a.k.a. "The Oscar Messenger"

Posts tagged ‘Comedy’

What the BAFTAs MAY do to Oscar 2016?

Sad BaftaBAFTAS 2016 1What will be the BAFTAS effect on Oscar this year? It may be more than ever. The nominations for BAFTA(the British Academy Awards equivalent) are fewer, only five, in the Best Picture race. And though the British themselves are trying to align their awards with ours, more and more each year, the EFFECT they have on wavering Oscar voters stateside is monumental….Sometimes…And sometimes it’s the undecided votes  that determine the winner, especially in a close year like this in the acting categories.

Of COURSE, “La La Land” is going to win Best Picture. It’s as popular there as here. So let’s table that discussion right now, shall we? The other nominees are the British film “I, Daniel Blake”(no), and the American films “Manchester by the Sea”, “Arrival” and “Moonlight” and I don’t see any of those upsetting LLL, as it’s known on the Interwebs.

oscars-2017-3There IS a overlap from BAFTAs membership to AMPAS, estimated at a voting block of about 600. This becomes a crucial indicator when there is a close-as-close-can-be race. Like this year’s Best Actor. Casey Affleck will win this. And what you say? Denzel Washington isn’t even nominated! Yes, that’s right. And so isn’t “Fences” whose sole nominee is Viola Davis in Supporting. And you heard it here first folks, remember that. VIOLA MAY NOT WIN HERE!naomie-harris-1

It may be Brit star Naomi Harris, who was so strong and touching as the drug-addicted mother in “Moonlight.” Brits win here. It’s their awards after all. And the same goes for “Moonlight”s Mahershala Ali, who is most definitely going to win the Oscar in the Supporting Category, but also, not necessarily in Britian. It may very well be British Indian actor Dev Patel who is nominated for the Weinstein Co.’s “Lion.”lion-2I still think that USA favorites Ali and Davis will prevail in Supporting states-side. But just watch what happens if wins for Naomi Harris and Dev Patel occur in London on Sunday. And Casey Affleck wins Best Actor there. As will Emma Stone in Best Actress(They love “La La”).

The complete absence of “Fences” at the BAFTAs (esp. if Viola Davis Loses!) may mess with the perceived momentum of that movie.

So with POTENTIALLY DIFFERENT-than-the-SAG winners, Harris and Patel and no Viola, and Denzel not even nominated, it just MAY, I say, MAY insure that the brilliant portrayal of Casey Affleck in “Manchester by the Sea” continues on to win his BIG ONE as pre-ordained by the NYFCC, the National Board of Review, The Critics Choice Awards and the Golden Globes and every other critics’ group awards across the country.

Denzel was brilliant on Broadway, but in the screen version, he directed himself, and that was his big mistake. The movie seemed LONNGGGER than the stage version. Why? Because he kept pausing and dragging out EVERY SINGLE SYLLABLE til yes, indeed Viola Davis’ Rose DID seem like a Supporting performance. Every line was had an exclamation point at the end of it. A nd every close-up of himself was just held too long. That’s what makes a picture extend itself in time and wears out its’ welcome.

So enjoy your trip to the London stage, Casey. You gave the better performance, the Best Performance of the year. BY A MILE. As a lonely alcoholic janitor, who is tortured by his tragic past, his Lee Chandler is indelible, unforgettable.

casey-affleck-ad

And once upon a time, he appeared in a Kenneth Lonergan play in London to great acclaim, so they love him already in Blighty.

And most important of all, after the BAFTAS occur on Sunday, on Monday, (at last!) the Oscar voting OPENS! And most people send in their ballots IMMEDIATELY, especially now that they can do it electronically.

#Casey Affleck, #BAFTA, #Manchester by the Sea, #Predictions # Denzel Washington # Fences # Viola Davis # Oscars

 

 

 

 

 

 

 

 

 

FINAL SAG Predictions! Each Film Will Win ONE Award

manchester-by-the-sea-92-emma-stonesI have to get this out as soon as possible. It’s SUCH a cut and dried year that it’s almost like typing blindfold. OF COURSE, Casey Affleck is going to win Best Actor tomorrow night at the SAG Awards. He’s won everything else. And it IS a great affecting performance that stays with you. It is also the most courageous depiction of grief I’ve ever seen in a major motion picture. He’ll win here because I think the SAG ensemble prize is going elsewhere. No, it’s not the 14 time Oscar nominee “La La Land”. It wasn’t even nominated!

But I think it’s leading lady, Emma Stone will win Best Actress. If they like “La La Land” and evidently they do, Emma in Best Actress is the only place they can vote for LLL. The same with “Manchester”. Casey Affleck will win big, because it’s not possible to vote for him or “Manchester by the Sea” anywhere else in this group of Awards.

Also, remember it’s a VERY American voting body. It’s the Actor’s of America voting so foreigners need not apply.

Viola Davis is the most mortal of locks for Best Supporting Actress for “Fences.” She’ll repeat her Broadway triumph here.

It’s a little trickier as we go on. So far we have one for “Manchester by the Sea”, Casey Affleck and one for “La La Land” Emma Stone, We have one for “Fences” which will be Viola Davis.

Then we run into the problem so who will win Best Supporting Actor. Will it be Mahershala Ali for “Moonlight” or Patel for “Lion”? Given that I think SAG is in a -spread-the-wealth mood. If Mahershala wins for his compassionate drug dealer then “Moonlight” won’t also win Best Ensemble. They might want to give “Moonlight” Best Ensemble(and it truly IS an ensemble). Then another actor of color would win Supporting which would be Dev Patel. If they liked “Lion” and the Weinsteins, this is the only category where they can vote for him.

So, if early in the evening, Patel wins in Supporting, then you can be sure that “Moonlight” will walk away with ensemble

But if it’s Mahershala Ali, who wins then the top award, their version of Best Picture, will go to another racially themed film, the box-office blockbuster “Hidden Figures” which has been surging during the voting period.

So therefore SAG will feel they’ve been fair to all. “Everyone has won and all  shall have prizes” cried the Dodo in “Alice Through the Looking Glass.

#SAG Awards #Final Predictions, #Casey Affleck, #Best Actor, # La La Land

 

 

 

 

Hysterical Comedy “Oh Hello” on Bway!

oh-hello-1

One of the funniest shows I’ve ever seen on Broadway totally surprised me with its’ non-stop hilarity. It’s “Oh Hello” and there’s only two people in it! But they are the super superb sketch comedians Nick Kroll and John Mulaney, who appear as their 70-something alter egos Gil Faison and George St. Geegland. Whether they are a gay couple or not is open to interpretation. The show was described as “very gay” to me, and it is, and it isn’t.

This is simply the story of two old men, who have lived together for over forty years in the same rent-controlled apartment on the Upper West Side ,”the coffee breathe of New York”, they call it. And they get an eviction notice in Act One. Except there is no intermission so there is no act one.

So much for the plot.

Their apartment, their domaine, as it were is high-ceilinged and so vast that they have spent a lifetime salvaging the sets of closed shows. Main among them the hair dressing salon of “Steel Magnolias”, and the staircase from “some Au-goost Williams” play that they can’t remember the name of. There is a front stoop from “The Cosby Show” on the opposite side of the stage. “We got that oh-hello-2because they were throwing it away and nobody wanted it.” Serena Williams and Tennessee Williams were brother and sister. And so it goes…

They are united in their love of theater and theater trivia. Gil claims to be a “multi-Tony Award viewer.” And tries, still, at his advanced age to be an actor, and go out on auditions, even though he has(we find out later in the play) an incontinence problem. They also are wearing white wigs to represent hair that looks like it hasn’t been washed in decades. Nor have their clothes. They are always waxing nostalgic for “That Great Decade, the 70s,.”which everything in their apparel and their apartment dates from(great design by the great Scott Pask, costume consultant Emily Rebholz.)

George sports wide wale corduroys that look like they were once brown, but are now sort of purplish with a shine. There’s no shine on his shoes because he is wearing sandals with not-so-white socks. They both look like they need a good bath, but there is no indoor plumbing visible or referred to. You can almost smell them from the front of house.

George is still trying to get his plays done. Largely to no avail, and he wouldn’t appear so preposterous a character, if he didn’t resemble Florence Foster Jenkins’ real life husband/companion in the recent Meryl Streep movie “Florence Foster Jenkins.” That foppish St. Clair Bayfield was played by Hugh Grant in the movie. A  real-life failed 1920s actor, he married money. But George St. Geegland and St.Clair Bayfield, they are cut from the same fading  theatrical cloth.

Except that George has no money and Gil has even less. You wonder how they manage at all at their advanced ages to pay their $75 a month rent. So the eviction notice heralds disaster .But they ARE spry, and as embodied by the 30-something comic geniuses of Nick Kroll and John Mulaney, you love them to pieces.

There is not one comic beat that is missed. Their malapropisms are monumental. Broadway is pronounced “Brid-way,” a phone call is a “finn-call” and an homage is a “Home-page.” But they try and try to get into show business, still, and their constant rejection is our comic bonanza.

Their big “Brid-way”  break is just around the corner, and Nathan Lane is off-stage waiting to come on, they assure us. They have a favorite diner on the Upper West Side, but can’t remember its’ name, but they do remember that their menu has “fourteen plastic pages” and that one of the dishes is lobster.

“I was going to order that,” says Gil, “Just to see what would come out.” Mainly they venture outside to get throw aways from “Brid-way bombs. There’s so much to choose from.” The entire scrim from “Fiddler on the Roof”(which is still running BTW. How did they get it?) comes down, and they have to act through its’ gauziness towards the end of what would’ve been Act Two.

And their other culinary obsession is tuna. There seems to be Tuna everywhere on this set, but unlike Big and Little Edie Beale (of “Grey Gardens”fame), there are no visible cats. It’s like they’re the Collyer Brothers, with no piles of newspapers, but a trap-door from “The Diary of Anne Frank.”oh-hello-3

They also seem to have or have had a public access TV show called “All That Tuna.” And if this isn  ‘t enough to convince you to run right out and see it, every night, they pull an “unsuspecting” celebrity out of the audience, and make him sit down with them to a gigantic tower of tuna sandwich, delivered from the heavens with attached angel’s wings, which they assure us is from “Angels in America.”

Adam Driver (of “Star Wars:The Force Awakens”) was the celebrity guest the night I was there and I’m still shaking with laughter.  The theater was suddenly filled with screaming teenage girls in the second and  third balcony, and they wouldn’t stop shreiking as George, Gil and Adam sat down at their checkered red and white diner dining table for an interview. It got so bad, Gil just yelled at them “SHAD-DUP!” And they did.oh-hello-4Only slated at the moment to run through January, catch them now, while you can. It’s the perfect New York holiday show for misanthropes.

 

 

Jayne Houdyshell Triumphs in Bways’ “The Humans”!

The Humans 1Jayne Houdyshell Humans 1Jayne Houdyshell, an actress I’ve always found astonishing, reaches the peak of her long career in Broadway’s newest and most unlikely hit, “The Humans.” Houdyshell had a two decades long career in regional theater and was “discovered” in mid-life as the mother that couldn’t stop criticizing her lesbian daughter in Lisa Kron’s break-through play “Well” that started at the Public Theater and moved uptown to Broadway. And Broadway has pretty much been her home ever since.

Houdyshell is the kind of actress playwrights dream of and though she has won tons of awards( the Drama Desk gave her a career achievement award a few years back), I can’t remember her having a leading part like the one she has now, and in a hit play to boot. “The Humans” is powered by her powerhouse performance as Deidre Blake, again a mother, but this time an Irish Catholic mother to end all mothers. Deidre is caught between a rock and a hard place as she tries to hold her unwieldy family together as they embark on a tumultuous Thanksgiving gathering in her daughter’s duplex in Chinatown.

It’s one of the best plays of the year. Playwright Stephen Karam has written what all of the American theater has been longing for. A great new American play. Set today, it’s totally current and absolutely vital, and unflinching in its’ detail of the lives we New Yorkers, we humans, live .

With horror film and Internet references galore, Karam and the titanically talented director Joe Mantello ingratiate “The Humans” into your soul and invite you to be a member of this troubled family. They hook you into sitting down to Thanksgiving dinner with the at-first-glance very bland Blakes, and there you are experiencing something that you’d never thought you’d be experiencing, a top-level, quality evening in the theater, by some one who’s now going to be considered one of America’s important young playwrights.

What a joy this is to discover so much talent in one place, at one time, doing the thing it should be doing, bringing us the best in theater! Which is what Broadway is supposed to be doing. After all, shouldn’t that be going on all the time on the Great White Way? And so seldom is.”The Humans” is so good, it’s shocking.

And to have the majestic Jayne Houdyshell at the top of the bill, guiding this ship into port, as it were, with a superb ensemble who are all excellently cast and doing what sounds easy, but is really almost impossible, make you believe that they are the Blake family and you’re a friend, who they’ve also invited over for Thanksgiving dinner. But little did you know what you’re in for! Folding chairs, card tables and paper plates and cups. And not a turkey in sight! Only health foods!

Reed Birney is perfect matched as Deidre’s troubled husband Blake. Lauren Klein, is simply amazing and amazingly simple, as Deidre’s wheel-chair bound, dementia-ridden mother “Momo”, Cassie Beck & Sarah Steele as their struggling daughters, one gay and one straight, and Arian Moayed as the genial, still not married, but living together sort-of son-in-law.

Cassie Beck The Humans

Cassie Beck, in particular, (above) as the frazzled lesbian lawyer daughter,Aimee, who is going through a difficult break-up with her lover. And  it is to “The Humans” great credit that the Blake family treat this as something to be compassionate about and otherwise her sexuality is totally accepted in a refreshingly matter of fact way.

And the set! Once again I’ve seen astounding theater set design in one week! First “Hughie”s haunting green-lit majestic, ruined hotel and now David Zinn’s Chinatown duplex that is not as grand as it sounds, and as is just as knock-about and seems about to fall down as the Times Square hotel of the 1920’s in “Hughie.”

You just can FEEL this place shake,as it quavers under the  supersonic,crashing thuds that periodically drop on it from the (un-seen) floor above (sound design by Fitz Patton.) It’s a ground-floor apartment attached to the basement by a spiral stair-case that’s in, as Reed Birney’s father describes it, “A flood zone.”

At one point Birney’s character quips, noting his daughters’ obsession with health foods, “If you’re so miserable, why do you want to live forever?” “The Humans” is so good it will restore your faith in the American theater and make you want to live forever, too, so you can see it over and over and over again. What a joyful surprise this play, Jayne Houdyshell and this production are!

“Yankee Doodle Dandy”,”Music Man” & “Welcome to Me” All in ONE DAY!

Yankee Doodle DandyI exercised my Freedom, my inalienable right, to binge watch (or play the game HowManyMoviesCanISeeInADay?) until my eyes were screaming for relief. Then you stop.

Lovely weather in NYC today. But here I was watching James Cagney winning an Oscar in 1944 for his great performance as George M. Cohan in “Yankee Doodle Dandy.” What a grand ole film! B&W but still resonates with any theater person(yeah, me)watching it. My fave scene – the theatrical boarding house where the Cohans are too poor to get served anything but molasses and noodles!

Loved all the vaudeville scenes(and there are many). So close to the real life period, they’re bound to be more accurate than most other depictions. And “The Music Man” which I watched next on TCM, as well, is in vibrant color and a musical close to my heart. It was the first time I ever saw a Bway show, and this was IT. Sooo many memories.

And “Welcome To Me” was just awful. I watched it BEFORE these other two great movies. I had a DVD screener of it sent to me and yes, I watched it all the way through. It’s got a premise that can’t be sustained for a whole film. A borderline personality goes off her meds, AND wins an $800 million lottery. An SNL skit maybe, it’s another vain attempt by Kristen Wiig to become a movie star. Not a TV star.

And this was so bad, I felt myself longing for “The Skeleton Twins” another Indie in which she stared with Bill Hader. It was serious. They were brother and sister who had issues. He’s gay. She’s crazy. Or something.

Well, she’s playing crazy again in “Welcome to Me” which might have been funny as an SNL skit (and perhaps it started that way) but blown up to an entire “comedy” OUCH! Her character, Alice Clieg (as in Kleig lights, Yeah we get it. NOT FUNNY!) decides to become the new Oprah and have her own talk show and spends most of her newly won dough on this horrendously misguided endeavor, which nobody stops, because she’s paying millions to do.

They cover their asses by saying it’s a Public Access show. But this film was soooooo bad, I felt as someone who has devoted a major part of my life to Public Access, that it was insulting to Public Access.(Not an easy thing to do.) And you just hate her.

Kristen Wiig is a very talented performer in all directions, but you can’t help but feel watching “Welcome to Me” that she’s losing her marbles.Shame.

First Big Bway Casualty “Honeymoon” Over for “Vegas” on Bway

DanzaAnd so it starts, the first big casualty of the Broadway season, “Honeymoon in Vegas” starring Tony Danza, is set to close on Sunday. I liked it. The first act dragged, but the second act was genuinely funny, and Danza, though he couldn’t sing (much) was charming. I thought it would’ve lasted at least until the Tonys, which are in June. I thought it had mainstream appeal, being about honeymoons & Hawaii & Vegas & all that jazz , but, guess not…

The Official Press Release announcing its’ demise follows ~

THE CRITICALLY-ACCLAIMED NEW MUSICAL

“ H O N E Y M O O N   I N   V E G A S ”

WILL PLAY ITS FINAL BROADWAY PERFORMANCE ON

SUNDAY, APRIL 5, 2015

 

New York (March 31, 2015) – The critically-acclaimed new musical, Honeymoon in Vegas,will play its final performance at Broadway’s Nederlander Theater (208 West 41st Street) onSunday, April 5, 2015, the show’s producers announced today. Lauded as “a real-live, old-fashioned, deeply satisfying Broadway musical in a way few shows are anymore,” by Ben Brantley of the New York Times, Honeymoon in Vegas is directed by Gary Griffin, features a book by Andrew Bergman, and a score by three-time Tony Award-winner Jason Robert Brown.

 

Those who have purchased tickets to a performance after April 5, 2015 through Ticketmaster will automatically receive credit to their accounts for their refunded tickets. All others should contact their initial point of purchase to inquire about receiving a refund for their tickets.

Honeymoon in Vegas began performances on Tuesday, November 18, 2014, and officially opened on Thursday, January 15, 2015 to rave reviews. Prior to Broadway, Honeymoon in Vegas completed a successful engagement at the Papermill Playhouse in Milburn, NJ October 6 – 27, 2013.

The cast of Honeymoon in Vegas includes Tony Award nominee Rob McClure, Brynn O’Malley, Emmy and Golden Globe nominee Tony Danza, David Josefsberg, Nancy Opel,Matthew Saldivar, Matt Allen, Tracee Beazer, Grady McLeod Bowman, Barry Busby,Leslie Donna Flesner, Gaelen Gilliland, Albert Guerzon, Sean Allan Krill, Raymond J. Lee, George Merrick, Jessica Naimy, Zachary Prince, Catherine Ricafort, Jonalyn Saxer, Brendon Stimson, Erica Sweany, Cary Tedder, and Katie Webber.

 

The creative team for Honeymoon in Vegas also features three-time Tony Award nomineeAnna Louizos (scenic design); Emmy Award-winner Brian C. Hemesath (costume design); Tony Award-winner Howell Binkley (lighting design); Tony Award-winner Scott Lehrer & Drama Desk Award-winner Drew Levy (sound design); Tony and Grammy Award-winner Don Sebesky, Larry Blank, Jason Robert Brown, Charlie Rosen (orchestrations); Tom Murray (music director); and Charles G. LaPointe (hair and wig design).

 

Honeymoon in Vegas is produced on Broadway by Dena Hammerstein, Roy Gabay, Rich Entertainment Group, Dan Farah, Metro Card, King’s Leaves, Dan Frishwasser,Leslie Greif / Thom Beers, Susan Dietz & Lenny Beer, Howard Hoffman / Anna Czekaj, Important Musicals, Sharon Karmazin, L.G. Scott, and Martin Markinson

 

Honeymoon in Vegas, based on the 1992 Castle Rock Entertainment Motion Picture, tells the story of Jack Singer (McClure), a regular guy with an extreme fear of marriage, who finally gets up the nerve to ask his girlfriend Betsy (O’Malley) to marry him. But when they head to Las Vegas to get hitched, smooth talking gambler Tommy Korman (Danza) – looking for a second chance at love – falls head over heels for Betsy and Jack must go to extreme heights to win back the love of his life.

Holt On, Bro! Summer IS coming! & Scott Cakes Is Pinker Than Ever!

As it remains, colder than a witch’s (blank), it’s forever summertime at Scott Cakes and the pinker than ever Scott Cunningham! Who actually ENCOURAGES me to sing a few forgotten ditties from “Promenade”, Al Carmines and Maria Irenes Fornes’ sole collaboration, which started at the Judson Church, where Al was the minister and ended with an Off Broadway run that was so beloved they named the theater after it! And it’s there today! The Promenade!

And enjoy this high camp high tea at the Pink Cupcake shop on Angel’s Landing in Provincetown! You’ll feel like you’ve gone to Gay Heaven!

AND IT’S ALL PINK!

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