a.k.a. "The Oscar Messenger"

Posts tagged ‘Oscars’

ACE Eddie Inches Allison Janney forward towards Oscar

How important is Film Editing? Well, over the years I’ve come to recognize that Film Editors are among the most important and hardest working artists/technicians in our business. I don’t know what we’d do without them. I really can’t praise their industry and expertise and devotion to their work highly enough. People in the business know how incredibly vital their are. And after helming my own TV show “The Stephen Holt Show” for over 30 years, I do, too. God bless the film editors, and so when they chime in, in the name of their united Guild, the A.C.E. Eddie Awards, attention by AMPAS voters is paid. Seriously.

So when they gave their big award this week to the Best Edited Dramatic Film, in this case “I, Tonya,” it gave that raunchy tabloid of a film that much more of a serious contender boost. And in this case the largest recipient of the Film Editors collective good will and approval would by extention go to Allison Janney, who plays the wild-cat mother of alley-cat Tonya Harding in “I, Tonya.” This is “I, Tonya” biggest Awards bid, Best Supporting Actress. Which is turning into a mud-wrestling final between Janney and Laurie Metcalf, formerly of “Roseanne,” and this season as the Good Mom in “Lady Bird.”

“I, Tonya” was an Indie that opened late in the awards season without much fanfare, whose importance has grown by the day, as more and more people see it. So much so that Allisson Janney’s Mom From Hell is inching ever forward in her death-match struggle against Laurie Metcalf’s much more likeable Mom in “Lady Bird.” And the Ace Eddie Award just continues to add to Janney & Tonya’s steaming forward.

You see, Best Supporting Actress has become basically a two woman race between Janney and Metcalf in the Battle of the Moms. And until the Golden Globe Awards two weeks ago, Metcalf’s gold was considered in the Oscar tank.

Then a strange thing began to happen. That race just turned around and Metcalf’s main Mom competitor Allison Janney started winning every single major award going forward, the Golden Globe, the Critics Choice Award and finally the SAG Award(pictured above ^). The A.C.E. just adds to “I, Tonya’s prestige and by extension, Allison Janney’s.

Tonya Harding was not considered a prestige player in real life. So it’s ironic in the extreme that the film about her “I, Tonya” is now considered a prestige, must-see-it Oscar film contender more and more by the day.Janney is majorly known for the nearly-decade run in “The West Wing,” amassing many Best Supporting Actress in a TV Series Emmys along the way.Allison Janney 3
An excellent actress no matter what the role, her gargoyle, LaVona Harding is just another example that she can play just about ANY type of role and make audiences like it and remember it and award it.

The race between her and Metcalf is razor thin, so we must take careful note of it, this Oscar season. Even if Metcalf just ended up on the cover of EW with “Lady Bird”s star, Saoirse Ronan and creator Greta Gerwig.Sometimes Entertainment Weekly just jumps the shark and lays out their mag and covers, goes to print too early. I think this is the case here. This is a VERY volatile Oscar race this year and if they’d waited a minute or not, and saw that their supposed front-runner “Lady Bird” had not one ONE AWARD AT THE SAGS, they never would’ve run this cover. It’s premature inauguration. A few more hours and it may have been Frances McDormand and Sam Rockwell on the cover. Or Sally Hawkins and her magical Fish.

But you see just how close this supporting actress race and every category, as a matter of fact, this year is. And Brit Great Lesley Manville, an O.B. E. has been added to the mix, both here in the America Oscar Nominations and abroad at the BAFTAS in London. So do stay tuned for more mud-wrestling.

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I See “Three Billboards” for the 2nd Time! A Modern Masterpiece!

Even though today’s Oscar Nominations are carrying the elegiac headline “Martin McDonagh Snubbed for Directing Three Billboards,” I saw it again before all this happened, and had such an rapturous experience I had just had to write about it. AGAIN.You really DO have to see this film twice, at least,to get what is really going on in this incredibly rich, dense screenplay that McDonagh has graced us with. I found it soooo moving all over again. And perhaps this time, it was because I was looking at it from the perspective, that yes, this is a gay story. Or is it?

Finally, there was confirmation in the voice over that today’s Oscar Nominee for Best Supporting Actor, Woody Harrelson, writes in a letter to  Officer Dixon, at a very dramatic point in the story, which I won’t spoil here, except to say that Harrelson, as Officer Willoughby is saying that he knows that the angry, violent Dixon has spent time in jail, in his past and that the other prisoners are going to think at first that he’s “homophobic and will they be surprised!”

So McDonagh slips this rather crucial piece of information into the plot in a VERY understated way,  stealth to the max, and if you’ve missed it, you’ve missed it, and missed perhaps the most important point of the story. That this is not the story of a simple bigot. It’s the story of most of the red-neck south, and particulary of a confused, violent young man, who lives at home with his ancient alcoholic mother, who’s almost embalmed in gin, and he doesn’t like it one bit. He flirts with her in a jarring, but again, understated way, tousling her hair like he would another teenagers,

He’s totally confused and his youthful energy and rage knows no outlets, except beating up his prisoners, and he seems so randomly violent, at times you think that HE’s the killer of McDormand’s teenage daughter. You think that about Harrelson, too. Everyone is under suspicion in “Three Billboards.” And I didn’t notice the resemblance between McDormand and his mother’s character, with the close-cropped, dyed, blonde hair (pictured below). The actress who plays his mother so well is Riya May Atwood.

I found that last scene so incredibly moving. And it’s so, so simple. How can I explain it without spoiling the main dynamic of the film? Except to say that everything takes another amazing twist. And you really have to be ready for it. Dixon needs to find SOMEone to talk to, someone who understands his violent rages. And she does.

Seeing it twice, I was captivated. Are they villains? Are they murderers? Or could they be? And the acting by McDormand and Rockwell is mesmerizing and fine in the extreme. It’s a master class of understatement. They hypnotize you, as each hypnotize each other. Their acting is very, very rare indeed. It is off the charts.

She’s so bereft cannot cry. Her grief is ineffable. And her rage! Which fuels the movie with explosions literally and figuratively, that take the same form as Rockwell’s incomparable, terrifying outbursts, and I can’t wait to see it again!

May they all continue to be showered with Oscars!

Could “Lady Bird” Get Shut Out at SAGS as it did at Critics Choice?

One of the strangest things of the ongoing awards season 2018, to me, anyway, was how on Wednesday last at the Critics Choice Awards front-running favorite “Lady Bird” was completely shut out of the many, many categories it was nominated for. Like Best Comedy, Best Actress in a Comedy. Both those awards at the beginning of the evening went to, of all things, dark horse, last-minute entry “I, Tonya.” Yep. It won both those awards.Australian actress and reigning blonde sex-pot (“The Big Short”, “The Suicide Squad”, “The Wolf of Wall Street”) got Best Actress in a Comedy for Margot Robbie. And Saoirse Ronan, Lady Bird herself, was snubbed, and so was the supposed front-running movie, Greta Gerwig’s first film.”Lady Bird.” which everybody thought had it in the bag.

Yes, Gerwig did not win Best Director, nor did Laurie Metcalf as Lady Bird’s put-upon-Mom, who was thought to be a shoo-in for Best Supporting Actress all season. At the last minute beloved TV vet Allison Janney swept in on a golden broom-stick and won both the Golden Globe Award in that category. 

La Vona, Tonya Harding’s rather over-the-top. horror show of a Mom, won the gold for the much-liked Janney’s villain of a Mom, who slaps and actually stabs her own daughter in the course of trying to get her ungrateful daughter into the Olympics.

It seemed like some kind of improbable nightmare that the cartoonish, horrifying Janney would win AGAIN at the Critics Choice Awards later in the week, Trouncing Metcalf AGAIN. And leaving supposedly beloved front-runner “Lady Bird” completely out in the cold with no wins at all.

Could that happen AGAIN at the SAG awards tomorrow night? If Frances McDormand wins Best Actress for “Three Billboards Outside Redding Missouri” as she’s expected to and Janney pulls her LaVona hat-trick again, and some other film wins Best Ensemble(“Get Out,” or the surging “Three Billboards”), pretty Lady Bird just might get shut out AGAIN just like at the Critic’s Choice. It’s a possibility, and would mean that McDormand and Janney have the actress roles at the Oscars all sewn up.

“Lady Bird” would then HAVE to win Best Picture. The evil tabloid mess of “I, Tonya” may have been though by some voters to be their cup of poison rather than Greta Gerwig’s sweet child-hood autobiography. We’ll soon see.

My SAG 2018 Predictions

After much consideration, and I’m trying to be as simple as I can be, I think the key to this year’s SAG Awards predictions is as plain as the nose on my face. Or as plain as the nose on anyone’s face in Ebbing,Missouri. “Three Billboards Outside Ebbing, Missouri” is going to sweep and win all four of the categories it’s nominated for. The overwhelming performance of an angry, but not tear-stained, grieving mother Mildred will win Frances McDormand her second SAG award. The fierceness of her unforgiving fury will translate into universal acclaim  as she has already received., at 60, the Golden Globe for Best Actress Drama and the same at the Critics’ Choice Awards.And her co-star Sam Rockwell, as the confused small-town policeman, Deputy Dixon, who tries to help her solve the  seemingly unsolvable mystery of her daughter’s violent rape and death, will precede McDormand to the podium and win Best Supporting Actor. Both of them bumping into each other on their way to the Oscars.

And two of the a-fore-seen winners of the other two awards,  Gary Oldman as the definitive Winston Churchill in “The Darkest Hour” (Best Actor) and Allison Janney as Tonya Harding’s frightening mother in the surging “I, Tonya.” (Best Supporting Actress), both will win again.

The SAGS only give out few awards to film. Mostly, it’s television that is being awarded. And usually at the start of the show BANG! They announce one of the two  Supporting Awards. So tune in on time at 8pm tomorrow night at TNT and TBS (Check your local listings.) Or you might miss Sam winning! Hopefully, I’ll survive the suspense until Sunday night when once again, I will be live-blogging.

Their fourth nomination being the supposedly predictive Best Ensemble award. That’s the only one of “Three Billboards” four nominations that I’m a little bit shaky about. But I think it’s their night. They might not win the Oscar, but they’ll win this. It’s an actor’s actor movie. And the SAGs, lest me forget, are actors voting on actors. “Three Billboards Outside Ebbing” is co–starring some of the greatest actors of our time. Woody Harrleson, Peter Dinklage, John Hawkes, Lucas Hedges are among the long list of its’ sterling ensemble.

“The Shape of Water” can’t win because it wasn’t nominated.

It could easily go to one of the other films. I would automatically say “Lady Bird,” but that got shut out surprisingly at the Critics last week! What? What? But I’ll put my pen down for the night, and just wish all of them good luck on Sunday!

Critics Choice Give “Lady Bird” NOTHING!?!? “Shape of Water” wins Best Picture

I guess the members of the Broadcast Film Critics did NOT like Anything about supposed Oscar front-runner “Lady Bird .” It got NOTHING from their award show which went out tonight on the CW. It only took two hours. They didn’t announce many of their silly, superfluous categories on air. But they still were there. As you can see by the list below. Thanks to http://www.awardsdaily.com

Next up, the SAG Awards on Sunday night. I’ll be Live-Blogging those awards, too, which are considered more seriously as they actually voted on by members of a for-real industry guild, the Screen Actors Guild.

WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”

“Three Billboards…” Superlative, explosive, knockout, lots of Nominations, but Sam Rockwell may be its only winner.



“Three Billboards Outside Ebbing Missouri” is one of the best films of this rich year. For once, the awards hype is justified. It’s a thrill ride through the unimaginable violence that plagues the small town of Ebbing, Missouri after a young girl is raped, as she is murdered, then set on fire. “Three Billboards…” is going to set the Awards season on fire, too. It will get many,many nominations.

Frances McDormand and Sam Rockwell are giving the performances of their careers, but I feel it’s Rockwell who’s going to carry home the gold. He’s been put in the category of Best Supporting Actor, though he’s arguably the co-lead. And he’s already been nominated for a Golden Globe and a SAG award. As has Frances, as has McDonagh.

I’ve been following Sam’s career since he was an Off Broadway actor, and he’s certainly a veteran now and has a role that is thrilling in its range and demands. As a small town cop, he has to be funny. He has to be a bit of a stooge and a stumblebum. And when the film turns dark, he has to go there, too,Oscar Winner Frances McDormand ( For “Fargo”) deserves the accolades that have been accruing to her powerful Mildred Hayes, the mother of the murdered girl. In a totally vanity-free performance, she dominates the screen so powerfully that you’ll never forget that clenched teeth, firmly set jaw, that uncompromised stare as she tries to find out who killed her teenaged daughter.

She astonishes in this film as a woman who can’t smile. She puts up these three billboards in a part of town where her daughter was killed accusing the police of doing nothing to find her the killer. And grief is making her look like a death’s head herself.Everyone in this town seems cut from the cloth of the Confederacy to put it mildly. And any of them could have done it. Especially a member of the Police Force.

Woody Harrelson is once again on hand to provide a firm grounding in ominous white cracker-dom at the outset. His battle with terminal cancer forms the second plot line that I won’t spoil here. But he’s great, too. Both he and his co-hort Rockwell, are both headed to the Oscars, and so is McDormand.But I wonder if the totally de-glammed McDormand is going to be any match for the younger and more comely superstars like Soirse Ronan. Sally Jenkins of “The Shape of Water” is more sympathetic and she’s mute. So Frances has some fierce competition in that category. She’s uncompromising. She’s great. But she has an Oscar already and Saoirse and Sally and even Michelle Williams or Annette Bening are all Oscar free…so far…Three Bill Boards 10

But ah! There is that Oscar golden moment for Frances when she encounters a free-ranging doe when she is tending a flowerbox she has placed near her dead daughter’s billboards. The look they share, eye to eye, female to female animal, is one of the few moments we see Mildred smile in this corrosive movie, you will NOT be able to stop thinking about.

Also the thrilling depths and layers that McDonagh has given Rockwell to play. He starts out as a crispy-crème, donut-chomping bigot. But he CHANGES. I can’t say how, but in the creation of Dixon, a co-lead to McDormand’s angry Mildred, he matches her beat for beat in VERY unexpected and powerful ways. He lives at home with his mother, who is always drunk. The Dear Readers of this blog can infer more…But what a complicated, stupendous role he’s written for Rockwell, who has never had a part this good since he debuted to much acclaim in “Box of Moonlight” in 1996. Unbelievably this prince of American actors has never even been nominated for an Oscar. Yet.

Even writer-director Martin McDonagh has an Oscar for a short he did. He’s certainly going to get a double nomination for both directing and original screenplay, and he’s going to up against Girl-Of-the-Hour Greta Gerwig in both categories for “Lady Bird.”

It’s going to be a very suspenseful Oscar night indeed. But I feel “Three Billboards” is such an IMPORTANT film, that they are going to give it Something Big, and that Something may very well be Sam Rockwell. as the irascible, temperamental, complicated drunk of a cop. That’s just him in the FIRST half of “Three Billboards…” The twists are UNBELIEVABLE, and it’s Sam’s character who gets to play all that juicy jazz as the plot and his character’s place in it unravel. He’s all but unbeatable. What a range McDonagh has allowed him to show!

The ubiquitous and wonderful Lucas Hedges, Oscar nominee of “Manchester by the Sea” is here, too, as McDormand’s bewildered, but compassionate son. In a moment of peak at the breakfast table, she lobs Fruit Loops at him.

He’s in “Lady Bird,” too as Saoirse Ronan’s high school boyfriend. And Peter Dinklage perks up the last third of the film as the town’s only human, a small person who is not small inside,   a midget, who befriends and helps McDormand in her fight against the lacksadaisical,  if  not downright indifferent, police “force.”

 

Their dinner date is a superb piece of comic timing. Yes,”Three Billboards” is darkly funny, too. This tragic tale of loss and corruption has an excellent sense of humor, too. In fact, it made me feel like I was watching a new Coen Brothers movie. The resemblance to their black humor and influence is definitely wonderfully there.

Irish playwright par excellence McDonagh, has fully made the unbelievable transition to American crime filmmaker. “Three Billboards Outside Ebbing, Missouri” thrilled me to my core with its wit, drama and intense originality.

“Shape of Water” One of the most beautiful, though improbable, love stories ever! Sally Hawkins is Magic!

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