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Posts tagged ‘Kate Winslet’

BAFTA Backlash ~ Alicia Vikander v.Kate Winslet

Alicia 9The most shocking upset of the BAFTA night was Alicia Vikander losing Best Supporting Actress to Kate Winslet! Of all people! It was thought that Alicia’s main competition was Rooney Mara in “Carol”, but lo and behold, it’s turning out to be Kate Winslet for playing what amounts to a Slavic doormat-to-end-all-doormats from the flop “Steve Jobs.” Her role was based on a real person,  Joanna Hoffman, marketing executive for Apple and NeXT and Jobs’ confidant in the film. It’s one of those ugly-up roles that actors and actresses use to show their range, as the wonderful Winslet certainly did in this awful film.

Winslet has now won TWO major awards for this slovenly lady. A Golden Globe and now a BAFTA. So her Oscar chances must now be taken seriously. Or do they?
Kate Winslet steve jobs 3It is interesting as I noted yesterday that both these awards for Winslet were from foreign press and industry, the Golden Globes and now the BAFTAs. And she was playing a Polish woman succeeding in America, a woman who was known as the only one who could stand up to Steve Jobs.

However in neither of those awards races was she up against Alicia Vikander for “The Danish Girl.” In both the Golden Globes and the BAFTA, Vikander was competing in the leading actress race. And Vikander’s role as the long-suffering painter wife of a man Einer Vegener, who was going through a sex change, was in the lead in those races.

Vikander WON over Winslet at the SAG awards, when they were both in the Supporting Actress category and again at the Broadcast Film Critics. Both those wins were for “The Danish Girl” in Supporting Actress as she is nominated at the Oscars. As is Winslet for “Steve Jobs.”

At the BAFTAs last night, Winslet was competing with Alicia in Supporting, but it was for Alicia’s role as the Eva the robot in “Ex Machina.”

“Ex Machina” won nothing last night at the BAFTAs. Neither did “Carol.” Nothing. Nada. Zip.

As happy as I am to watch Winslet career trajectory move heavily forward as she progresses in age, I do have to point out that she has already WON an Oscar. For “The Reader, ” in which she was brilliant, and again doing a German accent. Her German accent was better than her Polish, which kept slipping in “Steve Jobs.”

It’s also interesting to note that both Winslet and Vikander were playing parts that are based on real people, something Oscar always loves, and Rooney Mara was playing a fictional character from the Patricia Highsmith lesbian love story, the ’50s  novel “The Price of Salt” on which “Carol” is based.

So don’t worry, Dear Readers, Dear Cineastes, my conclusion is this. As she did at SAG and the BCFCA, Alicia Vikander will win her first Oscar for her shattering portrayal in “The Danish Girl.”, in the Supporting Actress category, whether she’s a lead or not.

More on the Preferential Ballot, shortly.

Alicia 8

“Steve Jobs” is a Mess, Except for Kate Winslet, Who Will Get Its’ Sole Oscar Nomination

Kate Winselt Stave J. 1Ok. So I finally did it. I went to see “Steve Jobs,” a film I have been resisting since TIFF. And I have to say, that except for Kate Winslet’s surprising, dowdy turn as  Jobs’ dogged, dedicated,  Slavic Gal Friday, I really pretty much hated it. It was the mess I thought it would be, and if it hadn’t been for Winslet, I would’ve walked out.

How many times in the first third of this epic landslide of verbiage did I fall asleep? At least, three, and I woke up only to find them STILL TALKING!!! And they talk and they talk and they walk and they walk. I thought I was watching a re-run of “West Wing.” This was so flat, and so dull, and so confusing, it made me nostalgic for “The Joy of Typing.” (Look it up) I never thought I would type this sentence, but I missed David Fincher.

At least, HE made a film about the Internet look interesting. This is just flat, flat, flat. And poor Kate Winslet has to hold the whole film together, by running on every five minutes and saying “We’ve got FIVE MINUTES!”

You see, her boss Steve Jobs is always running late, and it’s her job as his right arm to keep things moving and Brave Kate does so, and nearly saves this cod-fish of a movie.

It’s everything I thought it would be. And less.

And poor Michael Fassbender is just mis-cast in this career-ending role. I predict he will NOT get a Best Actor nomination for playing this majorly unsympathetic asshole geek.Nor will this film break into the Best Picture race. Aaron Snoreking, I mean Sorkin, has given Fassbender REAMS of dialogue, or should I say monologue? to just endlessly spout in a monotone so deadly, I couldn’t believe it was the same actor I’ve esteemed so much in so many other movies.Like “12 Years a Slave,” “Shame,””Hunger” and many, many others.

You can’t make an interesting movie about the Internet! It’s impossible.

And as far as the Academy is concerned, they hate the internet, and resist it in every form it takes as an intrusion and distortion of their lives. Some the Voting Members don’t even HAVE a computer, but are too embarrassed to admit it.

And the first third of the movie, when Steve Jobs was young, well, young-ish, is so convoluted and abstruse, that I can’t imagine the AMPAS-ers watching much more than fifteen minutes of it, if that.

That’s unfortunate, because it does get better, a little. And Kate W. does get her big Oscar-y breakdown scene, but it’s past the half-way mark, when she finally tells Steve Jobs what she really thinks of him. Winslet loses it in grand style, and who doesn’t like a scene where the secretary FINALLY tells her boss to go to jump in a lake.(I’m understating it.)

This “Steve Jobs”  is flopping majorly at the box-office and being yanked off screens right, left and center. There was ALREADY ANOTHER Steve Jobs movie called just “Jobs” starring Ashton Kucher, and that bombed, too.

Who was the genius who thought that two bombs are better than one?

But Kate is great as she always is. And she’ll be the token nomination that this mistake of a film gets.

Why did I pay to see it when I knew going in it might be as bad as it was(I was warned), well, I’m an Oscarologist and like it or not this film has been talked and talked and bandied about as an Oscar contender. It’s been part of the Oscar conversation since TIFF. But the talk stops right here.

 

 

Golden Globe Awards ~ Could Julianne Moore win TWO Globes tonight?

Julianne Moore 2Golden GlobeCould Hollywood vet Julianne Moore actually pull a Kate Winslet and win TWO Golden Globes tonight? One for Best Actress Drama for “Still Alice” for her heart-breaking turn as an early-onset Alzheimer’s patient? And one for Best Actress~ Comedy/Musical for a neurotic, washed-up, pill-popping Hollywood actress in David Croneberg’s “Maps to the Stars”? It COULD happen!

The Hollywood Foreign Press like to make headlines and get as much international attention as possible. And a photo of Julianne with TWO Globes would make sure it’s a front-page Photo Op seen ’round the world, as Kate Winslet’s unforgettable shot holding dual Globes aloft? One in each, heaven-ward held hand in a strapless blue ball gown?

 

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Oscar Bloggers Anne Thompson & I Predict the Oscars in SEPT. Not Much Has Changed…

How very little has changed since TIFF! The Toronto International Film Festival sets the stage and runs the table for Oscar starting and some would say ending in September! If you’re not screened at Toronto, it’s becoming increasingly harder to catch up. I’m looking at YOU “American Hustle”, “Wolf of Wall Street”, “All is Lost” and “Inside Llewyn Davis” to name just a few.

Anne and I were BOTH not even mentioned in the New York Magazine Oscar Blogger article which just came out in this week’s New York Magazine. Where my wonderful Sasha Stone and the great Jeff Wells were the centerpieces of said supposed last word on Oscar Blogging.

Anne, classy lady that she is, probably declined to be interviewed for this piece, I’m just guessing. HitFix was also left out completely. Go figure. Next year, Boris, CALL ME!!!!

E.T.A. The only big change since taping this scene is that we now both know how to pronounce AND SPELL Lupita Nyong’o!!! And so does the world!!!!

“The Book Thief” Definitely Oscar Worthy!

Just saw a truly wonderful late entry into the Oscar Race, Fox 2000’s “The Book Thief”, a small “little” film that is anything but. “The Book Thief” creeps up and steals your heart away and leaves you devastated.  Oscar, are you watching?

It’s World War II and an unseen narrator eerily sets the scene.  Who this narrator is slowly to be revealed is one of the main mysteries of “The Book Thief.” Is it Geoffrey Rush? The film’s leading man. Or just who is it?

Of course, this immediately sets up the greatest of film dynamics which is  the audience wanting to know “What’s going to happen next?” And with “The Book Thief” that suspense is maintained literally til the last frame. Which is really an achievement.

We’re in a familiar setting, Germany during WW II. In fact, it seems to resemble very closely another German back-dropped war drama “The Reader” which won Kate Winslet one Oscar and two Golden Globes.

“The Book Thief”could land a slew of Oscar nods, too. Best Picture, Best Supporting Actor (Geoffrey Rush) and Best Supporting Actress (Emily Watson) Best Adapted Screenplay and maybe more.

It depends on just how wily Fox 2000, sometimes referred to as Big Fox, plays its’ Oscar campaign from here on out. Fox Searchlight, of course, has a sweeping winner with “12 Years a Slave”. But “The Book Thief” should gets its’ due also.

IF enough Academy members get to see it in time to nominate it.

Geoffrey Rush gives one of his most beguiling and sweetly sympathetic performances as the adoptive father of the titular heroine, the child Leisl played by newcomer Sophie Nelisse, who is the Book Thief.

And Emily Watson gives hands down one of the best performances of her career as Leisl’s turbulent adoptive mother who is practising tough love with the child for most of the movie.

So familiar is this setting,i half-expected Kate Winslet to bicycle around the corner in braids any second. The aqua hue of the light is almost the same color of the lighting in “The Reader.”

The Nazi book burning that really sets the film in motion is frightening, and Leisl, who loves books so passionately that she begins to steal them, is traumatized by this event that she witnesses as a choir member of the Hitler Youth singing “Deustcheland Uber Alles.”

She even is so bold to steal one of the still smoldering books from the embers of the pile in one of the film’s pivotal moments. It’s still burning and as her kindly doting adoptive father Geoffrey Rush hurries her home, she starts coughing from the smoke that is coming from the still burning book hidden under her coat.

Rush takes the book from her then hides it under his coat. And more I cannot reveal, because the plot involves and tricks you with its’ many twists and turns that are its’ strengths. As well as the superb performances of Sophie Nelisse, Rush and Watson.

Don’t read any reviews that might spoil the delight of experiencing “The Book Thief” for the first time, not knowing what was going to happen. Just know that it COULD be nominated for Best Picture, though nobody is predicting it for the moment. BUT I AM.

Germany, the Halocaust, the Nazis, WWII, Academy Award Winner Geoffrey Rush, an adorable little girl heroine, it’s catkip to Oscar Voters, and to me as well. See it!

Oscars at TIFF~ “12 Years a Slave” & “Gravity” Both will win major awards!

Overwhelmed by all the great movies I saw at TIFF’13 this week, but two stood out as already dominating the Oscar conversation. “12 Years a Slave” and “Gravity.” Is it too early to say the race for Best Picture and Best Director is over? No. It’s not. The Academy can not deny “12 Years a Slave” one of the best films I’ve ever seen, or will ever see, one of the greatest films of all time, will win Best Picture and its’ director Steve McQueen, will become the first ever black man to win an Oscar in that category. Thus breaking the age-old tradition of awarding only white men(Exceptions – Kathryn Bigelow & Ang Lee {twice}).

It will be given a run for its’ money by “Gravity” Alphonse Cuaron’s dazzling 3D epic of Sandra Bullock and George Clooney lost in Space. It will win every technical award it’s nominated for but I think the real surprise here is Sandra Bullock, who is basically the ONLY character in the entire movie. It’s a one-woman show, and she’s giving the performance of her life, and will certainly be nominated for this breath-taking solo achievement that no one, including myself, ever thought she was capable of. She will definitely be nominated for Best Actress and I will go one step further. If ANYONE can upset Cate Blanchett’s Oscar chances in that category, it’s Sandra Bullock.

Are they really going to give an Oscar to an actress playing RUTH MADOFF?!? Blanchett’s triumph is that she makes this extremely unlikable, maybe even vile, woman sympathetic, but is she THAT sympathetic? I mean, you’re left at the end with an utterly unpleasant taste in your mouth.

Whereas when Sandra Bullock(SPOILER ALERT!) kisses the earth in “Gravity” and stands up and proudly walks on that beach, I thought “OMG! She’s going to win another Oscar!” And in a year that is shaping up as having ONLY former winners nominated(Blanchett, maybe Streep, maybe Julia Roberts, maybe Judi Dench and maybe Kate Winslet), Bullock STILL America’s sweetheart pulls off a cinematic achievement in that except for the very brief George Clooney, she’s the ONLY  PERSON IN THE ENTIRE PICTURE. SHE HAS TO CARRY THE WHOLE THING, and YOU LOVE HER! She’s utterly sympathetic and Cate Blanchett’s triumph is that she’s NOT, but Bullock’s Dr. Ryan, you just love and want to get back to earth, and I think the actors branch as well as the below-the-line voting members are going to acknowledge that unique one-woman achievement.

Angelina Jolie and Natalie Portman passed on this role. And I think they are going to regret it when Sandra Bullock wins her SECOND (unbelievable!) Best Actress Oscar, a sentence I never thought I’d be typing!

Oscar Buzz continues at TIFF for Gerard Butler & “Machine-Gun Preacher”! And Tilda Swinton, too!

Now as one  film’s career rises and another falls, it’s fascinating to watch the ups and downs that one screening can lead to at TIFF. It’s like a thumbs up and/or a thumbs down from the Romans in the Colosseum.

And TIFF is giving a definite big THUMBS UP to both “Machine Gun Preacher,” which shocked and surprised me in all the right ways and “We’ve Got to Talk About Kevin ”  “Preacher”‘s got HEAVY Oscar potential. Gerard Butler is in a career-redefining role as the title character. And it seems very much like this year’s “Slumdog Millionaire.”

It’s a thoroughly griping action-er as well as being an amazing true story of this former alcoholic/drug addict/jail-bird (Butler) who totally gets his life under-control through the help of his devoted Christian wife(Michele Monaghan of “Trucker”) and ends up, like “Book of Mormon”s hapless elders in Uganda. And a very different Uganda from the one that’s selling out on Broadway.

It’s a desolate, lawless, hell-on-earth, where children routinely are dismembered and forced to kill their family members. And director Marc Forster(” Finding Neverland”) keeps the adrenaline pumping and the danger level high as the reformed Butler barrels through the African wilderness like a born-again Rambo, trying to save all the children, and there seem to miliions…who are desparately in need of medicine, schools, orphanages. And Butler tries to build and re-build all of them. AND HE DOES!

The incredible arc his character goes through addiction, jail, murder, reformation, then heroics in the African wild are catnip to Oscar. And Butler hits all the right notes, and is utterly believable all the way through and back again. His scenes with the children will make audiences world-wide cry and stand up and cheer. He and this powerful film and its’ timely topic are definitely going to be part of the Oscar conversation.

Another to be hotly debated Oscar topic is going to be Tilda Swinton’s career best performance in “We’ve Got to Talk About Kevin”, an extremely disturbing and powerful look at another difficult and timely theme. What is it like to be the mother of a school shooter? A la Columbine. Swinton is magnificent but will audiences and Oscar voters be able to turn out to watch this? As great as it is, that’s the Oscar topic that is Tilda’s stumbling block here.

The handling of both these films by their campaigners and distributors will determine whether or not “Machine Gun Preacher” and “….Kevin” will be in the forefront of voters minds and DVD piles come this Christmas. They certainly SHOULD be, IMHO.

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