Posts tagged ‘Oscar Buzz’
Greta Gerwig is a genius! Her first film “Lady Bird” Is Brilliant! Will be nominated for many Oscars!
Greta Gerwig is a genius! There are no ifs and or buts about it, she just IS! Her new film “Lady Bird” is so brilliant, you can’t believe it. And she wrote it and directed it, too! Superbly! We’ve all known her as an actress. She emerged in her early 20s to become the Queen of Mumblecore. But she’s the Queen of Mumblecore no more! In her 2O’s, she seemed to be in every single Indie film that was happening during “The Mumblecore Period”. I never thought she was mumbling. Her light as a quirkily original young actress, always outshone most of her films. One notable exception was Whit Stillman’s witty,wicked take on college sororities,”Damsels in Distress.” Stillman and Gerwig seemed a perfect match. Later she began to turn up in more adult roles, like Mike Mills’ “20th Century Woman” and last year’s “Jackie.”
“Lady Bird”s big shocker and also its redemption is that is based in HIGH SCHOOL! Yes, it’s a coming of age story. That old trope which seems as ancient as time immemorial. A young teenage age girl struggles to find herself and to come to terms with her harassed embarrassment of a nagging mother. How cliché is that? But in Gerwig’s amazing young hands she turns this time-worn epic into something quite wonderful and new. In that alone, it’s amazing. It transcends genre, time and place.
She seems to have invented teen-ager-dum, or rather re-invented it. Set in the mid-1980s, we see Lady Bird fighting with her frazzled Mom. Sairose Ronan plays Lady Bird and Laurie Metcalf her Mom, and BOTH are going to the Oscars this year with a ton of other nominations. Including, yes, Gerwig herself, breaking in to the male-only best directing category as well for sure the Best Original Screenplay category.And young Irish actress Saoirse Ronan, who plays Lady Bird so convincingly at the same time, she seems to be channeling Gerwig herself. As is we’re seeing a halo-gram projection of Gerwig’s inner life. As she desperately tries to escape her ho-hum life in Sacramento “the mid-west of California” and go to a college in the East where it seems everything is “more exciting in a place like, y’know, Connecticut.’
In the first amazing scene in the film, we see her fighting with her mother about this who is adamant that she go to a Community College in Sacramento. Lady Bird screams and jumps out of the moving vehicle. And that’s just the first scene of the movie!
We’re with Lady Bird every step of the way, as she continues her fight in every aspect of her life in Sacramento. Especially the hide-bound Catholic school she attends where all the students have to wear the traditional uniform of the blue plaid skirt and ugly, flat-chested navy blue jumper.
How did Gerwig pull off this amazing double hat trick of writing & directing a major motion picture? At the press conference at the NYFF last month, she told a room of spell-bound press (pictured above ^) that being ”a film director is what I always wanted to be” And that as a much-employed actress, she was always studying just how all the great directors she was working with were doing it. An apt student, very much like Lady Bird herself, she clearly didn’t miss a trick.
And it has to be said that young(21) Saiorse Ronan is something of a genius herself. She plays the title role so that you love her AND hate her. She’s died her hair nearly every color of the rainbow, but it’s not becoming.
And she’s the first potential Best Actress nominee that has every played the leading role in a film with a full face of realistic teenaged acne. Ronan at her early age has been nominated TWICE already. For Best Actress just last year in “Brooklyn,” and for playing the villainous child Bryony Tallis in “Atonement.” And she’s really quite a good-looking young lady. Ingenue! Oscar can’t resist that word. Ingenue! She might be the one that takes the Oscar home this year. AND she’s Irish playing a convincing Californian….
And now that the film “Lady Bird” itself is such a success on every level, I don’t think we’ll be seeing much of Gerwig herself in front of the camera. She’s going to continue on with writing and directing and I hope she never stops! Her talent seems unfathomable and endless. I can’t wait to see what she does next!
Lustrous, luminous, transcendent Kate Winslet is the wonder of Woody Allen’s new “Wonder Wheel.”
Is there any American filmmaker alive today who writes such great roles for women? No. There simply isn’t. And as photographed by cinematographer Vittorio Storaro, Kate Winslet seems to be a cinematic miracle of color and light, majesty and emotion,
You simply can’t take your eyes off her. Storaro and Allen have combined to give her a cinematic beauty that makes you gasp, in a multi-faceted role that makes you applaud. She is playing Ginny, a Brooklyn waitress, who works in a Coney Island Clam House. I have known SOOOO many Ginnys in my lifetime, and British though she is, Winslet absolutely nails her Ginny to the Coney Island boardwalk. And it’s stirring performance in the grand tradition. She’s every woman. And every woman I’ve known, from Brooklyn, trying to make a better life for herself and her family. And trying to find love at the same time, having given up her dreams of being an actress earlier in her life.
Winslet’s Ginny seems the simplest of creatures.. But Allen’s writing and her bravura performance proves that every woman is as complex as a whirlwind. Or a rollercoaster. Or a Wonder Wheel at Coney Island, to use this film’s great metaphor. Winslet has never seemed so bedeviled and so bewitching at the same time. She’s a housewife in waitress’ outfit that she wears like a queen, as she goes about her frantic daily work of cooking and cleaning for the whole of Brooklyn it seems.
Allen and Storaro capture the ordinary woman’s extraordinariness. She is married to a lout (James Belushi) and having a torrid affair with Justin Timberlake, the local lifeguard. Timberlake’s string-bean-ness seems out of place as a life guard, but he, too, has movie star charisma in buckets instead of muscles, that make all the women in the film falling for him make sense. He and Belushi have both never been better.
She is playing Ginny, a common-as-they-come Brooklyn waitress, who is as uncommon, as she is earth-bound. Winslet’s a fiery red-head this time. And in Storaro’s use of orange and amber light, she seems so on fire, she is burning up the screen. It is no surprise then that her red-headed son is an arsonist, setting a fire every time he’s left alone. The fires remind him of his mother.
And Juno Temple is Belushi’s neglected daughter, who turns up as a “Marked” woman, being chased by the mob, because she married a gansta, and became a “canary” who sang on her husband, making her a woman on the run for her life. She hides out in Winslet’s and Belushi’s humble household underneath the ever-present Wonder Wheel. Young, blonde Temple has the role of her career here, too, and is doomed from the first seconds we see her taking her first tentative steps under the Wonder Wheel.
In a simple car ride in a romantic rain storm with Timberlake, she becomes, as he says “as beautiful as the rain light.”Storaro has lit her in golds and blues to emphasize her beauty as well as her melancholy. She, too, is magnificent in this film.
Winslet’s performance is so heart-breaking and towering it immediately recalls the great screen performances of screen queens past. Joan Crawford in particular. The shop girl who was not a shop girl. The waitress who was not a waitress. And reminds you that not since the ’40s have actresses consistently seen parts like this. Winslet’s Ginny is the working class version of Cate Blanchett’s Jasmine in Allen’s recent Oscar winner “Blue Jasmine.” “Wonder Wheel” is his best film since “Midnight in Paris” and is now one of my favorite Woody Allen movies. It’s right up there with the best. It reminds me why I love Brooklyn. And New York City.
Justin Timberlake starts off the Oscars just right with a rompin’, stompin’ raise-the-roof with his own Oscar nominated song And it was great! From “Trolls.” He got a standing, dancing ovation! Great start! Then of course, Jimmy Kimmel comes on and gets as he puts it, “Oh great, a sitting ovation”….
He then makes the audience give Meryl Streep a standing O.
And now, Best Supporting Actor! And here comes the lovely Alicia Vikander. She’s got a VERY deep tan. Trying to look as un-Swedish as possible.
Mahershala Ali wins! I was wrong about Dev Patel…Another standing ovation…
A nice moving speech. His wife just had a baby and firstly he thanks his teachers, whom I know/knew the late Zelda Fischhandler and Ron Van Lieu from NYU Grad Acting. They were the first ones he thanked which was very classy of him. I saw him in many plays there and he was always as good as he was in “Moonlight.” Lots of warmth in the room for “Moonlight” as Sasha Stone predicted at http://www.awardsdaily.com. And I didn’t…
His part in “Moonlight” was very small, but truly supporting. But he didn’t mention that he was a Muslim, which I wish he would’ve done.
These are my final FINAL Oscar Predicitons in the major categories. It’s still “La La Land” and I know it bares repeating or maybe it doesn’t. It’s been as David Poland told Sasha Stone “an open and shut season.” It’s been “LLL” ever seen it was first seen at Telluride and Toronto. It’s seems only the extremely popular “Hidden Figures” could upset, if anything. But “La La” is going to win A LOT of awards come Sunday night. I might be live blogging it, but then again I might not. We’ll see.
But Emma Stone seems unstoppable as of course does Viola Davis. And if anyone is going to upset it’s Mashershala Ali of “Moonlight”, it’s the surging Dev Patel of “Lion.” He won BAFTA. He could easily win here.
Damien Chazelle will win Best Director for “La La Land.” Like Viola Davis, he’s won everything else.
The real nail biter is going to be Best Actor between Casey Affleck for “Manchester by the Sea” and Denzel Washington for “Fences.” It could go either way. Denzel won the Tony for this when he did it onstage on Broadway and also with Viola who won a Tony, too.
But he has two Oscars already. Are they ready to admit DW to the three time winners club which only has four people in it. Daniel Day Lewis, Jack Nicholson, Walter Brennan and Katherine Hepburn? I wonder.
I hope it’s Casey Affleck essaying a much more difficult and indelible part in “Manchester by the Sea.” He’s won 40 Best Actor Awards and has just won the BAFTA, as did Emma, Viola and Dev. BAFTA is very influential. I’d vote for Casey, as I’ve said a million times this season.
#Final Oscar Predictions
#La La Land
#Manchester by the Sea
Well, the nominations for the BAFTAs, the British equivalent of the Academy Awards, were announced in the middle of the night(EST) last night and it’s no surprise to anyone that “La La Land” leads the pack once again, dancing off with 11 nominations, more than any other film and also being nominated in every single category it possibly could be.A REAL surprise that it was followed in the nominations with “Nocturnal Animals” at nine. The divisive Tom Ford thriller is going to sound familiar from the Golden Globes because it was Aaron Taylor-Johnson’s upset win in Best Supporting Actor was the first bombshell of the night in a night of bombshells. Taylor-Johnson is playing a serial killer in this dark film, which I’m now predicting will do better with the Academy later this month than people, or pundits, heretofore expected.
In Supporting Actor, he’s once again up against Hugh Grant for “Florence Foster Jenkins”, Dev Patel(who is really the lead) for “Lion. All these three gentlemen are Brits btw. Mahershala Ali, who WAS the front-runner and good ole boy Jeff Bridges playing a tired and retiring Texas detective in “Hell or High Water.”Also in play is the very young Lucas Hedges who dazzles in my fave, “Manchester by the Sea” which racked up six noms. Best picture, Best Director, Best Screenplay, Best Actor, Casey Affleck(who I think will win this, once again, for his haunting, haunted performance as Lee Chandler[he’s won everything else])Best Supporting Actress Michelle Phillips and Best Newcomer, Lucas Hedges. Best Newcomer is a category that the Academy doesn’t have, so to get a nomination for his incredible, funny heart-breaking lost teenager, he’d have to be nominated as Supporting by the Academy. Perhaps he will. I hope he does.
Strange to note, but there was ONCE AGAIN a big snub of Denzel Washington’s performance in “Fences.” He’s NEVER been nominated for any BAFTA award in his long, long career, though his magnificent co-star Viola Davis was nominated for Best Supporting Actress. But she’s the sole nomination that “Fences” got another shocker (but not to me.)
She and Michelle Williams will go toe-to-toe in this category. And Williams has a better shot here than she does back in American against Viola. Because the Brits just don’t have a history of honoring Black performers, believe it or not.
They even snubbed Barry Jenkins for director for “Moonlight”! Though they did nominate Black British Actress the brilliant Naomie Harris and of course Mahershala Ali in the Supporting categories for “Moonlight.”
I would say that these nominations slow down whatever momentum “Moonlight” which won Best Picture the night before last at the Globes, even though it did make the cut, unbelievably, for Best Picture. “Moonlight” got four nominations, BP, Best Original Screenplay(though the Oscars are considering it as “Adapted Screenplay) and the two Supporting nods I just mentioned.
But Casey Affleck seems to be conquering all before him. And his complex, difficult performance of a man burdened by an overwhelming grief still haunts me to this day. But you love him for all his suffering. And he’s funny, too. I can’t wait to see “Manchester by the Sea” again.
The big question with the BAFTAS is will they honor something light and musical like “La La Land” or will the heavy weight dramatic films and performances carry the day?
And they also tend to vote for their own, which means Aaron Taylor-Johnson may just win, again. They really loved “Nocturnal Animals.” They even nominated Jake Gyllenhaal who wasn’t turning up anywhere, for Best Actor!
I’ll discuss Best Actress at the BAFTAs in a subsequent post and for a complete list of the MANY nominees and categories, go, of course, to http://www.awardsdaily.com
#Manchester by the Sea
Meryl Streep made one of the most incredible speeches I’ve ever heard upon winning the Cecil B. deMille Lifetime Achievement Award. I’ll never forget it. It was very political against the current incoming regime. I wanted to write it all down verbatim, but I wasn’t able to, I was experiencing it so profoundly and proudly. She ended up rhyming “heart” with “Art.” Magnificent. I’m sure it will be posted everywhere.
At the end, of course, as they cut to commercial, she got a standing ovation.
Shots of the “Moonlight” table with all grumpy faces. They won nothing so far. And now “La La Land” has already won five. And there’s still Best Actress and Best Picture to come. Best Score, Best Song, Best Actor in a Comedy/Musical, Best Screenplay and Best Director.
Damien Chazelle keeps getting younger and younger or more immature-looking/seeming as he keeps winning award after award. He just topped Meryl’s mind-blowing speech with another “La La Land” win.
#Cecil B. DeMille Lifetime Achievement
# Damien Chezelle
#La La Land