roundabout)

Young Texas actor Will Brittain is pretty much entirely nude for the lengthy part he has to play in Joshua Harmon’s “Skintight” at the Roundabout. Well, he does wear a tight black jockstrap that beautifully frames his bounteous buff bubble butt. And boy does Brittain make the most of that astounding ass of his! He struts. He sways. He sashays this way and that waving his naked rear end in the face of audience, the cast and the face of Broadway. If you consider the Laura Pels Theater of the Roundabout to be Broadway. Some say it’s Off Broadway. But whatever you want off it’s Will Brittain’s clothes. We never want to see him dressed again.

Not that he will be. Much. I see A LOT of nudity in his future.And that’s a good thing. It’s a great thing! Has Broadway ever been this nude? Well, there was “Oh! Calcutta!” once upon a time. Has there ever been a play THIS gay? Well, we just had a magnificent, award-winning revival of “Angels in America.” But somehow “Skintight” seems gay-er. And Brittain’s butt just overwhelms the Pels.

And that’s a good thing. It’s a great thing. Will Brittain is having the time of his life upstaging Idina Menzel, no less, and sitting butt-ass naked on her father’s Greenwich Village sofa. The other characters objected to Brittain naked end being strategically placed at one very funny point in this very funny play on their high-end sofa. They all gasped in horror. I gasped in delight. As I’m sure the packed audience did, too.

You see, “Skintight” is very sexy in a way that “Angels” never was. Or could be. It was about the AIDS epidemic in the ’80s. “Skintight” is just about, well, skin. And the fun you could potentially have with it, if you were as un-hung about nudity and the casual display of it as Brittain’s character Trei is. He’s done porn. And he sees it as a legit career choice. Gay porn, of course.

He’s the most philosophically well-adjusted character in Harmon’s charmin’ play. Jack Wetherall, of “Queer as Folk”, has the role of his career as Trei’s 70-year-old lover. “Skintight” is his birthday, which he wants to forget, and get back into bed with Trei, and well, Brittain is so helplessly irresistible, you can’t blame Wetherall’s world-weary fashion designer one bit. Wetherall’s grand-son is gay, too, and he wants to get it on with Trei. In fact, the only straight character is the intrepid Menzel whos gets high marks for making her non-singing debut in THIS extremely gay play.

And she does very well holding her own against, well, Will Brittain’s beautiful butt and playwright Harmon’s beautiful attitude towards being gay. It’s so free. So fun. Go! It’s only on for three more weeks before Will Brittain has to put his clothes back on. Perhaps forever. But being such a perfect physical specimen, I doubt that the Show Biz Godz will have their way with him and he’ll never be able to be clothed again. And that’s a good thing. It’s a great thing!

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ONLY THREE DAYS LEFT for my GOFUND ME!!!PLEASE HELP!!!

There’s only three days left to donate to my GoFundMe page! We have not reached our goal. We are only at $535. We need to be at $1500. Thanks to all who have donated and helped. It is deeply appreciated!

https://www.gofundme.com/save-my-early-plays-amp-tv-shows

There’s Hardly Any Time Left Now! Trying to Save My Early Plays, TV shows


This logo pic was taken in 2009 on the rooftops of Provincetown.Boy, do I miss P-town! I wasn’t able to go again this year because this situation described below with my storage room has been happening and now as the days dwindle down, I grow more and more in despair that my life, well my early life, as a young gay playwright will be lost. I never thought this would happen to me. It’s like being cut-in-two. 

Here’s a link to my GoFundMe page ~ https://www.gofundme.com/save-my-early-plays-amp-tv-shows

I’ve paid all along every month since I had to move into there in 1996 when the rent was considerably lower than the $427 a month that it is now. And I still continue to pay it, but there was always a late fee accrued which they are now demanding and it’s 1500 and they want the whole amount. All my writings and early TV shows(1988 to 1996 are in there.

 

My writing dates back to the ’60’s when I started keeping a diary, which is also in there and my journals from the Warhol years and the many, many tapes I made about Candy Darling. Talking to hundreds of people after she died for a book that still has yet to be written (by me). A chronicle of the Warhol years, my life as a drag queen. Letters from when I acted with Charles Ludlam’s Ridiculous Theatrical Company, then went to try to be an actor and playwright in London for three and a half years. All this will be lost…

Please help.

“Gianni Versace” American Crime Story ~ 3 Spellbinding Episodes,# 4 Stumbles

FX’a American Crime Story “The Assassination of Gianni Versace” is Must-See TV, whether you like it or not. I veer between awe that something this gay is on TV at all, and then sometimes I’m totally revolted by the horror of all those gruesome murders committed in the ’90s by one Andrew Cunanan. Who was Andrew Cunanan?

He was a hunky male hustler of very rich, usually very old gay men, culminating in his shooting Gianni Versace on the steps of his palatial mansion in South Beach. The violence is graphic beyond belief, for television, and the subject so horrible that it is amazing that it is so well done, that it glamorizes and turns everyone in it into some kind of stars.

Judith Light particularly shines as the wife of murder victim #4, Marilyn Miglin, the Home Shopping Network’s “Queen of Perfume.” She is in complete denial that her real estate mogul husband Lee, was gay. In fact, nearly all the victim’s families refuse to admit their murdered son or husband or father was in any way connected to Andrew Cunanan and the irony is their silence = death, and totally impedes the cross-country police investigation. Andrew Cunanan is the one whose life story is told here, and he is glamorized to the max, just like the life he always wanted to live, like his gay idol fashion designer Gianni Versace, whom he ultimately shot dead at point blank range. He’s like the Talented Mr. Ripley but without the talent. Darren Criss 2

Episodes I and 2 were kind of astounding, majorly helped by the presences of stars Penelope Cruz, Ricky Martin and Edgar Ramirez as Versace himself.Cruz magnetizes as Donatella Versace, his sister, who went on to run the fashion empire, but never learned English clearly. She doesn’t show up until a stupendously photographed entrance at the Miami airport, to crowds of paparazzi. Flash bulbs exploding and shooting at her like guns. She embodies the luxe jet set world we are going to be plunged into for Ep.1 & 2.

Judith Light carries the day and will probably win an Emmy for her brittle Home Shopping Network icon in Episode 3. She carries the glamour if not the Versaces with her, as the series shifts to a completely differently local, the Gold Coast of Chicago, where we are compelled to watch the unfolding horror of her super-rich, 72-year-old husband, being bound and gagged and bludgeoned to death by Cunanan,in a scene in their large garage that is stomach churning, and disturbing in its S&M implications.

Darren Criss is unforgettable as Cunanan himself, formerly of “Glee” where he had no challenges other than to sing and be cute. The cuteness factor is still there, but he spellbinds as the handsome gay boy toy who could kill you. Criss astounds with the length and breadth and depth of his range as he grasps every one of Cunanan’s multiple personalities, most of them evil, but at the same time commonplace.

Many have said that the “Why” of these deaths is not explained, but the answer is simple homophobia and the closet. And since it’s a NINE part series, we still have five more episodes to get into the “Why” Having just read Maureen Orth’s page-turner of a book on which this is based, I know what’s coming in the five remaining scenarios. If you want to know all read the book “Vulgar Flavors.” Ricky Martin, who is openly gay himself, plays Versace’s stricken lover, and is utterly refreshing in his candor(and his nudity) as he is the only one of the major characters who is NOT denying that he is gay.

Where I felt the series stumbled a bit was last night’s Episode 4, “The House by the Lake” where the scene again shifts, this time to Minneapolis, and a time when Andrew had people of his own age to relate to, to fall in love with and kill.

David Madson, “the great love of my love” is shown as a very weak soul. An award-winning young architect from a small town in the mid-west, Cunanan kills David Trail, their mutual friend, with a ball-peen hammer right in front of Madson(Cody Fern). Who he then semi-kidnaps for the rest of the week, then kills him when he tries to escape.
The motives are so murky here, and the writing, and Fern’s performance is no match for the star-studded cavalcade that we have seen heretofore.

But there are five more hour-plus episodes to work this all out. Next week, for instance, in Episode 5, we will be focusing on Victim #1 David Trail (Finn Wintrock).Finn Wintrock 1

Set in the ’90’s and brilliantly going backwards in time, it depicts the closeted forbidden loves and lusts of the gay world as it was then. Before gay marriage or any of the rights that we know today.

The police keep dismissing the deaths. as they find them. as merely “gay killings” and therefore of no importance. Until he kills Versace, and that is totally accurate in its’ mundane prejudice and horror.

If all these people only admitted to the homosexuality of the victims, the body count would never have risen so high and the clumsy devil that was  Andrew Cunanan, would’ve been caught right at the beginning.

“The Assassination of Gianni Versace” has five remaining episodes that can be seen every week on Wednesdays on the FX channel.

Indie Spirit Award Noms Clarify Oscar Race for “Call Me By Your Name” & “Lady Bird”

Call Me By your Name 2“Call Me By Your Name” tops this year’s announcement of the Indie Spirit Awards nominations with six nods. For Best Picture, Best Director ~ Luca Guadagnino, Best Actor~ Timothee Chalamet, Best Supporting Actor ~ Armie Hammer, Best Cinematography and Best Film Editing. Expect all six nominees to be also called out by their own names on Oscar morning. I can’t stop raving about this superb film. It’s my Best of the Year, so far, and is opening after its boffo turn at the New York Film Festival. This Thanksgiving, it’s a film so beautiful that one must truly be thankful  for.

Also, congratulations are in order for the fabulous debut directing film of the remarkable, multi-talented Greta Gerwig. It was honored with four nominations including Best Picture, Best Actress ~Saoirse Ronan, Best Supporting Actress ~ Laurie Metcalfe and Best Screenplay for Gerwig.

Her first film as a solo director, I can’t understand how Gerwig didn’t also score here for her delightful directing. She’s so pretty, brainy, and beautifully original. Must be jealousy. Yes, it exists. Even at the Indie Spirit Awards. Nothing else explains it. And I thought she’d break through to the Oscars in directing. Always considered an all male domain. Not getting a nomination here at the Indies is troubling. And maybe hurts her chances at the Oscars.

Lady Bird 1Also MIA was the wonderful Willem Dafoe for his outstanding turn as a slum motel landlord in “The Florida Project.” It is certainly a career-capping performance for Dafoe in this terrific Indie film which scored two nominations, Best Picture and Best Director for Sean Baker. Baker who broke into prominence last year with “Tangerine,” a film shot entirely on an iPhone.Willem Dafoe 1You can read my complete review of “The Florida Project” under the title, “The Underside of the Rainbow” at http://www.awardsdaily.comFlorida Project 1

The Spirits are given out the day before the Oscars in March this year. They are supposed to honor films made for less than $20,000.

For a complete list of all the nominees in all the many categories go to http://www.gold derby.com

 

Best New Play on Bway “Significant Other”

“Significant Other” is a VERY significant play. In fact, it’s the best play I’ve seen so far this year ON BROADWAY. It’s significant, too, that it’s on Broadway. A play like this, about this topic, is something that has never been articulated on Broadway, and certainly not from the gay character’s point of view. It’s a drama. It’s not JUST a comedy, although that’s how they’re selling it, but young gay playwright Joshua Harmon has some very important points that he wants to make, and he makes them quite strongly. He’s not pulling his punches.

Nor is his ace director Trip Cullman, who is simply one of the best young directors of his generation. And yes, it’s the Millennial generation. That’s what this play is about, purportedly. It’s 20-something cast thinks nothing of living on their cell phone and their iPhones and their computers and texting, texting, texting. Instead of really just talking to each other. But they DO talk. They have to communicate with each other. This is a play after all, and we want to see them interact with each other, and they do and it gets quite ugly and violent, by the end.

But the feelings that are being articulated here are so important, I didn’t mind how harrowing “Significant Other” gets.  These things needed to be said, and playwright Harmon and director Cullman say them VERY well.“Significant Other” is a play about a young gay Jewish man named Jordan Berman, who surrounds himself with a bevy of girls, who he thinks are this friends. And as the play goes on and one by one each them leaves him to get married, until he’s left utterly alone, and we are as devastated by this climatic state of things as he is.

Gideon Glick as our soon-to-be-hapless hero will probably be nominated for Best Actor in a play as he turns from super-schlub to super-mensch. He is called upon to play a wide variety of comedy, and camp, but by the end he just breaks your heart with a violence that is quite unforgettable.

Because what “Significant Other” is about, really, is about loneliness, the only kind of loneliness many gay men will ever know. When his last BFF shatteringly leaves him, he is facing a life that is going to be lived without his (he thought) heterosexual besties. You can’t help but hate the three young women who are played so well here, the aptly named Sas Goldberg,(no, that’s her real first name), Rebecca Naomi Jones, and especially by the overweight girl, who he thought would NEVER get married, and leave him, too, Lindsay Mendes(in a beautiful, powerful performance).

The climax of the play articulates what I’ve never seen even mentioned in any gay play on Broadway or Off. Glick tears into the shocked Ms. Mendes in a tirade against heterosexual women and the institution of marriage. He realizes that this is never going to happen to him, and the love and life she has found is something that he, as a gay man, is never going to experience.

This play feels like it was written before Gay Marriage was on the table as a viable option, if that’s what you’re looking for, but it seems Gideon isn’t, not really. Not yet. He wants to hang on to his immaturity as long as possible that his life is just going to be one Bachelorette party after the other.

Of course, for balance, the trio of female characters also express their various dissatisfaction(s) with their marital states, but Gideon is just left bereft by what he sees as their betrayal of his kindness and good humor and generosity towards these women.  They are exploiting his good nature, he expresses in a vitriolic scene with Ms. Mendes that could lead them both to the Tony ceremony in June. And of course, Mr. Harmon and Mr. Cullman, too.

And lighting designer Kate Voyce has to be commended, also, for her astute use of multiple chandeliers overhanging the urban interiors below. Y’know, the kind of chandeliers that just scream “WEDDING.”  The institution of marriage and its’ concomitant inevitable promise of happy endings for everyone, is not the case here in “Significant Other.” It ultimately questions loneliness and leaves the gregarious Gideon Glick’s character Jordan Berman with it as his seemingly unavoidable option. And that is its’ power and greatness. Bravo to all involved in bringing this superb production to Broadway.

#Significant Other, #Gideon Glick, # Joshua Harmon, #Trip Cullman, # Broadway, # Best Play of the Year, # Tony Awards, #homosexuality

 

Wonderful, Important “Falsettos” is Back on Bway!

falsettos-1The most astonishing, important new musical on Broadway,  isn’t a new musical at all. It’s a revival of “Falsettos.” And in its execution and impact, it is absolutely overwhelming. In Act Two. In Act One, well, it left me wondering what all the fuss was about. It won Tonys back in its’ day,(1992) and the same Tony-winning team of composer William Finn and director James Lapine are both back, too. It’s cumulative effect however is devastating. There wasn’t a dry eye in the house. Mine among them. I could barely speak, either.

I didn’t know what was coming in Act Two, but most people know what it’s about. It is a damaged, damaging cry from the front-line of AIDS. And this revival of “Falsettos” is so fresh and new, especially in Act 2, as I’ve said, that it hits you like a ton of bricks as its’ horrible, inevitable denoument plays out.

And of course, it’s the character I loved the most, Whizzer, who gets sick and dies. He’s played by the admirable Andrew Rannells, who launched like a supernova as the lead in “Book of Mormon” six years or so ago. But here he surely has stepped into a kind of legend with this heart-wrenching portrayal, that does not once ask for self pity of any kind.

He’s starring opposite another Broadway legend of sorts of the most modern kind, the two time Tony winner, Christian Borle, who also astonishes and steps up his game big-time as Marvin.the bisexual love of Whizzer, who survives him. But suffers with his decline with an anguish and depth I didn’t think Borle was capable of. But he is and he makes you cry along with him as Whizzer slowly dies. One of their greatest love songs, “Two Unlikely Lovers.”

Their song ” What Would I Do(If I Hadn’t Met You)” is a love song that tops the show and makes you think and makes you cheer with pride, all at the same time. I wanted to give it a standing ovation, but was so emotionally devastated by its’ power and beauty, I could not stand. Just yell, hoarsely “Bravo”!

And if Mr.Rannell’s doesn’t get a Tony for Best Featured Actor in a Musical for his “Everybody’s Gotta Die Sometime” as he expires…well, I don’t know what to say.

This show deserves all the accolades that will get thrown at it. Stephanie J. Block can reap a Supporting Actress nomination surely for her turn as  Trina.the ex-wife of Borle and the mother of their understandably confused child, twelve-year-old Jason( a fantastic Anthony Rosenthal. )She’s never been better than when slamming out the solo “I’m Breaking Down.” As she tries to describe the confusion a straight woman feels who is left by her husband for another man.falsettos-3

This is a limited run only through Jan. 8 however. It’s at the Walter Kerr, where “A Gentleman’s Guide to Love and Murder”  ran for two and a half glorious years. And now it’s got another smash musical there “Falsettos.” I hope it runs forever.

 

#Falsettos

#Andrew Rannells

#Christian Borle

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