a.k.a. "The Oscar Messenger"

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ACE Eddie Inches Allison Janney forward towards Oscar

How important is Film Editing? Well, over the years I’ve come to recognize that Film Editors are among the most important and hardest working artists/technicians in our business. I don’t know what we’d do without them. I really can’t praise their industry and expertise and devotion to their work highly enough. People in the business know how incredibly vital their are. And after helming my own TV show “The Stephen Holt Show” for over 30 years, I do, too. God bless the film editors, and so when they chime in, in the name of their united Guild, the A.C.E. Eddie Awards, attention by AMPAS voters is paid. Seriously.

So when they gave their big award this week to the Best Edited Dramatic Film, in this case “I, Tonya,” it gave that raunchy tabloid of a film that much more of a serious contender boost. And in this case the largest recipient of the Film Editors collective good will and approval would by extention go to Allison Janney, who plays the wild-cat mother of alley-cat Tonya Harding in “I, Tonya.” This is “I, Tonya” biggest Awards bid, Best Supporting Actress. Which is turning into a mud-wrestling final between Janney and Laurie Metcalf, formerly of “Roseanne,” and this season as the Good Mom in “Lady Bird.”

“I, Tonya” was an Indie that opened late in the awards season without much fanfare, whose importance has grown by the day, as more and more people see it. So much so that Allisson Janney’s Mom From Hell is inching ever forward in her death-match struggle against Laurie Metcalf’s much more likeable Mom in “Lady Bird.” And the Ace Eddie Award just continues to add to Janney & Tonya’s steaming forward.

You see, Best Supporting Actress has become basically a two woman race between Janney and Metcalf in the Battle of the Moms. And until the Golden Globe Awards two weeks ago, Metcalf’s gold was considered in the Oscar tank.

Then a strange thing began to happen. That race just turned around and Metcalf’s main Mom competitor Allison Janney started winning every single major award going forward, the Golden Globe, the Critics Choice Award and finally the SAG Award(pictured above ^). The A.C.E. just adds to “I, Tonya’s prestige and by extension, Allison Janney’s.

Tonya Harding was not considered a prestige player in real life. So it’s ironic in the extreme that the film about her “I, Tonya” is now considered a prestige, must-see-it Oscar film contender more and more by the day.Janney is majorly known for the nearly-decade run in “The West Wing,” amassing many Best Supporting Actress in a TV Series Emmys along the way.Allison Janney 3
An excellent actress no matter what the role, her gargoyle, LaVona Harding is just another example that she can play just about ANY type of role and make audiences like it and remember it and award it.

The race between her and Metcalf is razor thin, so we must take careful note of it, this Oscar season. Even if Metcalf just ended up on the cover of EW with “Lady Bird”s star, Saoirse Ronan and creator Greta Gerwig.Sometimes Entertainment Weekly just jumps the shark and lays out their mag and covers, goes to print too early. I think this is the case here. This is a VERY volatile Oscar race this year and if they’d waited a minute or not, and saw that their supposed front-runner “Lady Bird” had not one ONE AWARD AT THE SAGS, they never would’ve run this cover. It’s premature inauguration. A few more hours and it may have been Frances McDormand and Sam Rockwell on the cover. Or Sally Hawkins and her magical Fish.

But you see just how close this supporting actress race and every category, as a matter of fact, this year is. And Brit Great Lesley Manville, an O.B. E. has been added to the mix, both here in the America Oscar Nominations and abroad at the BAFTAS in London. So do stay tuned for more mud-wrestling.

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“I, Tonya” Margot Robbie & Allison Janney Are Wonderful. The Film is a Crock

“I, Tonya” is Australian actress Margot Robbie’s attempt at going for the gold, and trying to win an Oscar. She may have succeeded in getting herself a nomination the week after this on January 23. But who she’s more seriously pulled into Awards contention and the quite possibly the win, is her co-star Allison Janney, everyone’s favorite go-to actress, as her hateful mother LaVona.

And Janney has just astoundingly won TWO major awards, the Golden Globe and also the Critics’ Choice Award for Best Supporting Actress for her horrifying turn as the Wicked Witch of the Ice Rink with a parakeet on her shoulder.

Up until this past week, Laurie Metcalf had been predicted to be winning those awards, and suddenly the Golden Globes just turned this particular race, Best Supporting Actress upside-down. Just as Sam Rockwell did with Best Supporting Actor.

I found “I, Tonya” such a distasteful croc of lies, that I’ll concentrate on Ms. Janney’s chances, shall I?

Remembering all too vividly the events this loathsome episode that will forever cloud the history of figure skating, I just was not ready to listen to Tonya Harding’s side of the story. She had some foul person attack champion Nancy Kerrigan by hitting her in the shin with a mettle rod, thus effectively side-lining her and allowing the rabbity Harding to shine abd get onto the Olympic ice skating team. It was a horrifying incident and you just hated Harding for it.

Well, there’s more to the story, as it turns out. Or sort of turns out. If Harding is to be believed, which I for one, can’t. Seems that her husband/ ex-husband/ boyfriend/ whatever executed this hateful scheme .Sebastian Stan as Jeff Gilhooley is wonderfully scummy, but I didn’t believe a word out of his mouth. Both he and Robbie play the untruths they have to spout believably, which must be considered a great feat of acting on both their parts. But Robbie will be the one who wins  a nomination for producing this nauseating sea of lies. Which brings me to Allison Janney and why she keeps winning Best Supporting Actress Awards this season.

She’s got her own TV series, which she stars in every week on CBS, “Mom”. She won many, many Emmys for her yeoman multi-season run on “West Wing.” And so she is extremely familiar to viewers, and voters, who know she is NOTHING like LaVona , the very worst mother ever seen depicted as a character, reel or unreal on screen.

Laurie Metcalf’s compassionate, though beleaguered Mom on “Lady Bird” is VERY believable. She does not physically abuse her wayward daughter. But Lavona constantly smacks Tonya around and even throws a knife at her, which penetrates Tonya’s upper arm. So LoVona’ s bad behavior, makes “I, Tonya” believable and sympathetic, but only somewhat. This is a sports movie about child abuse. It’s going to seem very timely with the winter Olympics coming up.

Janney’s physical transformation is key here. She uglies up to the nth degree, and many think that’s acting, but  I don’t. However, Janney is so skilled an actress, you buy it. She’s also a comic, though horrible, relief from the incessant whining and bitch-slapping of her irritating daughter.

And I think voters are going to feel that Janney is the one to vote for, and surprisingly they say “I, Tonya” is surging right now. She’s a comfortable way in. It’s clearly a performance of someone we don’t like, by someone we do like.

And there is ONE scene in a diner, where else? Where LaVona tries to plead HER case as a mother to her destructive daughter, who hates her. And still does to this day. Janney as LaVona says that she went out and worked and gave everything to her daughter. “I didn’t stay home as bake brown betties all day.” Janney had me at that moment. And clearly she had the voters , too. So far.

Greta Gerwig is a genius! Her first film “Lady Bird” Is Brilliant! Will be nominated for many Oscars!

Greta Gerwig is a genius! There are no ifs and or buts about it, she just IS! Her new film “Lady Bird” is so brilliant, you can’t believe it. And she wrote it and directed it, too! Superbly! We’ve all known her as an actress. She emerged in her early 20s to become the Queen of Mumblecore. But she’s the Queen of Mumblecore no more! In her 2O’s, she seemed to be in every single Indie film that was happening during “The Mumblecore Period”. I never thought she was mumbling. Her light as a quirkily original young actress, always outshone most of her films. One notable exception was Whit Stillman’s witty,wicked take on college sororities,”Damsels in Distress.” Stillman and Gerwig seemed a perfect match. Later she began to turn up in more adult roles, like Mike Mills’ “20th Century Woman” and last year’s “Jackie.”

Indeed her style and wit seems the most similar to Stillman’s fizzy blend of champagne and real pain.

“Lady Bird”s big shocker and also its redemption is that is based in HIGH SCHOOL! Yes, it’s a coming of age story. That old trope which seems as ancient as time immemorial. A young teenage age girl struggles to find herself and to come to terms with her harassed embarrassment of a nagging mother. How cliché is that? But in Gerwig’s amazing young hands she turns this time-worn epic into something quite wonderful and new. In that alone, it’s amazing. It transcends genre, time and place.

She seems to have invented teen-ager-dum, or rather re-invented it. Set in the mid-1980s, we see Lady Bird fighting with her frazzled Mom. Sairose Ronan plays Lady Bird and Laurie Metcalf her Mom, and BOTH are going to the Oscars this year  with a ton of other nominations. Including, yes, Gerwig herself, breaking in to the male-only best directing category as well for sure the Best Original Screenplay category.And young Irish actress Saoirse Ronan, who plays Lady Bird so convincingly at the same time, she seems to be channeling Gerwig herself. As is we’re seeing a halo-gram projection of Gerwig’s inner life. As she desperately tries to escape her ho-hum life in Sacramento “the mid-west of California” and go to a college in the East where it seems everything is “more exciting in a place like, y’know, Connecticut.’

In the first amazing scene in the film, we see her fighting with her mother about this who is adamant that she go to a Community College in Sacramento. Lady Bird screams and jumps out of the moving vehicle. And that’s just the first scene of the movie!

We’re with Lady Bird every step of the way, as she continues her fight in every aspect of her life in Sacramento. Especially the hide-bound Catholic school she attends where all the students have to wear the traditional uniform of the blue  plaid skirt and ugly, flat-chested navy blue jumper.

Lady Bird 10

How did Gerwig pull off this amazing double hat trick of writing & directing a major motion picture? At the press conference at the NYFF last month, she told a room of spell-bound press (pictured above ^) that being ”a film director is what I always wanted to be” And that as a much-employed actress, she was always studying just how all the great directors she was working with were doing it. An apt student, very much like Lady Bird herself, she clearly didn’t miss a trick.

And it has to be said that young(21) Saiorse Ronan is something of a genius herself. She plays the title role so that you love her AND hate her. She’s died her hair nearly every color of the rainbow, but it’s not becoming.

Lady Bird 11And she’s the first potential Best Actress nominee that has every played the leading role in a film with a full face of realistic teenaged acne. Ronan at her early age has been nominated TWICE already. For Best Actress just last year in “Brooklyn,” and for playing the villainous child Bryony Tallis in “Atonement.” And she’s really quite a good-looking young lady. Ingenue! Oscar can’t resist that word. Ingenue! She might be the one that takes the Oscar home this year. AND she’s Irish playing a convincing Californian….

And now that the film “Lady Bird” itself is such a success on every level, I don’t think we’ll be seeing much of Gerwig herself in front of the camera. She’s going to continue on with writing and directing and I hope she never stops! Her talent seems unfathomable and endless. I can’t wait to see what she does next!

Luminous, Lucent, Transcendant Kate Winslet Could Win Her 2nd Oscar for “Wonder Wheel”

Wonder Wheel 3

Lustrous, luminous, transcendent Kate Winslet is the wonder of Woody Allen’s new “Wonder Wheel.”
Is there any American filmmaker alive today who writes  such great roles for women? No. There simply isn’t. And as photographed by cinematographer Vittorio Storaro, Kate Winslet seems to be a cinematic miracle of color and light, majesty and emotion,

You simply can’t take your eyes off her. Storaro and Allen have combined to give her a cinematic beauty that makes you gasp, in a multi-faceted role that makes you applaud. She is playing Ginny, a Brooklyn waitress, who works in a Coney Island Clam House. I have known SOOOO many Ginnys in my lifetime, and British though she is, Winslet absolutely nails her Ginny to the Coney Island boardwalk. And it’s  stirring performance in the grand tradition. She’s every woman. And every woman I’ve known, from Brooklyn, trying to make a better life for herself and her family. And trying to find love at the same time, having given up her dreams of being an actress earlier in her life.

Winslet’s Ginny seems the simplest of creatures.. But Allen’s writing and her bravura performance proves that every woman is as complex as a whirlwind. Or a rollercoaster. Or a Wonder Wheel at  Coney Island, to use this film’s great metaphor. Winslet has never seemed so bedeviled and so bewitching at the same time. She’s a housewife in waitress’ outfit that she wears like a queen, as she goes about her frantic daily work of cooking and cleaning for the whole of Brooklyn it seems.

Allen and Storaro capture the ordinary woman’s extraordinariness. She is married to a lout (James Belushi) and having a torrid affair with Justin Timberlake, the local lifeguard. Timberlake’s string-bean-ness seems out of place as a life guard, but he, too, has movie star charisma in buckets instead of muscles, that make all the women in the film falling for him make sense.Justin Timberlake Wonder Wheel He and Belushi have both never been better.Kate Winslet 1

She is playing Ginny, a common-as-they-come Brooklyn waitress, who is as uncommon, as she is earth-bound. Winslet’s a fiery red-head this time. And in Storaro’s use of orange and amber light, she seems so on fire, she is burning up the screen. It is no surprise then that her red-headed son is an arsonist, setting  a fire every time he’s left alone. The fires remind him of his mother.

And Juno Temple is Belushi’s neglected daughter, who turns up as a “Marked” woman, being chased by the mob, because she married a gansta, and became a “canary” who sang on her husband, making her a woman on the run for her life. She hides  out in Winslet’s and Belushi’s  humble household underneath the ever-present Wonder Wheel. Young, blonde Temple has the role of her career here, too, and is doomed from the first seconds we see her taking her first tentative steps under the Wonder Wheel.

In a simple car ride in a romantic rain storm with Timberlake, she becomes, as he says “as beautiful as the rain light.”Storaro has lit her in golds and blues to emphasize her beauty as well as her melancholy. She, too, is magnificent in this film.

Storaro  and set designer Santo Loquasto make more magic by making Coney Island in the ’50s look like the Riviera.

Winslet’s performance is so heart-breaking and towering it immediately recalls the great screen performances of screen queens past. Joan Crawford in particular. The shop girl who was not a shop girl.  The waitress who was not a waitress. And reminds you that not since the ’40s have actresses consistently seen parts like this. Winslet’s Ginny is the  working class version of Cate Blanchett’s Jasmine in Allen’s recent Oscar winner “Blue Jasmine.” “Wonder Wheel” is his best film since “Midnight in Paris” and is now one of my favorite Woody Allen movies. It’s right up there with the best. It reminds me why I love Brooklyn. And New York City.

“Wonder Wheel” is a movie movie about romance and melodrama and great actresses playing great roles. And it ends this year’s superlative NYFF with a BANG!

CD of “Natasha, Pierre & the Great Comet…”A Masterpiece Recording of a Masterpiece Musical!

The soon-to-be-released 2-disc CD of the Original Broadway Cast of “Natasha, Pierre and the Great Comet of 1812” is a masterpiece of recording of a masterpiece musical. I’m sorry, I just can’t stop the superlatives when talking about “Natasha, Pierre..” or as some call it “The Great Comet.” But whatever you call it, I predict it’s going to land like a bomb in the middle of TONY awards season. It’s due out May 19 and it will be flying off the shelves, like, well, like the great comet that it memorializes forever in this dazzling pop-opera spectacle that I’ve seen FOUR times and I can’t wait to see again!

Natasha, Pierre 22And yes, the magnificent lyric baritone of the legendary Josh Groban pierces through the massive ensemble and breaks your heart, with a vocal range we have barely heard him use before, especially thrilling in the darker, almost guttural, lower tones. Groban is turning into a consummate actor-singer right before our very eyes, and he has been selling out Broadway with this fiery, very avant-garde opera that challenge him at every step he takes and every note he sings and he meets the challenges magnificently..

And yes, I could see him singing at the Met one of these years. His voice just grows in depth and resonance in this incredible recording, as his performance as Pierre Bezukov has grown, too, since I first saw it. “Poor, bewildered Pierre, a warm-hearted Russian of the old school” sings the full-throated chorus, masterfully orchestrated by composer Dave Malloy. He was nominated for TWO Tonys, for his score and his orchestrations of it.

Natasha, Pierre 20Groban has two stunning solo numbers “Dust and Ashes” which ends his Act One and the title song, which ends the show. He is also singing throughout the entire score, with that pure, moving voice that is sometimes here almost a rock rasp. “What? What? WHAT?” he wails as his cousin Maria Demitryevka (the frightening Grace McLean) tells him some very alarming news indeed regarding his unrequited love, beautiful, young Natasha.

His Pierre is angry, frustrated, and almost always reading or drunk. He is married to “a bad wife”, the slinky, sensual Amber Grey as Helene.

amber-grey

She continues with this sensational role of “the slut”, wailing like a blues singer, belting out “Charmante,” wearing green furs and sequins, and sounding for all the world like a Russian Billy Holliday. As she helps seduce innocent Natasha, a better-than-ever Denee Benton, for her dissolute brother Anatole.Denee Benton 1

He is played to the hilt and beyond by Lucas Steele, who has also been with the show through all the years of its’ many peregrinations as has Amber Grey, McLean and many others. He actually has a larger role than Groban!Josh and Lucas

“Natasha, Pierre…” has had a grueling five year journey From the tiny Ars Nova theater Off-Off Broadway to the festive circus tent in the meat-packing district, where I first saw it. where they served dinner! They also went to Boston to the ART theater there. All the while under the stupendously inventive guidance of  director Rachel Chavkin. who is herself nominated for a Tony, too.

“Natasha, Pierre…” has now been nominated for TWELVE Tony Awards and I hope it wins all of them. Groban, Benton and Steele have all been nominated in their categories, but only Lucas Steele of the actors has won an award for the evil Anatole so far. He scored a prestigious Lucille Lortel Award.Lucas Steele 1Lucas Steele Lucille Lortel Award 1

In his category, Best Featured Actor in a Musical, he’s up against Broadway veteran Gavin Creel, who is a riot in “Hello, Dolly!” Both shows are mega-hits, but Steele’s Anatole is so dastardly, and also so devilishly handsome and sexy AND he plays the violin, having a wild solo as he fiddles away, preparing his plans to abduct the underage Natasha. He’s married already, and it’s a crime that he’s about to perpetrate. Yes, even in 1812 Moscow, he would be considered a criminal. and yes, this is all out of a tiny sliver of the 1000+plus-paged novel “War and Peace” from which this epic is adapted by the uber-talented Malloy.

This sliver is so epic…you can only imagine what the rest of Tolstoy’s classic novel is like. Believe it or not, I read it in the 8th grade. The other kids in the Bronx Catholic boys school I was doomed to,  made fun of me carrying his huge tome around with me for a year.

“Are you really reading all that?”

Yes, I was and I did, and I’m so glad now that I can say that I felt every inch a genuine Russian after reading it and especially seeing “Natasha, Pierre” FOUR times! And now this extraordinarily beautiful, tuneful, masterfully recorded treasure of a CD is coming soon! May 19! Remember that date!

I saw “NPATGCOE,” as the Internet might abbreviate, this last time, seated RIGHT ON THE STAGE! Every time you see it sitting in a different place in the wildly re-devised Imperial theatre,  it’s like seeing a different play! When you’re sitting on the stage itself, you feel like you are IN the play! The stage actually vibrates with the bass notes of the synthesizer that sometimes Josh Groban himself is playing in the pit of the orchestra. Which is stage center and completely unhidden.Natasha, Pierre Marquis

In fact, from his first entrance in front of a blinding blaze of  white lights, he is playing the accordion himself, and he rarely if ever leaves the stage.  Bespectacled Pierre is Tolstoy’s alter-ego. He is one of the first, modern anti-heroes. He is thoroughly depressive, a big Russian,
beaten-up bear of a character. And yes, he’s the hero of “War and Peace.”  Groban to his everlasting credit has totally immersed himself to the point of unrecognizability in his heroic, vanity free performance. He is wearing a fat suit. He now lumbers and growls and shuffles his considerable weight as a middle-aged man would. His long, thin fingers shake with what may be delirium tremens as in a man who drinks Way too much. His young brow is now furrowed, without any make-up.

You can hear this bear of a character that he is so perfectly portraying growling through the CD like a wounded animal. But like the maestro he is, Pierre’s voice, his howl of pain, is always also modulated and very, very beautiful.  And moving.Natasha, Pierre Broadway SetYou must hurry and buy it. I predict it will be a best seller, the first Broadway recording and the best maybe ever. It could go platinum in five minutes. And go see Groban live and onstage before he leaves the show forever in July. He’s entitled. He’s been packing them in on Broadway, for nearly a year, revitalizing it and don’t even get me started on Mimi Lien’s transformative set and the wild, magnificent lighting of Bradley King! Both also nominated for Tonys. I hope they all win!

I also have to add that there seems to be a thousand-voiced choir, an epic number of voices that call themselves “The Great Comet Singers” who are pictured in the CD program and contribute to the amazing sound and rhythm of “Balaga” and “The Abduction.” They are also credited as “Shakers.” Because the audience was all given egg-shaped shakers to increase the beat of the delirious troika ride to end all troika rides in Act Two. Yes, “Natasha, Pierre and the Great Comet” of 1812 will abduct you, too. Your heart, I mean. You’ll never think of musicals the same way again.

Lucas Steele & Denee Benton 1
#Natasha, Pierre, # The Great Comet of 1812, #Natasha, Pierre and the Great Comet of 1812 # Josh Groban, #Lucas Steele, #Tony Awards, #Denee Benton, #Russia, #War and Peace

FINAL SAG Predictions! Each Film Will Win ONE Award

manchester-by-the-sea-92-emma-stonesI have to get this out as soon as possible. It’s SUCH a cut and dried year that it’s almost like typing blindfold. OF COURSE, Casey Affleck is going to win Best Actor tomorrow night at the SAG Awards. He’s won everything else. And it IS a great affecting performance that stays with you. It is also the most courageous depiction of grief I’ve ever seen in a major motion picture. He’ll win here because I think the SAG ensemble prize is going elsewhere. No, it’s not the 14 time Oscar nominee “La La Land”. It wasn’t even nominated!

But I think it’s leading lady, Emma Stone will win Best Actress. If they like “La La Land” and evidently they do, Emma in Best Actress is the only place they can vote for LLL. The same with “Manchester”. Casey Affleck will win big, because it’s not possible to vote for him or “Manchester by the Sea” anywhere else in this group of Awards.

Also, remember it’s a VERY American voting body. It’s the Actor’s of America voting so foreigners need not apply.

Viola Davis is the most mortal of locks for Best Supporting Actress for “Fences.” She’ll repeat her Broadway triumph here.

It’s a little trickier as we go on. So far we have one for “Manchester by the Sea”, Casey Affleck and one for “La La Land” Emma Stone, We have one for “Fences” which will be Viola Davis.

Then we run into the problem so who will win Best Supporting Actor. Will it be Mahershala Ali for “Moonlight” or Patel for “Lion”? Given that I think SAG is in a -spread-the-wealth mood. If Mahershala wins for his compassionate drug dealer then “Moonlight” won’t also win Best Ensemble. They might want to give “Moonlight” Best Ensemble(and it truly IS an ensemble). Then another actor of color would win Supporting which would be Dev Patel. If they liked “Lion” and the Weinsteins, this is the only category where they can vote for him.

So, if early in the evening, Patel wins in Supporting, then you can be sure that “Moonlight” will walk away with ensemble

But if it’s Mahershala Ali, who wins then the top award, their version of Best Picture, will go to another racially themed film, the box-office blockbuster “Hidden Figures” which has been surging during the voting period.

So therefore SAG will feel they’ve been fair to all. “Everyone has won and all  shall have prizes” cried the Dodo in “Alice Through the Looking Glass.

#SAG Awards #Final Predictions, #Casey Affleck, #Best Actor, # La La Land

 

 

 

 

Golden Globe Winner Aaron Taylor-Johnson on “The Stephen Holt Show”

aaron-taylor-johnson-winning-golden-globeThis video is from a few years back when I interviewed a then-unknown(in the US) Aaron Taylor. At the time that was the entire name he was using. He then took his wife’s last name Johnson and hyphenated it. Into Aaron Taylor-Johnson. And he was the first, and perhaps biggest surprise upset of last night’s Golden Globes in Best Supporting Actor, right at the start of the show. He’s playing a serial killer btw in Tom Ford’s “Nocturnal Animals.”aaron-taylor-johnson-3

#Aaron Taylor Johnson

#Nocturnal Animals

#Golden Globe Winner

#British

#Best Supporting Actor

# John Lennon

# Beatles

# Nowhere Boy

#Liverpool

 

 

 

 

 

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