a.k.a. "The Oscar Messenger"

Posts tagged ‘Sam Rockwell’

I See “Three Billboards” for the 2nd Time! A Modern Masterpiece!

Even though today’s Oscar Nominations are carrying the elegiac headline “Martin McDonagh Snubbed for Directing Three Billboards,” I saw it again before all this happened, and had such an rapturous experience I had just had to write about it. AGAIN.You really DO have to see this film twice, at least,to get what is really going on in this incredibly rich, dense screenplay that McDonagh has graced us with. I found it soooo moving all over again. And perhaps this time, it was because I was looking at it from the perspective, that yes, this is a gay story. Or is it?

Finally, there was confirmation in the voice over that today’s Oscar Nominee for Best Supporting Actor, Woody Harrelson, writes in a letter to  Officer Dixon, at a very dramatic point in the story, which I won’t spoil here, except to say that Harrelson, as Officer Willoughby is saying that he knows that the angry, violent Dixon has spent time in jail, in his past and that the other prisoners are going to think at first that he’s “homophobic and will they be surprised!”

So McDonagh slips this rather crucial piece of information into the plot in a VERY understated way,  stealth to the max, and if you’ve missed it, you’ve missed it, and missed perhaps the most important point of the story. That this is not the story of a simple bigot. It’s the story of most of the red-neck south, and particulary of a confused, violent young man, who lives at home with his ancient alcoholic mother, who’s almost embalmed in gin, and he doesn’t like it one bit. He flirts with her in a jarring, but again, understated way, tousling her hair like he would another teenagers,

He’s totally confused and his youthful energy and rage knows no outlets, except beating up his prisoners, and he seems so randomly violent, at times you think that HE’s the killer of McDormand’s teenage daughter. You think that about Harrelson, too. Everyone is under suspicion in “Three Billboards.” And I didn’t notice the resemblance between McDormand and his mother’s character, with the close-cropped, dyed, blonde hair (pictured below). The actress who plays his mother so well is Riya May Atwood.

I found that last scene so incredibly moving. And it’s so, so simple. How can I explain it without spoiling the main dynamic of the film? Except to say that everything takes another amazing twist. And you really have to be ready for it. Dixon needs to find SOMEone to talk to, someone who understands his violent rages. And she does.

Seeing it twice, I was captivated. Are they villains? Are they murderers? Or could they be? And the acting by McDormand and Rockwell is mesmerizing and fine in the extreme. It’s a master class of understatement. They hypnotize you, as each hypnotize each other. Their acting is very, very rare indeed. It is off the charts.

She’s so bereft cannot cry. Her grief is ineffable. And her rage! Which fuels the movie with explosions literally and figuratively, that take the same form as Rockwell’s incomparable, terrifying outbursts, and I can’t wait to see it again!

May they all continue to be showered with Oscars!

My SAG 2018 Predictions

After much consideration, and I’m trying to be as simple as I can be, I think the key to this year’s SAG Awards predictions is as plain as the nose on my face. Or as plain as the nose on anyone’s face in Ebbing,Missouri. “Three Billboards Outside Ebbing, Missouri” is going to sweep and win all four of the categories it’s nominated for. The overwhelming performance of an angry, but not tear-stained, grieving mother Mildred will win Frances McDormand her second SAG award. The fierceness of her unforgiving fury will translate into universal acclaim  as she has already received., at 60, the Golden Globe for Best Actress Drama and the same at the Critics’ Choice Awards.And her co-star Sam Rockwell, as the confused small-town policeman, Deputy Dixon, who tries to help her solve the  seemingly unsolvable mystery of her daughter’s violent rape and death, will precede McDormand to the podium and win Best Supporting Actor. Both of them bumping into each other on their way to the Oscars.

And two of the a-fore-seen winners of the other two awards,  Gary Oldman as the definitive Winston Churchill in “The Darkest Hour” (Best Actor) and Allison Janney as Tonya Harding’s frightening mother in the surging “I, Tonya.” (Best Supporting Actress), both will win again.

The SAGS only give out few awards to film. Mostly, it’s television that is being awarded. And usually at the start of the show BANG! They announce one of the two  Supporting Awards. So tune in on time at 8pm tomorrow night at TNT and TBS (Check your local listings.) Or you might miss Sam winning! Hopefully, I’ll survive the suspense until Sunday night when once again, I will be live-blogging.

Their fourth nomination being the supposedly predictive Best Ensemble award. That’s the only one of “Three Billboards” four nominations that I’m a little bit shaky about. But I think it’s their night. They might not win the Oscar, but they’ll win this. It’s an actor’s actor movie. And the SAGs, lest me forget, are actors voting on actors. “Three Billboards Outside Ebbing” is co–starring some of the greatest actors of our time. Woody Harrleson, Peter Dinklage, John Hawkes, Lucas Hedges are among the long list of its’ sterling ensemble.

“The Shape of Water” can’t win because it wasn’t nominated.

It could easily go to one of the other films. I would automatically say “Lady Bird,” but that got shut out surprisingly at the Critics last week! What? What? But I’ll put my pen down for the night, and just wish all of them good luck on Sunday!

Critics Choice Give “Lady Bird” NOTHING!?!? “Shape of Water” wins Best Picture

I guess the members of the Broadcast Film Critics did NOT like Anything about supposed Oscar front-runner “Lady Bird .” It got NOTHING from their award show which went out tonight on the CW. It only took two hours. They didn’t announce many of their silly, superfluous categories on air. But they still were there. As you can see by the list below. Thanks to http://www.awardsdaily.com

Next up, the SAG Awards on Sunday night. I’ll be Live-Blogging those awards, too, which are considered more seriously as they actually voted on by members of a for-real industry guild, the Screen Actors Guild.

WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”WINNERS OF THE 23RD ANNUAL CRITICS’ CHOICE AWARDS

FILM:
BEST PICTURE – “The Shape of Water”

BEST ACTOR – Gary Oldman, “Darkest Hour”

BEST ACTRESS – Frances McDormand, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTOR – Sam Rockwell, “Three Billboards Outside Ebbing, Missouri”

BEST SUPPORTING ACTRESS – Allison Janney, “I, Tonya”

BEST YOUNG ACTOR/ACTRESS – Brooklynn Prince, “The Florida Project”

BEST ACTING ENSEMBLE – “Three Billboards Outside Ebbing, Missouri”

BEST DIRECTOR – Guillermo del Toro, “The Shape of Water”

BEST ORIGINAL SCREENPLAY – Jordan Peele, “Get Out”

BEST ADAPTED SCREENPLAY – James Ivory, “Call Me By Your Name”

BEST CINEMATOGRAPHY – Roger Deakins, “Blade Runner 2049”

BEST PRODUCTION DESIGN – Paul Denham Austerberry, Shane Vieau, Jeff Melvin, “The Shape of Water”

BEST EDITING (TIE) – Paul Machliss, Jonathan Amos, “Baby Driver”

BEST EDITING (TIE) – Lee Smith, “Dunkirk”

BEST COSTUME DESIGN – Mark Bridges, “Phantom Thread”

BEST HAIR AND MAKEUP – “Darkest Hour”

BEST VISUAL EFFECTS – “War for the Planet of the Apes”

BEST ANIMATED FEATURE – “Coco”

BEST ACTION MOVIE – “Wonder Woman”

BEST COMEDY – “The Big Sick”

BEST ACTOR IN A COMEDY – James Franco, “The Disaster Artist”

BEST ACTRESS IN A COMEDY – Margot Robbie, “I, Tonya”

BEST SCI-FI OR HORROR MOVIE – “Get Out”

BEST FOREIGN LANGUAGE FILM – “In The Fade”

BEST SONG – “Remember Me” from “Coco”

BEST SCORE – Alexandre Desplat, “The Shape of Water”

My Year’s Ten Best 2017!

1. CALL ME BY YOUR NAME ~ One of the Best Films Ever Made. Period. The Gay Movie, we, as gays, have been waiting for all our lives. Timothee Chalamet has won BOTH the New York Film Critics and the L.A. Film Critics Best Actor awards. Armie Hammer is his magnificent love interest and co-star.

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2. WONDER WHEEL ~ Woody Allen’s latest and Kate Winslet’s tear-stained performance is one of her best.

3. THE SHAPE OF WATER ~ Guillermo Del Toro’s Best Film. Sally Hawkins is flat-out amazing as a Spanish Deaf Mute Janitress, who falls in love with something akin to the Creature from the Black Lagoon. But it isn’t ridiculous. It’s beautiful, and moving beyond words. She won Best Actress from the L.A. Film Critics. This film will make you cry.

4. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI– Irish Playwright Martin McDonagh’s magnificent morphing into a great American crime filmmaker. Frances McDormand and Sam Rockwell burn up the screen, literally. This film will make you angry. For all the right reasons.

5.  THE FLORIDA PROJECT ~Unbelievably, an epic film set in the make-shift budget motels across the street from  DisneyWorld, which was first called “The Florida Project,” as it was being built. Willem Dafoe is the sympathetic, sad-sack motel manager and six-year-old mischief maker Brooklynn Prince rock each other’s, and our world. Public access legend Sandy Kane makes a cameo appearance. She told me, “If you blink, you’ll miss me. It’s Tats over tits.”

6.ALL THE MONEY IN THE WORLD ~ Director Ridley Scott is back Big Time, as he directs Michelle Williams and Christopher Plummer in a tense, spine-tingling thriller about the ’70s kidnapping of J. Paul Getty’s grandson, who, yes, gets his ear cut off and sent to his mother (Williams.) But you can’t turn away.

7.LADY BIRD ~ Genius Greta Gerwig channels her boring, restless teenage years in  middle-class Sacramento into a box office bonanza that Irish actress Saoirse Ronan and Laurie Metcalfe as her befuddled, well-meaning mother from Hell, make herstory and could all win Oscars. Best Film of the Year from the New York Film Critics. Will it win the Oscar, too, for Best Picture? It might.

9. DUNKIRK ~ Christopher Nolan’s truly epic epic that makes all WWII war movies look like tiddly winks and utitlizes Oscar Winners  Mark Rylance, Kenneth Branagh and a cast of 100os to re-vitalize history in a seat-of-your-pants thriller diller. And rock star Harry Styles is in it, too. And he’s good!

10.  FROM THE LAND OF THE MOON ~ Marion Cotillard’s mesmeric performance once again lights up the skies in this unusual French love story.

Best Supporting Actor~ChristianBale, Mark Ruffalo & Sam Rockwell

I have always seen Christian Bale, Mark Ruffalo and Sam Rockwell as a sort of trio, worthy lord knows, and veterans now of how many movies? And leads in movies? But never, ever close enough to Oscar to get even a nomination.

Yes, believe it or not, dear readers, dear cineastes, neither of those three extremely talented actors have ever gotten in Oscars door, but goodness knows, at least they’ve been knocking on it, year in and year out. And this year all three might get in.

Christian Bale is purported by many to be the front-runner for Best Supporting Actor for his wacked out portrayal of drug-addled Dickie Ekland in the increasingly popular “The Fighter.”  It’s not as though we haven’t seen a crack-wack-head portrayed on screen before, but never before has a portrayal like that made it to the cover of Sports Illustrated! See www.scottfeinberg.com for the great graphic.

It should be just a pictorial of central character Mark Wahlberg “The Fighter”‘ himself.But there is Bale pushing his head into the shot and onto the cover!

But Hollywood and all the critical masses seem to be lining up behind giving Christian Bale his first ever Oscar nomination. He just got a Golden Globe AND a SAG nom in less than a week! Can Oscar finally be opening the door to the Dark Knight himself? I think so.

But is he well-liked enough to win? His bad boy rantings were recorded and published all over the Internet when he went off on that poor techie, and he also was said to have assaulted his own mother and sister, but they dropped the charges…So…Were they true? Well, something about this scenario must be…but…Is Hollywood going to forgive Bad Boy Bale, a grown up child actor? Or are they going to think him too young to win and give it to Geoffrey Rush, who is his biggest competition, for a career-capping performance as the wacky, but not wacked out Australian Speech teacher to Colin Firth’s sure-to-win stuttering King in “The King’s Speech” ?Aye, that is the question….

Then there are the place-holders…the category-filler-outers…which is where Mark Ruffalo may get in despite his Golden Golbe snub. Ah! But then he rallied at the SAG nods and got one for Best Supporting Actor, his first, like Bale, for “The Kid’s Are All Right.”  Though it opened in the spring, this lesbian-marriage comedy has stayed the course and just did VERY well at the New York Film Critics Awards, netting its’ writer Lisa Cholodenko, who also directed it, the win for Best Screenplay over Aaron Sorkin for The Film That I Will Not Name…Yikes! No  one saw that coming! Could happen at the Oscars too BTW…but that’s another column…

Ruffalo’s performance in “Kids”? Well, as the title says, it’s All Right.

 But not great.

Not really Oscar nomination worthy, though certainly Ruffalo has given many, many performances in the past that could have been nominated, but weren’t. But this time his Only Straight Guy In a Lesbian Movie turn may be the right place at the right time. N0t his greatest work, by any means, and NOT the greatest performance in “The Kids.” But  I guess his heterosexual male presence, and he IS sexy, may assauge the SWORM to nominate him. Oh, and women like him, too. So he may get his first Oscar nomination but he certainly isn’t going to win. Not with Bale and Rush in the category.

And there there’s poor Sam Rockwell! He’s also never been nominated and just missed BOTH the SAG and the Golden Globe nominations he should’ve gotten this week for his superb turn as another difficult, jailed brother in ANOTHER  Masschusetts jail in”Conviction.”

He’s playing true-life character(as Bale and Rush are co-incidentally) Kenny Waters who spends 18 years of his life in a New England jail until he’s freed by this crusading, devoted sister played Betty Ann by Hilary Swank. And SHE just got a surprise nomination from the SAGS! She who has already won two Best Actress Oscars, is obviously more of an actor-favorite than anybody imagined, and her performance is damned-good, too.e

I just caught up with “Convinction” at a screening two DAYS ago, and I was shocked at how much I liked it.

So Hilary Swank popped up unexpectedly in Best Actress and knocked out presumed (and Golden Globe nominee) Michelle Williams. Will Swank prevail at the Oscars in another surprise win? Or will it be the equally  worthy Williams, who though nominated for Best Supporting Actress for “Brokeback Mountain” in 2005, has never been nominated in the main slot. Ah! But this time she’s gotten Oscar stealth weapon Harvey Weinstein behind her!…

I personally think that Sam Rockwell may be the one from “Conviction” to surprise, not Swank. Fox Searchlight is campaigning hard for “Conviction” even though it was a box-office flop….But they are getting the screeners into the Academy’s hands and/or getting the Academy’s asses to their screenings…of “Conviction.” So will Sam Rockwell pop up? Will he be the Oscar surprise? Heaven knows he’s worthy enough, but don’t be surprised, because you heard it here first!

Stay tuned!

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