a.k.a. "The Oscar Messenger"

Posts tagged ‘African-American’

“Monuments Men” postponed! Getting out of Oscars’ Way of “12 Years…”

And so it continues. More and more Oscar drop-outs. Meaning they’re all getting out of the Awards season upcoming onslaught of “12 Years a Slave”! And who can blame them? The latest casualty of this brutal Oscar race is George Clooney’s “Monuments Men”. Opening it “in early 2014” is equivalent to meaning it doesn’t have an Oscar prayer.

And the premise, getting Art out-of-the-way or back from or something like that from the Nazis. Meh. Gorgeous George is writing, directing and  starring in it. This just doesn’t sound good. January and February are like movie grave-yards. The good stuff opens NOW. In October, Nov., Dec.

And “The Wolf of Wall Street” has also moved its’ purported opening from this fall. Which is now. Until Christmas. MAYbe. Maybe not. “Wolf” is the Martin Scorcese’s latest for Leo DiCaprio. 

As I said when I saw it in Toronto, nothing can beat “12 Years a Slave” for Best Picture and maybe many, many other categories, too. http://www.goldderby.com is now reporting Lupita Nyong’o the beautiful Yale School of Drama grad, who steals the show at “12 Years a Slave” as the  tragic slave, Patsie, has now passed Oprah Winfrey in the Supporting Actress category.

Which I was saying at TIFF. THAT role! The things that happen to Patsie are the worst, the most horrific abuses in that filled-with-horror movie. Lupita cried as she won the New Hollywood Award at the Hollywood Awards last night. The first of her probably many accolades this year and Oprah was nowhere in sight!

Tom O’Neil’s experts now have Michael Fassbender tied with Jared Leto for “Dallas Buyer’s Club.” Leto, who plays a draq queen in “Dallas Buyer’s Club” also just got a Hollywood Breakout Performance Award  last night from the Hollywood Awards. Which nobody takes seriously. Although E! just called it “The Official Beginning of the Awards Season.” Really? I thought that was the Toronto Film Festival. And Steve McQueen of “12 Years...” won for the Hollywood Breakout Director Award,

Gold Derby has “12 Years” winning Best Picture by a mile and also Chiwetel Ejiafor as Best Actor.

They’ve also got Cate Blanchett(“Blue Jasmine”) way out in front of Sandra Bullock for “Gravity”. Whose box-office, as every one knows, is in the stratosphere. For Best Actress. I think “Gravity” has become so big that the Academy is going to want to give it something big, besides all the technical awards it will surely win, and that will be Best Actress for the beloved Bullock. Bullock won the Hollywood Best Actress award last night, too. And wowed the crowd.

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Michael Fassbender’s Non-Campaign for Oscar for “12 Years A Slave”

Michael Fassbender’s declaration in the current GQ mag that he’s not going to campaign for an Oscar for his Supporting Role(really a lead) In the monumental “12 Years A Slave” is just a tiny bit disingenuous to me for voila! There  he is on the cover! Looking great, I might add, and very much a winner already.

At Toronto, he seemed to me to be cramming every minute with press time. I sat through a press conference with him and the director Steve McQueen and the rest of the brilliant cast. And he was of course, fascinating. http://www.FascinatingFassbender.com is a website that is worth checking for all things up to the minute on Fassbender.

But at that press conference, he talked openly and freely and feeling about the character of the slave-owner Epps that he embodies so magnificently and so frighteningly in “12 Years a Slave.”

“I don’t see him as evil or a villain. I see him as a person. A businessman who is protecting his property.” I wasn’t taking exact notes, but it was words to that effect that sort of stunned people there when he said it. Because he seems to be the absolute embodiment of evil.

But an actor, a really good actor, and Fascinating Fassbender is a brilliant actor, ALWAYS has to humanize a character for himself and see the world through that character’s eyes, as he has so memorably done.

He was on Charlie Rose, too, with Steve McQueen and Chiwetel Ejiafor(I think you can watch that on You Tube on http://www.youtube.com/CharlieRoseShow.) So he did A LOT of publicity, and he did it early and now has gone off to New Zealand to film “Macbeth” and HE’s playing yes, Macbeth.

He did a lot of press already and now he feels he’s done enough. After “Shame” everybody in Hollywood now knows who he is, and then when he didn’t even get nominated(I knew he wouldn’t. And said so. All that nudity and urinating on camera! i mean, it was riveting, but the SWORM, the Straight White Old Rich Men, who form the bulk of the Academy were shocked.) And he was devastated when he didn’t get nominated, and now in GQ he says he wants no part of the process, which he found humiliating and this time is going to sit out Phase I of the Oscar season, which is now upon us.

October, November and early December is when you build buzz and the Oscar campaign machinery begins to shift into full gear. Then the nominating ballots are sent out around the holidays and the nominations themselves are announced in January, which is the start of Phase II.

But after the nominations come out in January and he starts winning awards(how can he not? I mean, they ALWAYS award the white guy, even a villain, in a black movie, like they did just last year for “Django Unchained”s Christophe Waltz) and he’ll come back to pick up his trophies the same time Mo’nique did in Phase II.

And this year the Oscars aren’t being handed out til MARCH! Because of the Olympics, so it’s a super-long Phase II.

Like The Terminator, he’ll be back.

I predict these things.

At NYFF, ” 12 Years a Slave”s Magnificent Achievement Dwarfs All Others

“12 Years a Slave” I’ve never really seen anything like it. I feel it is one of the greatest films of all time, Simply one of the greatest films ever made and yes, I saw it first at TIFF, where it leveled all comers, and now over a month later at the NYFF, the impact is the same. Nothing has changed. It’s a month later and really there’s nothing going to stop it.

It won the Audience Choice Award at the Toronto Film Festival and this is just the first step in the many, many awards that are going to come its’ way. It’s seriousness makes “Django Unchained” look like a joke. And yes, it did win two Oscars. Both for the two white men who were nominated. Quentin Tarentino who got his second Oscar for Best Original Screenplay and Christophe Waltz, who stunned all Oscarologists (EXCEPT Tom O’Neil at www.goldderby.com) who didn’t predict it. Waltz won of course for Best Supporting Actor.

This year it will be very, very different at the Oscars I predict. But if we look at the precedent being “Django” as the only other film in recent years to have Slavery as its’ main subject , the white guy in Supporting, this time Michael Fassbender, might just get lucky and win just as Waltz did. He’s playing the evil slave owner Epps, who prides himself in “breaking” troublesome slaves. Being sold to the Eps plantation is akin to being sent to Hell.

And Fassbender, who’s star has been on the rise for years now, mainly due to his other two collaborations with British director Steve McQueen, the harrowing “Hunger” where he lost something like 40 pounds as a Irish hunger striker, based on a true story and yes, also as the lead in “Shame” playing a slightly lighter topic as a sex addict, who is naked for sooo many of the scenes in that film. Also, he’s in “X-Men:First Class” and so he’s well situated to FINALLY be nominated for “12 Years a Slave” and he may win.

The film is certainly going to win Best Picture. Despite “Gravity”s overwhelming box-office achievement this weekend, I don’t think the Academy is ready to embrace 3-D, even yet. And since so many voting members watch the nominated films on screeners or DVD copies of the nominated movies, at home on their television sets, 3-D and certainly IMAX is going to look like not much of anything, compared with the gargantuan thrill it provides on the biggest of Big Screens. It should pass $100 million domestic at the box-office in the next week or two. At most.

But all this is to say that “12 Years a Slave” is going to look just fine on DVD. It’s a film of intense close-ups, and unflinching brutality. And of course, it takes a British director to finally tell the truth of this utterly American horror story that was slavery in the pre-Civil War South. McQueen could become the first Black director to win an Oscar. I think if they give it to the film they are going to give it to him, too.

And also his leading man,  the extraordinary British actor, Chiwetel Ejiafor, who as the freeman kidnapped and sold into slavery, is called upon to do things that no actor in the history of film has ever been asked to do before. He’s breathtaking! The levels of pain AND strength, the inner resources and resilience of spirit he brings to Solomon Northrup are astounding. And his and director McQueen’s intelligence inform every shot. It’s staggering in its’ immensity. But it’s all done utterly realistically and  with total naturalism.

The unimaginable atrocities that are depicted here are ALL TRUE.

And last but not least, we have to praise the Oscar chances, and the rise from complete obscurity of its’ ingénue star, Lupita N’yong’o, the young African-American actress, who plays Patsie, the beautiful slave who endures the most unmentionable cruelty, sexual and otherwise by Fassbender’s evil Epps. She will be nominated for Best Supporting Actress for sure, and will give Oprah Winfrey a run for her money in that category.

It’s overwhelmed all comers I feel at the New York Film Festival, just as it did previously at Telluride and Toronto. You see, nothing much has changed since audiences saw it in September. And oh yes, I have seen something like it before! It was also in the capable hands of Fox Searchlight and the name of the film was “Slumdog Millionaire” which debuted and wowed at Toronto and went on to wow the world and win every prize in sight, including the Oscar. It’s one of those kind of years. The word is unstoppable.

Oscars at TIFF~ “12 Years a Slave” & “Gravity” Both will win major awards!

Overwhelmed by all the great movies I saw at TIFF’13 this week, but two stood out as already dominating the Oscar conversation. “12 Years a Slave” and “Gravity.” Is it too early to say the race for Best Picture and Best Director is over? No. It’s not. The Academy can not deny “12 Years a Slave” one of the best films I’ve ever seen, or will ever see, one of the greatest films of all time, will win Best Picture and its’ director Steve McQueen, will become the first ever black man to win an Oscar in that category. Thus breaking the age-old tradition of awarding only white men(Exceptions – Kathryn Bigelow & Ang Lee {twice}).

It will be given a run for its’ money by “Gravity” Alphonse Cuaron’s dazzling 3D epic of Sandra Bullock and George Clooney lost in Space. It will win every technical award it’s nominated for but I think the real surprise here is Sandra Bullock, who is basically the ONLY character in the entire movie. It’s a one-woman show, and she’s giving the performance of her life, and will certainly be nominated for this breath-taking solo achievement that no one, including myself, ever thought she was capable of. She will definitely be nominated for Best Actress and I will go one step further. If ANYONE can upset Cate Blanchett’s Oscar chances in that category, it’s Sandra Bullock.

Are they really going to give an Oscar to an actress playing RUTH MADOFF?!? Blanchett’s triumph is that she makes this extremely unlikable, maybe even vile, woman sympathetic, but is she THAT sympathetic? I mean, you’re left at the end with an utterly unpleasant taste in your mouth.

Whereas when Sandra Bullock(SPOILER ALERT!) kisses the earth in “Gravity” and stands up and proudly walks on that beach, I thought “OMG! She’s going to win another Oscar!” And in a year that is shaping up as having ONLY former winners nominated(Blanchett, maybe Streep, maybe Julia Roberts, maybe Judi Dench and maybe Kate Winslet), Bullock STILL America’s sweetheart pulls off a cinematic achievement in that except for the very brief George Clooney, she’s the ONLY  PERSON IN THE ENTIRE PICTURE. SHE HAS TO CARRY THE WHOLE THING, and YOU LOVE HER! She’s utterly sympathetic and Cate Blanchett’s triumph is that she’s NOT, but Bullock’s Dr. Ryan, you just love and want to get back to earth, and I think the actors branch as well as the below-the-line voting members are going to acknowledge that unique one-woman achievement.

Angelina Jolie and Natalie Portman passed on this role. And I think they are going to regret it when Sandra Bullock wins her SECOND (unbelievable!) Best Actress Oscar, a sentence I never thought I’d be typing!

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Melonie Diaz Sizzles in Super-Hot Oscar Contender “Fruitvale Station’

The lovely and charming Melonie Diaz of the much Oscar-buzzed “Fruitvale Station” a Sundance and Cannes sensation that couldn’t be more timely. Melonie reveals that she studied directing at NYU Film School! And discusses her relationship with Oscar Winner Octavia Spencer who plays her mother-in-law in the ripped-from-the-headlines movie.

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Newsflash! “Beasts” director is NOT 23 years old! He’s 29!

Breaking Hollywood News! Benh Zeitlin who is being proclaimed the new Orson Welles for having directed the award-winning “Beasts of the Southern Wild” for doing this at age 23. Benh himself says, “No, no. I’m 29. I want to stop this rumor. I’m not a child!” But he certainly knows how to direct children, as he certainly has done with his 6-year-old star Qu’venzhane Wallis. He also co-wrote this with a woman, Lucy Alibar, who he has been collaborating with for many years. He also reveals that though he has never been to film school, he teaches film and video to school children. This explains, a bit, the authenticity of the female child, Hushpuppy’s perspective.

Camera & Editing ~ Cody Michaels

Oscar’s Pesky Supporting Categories. Mucho loco.

Oh, those pesky Oscar Supporting Categories! They are sooo hard to pin down, always, but this year’s there’s so much movement it makes the potential nominees look like Mexican jumping beans!

And no SAG didn’t match the Golden Globes, and they both didn’t match the  (Broadcast Film Critics Assoc.) But look who these groups REALLY represent. Look closely. And the first thing you may notice is that the Broadcast Film Critics, is made up, of mostly, well, film critics.

And there are NO film critics in the Academy. Repeat after me. THERE ARE NO FILM CRITICS IN THE ACADEMY.

And Stu Vanairsdale’s www.movieline.com excellent depiction of the Hollywood Foreign Press as “swag monkeys” is sooo apposite I want to adopt it just for my own, but yes, that defines them. ABSOLUTELY. And also, they are PRESS. And yes, repeat after me…no don’t bother. There’s no press in the Academy either….

So the fact that Michael Fassbender didn’t get a SAG nom is much more significant than it may at first seem. AND he’s urinating on-screen. Literally pissing his nomination away. And that’s how Demian Bichir got HIS SAG nom, playing a heroic Hispanic gardener. Yeah, this category this year . It’s a pisser.

But also not nominated for SAG was Albert Brooks from “Drive” and that make me wonder. He was nominated for Supporting Actor by both the BFCA and the GG, but to be left out of SAG may be fatal.

Why was Brooks not nominated for “Drive”? Maybe because THEY DIDN’T WATCH “DRIVE.” SAG gave nothing to “Drive” whereas the BFCA nominated it A LOT.

Who was nominated in Brooks’ place? Armie Hammer for “J. Edgar!” Stupendous in “The Joy of Typing” as BOTH Winklevoss twins, he’s riding a crest of good will. And Academy members keep exclaiming “I loved J.Edgar!” Which is something obviously Stu V. isn’t hearing.

And Hammer benefits by being in Leo DiCaprio’s shadow. He gets to kiss him, after all (Degree of difficulty!) And even though “J. Edgar” was left off the PGA list, it made MY Ten Best, and I STILL think it’s another Clint Eastwood masterpiece. THAT could be a surprise BP pop-up on Oscar Nomination Day, which is Tuesday Jan.24.

AMPAS members are voting right now on their choices of nominations. Yes, they are. And so what’s on their minds? Well, “The Artist” for one, which is going to get more nominations than any other film this year. And Berenice Bejo is on her way to a for sure Best Supporting Actress nomination and possibly even a win, in my book.

The Argentinian/French beauty carries as much of the film as the stalwart Jean Dujardin, who did win the Best Actor prize in Cannes this year. And she got a BFCA, a SAG nod, and also a Golden Globe nomination. So she was the triple crown of nods as it were.

And she also just won BEST ACTRESS in the Rome Film Festival which just wrapped last week.

So she’s definitely on a roll, and she’s also married IRL to “The Artist” s front-runner for Best Director Michel Hazanaviscius. And HE’S probably going to win Best Director across the board, and if she won, too, that would be the first time in Oscar history that a husband and wife team won double Oscars, a quaint touch that the Academy may very likely find too charming to resist, too. Just like their movie!

They’re French, and SOOOO in love! And so happy!

Berenice’s main competition is Octavia Spenser for “The Help.” Spencer, an unknown up until this season, also was a recipient of a SAG, BFCA & a GG nod. So she’s almost assured of a nomination. But she’s an Academy newbie. Her memorable performance as the foul-mouthed Minnie is the kind of role that gets nominated but doesn’t necessarily WIN awards.

And there was that shitting in the pie scene. Unlike Michael Fassbender, we don’t SEE her doing it, thank god, but she does do it, and then serves it to Bryce Dallas Howard, RON HOWARD’S daughter! in real life, who plays the villainess Hilly so well here in “The Help.”

Stu V. and Tom O’Neil at www.GoldDerby.com and many others have her as a frontrunner in Supporting Actress, but I wonder….

I do NOT think the Academy is open-minded enough to award TWO African-American actresses in ONE year. One of them, maybe, but not both. And Viola Davis is pictured and named as “The Frontrunner” on this week’s Entertainment Weekly annual Oscar issue. She’s pictured with George Clooney, which actually could be the kiss of death. They could BOTH not win.

And the two “Help” women, may split the “Help” vote. And neither wins.

It’s a very interesting year in that the actress categories are so up-in-the-air.

And it just goes to show that Meryl Streep’s reviews for “The Iron Lady” were sooooo bad that they vaulted Viola Davis on to the cover of EW!

And Shailene Woodley of “The Descendants” was not nominated for a SAG award either.  Too young, merely a teenager. But Janet McTeer of “Albert Nobbs” was…and Stu V. has Glenn Close of “Albert” slipping out of the locked five in Best Actress, being replaced by Rooney Mara. I don’t see that happening. But Janet McTeer has ALSO scored the trifecta of BFCA, SAG & GG.

And then there’s Jessica Chastain & her 5000 films she was in this year’s problem. What to nominate her for? Well, if it’s for “The Help” (a good perf, but not great) she’d also be splitting the “Help” vote with Spencer and then…and then…Berenice Bejo wins!

And Vanessa Redgrave could win in this category, but she’s been nominated nowhere so far and it seems like NO body is watching “Coriolanus.”

And then there’s sweet Carrie Mulligan who shows HER nether regions in “Shame.” But oh yes, since she’s a young girl, that could help her…but so far…No nominations…which is a REAL shame.

And Christopher Plummer? He won this race, Supporting Actor, the minute his marvelous film “Beginners” opened in May. The question that plagues us Oscar-ers and Oscar-ettes, is who’s going to be nominated in that category and lose to him. Plummer has never seen so, well, plummy. And he’s experiencing the most attention and love he’s perhaps ever gotten in his long and very chequered career. He’s very grand, too, as Herbert Wanger in “Girl with the Dragon Tattoo.” It’s his year. He’s everywhere!

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