a.k.a. "The Oscar Messenger"

Posts tagged ‘Oscar’

Golden Globes Got Good! Classy, Even! Shocked! Hooray for Glenn Close, Rami Malek, “Bohemian Rhapsody”!


Who Woulda Thunk It? Broadway’s Glorious Norma Desmond FINALLY coming in to her own after HOW MANY Golden Globe nominations! I mean, what were the odds up against Lady Gaga? For. as I said, a few posts back, “A Bore is Starred?”

Glenn, who I famously interviewed for the New York Times, a while back,was always supposed to be an also ran. A rather withheld patrician typ has always had trouble getting her emotions out from within. She was brought up reserved.

And there was upsetting the Golden Globe apple cart AND all the Oscarologists (me among them) who wrote her off as having no chance. Against the on-slaught of the youth condition. Lady Gagagagagagme among them. And winning of a simple domestic drama no less! “The Wife” There’s no stopping her now. She’ll win the Oscar too,

And that EGREGRIOIUS piece of dreck, “Shallow” won for Best Song and she was lucky to get that.

Watch one of
“Mary Poppins Returns” win there. Leaving “A Star is Born” with ZERO. It COULD happen.

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Emily Blunt Looking at Two Oscar Nominations and/or Wins


Could 2019 be beginning with the ambrosial prospect of the brilliant British actress Emily Blunt up for TWO Oscar Nominations? One for Leading Actress for “Mary Poppins Returns” and the other for the nerve-shattering pregnant wife Evelyn in her real life husband John Grasinski’s horror film “The Quiet Place”?

Well, it’s happened already from a no-less than august awards body the SAGs, which nominated her twice in both categories. It’s almost unheard of. And she could win both.

The roles couldn’t be more diverse and more than show Blunt’s huge range as an actor. This certainly seems to be her moment. Awards-ignored for years, despite her superlative work in over 30 films, and every kind of character imaginable, 2019 finally seems to be her time to shine.

“The Quiet Place,” for those who may have missed it, is the early-in-the year 90 minute horror film that drew raves from critics as well as a boffo turn at the box-office.

incredibly taut and electrifingly directed and co-written by her real life husband John Grasinky, it stuns by the use of all things, silence. Blunt even has a deaf daughter played marvelously by the real life deaf actress Millicent Simmonds.

All are in jeopardy in a remote farm-house from a more or less traditional horror film monster (again astonishingly played by Krasinsky Himself) and if all this seems to much for the normal Awards-voting film=goer, don’t forget, they LOVE silent films(which “The Quiet Place” more or less is) and this is Emily Blunt’s year, there’s no denying itl And “The Quiet Place”s overwhelming and unexpected audience acceptance. only ads to Blunt’s momentum with Poppins. Disney had mounted a jmajor campaign for “Mary Poppins Returns” in all categories and Paramount has now done the same with “The Quiet Place.” So she was TWO major studios pushing for her.

Blunt even has a sure-fire “Oscar clip” scene where she has to give birth SILENTLY in an old-fashioned stand-alone bathtub. They all have to keep silent at all costs or the monster will incinerate them. It’s an edge-of-your-seater and in the same year as Blunt’s courageously/outrageous musical turn as  Mary Poppins, rivaling predecessor Julie Andrews, who also won an Oscar for Poppins.

It’s an awards-magnet role and Emily Blunt is the newly minted Awards magnet herself. And she’s nominated for a Golden Globe award for Best Actress in a Musical/Comedy, too.

The Golden Globes are this coming Sunday. Don’t miss them! If Blunt wins there against high-brow fellow Brit Olivia Coleman for “The Favourite”, she could very well begin her march to the Oscars! You heard it here first!

Emily Blunt Becomes Legend in “Mary Poppins Returns”! Give That Girl an Oscar!


I have long admired the acting force that is British Actress Emily Blunt. She’s been on my TV show twice, once for “The Jane Austen Book Club.”where I interview her by satellite. She was in London where she said, “It was pissing down with rain.” Now that’s not something Mary Poppins would never EVER say. This is without a doubt the iconic role that is going to make her very, very famous and will define her career for the rest of her days. And maybe even win her a Best Actress Oscar.

She was just nominated for her”practically perfect in every way” British nanny that descends from the lovely, fog-covered London skies  to save the Banks children once again. But this time they are all grown up and played remarkably sympathetically by the brilliant Ben Whishaw and the divinely demure Emily Mortimer. It is 1930 and they still live in the charming house on Cherry Tree Lane, but here’s where director Rob Marshall had a master stoke of genius. They are on the verge of being evicted.

So beneath the flaming Technicolor flim-flammery, there is a great core of sadness underlying “Mary Poppins Returns.” Emily Blunt’s Mary Poppins senses that there is  real trouble brewing here and that only she can fix it. This gives the always startlingly original actress a role that she can really sink her teeth into, and probably will play for ever. If she wanted to. There is a real sense of pain and a core of sadness that is motivating her Poppins to do what she does best – Cheer every one up. She’s like a supernatural social worker.

Blunt plays her with a tinge of something akin to regret. She knows in her heart of hearts that she really CAN’T help the Banks’ in any practical way. Her magic only goes so far. Or does it? And Nannys DO have to leave, eventually. That’s where her sadness comes from. As much as she loves the Banks’, she inevitably knows there will be a moment to go to say “It’s time.”

Lin-Manuel Miranda is on hand, too, in the Dick Van Dyke role, as  twere,  as Mary’s comical side-kick. Here transmorgrofied in into a lamplighter. He seems wildly miscast here, but his British accent is better than Van Dyke’s (who is in THIS movie, too!)so I’ll give him a pass for bounce-ability.


Also on hand is a new character, Mary’s Blatvian cousin Topsy who tells them all she is “Turning Turtle” a show-stopper number that allows Streep to out-camp her Florence Foster Jenkins role .That’s camp for you. The greatest of all addictions. Once you touch even your little left toe into it, you can never get out of it.

If you can imagine such a thing. She does more bumps and grinds per minute than any one in film history. And if it was anyone but Meryl Streep doing it you would say “STOP!” “Too much!” With Meryl you say, “You just keep twerking it, girl..”

The charming composer/lyricists are straight from Broadway. Marc Shaiman and Scott Wittman are so endlessly tuneful and prolific, it’s simply amazing. My favorite has to be “Trip a Little Light Fantastic” and “There’s No Where to Go But Up!” sung by Angela Lansbury. Yes, she’s in it, too. Even the background music is quite enchanting. And every now and then they slip a little touch of the original Sherman brothers classic score. Just a few notes, mind you, but it is enough to send one flying up and down memory lane, in the best possible way.

It’s a delight. It’s an epic and I think it’s going to be nominated for Best Picture and many, many below the line categories. Sandy Duncan’s costumes are heaven-on-earth, right down to Mary’s red shoe laces. And of course, the extraordinary Emily Blunt will be nominated for Best Actress. And she could win, too! This is a film that will melt the hearts of every hardened cynic in Hollywood. And you’ll end concluding that we all need a Mary Poppins in our lives.

“Mary Poppins” is not just a sequel. It’s a classic.

Golden Globes Nominations Out! “Boy, Erased” Gets Two! Lucas Hedges Best Actor. Drama!


This year’s Golden Globes Nominations have just been announced. And they seem to be earlier than ever. The LA Film Critics haven’t even announced yet! So here they are. And for a complete list go to http://www.awardsdaily.com. I’m just over the moon that my #1 film of the year was remembered twice. The incredible Lucas Hedges got nominated in Best Actor, Drama for “Boy, Erased.” It also got nommed for Best Song.

This is what Lucas had to say about this,

“I honestly didn’t expect this and am completely thrilled. Thank you to the Hollywood Foreign Press for this incredible nomination. I loved playing Marlo, so this is a real honor.”

The 21-year-old phenom is currently on Broadway in Kenneth Lonergan’s “The Waverly Gallery” and so he can’t do the usual glad-handing and campaigning that has become an inevitable, and necessary, component of this Awards’ race.

No stranger to the Golden Globes and the Hollywood Foreign Press Association, who give them out, Lucas was up two years ago in Supporting for “Manchester by the Sea,” also by the superb author/director Kenneth Lonergan.

It should also be noted that the HFPA nominated both gay characters in “Can You Ever Forgive Me” played by Melissa McCarthy (Lead actress) and Richard E. Grant (Supporting). as well as all three lesbian characters in “The Favourite” played by Olivia Coleman(Lead) and Emma Stone and Rachel Weisz(supporting.)

The Golden Globes become more and more important every year and this year they seem more on point than ever. And they certainly are a hoot and half to watch. And they very often are extremely predictive of the Oscars. Academy voters use the Golden Globe lists as a cheat sheet. Their inclusion on this list will mean the films will be watched and discussed. And in the case of “Boy, Erased,” which is about the heinous practice of gay conversion therapy, which is still legal in over thirty states, it is IMPORTANT and timely.

Post-script: the other Masterpiece that’s out there this year, “Roma” was nominated for Best Foreign Film, because it’s in Spanish. Alfonso Cuaron was nominated as Best Director and  Best Screenplay. And if there was an award for Best Cinematography, he’d be nominated for that, too,  for the stunning Black and White footage that he shot entirely himself!

Could Mahershala Ali become the first African-American actor, after Denzel, to win TWO Oscars?


Could Mahershala Ali, who won the Best Supporting Actor a mere two years ago for Best Picture Winner “Moonlight”, win a SECOND Oscar in the same category for “Green Book”?

If so, he would be the first African American actor to win TWO Academy Awards, never mind two nearly in a row, after Denzel Washington won two.

In “The Green Book,” he plays a real life character, a jazz pianist sensation of the 1950s. The film is set in the rural South in 1963, when it was very dangerous for a successful Black man to have a white driver from the Bronx, played by Viggo Mortensen.

Both actors received very strong, positive notices out of Toronto, where it became a surprise hit, and won the prestigious, and predictive Grolsch People’s Choice Award, voted on by the public, vaulting all involved into the middle of the Oscar race.

The film was directed by Peter Farrelly of “Dumb and Dumberer” film.

Should this happen and Ali get nominated and win again, he would make Oscar history. No Black actor has ever won twice.

ACE Eddie Inches Allison Janney forward towards Oscar

How important is Film Editing? Well, over the years I’ve come to recognize that Film Editors are among the most important and hardest working artists/technicians in our business. I don’t know what we’d do without them. I really can’t praise their industry and expertise and devotion to their work highly enough. People in the business know how incredibly vital their are. And after helming my own TV show “The Stephen Holt Show” for over 30 years, I do, too. God bless the film editors, and so when they chime in, in the name of their united Guild, the A.C.E. Eddie Awards, attention by AMPAS voters is paid. Seriously.

So when they gave their big award this week to the Best Edited Dramatic Film, in this case “I, Tonya,” it gave that raunchy tabloid of a film that much more of a serious contender boost. And in this case the largest recipient of the Film Editors collective good will and approval would by extention go to Allison Janney, who plays the wild-cat mother of alley-cat Tonya Harding in “I, Tonya.” This is “I, Tonya” biggest Awards bid, Best Supporting Actress. Which is turning into a mud-wrestling final between Janney and Laurie Metcalf, formerly of “Roseanne,” and this season as the Good Mom in “Lady Bird.”

“I, Tonya” was an Indie that opened late in the awards season without much fanfare, whose importance has grown by the day, as more and more people see it. So much so that Allisson Janney’s Mom From Hell is inching ever forward in her death-match struggle against Laurie Metcalf’s much more likeable Mom in “Lady Bird.” And the Ace Eddie Award just continues to add to Janney & Tonya’s steaming forward.

You see, Best Supporting Actress has become basically a two woman race between Janney and Metcalf in the Battle of the Moms. And until the Golden Globe Awards two weeks ago, Metcalf’s gold was considered in the Oscar tank.

Then a strange thing began to happen. That race just turned around and Metcalf’s main Mom competitor Allison Janney started winning every single major award going forward, the Golden Globe, the Critics Choice Award and finally the SAG Award(pictured above ^). The A.C.E. just adds to “I, Tonya’s prestige and by extension, Allison Janney’s.

Tonya Harding was not considered a prestige player in real life. So it’s ironic in the extreme that the film about her “I, Tonya” is now considered a prestige, must-see-it Oscar film contender more and more by the day.Janney is majorly known for the nearly-decade run in “The West Wing,” amassing many Best Supporting Actress in a TV Series Emmys along the way.Allison Janney 3
An excellent actress no matter what the role, her gargoyle, LaVona Harding is just another example that she can play just about ANY type of role and make audiences like it and remember it and award it.

The race between her and Metcalf is razor thin, so we must take careful note of it, this Oscar season. Even if Metcalf just ended up on the cover of EW with “Lady Bird”s star, Saoirse Ronan and creator Greta Gerwig.Sometimes Entertainment Weekly just jumps the shark and lays out their mag and covers, goes to print too early. I think this is the case here. This is a VERY volatile Oscar race this year and if they’d waited a minute or not, and saw that their supposed front-runner “Lady Bird” had not one ONE AWARD AT THE SAGS, they never would’ve run this cover. It’s premature inauguration. A few more hours and it may have been Frances McDormand and Sam Rockwell on the cover. Or Sally Hawkins and her magical Fish.

But you see just how close this supporting actress race and every category, as a matter of fact, this year is. And Brit Great Lesley Manville, an O.B. E. has been added to the mix, both here in the America Oscar Nominations and abroad at the BAFTAS in London. So do stay tuned for more mud-wrestling.

My SAG 2018 Predictions

After much consideration, and I’m trying to be as simple as I can be, I think the key to this year’s SAG Awards predictions is as plain as the nose on my face. Or as plain as the nose on anyone’s face in Ebbing,Missouri. “Three Billboards Outside Ebbing, Missouri” is going to sweep and win all four of the categories it’s nominated for. The overwhelming performance of an angry, but not tear-stained, grieving mother Mildred will win Frances McDormand her second SAG award. The fierceness of her unforgiving fury will translate into universal acclaim  as she has already received., at 60, the Golden Globe for Best Actress Drama and the same at the Critics’ Choice Awards.And her co-star Sam Rockwell, as the confused small-town policeman, Deputy Dixon, who tries to help her solve the  seemingly unsolvable mystery of her daughter’s violent rape and death, will precede McDormand to the podium and win Best Supporting Actor. Both of them bumping into each other on their way to the Oscars.

And two of the a-fore-seen winners of the other two awards,  Gary Oldman as the definitive Winston Churchill in “The Darkest Hour” (Best Actor) and Allison Janney as Tonya Harding’s frightening mother in the surging “I, Tonya.” (Best Supporting Actress), both will win again.

The SAGS only give out few awards to film. Mostly, it’s television that is being awarded. And usually at the start of the show BANG! They announce one of the two  Supporting Awards. So tune in on time at 8pm tomorrow night at TNT and TBS (Check your local listings.) Or you might miss Sam winning! Hopefully, I’ll survive the suspense until Sunday night when once again, I will be live-blogging.

Their fourth nomination being the supposedly predictive Best Ensemble award. That’s the only one of “Three Billboards” four nominations that I’m a little bit shaky about. But I think it’s their night. They might not win the Oscar, but they’ll win this. It’s an actor’s actor movie. And the SAGs, lest me forget, are actors voting on actors. “Three Billboards Outside Ebbing” is co–starring some of the greatest actors of our time. Woody Harrleson, Peter Dinklage, John Hawkes, Lucas Hedges are among the long list of its’ sterling ensemble.

“The Shape of Water” can’t win because it wasn’t nominated.

It could easily go to one of the other films. I would automatically say “Lady Bird,” but that got shut out surprisingly at the Critics last week! What? What? But I’ll put my pen down for the night, and just wish all of them good luck on Sunday!

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