How important is Film Editing? Well, over the years I’ve come to recognize that Film Editors are among the most important and hardest working artists/technicians in our business. I don’t know what we’d do without them. I really can’t praise their industry and expertise and devotion to their work highly enough. People in the business know how incredibly vital their are. And after helming my own TV show “The Stephen Holt Show” for over 30 years, I do, too. God bless the film editors, and so when they chime in, in the name of their united Guild, the A.C.E. Eddie Awards, attention by AMPAS voters is paid. Seriously.
So when they gave their big award this week to the Best Edited Dramatic Film, in this case “I, Tonya,” it gave that raunchy tabloid of a film that much more of a serious contender boost. And in this case the largest recipient of the Film Editors collective good will and approval would by extention go to Allison Janney, who plays the wild-cat mother of alley-cat Tonya Harding in “I, Tonya.” This is “I, Tonya” biggest Awards bid, Best Supporting Actress. Which is turning into a mud-wrestling final between Janney and Laurie Metcalf, formerly of “Roseanne,” and this season as the Good Mom in “Lady Bird.”
“I, Tonya” was an Indie that opened late in the awards season without much fanfare, whose importance has grown by the day, as more and more people see it. So much so that Allisson Janney’s Mom From Hell is inching ever forward in her death-match struggle against Laurie Metcalf’s much more likeable Mom in “Lady Bird.” And the Ace Eddie Award just continues to add to Janney & Tonya’s steaming forward.
You see, Best Supporting Actress has become basically a two woman race between Janney and Metcalf in the Battle of the Moms. And until the Golden Globe Awards two weeks ago, Metcalf’s gold was considered in the Oscar tank.
Then a strange thing began to happen. That race just turned around and Metcalf’s main Mom competitor Allison Janney started winning every single major award going forward, the Golden Globe, the Critics Choice Award and finally the SAG Award(pictured above ^). The A.C.E. just adds to “I, Tonya’s prestige and by extension, Allison Janney’s.
Tonya Harding was not considered a prestige player in real life. So it’s ironic in the extreme that the film about her “I, Tonya” is now considered a prestige, must-see-it Oscar film contender more and more by the day.Janney is majorly known for the nearly-decade run in “The West Wing,” amassing many Best Supporting Actress in a TV Series Emmys along the way.
An excellent actress no matter what the role, her gargoyle, LaVona Harding is just another example that she can play just about ANY type of role and make audiences like it and remember it and award it.
The race between her and Metcalf is razor thin, so we must take careful note of it, this Oscar season. Even if Metcalf just ended up on the cover of EW with “Lady Bird”s star, Saoirse Ronan and creator Greta Gerwig.Sometimes Entertainment Weekly just jumps the shark and lays out their mag and covers, goes to print too early. I think this is the case here. This is a VERY volatile Oscar race this year and if they’d waited a minute or not, and saw that their supposed front-runner “Lady Bird” had not one ONE AWARD AT THE SAGS, they never would’ve run this cover. It’s premature inauguration. A few more hours and it may have been Frances McDormand and Sam Rockwell on the cover. Or Sally Hawkins and her magical Fish.
But you see just how close this supporting actress race and every category, as a matter of fact, this year is. And Brit Great Lesley Manville, an O.B. E. has been added to the mix, both here in the America Oscar Nominations and abroad at the BAFTAS in London. So do stay tuned for more mud-wrestling.