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CD of “Natasha, Pierre & the Great Comet…”A Masterpiece Recording of a Masterpiece Musical!

The soon-to-be-released 2-disc CD of the Original Broadway Cast of “Natasha, Pierre and the Great Comet of 1812” is a masterpiece of recording of a masterpiece musical. I’m sorry, I just can’t stop the superlatives when talking about “Natasha, Pierre..” or as some call it “The Great Comet.” But whatever you call it, I predict it’s going to land like a bomb in the middle of TONY awards season. It’s due out May 19 and it will be flying off the shelves, like, well, like the great comet that it memorializes forever in this dazzling pop-opera spectacle that I’ve seen FOUR times and I can’t wait to see again!

Natasha, Pierre 22And yes, the magnificent lyric baritone of the legendary Josh Groban pierces through the massive ensemble and breaks your heart, with a vocal range we have barely heard him use before, especially thrilling in the darker, almost guttural, lower tones. Groban is turning into a consummate actor-singer right before our very eyes, and he has been selling out Broadway with this fiery, very avant-garde opera that challenge him at every step he takes and every note he sings and he meets the challenges magnificently..

And yes, I could see him singing at the Met one of these years. His voice just grows in depth and resonance in this incredible recording, as his performance as Pierre Bezukov has grown, too, since I first saw it. “Poor, bewildered Pierre, a warm-hearted Russian of the old school” sings the full-throated chorus, masterfully orchestrated by composer Dave Malloy. He was nominated for TWO Tonys, for his score and his orchestrations of it.

Natasha, Pierre 20Groban has two stunning solo numbers “Dust and Ashes” which ends his Act One and the title song, which ends the show. He is also singing throughout the entire score, with that pure, moving voice that is sometimes here almost a rock rasp. “What? What? WHAT?” he wails as his cousin Maria Demitryevka (the frightening Grace McLean) tells him some very alarming news indeed regarding his unrequited love, beautiful, young Natasha.

His Pierre is angry, frustrated, and almost always reading or drunk. He is married to “a bad wife”, the slinky, sensual Amber Grey as Helene.

amber-grey

She continues with this sensational role of “the slut”, wailing like a blues singer, belting out “Charmante,” wearing green furs and sequins, and sounding for all the world like a Russian Billy Holliday. As she helps seduce innocent Natasha, a better-than-ever Denee Benton, for her dissolute brother Anatole.Denee Benton 1

He is played to the hilt and beyond by Lucas Steele, who has also been with the show through all the years of its’ many peregrinations as has Amber Grey, McLean and many others. He actually has a larger role than Groban!Josh and Lucas

“Natasha, Pierre…” has had a grueling five year journey From the tiny Ars Nova theater Off-Off Broadway to the festive circus tent in the meat-packing district, where I first saw it. where they served dinner! They also went to Boston to the ART theater there. All the while under the stupendously inventive guidance of  director Rachel Chavkin. who is herself nominated for a Tony, too.

“Natasha, Pierre…” has now been nominated for TWELVE Tony Awards and I hope it wins all of them. Groban, Benton and Steele have all been nominated in their categories, but only Lucas Steele of the actors has won an award for the evil Anatole so far. He scored a prestigious Lucille Lortel Award.Lucas Steele 1Lucas Steele Lucille Lortel Award 1

In his category, Best Featured Actor in a Musical, he’s up against Broadway veteran Gavin Creel, who is a riot in “Hello, Dolly!” Both shows are mega-hits, but Steele’s Anatole is so dastardly, and also so devilishly handsome and sexy AND he plays the violin, having a wild solo as he fiddles away, preparing his plans to abduct the underage Natasha. He’s married already, and it’s a crime that he’s about to perpetrate. Yes, even in 1812 Moscow, he would be considered a criminal. and yes, this is all out of a tiny sliver of the 1000+plus-paged novel “War and Peace” from which this epic is adapted by the uber-talented Malloy.

This sliver is so epic…you can only imagine what the rest of Tolstoy’s classic novel is like. Believe it or not, I read it in the 8th grade. The other kids in the Bronx Catholic boys school I was doomed to,  made fun of me carrying his huge tome around with me for a year.

“Are you really reading all that?”

Yes, I was and I did, and I’m so glad now that I can say that I felt every inch a genuine Russian after reading it and especially seeing “Natasha, Pierre” FOUR times! And now this extraordinarily beautiful, tuneful, masterfully recorded treasure of a CD is coming soon! May 19! Remember that date!

I saw “NPATGCOE,” as the Internet might abbreviate, this last time, seated RIGHT ON THE STAGE! Every time you see it sitting in a different place in the wildly re-devised Imperial theatre,  it’s like seeing a different play! When you’re sitting on the stage itself, you feel like you are IN the play! The stage actually vibrates with the bass notes of the synthesizer that sometimes Josh Groban himself is playing in the pit of the orchestra. Which is stage center and completely unhidden.Natasha, Pierre Marquis

In fact, from his first entrance in front of a blinding blaze of  white lights, he is playing the accordion himself, and he rarely if ever leaves the stage.  Bespectacled Pierre is Tolstoy’s alter-ego. He is one of the first, modern anti-heroes. He is thoroughly depressive, a big Russian,
beaten-up bear of a character. And yes, he’s the hero of “War and Peace.”  Groban to his everlasting credit has totally immersed himself to the point of unrecognizability in his heroic, vanity free performance. He is wearing a fat suit. He now lumbers and growls and shuffles his considerable weight as a middle-aged man would. His long, thin fingers shake with what may be delirium tremens as in a man who drinks Way too much. His young brow is now furrowed, without any make-up.

You can hear this bear of a character that he is so perfectly portraying growling through the CD like a wounded animal. But like the maestro he is, Pierre’s voice, his howl of pain, is always also modulated and very, very beautiful.  And moving.Natasha, Pierre Broadway SetYou must hurry and buy it. I predict it will be a best seller, the first Broadway recording and the best maybe ever. It could go platinum in five minutes. And go see Groban live and onstage before he leaves the show forever in July. He’s entitled. He’s been packing them in on Broadway, for nearly a year, revitalizing it and don’t even get me started on Mimi Lien’s transformative set and the wild, magnificent lighting of Bradley King! Both also nominated for Tonys. I hope they all win!

I also have to add that there seems to be a thousand-voiced choir, an epic number of voices that call themselves “The Great Comet Singers” who are pictured in the CD program and contribute to the amazing sound and rhythm of “Balaga” and “The Abduction.” They are also credited as “Shakers.” Because the audience was all given egg-shaped shakers to increase the beat of the delirious troika ride to end all troika rides in Act Two. Yes, “Natasha, Pierre and the Great Comet” of 1812 will abduct you, too. Your heart, I mean. You’ll never think of musicals the same way again.

Lucas Steele & Denee Benton 1
#Natasha, Pierre, # The Great Comet of 1812, #Natasha, Pierre and the Great Comet of 1812 # Josh Groban, #Lucas Steele, #Tony Awards, #Denee Benton, #Russia, #War and Peace

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FINAL SAG Predictions! Each Film Will Win ONE Award

manchester-by-the-sea-92-emma-stonesI have to get this out as soon as possible. It’s SUCH a cut and dried year that it’s almost like typing blindfold. OF COURSE, Casey Affleck is going to win Best Actor tomorrow night at the SAG Awards. He’s won everything else. And it IS a great affecting performance that stays with you. It is also the most courageous depiction of grief I’ve ever seen in a major motion picture. He’ll win here because I think the SAG ensemble prize is going elsewhere. No, it’s not the 14 time Oscar nominee “La La Land”. It wasn’t even nominated!

But I think it’s leading lady, Emma Stone will win Best Actress. If they like “La La Land” and evidently they do, Emma in Best Actress is the only place they can vote for LLL. The same with “Manchester”. Casey Affleck will win big, because it’s not possible to vote for him or “Manchester by the Sea” anywhere else in this group of Awards.

Also, remember it’s a VERY American voting body. It’s the Actor’s of America voting so foreigners need not apply.

Viola Davis is the most mortal of locks for Best Supporting Actress for “Fences.” She’ll repeat her Broadway triumph here.

It’s a little trickier as we go on. So far we have one for “Manchester by the Sea”, Casey Affleck and one for “La La Land” Emma Stone, We have one for “Fences” which will be Viola Davis.

Then we run into the problem so who will win Best Supporting Actor. Will it be Mahershala Ali for “Moonlight” or Patel for “Lion”? Given that I think SAG is in a -spread-the-wealth mood. If Mahershala wins for his compassionate drug dealer then “Moonlight” won’t also win Best Ensemble. They might want to give “Moonlight” Best Ensemble(and it truly IS an ensemble). Then another actor of color would win Supporting which would be Dev Patel. If they liked “Lion” and the Weinsteins, this is the only category where they can vote for him.

So, if early in the evening, Patel wins in Supporting, then you can be sure that “Moonlight” will walk away with ensemble

But if it’s Mahershala Ali, who wins then the top award, their version of Best Picture, will go to another racially themed film, the box-office blockbuster “Hidden Figures” which has been surging during the voting period.

So therefore SAG will feel they’ve been fair to all. “Everyone has won and all  shall have prizes” cried the Dodo in “Alice Through the Looking Glass.

#SAG Awards #Final Predictions, #Casey Affleck, #Best Actor, # La La Land

 

 

 

 

Golden Globe Winner Aaron Taylor-Johnson on “The Stephen Holt Show”

aaron-taylor-johnson-winning-golden-globeThis video is from a few years back when I interviewed a then-unknown(in the US) Aaron Taylor. At the time that was the entire name he was using. He then took his wife’s last name Johnson and hyphenated it. Into Aaron Taylor-Johnson. And he was the first, and perhaps biggest surprise upset of last night’s Golden Globes in Best Supporting Actor, right at the start of the show. He’s playing a serial killer btw in Tom Ford’s “Nocturnal Animals.”aaron-taylor-johnson-3

#Aaron Taylor Johnson

#Nocturnal Animals

#Golden Globe Winner

#British

#Best Supporting Actor

# John Lennon

# Beatles

# Nowhere Boy

#Liverpool

 

 

 

 

 

Meryl Streep Makes the Globes Truly Golden w/Incredible Speech. “La La Land” Wins Best Direction!

meryl-streep-1Meryl Streep made one of the most incredible speeches I’ve ever heard upon winning the Cecil B. deMille Lifetime Achievement Award. I’ll never forget it. It was very political against the current incoming regime. I wanted to write it all down verbatim, but I wasn’t able to, I was experiencing it so profoundly and proudly. She ended up rhyming “heart” with “Art.” Magnificent. I’m sure it will be posted everywhere.

At the end, of course, as they cut to commercial, she got a standing ovation.

Shots of the “Moonlight” table with all grumpy faces. They won nothing so far. And now “La La Land” has already won five. And there’s still Best Actress and Best Picture to come. Best Score, Best Song, Best Actor in a Comedy/Musical, Best Screenplay and Best Director.

Damien Chazelle keeps getting younger and younger or more immature-looking/seeming as he keeps winning award after award. He just topped Meryl’s mind-blowing speech with another “La La Land” win.

#Meryl Streep

#Oscars

#Cecil B. DeMille Lifetime Achievement

# Damien Chezelle

#La La Land

 

 

“La La Land” Sweeps Oscar Off His Feet. Emma Stone Will Win Best Actress!

la-la-land-1I must say, I resisted “La La Land” for the longest time imaginable. I, a musical comedy queen par excellence, just did not believe the hype, that this small scale musical(seems like there’s only two people in it) couldn’t with one fell swoop bring Musicals back to the movies? And go on to win Every Single Critics Best Picture Award in the book? And have a real shot at winning the Best Picture Oscar, too? And a singing and dancing Emma Stone was going to waltz her way to the Dobly Pavillion and dance off with her own Best Actress Oscar, too? Well, that’s exactly what happened. To this film with the ridiculous title. It’s winning everything.

And I finally saw it and I fell in love with it.

Hard.la-la-land-2

Starring two of the most beautiful people in the world, the aforementioned Emma Stone and the dazzlingly handsome Ryan Gosling, they not only sing their way into your heart, they dance there, too! And Ryan Gosling turns out to be an ace jazz piano player, and plays all the film’s musical numbers himself. Yes! With his own real hands! Brilliant 32- year- old director, a Hollywood wunderkind, if ever there was one. Damien Chazelle might be dancing with more than one Oscar in his hands come Awards Night.

He’s done the impossible. He’s single=handedly brought musicals back to the movies, and he did it last year, too, with the astounding debut film “Whiplash.”

la-la-land-3Which, for all its’ dramatics, was really a musical too. About Jazz, again. And both films are going to go down in Hollywood history as will Stone, Gosling, and Mandy Moore the brilliant choreographer. And yes, there is a third part in this film, too, J.T. Simmons, the sadist drum-teacher of “Whiplash,” which won him an Oscar last year. Here he’s a uber-nasty manager of the nightclub of sorts that our Hero Sebastian, (Gosling) has been reduced to playing Christmas ditties in.

“La La Land” is the perfect film. For this year. It’s total escapism, and that’s what we all need right now. It just seems impossibly wonderful and harks back to all the great Movie Musicals of the 1930 through ’50s.

Being a song and dance man myself (I’ve also written MANY musicals myself, way back when, and an opera, too), I know what Seb (as she calls Gosling) and Mia(Stone) are going through. And it’s total rejection almost all the time. That’s Show Biz. And that’s particularly LA, where I lived for one year, and wondered how the dreams were manufactured that got me there.

“La La Land” is a love poem to LA. And I have never seen it look so gorgeous. The cinematography is candy coated and Ms. Stone wears bold, single colored costumes. After a particularly brutal audition experience, she walks sadly down pinkish Hollywood streets in a royal  blue dress. She later wears a solid yellow. Redheads are NEVER supposed to wear yellow, but Stone does, and she’s forever going to be associated with the “little yellow dress” that she’s seen dancing with Gosling as he falls in love with her.la-la-land-4 la-la-land-5

Oh yes, Stone is playing the ultimate Aspiring LA Actress. She’s so frustrated, she starts writing her own play, a one woman show for herself. I can related. I’ve done that, too. And she doubles her despair by becoming a playwright/actress.

And she doesn’t understand or “get” jazz. So. of course, she’s at cross-purposes with Seb, because he’s the ultimate jazz aficionado, who wants to own his own jazz club some day. She wants to be a star. And somehow, through the magic of movies, they find each other and fall predictably in love, but not toooo predictably.la-la-land-6

“La La Land” starts with a massive traffic jam on a highway(some things never change. I hate cars. I hate smog. And I hated LA until I saw this lovely picture.) The entire stalled group of honking horns and frustrated drivers then inexplicably burst into song and dance. “Another Day of Sun,” which I found a bit much. Seb and Mia don’t sing and dance here. He honks his horn at her. She gives him the finger, and drives off. This I could relate to.la-la-land-7

But “La La Land” is a slow burn. It’s takes it’s time getting to where it wants to go, but boy, oh boy, when it gets there, it just KILLS you. I just couldn’t stop the tears. And in this last part of the movie, Emma Stone goes from being just Emma Stone, who we’ve now seen for years, the almost garden variety movie ingenue doing almost the same raspy-voiced, big-eyed schtick, suddenly transforms into the great Screen Goddess we all hoped she would be, and she turns into an actress of such unexpected depth and poignancy, as well as beauty, that glows like uranium, or more accurately Oscar gold.

She’s Hollywood’s new Princess. The envelope, please.la-la-land-8

E.T.A. “La La Land” just led the pack with SEVEN Golden Globe nominations! More on this later.

Josh Groban Makes Musical Theater History on Bway in Spectactular “Natasha, Pierre…”

Can you believe that schlump is  handsome rock star Josh Groban???

natasha-pierre-1How to describe what is certainly one of the best musical theater experiences I’ll ever have in my life? There are no words. Only superlatives, and they can’t even begin to do justice to the transformative, shocking, heart-breaking, bravura performance Josh Groban gives in the pop-opera “Natasha, Pierre, and the Great Comic of 1812” now on Broadway at the Imperial Theater. The Imperial is the former home to “Les Miserables” which ran there for decades, and I’m predicting this will, too.

Josh Groban will win Best Actor in a Musical and every other Tony in the book. Move over “Hamilton;” there’s a new masterpiece in town! ( And it’s right next door to “Hamilton” too! )”Natasha, Pierre...” is a tiny sliver of Leo Tolstoy’s 1000 page epic Russian novel “War and Peace” and is as unlikely a musical comedy blockbuster as “Hamilton.” The war that’s “going on out there somewhere” is the Napoleonic War against Russia. But in Moscow, the decadent aristocracy is partying like it’s 2016.

They sing “Chandeliers and caviar! The war can’t touch us here!” But, of course, it can. It is led by Napoleon. And, as it gets closer and closer, the  aristocrats & the party crowd are becoming more and more frantic.

 

natasha-pierre-5Those who’ve been following the career of pop-star Josh Groban will be stunned by the absolute 360 he’s done with “Natasha, Pierre…” which is as innovative and spectacular a musical, and risky, too, as the astounding performance Groban gives in it. You see, “Natasha, Pierre…” is not your ordinary musical comedy. It’s hardly a comedy at all. You do feel like you’ve been in the midst of a drunken Russian party that turned into a wild, thumping troika ride.

As a handsome young man, who is now unbelievably only 35, one did wonder what Groban, a brilliant musician, lyricist and composer as well as a platinum selling recording artist with four world tours and seven albums under his belt, and millions of fans to boot, would do with this role, his first time on a Broadway stage. Sexy, and angelic at the same time, one wondered what he was going to do, when his teenaged good looks and youth appeal began to wear off. Not that it has, but Groban was open-minded and daring enough to take on the completely incongruous and daunting role of Pierre Bezukov, Tolstoy’s depressive, over-weight, bespectacled alter-ego in “War and Peace.” It’s proving to be the role of his career.natasha-pierre-4

At first entrance,  flanked by a blinding bank of rock star lighting ( by Mimi Lien, whose contribution  is inestimable), Groban enters as Pierre with an accordion, then makes his way almost lumbering  way to center stage, down several stair cases (director Rachel Chavkin has carved up the Imperial into a brand-new, almost intimate cabaret-like space and puts the audience onstage, too!) and you think that middle-aged, almost-fat man CAN’T be Josh Groban, but it is!  josh-groban

Heavily bearded with long-grown out, almost greasy, dark, curly locks, he looks nothing like any iteration we’ve seen of Josh Groban  before. He’s almost unrecognizable!  He’s totally transmogrified himself into this hulking Russian bear of a character, but that’s exactly what Tolstoy wrote his hero. He’s the symbol of pre-Napoleonic Russian aristocracy.

He’s depressive. He’s unattractive and he drinks and drinks and drinks.

“I drink and read and drink and read and drink,” he sings in a confused clarion of voice that is less than happy about this inactive plight.

He’s married to a completely inappropriate wife, the witchily attractive Helene, who is referred to in the opening number simply as “Helene’s a slut.” Amber Gray plays Helene with exactly the right blend of nastiness, sexuality and charm, as she sashays  her way through the night seductively telling our heroine, the virginal Natasha (Denee Benton) that she is “Charmante, Charmante.” She is hissing at her like she was Cleopatra’s asp.amber-greyHer brother, who turns out to be a dastard of the first water, Anatole, is portrayed with a devil-ish  blend of blond good looks, rock star pompadour hair, and VERY tight military pants by Lucas Steele. “Anatole’s hot” the opening chorus sings. And who are we to disagree?natasha-pierre-2He’s out to elope, or basically kidnap, Natasha. He’s already married and clearly an irresistible and untrustworthy slime-ball. Anatole’s seduction of Natasha, who thinks he’s going to marry her, forms the plot that is as wildly complicated as the novel itself. But don’t be scared of Tolstoy. You can follow him.natasha-pierre-6

 

Dave Malloy, who I saw play Pierre originally three years ago, wrote the music, lyrics and adaptation. It is all sung-through, so yes, it is indeed an opera, but it’s only a tiny sliver of Tolstoy. Volume 2, Part 5, to be exact. I saw it first in a circus tent in the Meatpacking District of the West Village, where they served a Russian meal to you while seated at cabaret tables (see above.) It was dazzling, even then.

Phillipa Soo was astounding as Natasha, and went on to become a Broadway star as Eliza Hamilton in “Hamilton.” But Denee Benton, who plays Natasha now, just glows and glows and grows on you, too, the absolute picture of willful innocence and stubbornness as she falls in love with, then insists on her ill-advised elopement with bad boy Anatole.

A core of miraculously agile, vocally and physically, actors continued with the show from the tent  they called Kazino, to Broadway, including Amber Gray, Brittain Ashford and Grace McLean. In that cast I first saw, Josh Canfield was a sexy Anatole, before is “Survivor: San Juan del Sur” fame. He was equally charismatic as Anatole.

But it’s Groban that kicks this show upstairs and into theatrical history with his astonishing performance and perfect voice. To hear someone who has been called a choir boy for years with his perfect pitch and miraculous lyric baritone, tear into the gutsy, difficult, challenging, sometimes discordant vocals of “Natasha, Pierre…” is nothing short of awe-inspiring. Drunken, depressed, over-weight, near-sighted and scruffy though his Pierre convincingly is, his golden tones ring out in the night(and twice weekly at matinees.) His respect for the other actors is evident as he also blends seamlessly into their tight ensemble.

Josh Groban, genius that he is, has perspicaciously plunged himself into the midst of an equally amazing group of fellow-artists, who are geniuses, too, in their own ways. Did I mention Mimi Lien’s lighting? She’s the recipient of a MacArthur Genius grant. So it’s official. And of course, there’s a killer solo that composer Malloy newly wrote just for Groban that they call “Dust and Ashes”, but I would call “This is how I die?” as Pierre berates himself for his intellectual inaction as “there’s a war going on out there somewhere.” The show is bracketed by another tour de force Groban soul-searching solo called “The Great Comet” as the grand Grande Finale.

I’ve seen “Natasha, Pierre and the Great Comet of 1812” three times now and I can’t wait to see it again!

Groban has committed an entire year to staying in this historic production and helping it thrive. It’s been making a million dollars a week! Long may it run!

#Josh Groban

# Broadway musicals

#Natasha, Pierre…

#Tony Awards

# Broadway

 

 

Hysterical Comedy “Oh Hello” on Bway!

oh-hello-1

One of the funniest shows I’ve ever seen on Broadway totally surprised me with its’ non-stop hilarity. It’s “Oh Hello” and there’s only two people in it! But they are the super superb sketch comedians Nick Kroll and John Mulaney, who appear as their 70-something alter egos Gil Faison and George St. Geegland. Whether they are a gay couple or not is open to interpretation. The show was described as “very gay” to me, and it is, and it isn’t.

This is simply the story of two old men, who have lived together for over forty years in the same rent-controlled apartment on the Upper West Side ,”the coffee breathe of New York”, they call it. And they get an eviction notice in Act One. Except there is no intermission so there is no act one.

So much for the plot.

Their apartment, their domaine, as it were is high-ceilinged and so vast that they have spent a lifetime salvaging the sets of closed shows. Main among them the hair dressing salon of “Steel Magnolias”, and the staircase from “some Au-goost Williams” play that they can’t remember the name of. There is a front stoop from “The Cosby Show” on the opposite side of the stage. “We got that oh-hello-2because they were throwing it away and nobody wanted it.” Serena Williams and Tennessee Williams were brother and sister. And so it goes…

They are united in their love of theater and theater trivia. Gil claims to be a “multi-Tony Award viewer.” And tries, still, at his advanced age to be an actor, and go out on auditions, even though he has(we find out later in the play) an incontinence problem. They also are wearing white wigs to represent hair that looks like it hasn’t been washed in decades. Nor have their clothes. They are always waxing nostalgic for “That Great Decade, the 70s,.”which everything in their apparel and their apartment dates from(great design by the great Scott Pask, costume consultant Emily Rebholz.)

George sports wide wale corduroys that look like they were once brown, but are now sort of purplish with a shine. There’s no shine on his shoes because he is wearing sandals with not-so-white socks. They both look like they need a good bath, but there is no indoor plumbing visible or referred to. You can almost smell them from the front of house.

George is still trying to get his plays done. Largely to no avail, and he wouldn’t appear so preposterous a character, if he didn’t resemble Florence Foster Jenkins’ real life husband/companion in the recent Meryl Streep movie “Florence Foster Jenkins.” That foppish St. Clair Bayfield was played by Hugh Grant in the movie. A  real-life failed 1920s actor, he married money. But George St. Geegland and St.Clair Bayfield, they are cut from the same fading  theatrical cloth.

Except that George has no money and Gil has even less. You wonder how they manage at all at their advanced ages to pay their $75 a month rent. So the eviction notice heralds disaster .But they ARE spry, and as embodied by the 30-something comic geniuses of Nick Kroll and John Mulaney, you love them to pieces.

There is not one comic beat that is missed. Their malapropisms are monumental. Broadway is pronounced “Brid-way,” a phone call is a “finn-call” and an homage is a “Home-page.” But they try and try to get into show business, still, and their constant rejection is our comic bonanza.

Their big “Brid-way”  break is just around the corner, and Nathan Lane is off-stage waiting to come on, they assure us. They have a favorite diner on the Upper West Side, but can’t remember its’ name, but they do remember that their menu has “fourteen plastic pages” and that one of the dishes is lobster.

“I was going to order that,” says Gil, “Just to see what would come out.” Mainly they venture outside to get throw aways from “Brid-way bombs. There’s so much to choose from.” The entire scrim from “Fiddler on the Roof”(which is still running BTW. How did they get it?) comes down, and they have to act through its’ gauziness towards the end of what would’ve been Act Two.

And their other culinary obsession is tuna. There seems to be Tuna everywhere on this set, but unlike Big and Little Edie Beale (of “Grey Gardens”fame), there are no visible cats. It’s like they’re the Collyer Brothers, with no piles of newspapers, but a trap-door from “The Diary of Anne Frank.”oh-hello-3

They also seem to have or have had a public access TV show called “All That Tuna.” And if this isn  ‘t enough to convince you to run right out and see it, every night, they pull an “unsuspecting” celebrity out of the audience, and make him sit down with them to a gigantic tower of tuna sandwich, delivered from the heavens with attached angel’s wings, which they assure us is from “Angels in America.”

Adam Driver (of “Star Wars:The Force Awakens”) was the celebrity guest the night I was there and I’m still shaking with laughter.  The theater was suddenly filled with screaming teenage girls in the second and  third balcony, and they wouldn’t stop shreiking as George, Gil and Adam sat down at their checkered red and white diner dining table for an interview. It got so bad, Gil just yelled at them “SHAD-DUP!” And they did.oh-hello-4Only slated at the moment to run through January, catch them now, while you can. It’s the perfect New York holiday show for misanthropes.

 

 

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