a.k.a. "The Oscar Messenger"

Posts tagged ‘tabloid journalistm’

ACE Eddie Inches Allison Janney forward towards Oscar

How important is Film Editing? Well, over the years I’ve come to recognize that Film Editors are among the most important and hardest working artists/technicians in our business. I don’t know what we’d do without them. I really can’t praise their industry and expertise and devotion to their work highly enough. People in the business know how incredibly vital their are. And after helming my own TV show “The Stephen Holt Show” for over 30 years, I do, too. God bless the film editors, and so when they chime in, in the name of their united Guild, the A.C.E. Eddie Awards, attention by AMPAS voters is paid. Seriously.

So when they gave their big award this week to the Best Edited Dramatic Film, in this case “I, Tonya,” it gave that raunchy tabloid of a film that much more of a serious contender boost. And in this case the largest recipient of the Film Editors collective good will and approval would by extention go to Allison Janney, who plays the wild-cat mother of alley-cat Tonya Harding in “I, Tonya.” This is “I, Tonya” biggest Awards bid, Best Supporting Actress. Which is turning into a mud-wrestling final between Janney and Laurie Metcalf, formerly of “Roseanne,” and this season as the Good Mom in “Lady Bird.”

“I, Tonya” was an Indie that opened late in the awards season without much fanfare, whose importance has grown by the day, as more and more people see it. So much so that Allisson Janney’s Mom From Hell is inching ever forward in her death-match struggle against Laurie Metcalf’s much more likeable Mom in “Lady Bird.” And the Ace Eddie Award just continues to add to Janney & Tonya’s steaming forward.

You see, Best Supporting Actress has become basically a two woman race between Janney and Metcalf in the Battle of the Moms. And until the Golden Globe Awards two weeks ago, Metcalf’s gold was considered in the Oscar tank.

Then a strange thing began to happen. That race just turned around and Metcalf’s main Mom competitor Allison Janney started winning every single major award going forward, the Golden Globe, the Critics Choice Award and finally the SAG Award(pictured above ^). The A.C.E. just adds to “I, Tonya’s prestige and by extension, Allison Janney’s.

Tonya Harding was not considered a prestige player in real life. So it’s ironic in the extreme that the film about her “I, Tonya” is now considered a prestige, must-see-it Oscar film contender more and more by the day.Janney is majorly known for the nearly-decade run in “The West Wing,” amassing many Best Supporting Actress in a TV Series Emmys along the way.Allison Janney 3
An excellent actress no matter what the role, her gargoyle, LaVona Harding is just another example that she can play just about ANY type of role and make audiences like it and remember it and award it.

The race between her and Metcalf is razor thin, so we must take careful note of it, this Oscar season. Even if Metcalf just ended up on the cover of EW with “Lady Bird”s star, Saoirse Ronan and creator Greta Gerwig.Sometimes Entertainment Weekly just jumps the shark and lays out their mag and covers, goes to print too early. I think this is the case here. This is a VERY volatile Oscar race this year and if they’d waited a minute or not, and saw that their supposed front-runner “Lady Bird” had not one ONE AWARD AT THE SAGS, they never would’ve run this cover. It’s premature inauguration. A few more hours and it may have been Frances McDormand and Sam Rockwell on the cover. Or Sally Hawkins and her magical Fish.

But you see just how close this supporting actress race and every category, as a matter of fact, this year is. And Brit Great Lesley Manville, an O.B. E. has been added to the mix, both here in the America Oscar Nominations and abroad at the BAFTAS in London. So do stay tuned for more mud-wrestling.

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Jake Gyllenhaal Just Grows and Grows!

Nightcrawler 2

With his new #1 box-office smash “Nightcrawler”, Jake Gyllenhaal shows anew that he is willing to take on the riskiest of roles and stretch his range, and the public’s perception of him as a screen actor and a leading man. Never comfortable with simply the role of a movie star/action hero, “Nightcrawler” shows us that he is becoming a very fine actor indeed. An actor’s actor.One of the best. His name stands for quality.

Playing the slimiest of slime-balls, I don’t think we’ve ever seen so compelling a portrait of a bottom-feeder. His Louis Bloom is an ambulance chaser at best and simply a common thief, when we first see him in “Nightcrawler”. At the beginning of the film, which I saw at TIFF, he is seen stealing copper cables. He moves up the food chain from there, when he witnesses a car crash and sees TV video crews mercilessly filming the dying, bloody victims. He’s got a video camera, too, and thinks, “I can do that!” and does.

And of course, as he pursues his new calling, things just get worse and worse. Rather his deeds do. And the chilling thing about “Nightcrawler” is that it is more or less absolutely true. This is how those tabloid news shows get their scammy footage. So this great LA noir just reverberates with TRUTH. Sadly.

And Gyllenhaal’s massive weight loss for this character, mirrors the hungriness Bloom feels inside and out. And with the box-office bonanza this is turning out to be, the Academy can’t ignore Gyllenhaal’s frightening apt portrayal. People die and he keeps filming them. And selling his shocking, bloody footage to Renee Russo, who has never been better than she is here. As a local TV news manager, she is buying what Gyllenhaal is selling. She could reap her first Oscar nomination for this, too. In Supporting Actress, always a category, that this year more than ever is wide open.

In his last several films, Gyllenhaal has shown an impressive range and daring. Even in the sci-fi mis-fire, “Enemy”, he took on TWO roles. An academic and an actor in Toronto. In “End of Watch”, he was a good cop whose good values and heart shown through every violent scene.

“Nightcrawler” is just as violent as “End of Watch”, but is even more horrific because it shows, accurately, the ruthlessness of those profiting by exploiting that violence.

Jake the Great is turning out to be one of the best actors of his generation. He was nominated for an Oscar for Best Supporting Actor for his unforgettable, doomed cowboy in “Brokeback Mountain.” and his 360 degree turn into the despicable “Nightcrawler” could very well bring him back into the Awards race again. I certainly hope it does. He deserves to be there.

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