a.k.a. "The Oscar Messenger"

Posts tagged ‘Marilyn Monroe’

Cher Saves “Mamma Mia 2,” but It’s Hard to Resist


When Cher, yes, CHER, enters in the Final Act of “Mamma Mia 2,” she saves the film, and yes, kicks it upstairs into Gay Heaven, or at any rate, Camp Heaven with a good, swift  stilletto-heeled sureness, only a stage and screen legend like Cher could provide. Pow! All the dullness and wishy-washiness of her young co-stars vanished, and NOW we were in the midst of a glorious fun-filled summer musical romp. She was so good, I immediately re-wrote my mind’s middling review and began raving like a teenaged fan-girl. Which let’s face it, is a cheery place to be in these troubled times. I guess I ended up loving it, and wanting to see it again. No, really.
In spite of all good sense, I found myself totally abandoning myself to its epic silliness. And why not? I always loved ABBA as a guilty pleasure. Those original, now classic, tunes got me through some very dark times when I was a house-cleaner in London in the ’80s. I was trying to get my plays done and become a right, proper British actor in the grand tradition. And it was tough. But ABBA was so uplifting, it made me forget all the charring.

I was a “Super Trooper”, and now Cher is a Super Trooper, too. In fact, she climaxes this barely organized mish-mash with that song, as well as her much heralded “Fernando” duet. As she and Andy Garcia(yes, ANDY GARCIA!) tango and sing their hearts out, both Senior Citizens now, as fire-works explode behind them, like it was 1968. Or ’86. Or one of those years, or decades that Cher’s career spans and she’s still singing! She’s a goddess for the ages. And FINALLY makes up for Meryl Streep not being in this movie except as a ghost.

You see, “Mamma Mia 2: Here We Go Again” does not really have a center to it, until Cher appears at the end like the Deus Ex Machina that she is. “Here We Go Again” flips back and forth in time between two stories, both starring lovely young blondes, Amanda Seyfried and Downtown Abbey’s Lily James. They both have to carry half the film each.

It seems Meryl’s character has died a year before “Mamma Mia 2” starts and her cinematic daughter Sophie (Seyfried) has to carry on without her, trying to re-build her mother’s dream of a turning their Greek island into a perfect Aegean guest house. Meanwhile, the film flashes back in time to the ’70s, when Donna (Lily James) was a wild young thing cavorting all over the continent, shagging everybody in sight.

Thus explaining (or trying to) how three different men could have potentially been the father of the single Mom Meryl’s child. As played by a trio of young hunks, notably “War Horse”s Jeremy Irvine (who grows up to be Pierce Brosnan). They make the case quite clearly how and why the young Donna/Meryl couldn’t keep her hands off all of them, one after the other, in rapid succession.

I would say Josh Dylan, who is making his big screen debut here as the young yachtsman that one day would become Stellan Skarsgard, has the best chiseled bod. British actor Hugh Skinner, who plays the young Colin Firth, doesn’t really get enough foreshadowing that his character is in later life going to be gay. An interesting opportunity missed.

Though Firth does camp up a storm in his own reserved way as his grown up self, and Christine Baranski (and Julie Waters) are back supplying even more camp (as if this film needed it).Which goes to prove something I’ve always felt. There can never be too much of a muchness. Or too much camp. Camp makes you happy. And so will “Mamma Mia 2.”

And last but not least, the young British hunk of hunks Dominic Cooper is back again as Sky, Sophie (Seyfried)’s hotter than hot love interest, and absentee husband. Dominic was one of the many stars of my year’s Best Film of that year “My Week with Marilyn” playing Milton Green, Marilyn Monroe’s ex-lover and now exasperated agent. He was also one of the original “History Boys” on Broadway and in film, and has been on “The Stephen Holt Show” more times than just about any one else (in this movie).And he used to date Cher! He just told Stephen Colbert. So it must be true!

Past Best Picture Oscar Winners I Adore (& Own & Re-Watch)

Oscars Now that’s it all over but the shouting (on Oscar night, this coming Sunday, Feb.28), I’ve been feeling a bit nostalgic about other films that have one Best Picture in the past and really won my heart. Some I’ve watched over and over and over again. Some I own. I love them so much I always want them to be with me or near at hand anyway to play at any time.

  1. Gone With the WindGone With the Wind
  2. All About EveAll About Eve
  3. Tom JonesTom Jones 1
  4. The King’s SpeechThe King's Speech
  5. The ArtistThe Artist
  6. Lord of the Rings Part 3, Return of the KingSam & Frodo
  7. Twelve Years a Slave12 Years a Slave 2
  8. RebeccaRebecca 1
  9. Midnight CowboyMidnight Cowboy
  10. No Country for Old MenNo Country for Old Men 1

Oscar Front-runner Eddie Redmayne~Three Years Ago

Oscar front-runner Eddie Redmayne for “The Theory of Everything” in  a chat with me a mere three years ago for “My Week with Marilyn”. Part One.

Sexy Michelle Williams pix in GQ! WOWOWOW!

And now it’s Michelle Williams who is turning up the heat on the cover and inside the latest issue of GQ! WOWOWOW! I have to say those photos of her are provocative, sexy and also glamorous! Something the Academy is ALWAYS looking for. You can see them at www.awardsdaily.com which even Oscar Goddess Sasha Stone has to admit are a shot in the arm to Michelle/Marilyn’s Oscar campaign.

Her competitors are all mature women(Streep, Davis, Close, Swinton) and none of them are going to be represented with a pictorial like THIS! NEVER has Michelle looked sexier!

And this comes on the day she’s also just been nominated for a BAFTA award for Best Actress and “My Week with Marilyn” is nominated for five others awards, too.

Best British Film, Best Supporting Actor, Kenneth Branagh, Best Supporting Actress, Dame Judi Dench, Best Costumes and Orange Rising Star, Eddie Redmayne.  It got sixTEEN mentions on the BAFTA Long List.

It was not however nominated for Best Picture, but “The Artist” was. And once again, “The Artist” got the most nominations of any other film.

So nothing, really, can stop it now.

And I keep saying “Don’t be surprised if ‘My Week With Marilyn’ turns up as one of the Best Picture nominations when the Oscar line-up is finally announced a week from today.

With the new system of having it list your favorite FIVE pictures and the NUMBER ONE vote counting more heavily than it ever has been before, I can easily see “My Week with Marilyn” STUNNING everyone on Oscar morning.

And like Marion Cotillard before her, Michelle could win the Bafta, then win the Oscar, too! There’s a precendent for this!

It was my #1 Film of the Year! That’s my choice and I’m sticking to it! Go, Michelle!

When she turns on the sexy, she blows everyone out of the room! WOW!

Beautiful Acceptance Speech by Michelle Williams @ Palm Springs Film Fest

Michelle Williams just gave one of the most moving, heartfelt speeches of her career, accepting her Desert Palm Actor Achievement Award honor at the Palm Springs Film Festival. You can watch it all at www.awardsdaily.com

Now you tell me if that isn’t an Oscar acceptance speech?! She was glowing, and intelligent, and touching. And she accepted the award on behalf of herself AND Marilyn Monroe!?! I was sooo moved by that mention!

And interestingly the last Four Desert Palm Achievement Award actor honorees and the last three out of four Best Actress winners went on to win at the Oscars! The Palm Springs Film Festival is becoming an essential Oscar step.

And of course, Michelle thanked Harvey Weinstein, as well she should!

And she thanked her publicist Myra Buxbaum, her personal publicist,  more than anyone else. WOW! Who does that?

But I like that. Sometimes (if not all the time) it’s the publicists, personal and otherwise, that are doing the heavy-lifting in the Oscar campaigns, and actually, sometimes, always, it’s the publicists who are on duty 24/7, Oscar campaigns or not. And they never get the credit they deserve.

And congrats to Myra! Let’s give credit where credit is due. And a long-time personal publicist, which is what Myra is to Michelle, sometimes becomes the star’s best friend.

Beautiful, beautiful speech! I’m glad Ryan Adams at Awardsdaily.com posted it! Kudos to all!

And that Marilyn mention, at JUST the right minute, at the end of her speech, just NAILED her Oscar win, IMHO.

I’ve never been to Palm  Springs or to its’ Film Festival, but it sounds more and more tempting, the more I hear about it. Jeff Wells, for instance, of www.hollywood-elsewhere.com is there and writing about it. Before he takes off for Sundance, as most people do. Me? I stay here.

Maybe next year. I never been to Palm Springs…Hmmm…Well I can dream, can’t I?

Oscar’s Thanksgiving Wishes for Michelle’s Marilyn Pour In!

A Happy, Happy Thanksgiving to all of you, my dear readers, dear cineastes! And on this Thanksgiving Day I have one great big movie movie to be Thankful for, which is, you guessed it, you who have been reading this humble blog since Day One, it’s Michelle Williams and all the rest of the wonderful cast in the Best Film of the Year, “My Week with Marilyn.”

Oscar Goddess Sasha Stone has compiled a list of wonderful rave reviews from the likes of Rex Reed to David Denby of the “New Yorker” to Roger Ebert. You can read them all at www.awardsdaily.com

Add to them Stephanie Zacharek at www.movieline.com as well as Oscar, the Grouch Jeff Wells at www.hollywood-elsewhere.com and yes, by George it’s a consensus! Jeff saved his review until today. Wild. But I’m happy it’s at last there.

Only it’s not a race between Meryl Streep in “The Iron Lady” and Michelle’s Marilyn.

I don’t think Meryl stands a ghost of a chance with the Academy. She will no doubt get a 17th Oscar nomination, which is PHENOMENAL, record-breaking and an award in itself. I don’t think the Academy will ever give her a third Oscar. She already has two.

And yes, they were earned at the beginning of her career a LONNNNNG time ago. And I really doubt that her Margaret Thatcher turn(I haven’t seen it yet. But soon, I hope) will melt the Academy’s icy heart.

Why? Well, she’s got, well, too much. She’s rich. She’s happily married for over 20 years or more actually. She has four happy and healthy children, two of them, Mamie and Grace are also actresses, and her son Hank is a musician.

No discernible tragedy in her life. Just success, success, success and more money.

Oscar? Well, lately his eye has been on the young’uns in the Best Actress category. Last year’s match between Natalie Portman in “Black Swan” and Annette Bening in “The Kid’s Are All Right” I think is going to be indicative of what happens again this year. The young, cute, NAKED girl wins! And Michelle is pretty nude, pretty often in “Marilyn.” It’s a very sexy performance.

One that turns on every male who sees it and many of the women, too. Like Zacharek and also Claudia Puig in USA Today. And on and on…Not however Manola Dargis in the NYTimes…

If the Nominees turn out to be Meryl, Glenn Close in “Albert Nobbs”, Williams, Tilda Swinton(or Charlize Theron) both of whom have Oscars already, and Viola Davis….I see only Viola Davis as perhaps Williams’ competition. For “The Help”.

But with stellar, glittering reviews like Michelle is getting most of the time…I don’t think she can be beat.

Harvey Weinstein HIMSELF is even doing a Satellite Interview Tour – ON BEHALF OF “MARILYN”. This is unprecedented! And I’m guessing he’s going the whole nine yards on behalf of this beautiful, sexy, lovely, funny, moving movie movie because he thinks it has a shot at a Best Picture nomination, too. As well as the obvious nominations of Michelle and Kenneth Branagh as Sir Laurence Olivier.

And I think he’s right.

Oscar, a palpable presence at “The Artist” junket NYC!

Yes, I felt Oscar IN THE ROOM! There was a presence that I could really, really feel today at “The Artist”s press junket in NYC and I’ve come to the conclusion that I felt Oscar him/itself there. Everyone was sooo happy! I’ve never seen this before! EVAH! And for a comedy???

Well, Woody Allen never does press things like this. Or not much.

He did subject himself to a print media only press conference last year for “You Will Meet a Tall, Dark Stranger” and I did meet him there. He’s wonderful. What can you say? He’s Woody. And I’ve just seen “Midnight in Paris” EIGHT TIMES!

Well, it’s gonna be a very French year at the Oscars, I predict. Between “Midnight…” and “The Artist”s charming French stars and director…I really do think it’s between the two of these light-as-air Gallic breezes of up-beat comedies for Best Picture this year.

The biggest difference? Well, let’s say DIALOGUE. “The Artist” is a silent film. And also color. “The Artist” is in Black and White. No I’m not kidding. It really IS.

What was one of Alice’s tasks in “Through the Looking Glass”? Trying to imagine eight impossible things before breakfast?

Well, you can count the improbable, but very palpable rise of “The Artist” as at least two or maybe three or maybe FOUR of those impossible things.

1) It’s in Black and White

2) It’s Silent

3) It’s French. And a French film, made by French people has never won the Oscar

4) It’s a comedy

5) It’s star Jean DuJardin as very likely a Best Actor nominee(and he may WIN. See below..)

6)It’s comely leading lady, French actress Berenice Bejos will probably be nominated for Best Supporting Actress

Oh, well, that’s SIX impossible things right there.

That this small, short(100 mins.) black and white silent film just continues like Alice herself to just rise and rise and rise ~ all the way to the Oscars…probably. Well, it’s “most improbable” is most probably what Alice would say.

There was something in the air this morning. An elan. A delightful sparkle. Something had happened to alllll those present. And I do think it was that Oscar had announced himself to all and sundry that yes, they were all going to go to the Kodak Pavillion come February.

And they ALL knew it. And all were smiling, smiling, smiling…

When I said something to this effect to Berenice Bejos, the winsome Peppy Miller, the ingenue who charlestons her way into our hearts AND the heart of “The Artist” himself, Jean Valentin, (DuJardin) this morning she said “That’s what everyone keeps telling us.” And I really did believe that everyone, and not just me, was saying this to Mlle. Bejos.

And this time it wasn’t just me (or someone like Hollywood-Elsewhere’s Jeff Wells, at www.hollywood-elsewhere.com who went off on a supportive spree for this low-budget indie “Tyrannosaur” hosting three screenings in L.A. There were only TWO in NYC, and I couldn’t make either of them.) it wasn’t just me, or Jeff, going off and on about falling in love with a movie. This time “The Artist” was a movie EVERYONE had already fallen in love with. HARD .There wasn’t a cynical smirk in the room.

And I, Oscarologist that I am, really DO feel it’s going to win something. And win something BIG like “Best Picture” or Best Actor for Jean DuJardin or maybe BOTH!

It will certainly get nominated for everything under the sun, the Hollywood sun, because yes, this satire and loving tribute to silent films, was actually made and shot in Hollywood employing many below the line technical people in L.A. where the verisimilitude of making Old Hollywood movies, really never has gone far from where it all started.

And authentic “The Artist” certainly seems to be. Except that it’s made by French people. The director the almost unpronounceable Michel(pronounced like “Michelle” as in “Michelle Williams”) wait for it. Hazanavicius. Which is pronounced like the words “Hosannah!” as it “Yippee!” andvis-e-use, as only the French can pronounce that last syllable like is “ooze.” Or “Yoose”

And it’s two out-of-ballpark charming French stars Jean DuJardin and the aforementioned Mlle. Bejos( pronounced like Bay-Jo, with a hard “j”) who is the director, M. Hazanavicius’ wife IRL.

And of course, the unseen star, Harvey Weinstein,  the canny producer who bought this French bon-bon (Tom O’Neil’s descriptive word for “The Artist” and he’s right. Read his classic Oscar site www.goldderby.com for MORE on The Race) at Cannes, mais oui, in all its’ black and white gorgeousness and Harvey, the Oscar Whisperer (as Oscar Goddess Sasha Stone calls him at www.awardsdaily.com ) is VERY effective at these improbable Oscar feats. Like perhaps grabbing an Oscar win in Best Picture for a BLACK AND WHITE film with NO DIALOGUE at all, and perhaps more likely, an Oscar for Best Actor for Jean Dujardin.

Hey, I know it sounds crazy, but he’s done this before with a foreign film actor, the Italian comedian Roberto Benigni. Yes, he DID win Best Actor. For “Life Is Beautiful” I know it sounds impossible, but this is absolutely TRUE!

So Harvey and the Academy have been down this road before. But yet, have they? I mean, this is a film that yes, is made by and stars French actors, but it’s SILENT!

Harvey is going to argue in the coming months that Jean DuJardin has had the hardest (read “degree of difficulty) role in that he has to make everyone enjoy themselves WITHOUT SAYING A WORD! Now, that’s hard!

And Best Actor is shaping up to be a smack-down(Tom O’Neil’s word again) between three very successful actors, George Clooney, Brad Pitt and Leonardo DiCaprio. All incredible handsome, RICH, and very well established stars. Knocking each other out of competition, or it seems to me, this morning, cancelling each other out….Nothing the Academy hates more than rewarding RICH, GOOD LOOKING guys. OK, GREAT looking guys.  Yeah, it’s true. Just as they LOVE rewarding beautiful young girls, like this year’s Michelle Williams. Who is beyond-belief sexy and fetching as hell, as Marilyn Monroe….The Academy is nothing if not predictable.

And I thought earlier last week(which now seems like LAST YEAR in Oscar-time) that it was going to be Leo as “J.Edgar”, but I was not prepared for the critical drubbing the film got. Homophobia pure and simple, if you ask me, but still there it was landing a low-ball and way-out-side on Rotten Tomatoes. www.rottentomatoes.com And although Leo was praised for his performance…

I think that unexpectedly harsh reception (unexpected by me, I must emphasize) has knocked him down a few pegs and you can see this reflected in Stu Van Airsdale’s Oscar Index where now Jean Dujardin sits right below George Clooney on Stu’s Oscar Index this week. www.movieline.com.

And the Gurus o’ Gold, as I said, have ONLY ONE VOTE separating “The Descendants” and “The Artist.”  ONE VOTE.

And watch what happens next week when BOTH “My Week with Marilyn”‘ AND “The Artist” open ON THE SAME DAY!

Methinks Harvey W. has done it AGAIN!

And you can see my interviews with allllll these wonderful, talented people coming soon to my YouTube Channel www.youtube.com/StephenHoltShow

Oscar Race Changes AGAIN ~ IN A DAY! With Leo as Gay J. Edgar!

It’s now really for real November and we now really for real are in OSCAR SEASON! Yes, dear readers, dear cineastes, November is the really hot-cha month when all the good stuff  starts happening. Or not…

Like this morning I started off the day with the beauteous and beneficient Kristen Scott Thomas calling me via satellite from Paris! Oui, oui, bien sur, mes amis! That’s where KST really lives most of the times, though she is of course, thoroughly English. And guess who? Harvey Weinstein is at it again, and this time he’s decided to throw an early season opener “Sarah’s Key” that sort of blipped by unnoticed by most (I knew it was there. I just didn’t get to it. Then it was gone.) Well, he’s putting “Sarah’s Key” back into some theaters and also releasing it on DVD and so Kristen Scott was calling me at a very early hour of the morning here where I am, but for her in Par-ee it was a comfortable middle of the day, a beautiful day to hear her tell it. And you will, and see her, too, coming up on my You Tube channel www.youtube.com/StephenHoltShow and also on my TV show.

The Best Actress race is really packed at the top this year already. There’s really no room with supposed locks – Meryl, Glenn Close(as a man!), Michelle Williams as Marilyn Monroe, and Viola Davis for “The Help”. Lots of competitsh for that fifth slot. Although there’s always the Golden Globes with their ten slots and I think Kristen will fit very nicely in there. For “Sarah’s Key.” Yes, I’ll mention the name of the film again…

And meanwhile, back at the AFI opening in LA, Leonardo Di Caprio really did upend expectations with the(I knew it all along) very GAY J. Edgar, Or Gay Edgar, as I and many  people I know are calling it. Not necessarily derisively, either. This is the story that dared not speak its’ name in J. Edgar’s lifetime, and with Oscar-winning screenwriter Dustin Lance Black, penning it. He won for “Milk.” What else COULD it be?

And Clint Eastwood has evidently told it quite while and Leo a great, great actor as well as star has never won an Oscar. Yes, ladies and gentle person’s, it’s true. And now that he’s evidently giving the performance of his career as this tormented closeted gay man of the ’30s & ’40’s. Oh, and the ‘6os and the ’70s, too, who could never come out of the closet. And neither could his supposed lover who took the name “very close friend” Clyde Tolson, here embodied by none-other than the super-hunky Winklevoss Twins themselves, Armie Hammer, and HE’S supposedly got a supporting Actor nomination in his future now, too.

So with Leo on board, I think it’s buh-bye for George O’Clooney’s Oscar hopes. He already has one. For “Syriana” for Supporting. But still…

Leo’s been nominated three times AT LEAST and never won and now it looks like with Clint Eastwood at 81 at the helm, we may finally see Leo’s Titanic Oscar ship finally pull into port…

And oh yes, the Academy has decided to honor Vanessa Redgrave, I’m not quite sure how. A dinner? A plaque? She’s already majorly in the Supporting Actress race for “Coriolanus” and now…well now, I think this is the Academy saying VOTE FOR HER! Forget her politics of the past. And let’s give her an Honorary One, or whatever it is they’re doing. And giving it to her. All her. Just her. In one Vanessa-filled night in London…well, if it’s not taking place in Hollywood itself, it really ISN’T rrrrreally official…but it’s the Academy’s way of saying “VOTE FOR HER!”

She’s 72 or 73 or 74 and her beautiful daughter Natasha died so tragically and young during the filming of “Coriolanus”…and she’s BRRRRRILLLIANT in it. And oh yes, who’s the Producer? Harvey Weinstein. Oh yes, him again. So yes, I think THAT category just got closed, today, too.

So right now King George has been de-throned by Prince Leo. And the Academy is giving Vanessa Redgrave their version of an honorary knighthood…”Sarah’s Key” is coming out AGAIN.

And “War Horse” was “sneaked” all over the country this week, and it seems people like it, they really like it.  So last week “The Descendants” was the front-runner, but now I think “War Horse” was galloped back on top.

You can see a very astute young You Tube film critic/star (y’know, like me *cough*cough*)over at www.awardsdaily.com and you can hear what he has to say about being lucky enough to have stumbled in to one of these “War Horse” sneaks…It’s a custom as old as the Academy itself. Showing a film to a surprised audience in the hinterlands…Even “Gone With the Wind” was introduced this way…”War Horse” is gonna be a tough one to beat. It’s STILL playing to sold-out houses in New York’s Lincoln Center, and it won the Tony for Best Play last year, though the writing was atrocious. I nearly left at the Intermission, but I stayed…and was amaaaazed by its’ powerful second act.

Excellent “Oscar Index” at Movieline asks “Is it February yet?” Lol…

Do I love that Oscar Index, penned by the redoubtable Stu Van Airsdale over at the increasingly necessary www.movieline.com ? Yes! I do! I highly recommend it for its’ humor is as good as anything in the New Yorker. Yes, I have now mentioned the words “Oscar” and “The New Yorker” in the same sentence! I admit it!

I have no ads. So I can say anything. And I do. On my blog. On my TV show.

And Stu’s Oscar Index constantly surprises me! Like for instance the major surprise this week was French actress Berenice Bejos, who I just ADORED in “The Artist,” and was always championing since I saw the movie in Montreal- well, Berenice has now bounced right into the center of the Oscar Index’ Best Supporting Actress chart! And fittingly enough, she’s pictured as a Black and White bobble-head, and like the film, she’s not in color.

“The Artist” won the Hamptons Film Festival Audience choice award this past week, so Harvey W. is once again, a happy Hamptons-goer. Last year, “The King’s Speech” won this award.

Besides the Toronto Film Festival audience award, it was the only other award it won on its’ surprising Oscar journey. “The King’s Speech” I mean. Last year, it didn’t start its’ OSCAR winning streak til that famous night at the PGA awards in Hollywood where it won, unexpectedly. Not unexpected by me, though.

But whether it’s “The Artist” or “My Week with Marilyn” the Oscar this year also seems to have Harvey’s name on it. Just like last year. Will the Academy become sick of his dominance? No. I don’t think so. They LOVE it! It’s a throw back to the days of the REAL Old Time Hollywood mogols of yore. Louis B. Mayer, David O. Selznick. Daryl Zanack. Sam Goldwyn, etc. etc. etc.

It’s a Weinstein world and we just live in it! I guess you could replace that noun with George Clooney and you’d be equally right.

Every where I turn in New York right now, George Clooney is coming at me. Off billboards, off BUS ADS, and this is just for “The Ides of March”! Which is sinking link a stone according to Oscar Index,  but is maintaining a low watt Box-Office, but holding steady. The upcoming “The Descendants” is the one who will win George his second Oscar this year. If he is to win it for anything.

And then, on that momentous day at the end of November, “The Descendants,” “My Week with Marilyn,” “The Artist,” and “Hugo” ALLLLL OPEN ON THE SAME DAY! I still can’t get over that confluence of circumstances! And release dates!

And Stu has the brilliant Viola Davis in second place this week. And he drops Michelle Williams down to third, for “The Help” and “My Weekend with Marilyn” respectively.

Now my main prob with Viola Davis is where EXACTLY Disney is gonna place her. In lead? Or Supporting? If she’s in Supporting, she’s a slam dunk. If she’s in lead, it’s iffy. And Category Confusion could lead her to end up where the equally brilliant Lesley Manville ended up last year for “Another Year.”Which is NOWHERE. It COULD happen.

Note to Disney/Dreamworks – MAKE VIOLA’S CATEGORY CRYSTAL CLEAR or else it’s Lesley Manville time…again.*sound of crickets chripping*

Oscar Index still has Meryl Streep’s unseen “Iron Lady” at No. 1 And Gorgeous George is STILL topping Best Actor, naturally. For “The Descendants” which I agree with.

But Meryl? Still? As Margaret Thatcher? One of the most unsympathetic female figures of our times? And rumored to be about her at the end of her life as an Alzheimer’s patient? Didn’t we see this movie before? With Judi Dench? And it was called “Iris”? And James Broadbent was playing her understanding care-giver of a husband? And he won a Supporting Actor Oscar for it? And isn’t James Broadbent playing that same role in “The Iron Lady”? And isn’t it directed by the woman who directed “Mamma Mia”?(which I LOVED by the way.) But the “Iron Lady” doesn’t sound like a light-hearted musical frolic. At least not on paper. Nobody’s seen it, so nobody knows. Yet Oscar Index AND the Gurus o’ Gold are putting Meryl on top of their lists. Me. I’ll wait to see it.

And yes, that’s Harvey’s movie, too…

Just to make everything even more confusing, for us. Never mind him or the entire staff of the Weinstein Co. Who are TOTALLY ready for this challenge of challenges by the way. They can handle anything. Including multiple Oscar campaigns.

Which some people, like Strand Releasing’s Marcus Hu, doesn’t seem to be able to do. At least not according to Jeffrey Wells, the untamed blogger extraordinaire who has now fallen so hard for low-budget, British Indie “Tyrannosaur” that he’s starting to try to raise money through his website www.hollywood-elsewhere.com for Olivia Colman’s lead performance.

Not having seen it, I haven’t a clue how misguided or guided this latest scream of a scheme Jeffrey, an Internet legend to put it mildly, has come up with. You can follow this critic-takes-on-the-role-of-press-agent-to-the-Oscars story blow by hilarious blow at Hollywood-Elsewhere.

It sounds just nuts. Jeffrey thinks his readers will contribute to HIS pay pal account to fund this $2000 evening screening in Hollywood. That’s what it costs, evidently per very nice screening room in L.A. Who knew?

And then, suppose he raises it? Does that mean anyone will come to the screening? First rank critics? AMPAS members? Suppose no one comes? Suppose this rash and unprecedented action turns off more Academy Members than it turns on? To “Tyrannosaur”? To Olivia Coleman? An unknown middle-aged British actress playing an abused wife in a council flat somewhere in Northern England?

I think this is all because Jeffrey was unable to switch his flight back to L.A. from NYC when the NYFF switched the press screening of “My Weekend with Marilyn” to a week ago Sunday. Causing Jeff to miss it completely. On both coasts. If he had seen it, he wouldn’t be going off the deep end like this, I can assure you. Over Olivia Coleman? Really?

Seems he doesn’t like the screenings in L.A. Strand Releasing is (not) setting up for “Tyrannosaur.” What next? And I didn’t know Jeffrey was SUCH an Anglo-phile.

Bottom line, he’s getting a lot of attention(read hits, read Internet traffic) for this. And is this helping Olivia Coleman? And her teeny tiny distributor Strand? I’ve admired Strand for years, but it’s no secret that they don’t have the big bucks. And Oscar campaigns cost MONEY. Maybe you didn’t know that, but now you do.

Is Jeffrey hurting more than he’s helping? Stay tuned. Meanwhile, enjoy Oscar Index at Movieline. THAT’S on the money.

NYFF ends…with a Sneak Peak at Martin Scorsese’s “Hugo”

Yes, it’s finally over! The Best-It’s-Ever-Been 49th Edition of the New York Film Festival! The high points were really high – Centerpiece “My Week with Marilyn” totally blew me away & is probably going to net star Michelle Williams her first Oscar &  Closing Night’s Alexander Payne’s “The Descendants” is probably going to get George Clooney his second. They are both launched, in any case. Ditto “The Artist” also playing here. And Pedro Almodovar’s super superb “The Skin I Live In.”

Yes, if you’re looking to see Oscar fare FIRST from the comfort of your NY-adjacent home, then the NYFF is your cup of tea. And apart from Oscar seekers, there are also films that you get to see in the exciting, glamorous, cinema-loving situation that seem just that more special because you’re viewing them in this unique setting on a big screen, my favorite way to see films. Period.

Like for instance, you could see TWO brand new films, in two entirely different genres, by one grand master of cinema, Martin Scorsese’s 4 hour documentary on George Harrison “Living in the Material World” which is one of the best films he’s ever made. Totally joyous, celebratory, informative, transportive.It’s length not a problem, and coming soon to HBO., where it will be seen in two parts, Beatles and post-Beatles.

Also, there was the thrill of seeing a sneak peek of his new full length feature film “Hugo” which is in 3-D. We, the press, were warned it was still a “work in progress” and not for review. So I will say no more at this point, but that is was very exciting to be allowed to be there. And Scorsese was there himself, in person, to introduce the film.

Sometimes this Business of Show makes me feel outside of things, sometimes, but that night I felt as “In”as In could be, and thank you for including me, NYFF.

I, a Native New Yorker, finally felt like I was being given the keys to the city, albeit for just one brief night.

And the addition,  the two brand spanking shiny new smaller screens across the street from the Walter Reader Theater, the Beale and the Bunin, and the intimate new restaurant between them all, provided  much-needed new spaces that were just a delight to eat in, to watch films in or to just hang out with other festival-goers.

And then there’s the amazing things that happen at the NYFF  – apart from the films, if you can imagine such a thing. Like for instance, “My Weekend with Marilyn” being so tumultuously received that its’ distributor the Weinstein Co. MOVED its’ opening date back three weeks to THE SAME DAY in late November as its’ other Oscar-bait-y film “The Artist”!?!? Now, THAT was stunning development. And not only that. It’s the same day in November that “The Descendants” and also “Hugo” are opening!!?!?!! OMG!

What does all that mean????? Yikes!

Well, it will be a very busy day for the newspapers, the few newspapers, that are left to cover the movies in their movie sections. That are losing readers and advertising EVERY DAY in the Internet. But as you may have noticed not to this particular section of the Internet “The Stephen Holt Show”s blog, which is still AD FREE.

And It’s going to make for a  very, VERY interesting weekend, Thanksgiving weekend, BTW, at the box-office! Yikes!

But “The My Week with Marilyn” reaction was so overwhelming and so positive, this move gives The Weinstein Co. three more weeks to mount a MAJOR Oscar campaign in all categories, something it may or may not have been planning before. IOW, not only for Michelle Williams, brilliant as ever, but also for Kenneth Branagh as Sir Laurence Olivier(a slam-dunk, methinks), Dame Judi Dench as Dame Sybil Thorndike and Eddie Redmayne as the beguiling “My” of the title. Ditto the director Simon Curtis, the screenwriter Adrian Hodges, the cinematographer Ben Smithard, production designer Donal Woods, the costume designer Jill Taylor, the score(Conrad Pope & Alexandre  Desplat) and everything else you, and Harvey Weinstein can think of.

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