a.k.a. "The Oscar Messenger"

Posts tagged ‘Olivia Coleman’

Rami Wins Best Actor Oscar for “Bohemian Rhapsody”, Gives Great Speech, Falls Off Stage.

Rami Malek accepting his Oscar for his performance as Freddie Mercury in “Bohemian Rhapsody”

Rami Malek made history in more ways than one at last night’s Academy Awards. He gave a rousing, impassioned speech emphasizing his ethnicity as “an immigrant, a first generation Egyptian,” thanked everyone he could think of, and then, when the cameras weren’t rolling, and the show cut to a commercial break, he fell off the stage!

Rami Malek falls off the Oscar stage.

He was treated immediately by para-medics. Who knew that a team of them would be standing by at the Oscars, prepared for eventualities like this? And he was deemed fine and released to go backstage to the Press Room, where he was as crisp as a dry martini, clearly shaken, not stirred.

Rami after his tremendous fall from the Oscar stage, back almost immediately in the Press Room.

The press on “Bohemian Rhapsody” was mixed, to say the least, but always laudatory for his galvanic portrayal of Freddie Mercury. “Bomhemian Rhapsody” also won the most Oscars of the night ~ four. It won for Best Editing, Best Sound Mixing and Best Sound Editing.

He did the most politic thing imaginable by thanking what was left of the assembled Press Corps in the Press Room for staying to talk to him and to ask the questions they stayed to ask (see You Tube) and that he wouldn’t have gotten his Oscar without their support, and coverage which was true. Abundantly so. But nobody ever thanks us.

He also noted again in his all-too-brief Q&A that he was the first member of his ethnicity to win the Best Actor Oscar.

And he also made a point in both speeches that he was playing a gay character.

It was also a big night for the LBGTQ community, because there was more queer representation among the award-winning Oscar characters than ever before. Olivia Coleman, who won Best Actress in the biggest surprise upset of the night for her daffy, adorable, despotic dyke of a Queen in “The Favorite”, and Mahershala Ali won Best Supporting Actor for playing his gay jazz pianist, Billy Williams in “The Green Book.” Which also won Best Picture.

Olivia Coleman as the mad, bad Queen in “The Favourite”

In fact, all told there was more gay representation than ever before at this year’s Oscar, making it the most gender diverse as well as diverse Oscars in history.

My favorite moment? Rami’s much-deserved win, of course. And I’m also so glad that we only heard about his tumble from the stage later on and that it was not shown as part of the show. I can’t wait to see what Rami does next!

Golden Globes Nominations Out! “Boy, Erased” Gets Two! Lucas Hedges Best Actor. Drama!


This year’s Golden Globes Nominations have just been announced. And they seem to be earlier than ever. The LA Film Critics haven’t even announced yet! So here they are. And for a complete list go to http://www.awardsdaily.com. I’m just over the moon that my #1 film of the year was remembered twice. The incredible Lucas Hedges got nominated in Best Actor, Drama for “Boy, Erased.” It also got nommed for Best Song.

This is what Lucas had to say about this,

“I honestly didn’t expect this and am completely thrilled. Thank you to the Hollywood Foreign Press for this incredible nomination. I loved playing Marlo, so this is a real honor.”

The 21-year-old phenom is currently on Broadway in Kenneth Lonergan’s “The Waverly Gallery” and so he can’t do the usual glad-handing and campaigning that has become an inevitable, and necessary, component of this Awards’ race.

No stranger to the Golden Globes and the Hollywood Foreign Press Association, who give them out, Lucas was up two years ago in Supporting for “Manchester by the Sea,” also by the superb author/director Kenneth Lonergan.

It should also be noted that the HFPA nominated both gay characters in “Can You Ever Forgive Me” played by Melissa McCarthy (Lead actress) and Richard E. Grant (Supporting). as well as all three lesbian characters in “The Favourite” played by Olivia Coleman(Lead) and Emma Stone and Rachel Weisz(supporting.)

The Golden Globes become more and more important every year and this year they seem more on point than ever. And they certainly are a hoot and half to watch. And they very often are extremely predictive of the Oscars. Academy voters use the Golden Globe lists as a cheat sheet. Their inclusion on this list will mean the films will be watched and discussed. And in the case of “Boy, Erased,” which is about the heinous practice of gay conversion therapy, which is still legal in over thirty states, it is IMPORTANT and timely.

Post-script: the other Masterpiece that’s out there this year, “Roma” was nominated for Best Foreign Film, because it’s in Spanish. Alfonso Cuaron was nominated as Best Director and  Best Screenplay. And if there was an award for Best Cinematography, he’d be nominated for that, too,  for the stunning Black and White footage that he shot entirely himself!

Best Supporting Actress- Pre-Festivals, Pre-TIFF

BEST SUPPORTING ACTRESS 2012 -Pre-TIFF

This category was ceded by many, months ago, to Anne Hathaway’s heartbreaking, shattering performance in the trailer of “Les Miserables.” I have never seen a trailer to have such an impact on the Oscar Race, and so EARLY! Back in June. Or May even…And the film doesn’t come out til Christmas!

“The Dream Lives,” the trailer ends with these titles “This Christmas.” Well, I for one can hardly wait!

Why was Universal releasing this so early?

Well, it was superbly done, brilliantly edited, and plaintively sung by Hathaway. It contains the song “I Dreamed A Dream,” which is arguably one of the most famous songs from “Les Miz” that always pulls heart-strings, if it’s done right.

This is the song that made Susan Boyle an over-night sensation on “Britain’s Got Talent” a few years back. And Musical Comedys are NOT at all a sure-fire, can’t-miss genre these days. No matter how well they may be done. They released this that early to build buzz. And it has succeeded in that respect. And Anne Hathaway also scored as Catwoman in TDKR, too, this year.

Oscar Winner for Best Director for “The King’s Speech” is back again with “Les Miz” and he directs period pieces soooo well…just check out the Multi-Emmy-Award Winning TV series “John Adams.” That was one of the greatest TV series I’ve ever seen, and it could have been as dry as dust, instead it was riveting. And it won its two leads Paul Giamatti and Laura Linney Best Actor and Best Actress Emmys, too. As John and Abigail Adams respectively.

And Laura is back in the Best Actress hunt again this year. Her FOURTH nomination, if she gets one for “Hyde Park on the Hudson” which I already discussed in the previous post just below this one.

Which is to say that Hooper’s actors win awards, see Colin Firth in “The King’s Speech.”

Anne Hathaway’s part in “Les Miz” is the doomed prostitute Fantine, which also won Patti LuPone an Olivier Award, when she played that part in the original London production. So it’s an awards-magnet role. And Hathaway totally aces it in the trailer’s Oscar-y moment par excellence when she, sobbing and dirty, gets all her real hair cut off.  It’s a horrifying, but award-worthy moment. The song is MUCH longer than that,too And there is much more to her role in “Les Miz” although she does die early on.  But who’s to say if they might run her as Best Actress instead of Supporting?

They might. But then again the Academy’s Actor’s Branch voters are the ones who ultimately decide which category an actress, or an actor, is going to be in. The Studios and distributors can campaign all they want…but it’s Hathaway’s peers who will decide where to put her.

The many For Your Consideration ads are run by the Studios as a means of clue-ing the Actor’s Branch especially for who goes where.  They decided for instance that Kate Winslet should be considered for Best Actress for “The Reader” when no less an Oscar personage than Harvey Weinstein was running her as Supporting for that film. Which she did eventually win a Golden Globe for. And also, for Best Actress that year for “Revolutionary Road.” Her “I got TWO!” picture with a Golden Globe in each hand, flashed around the world.

I think this instance shows that the Academy doesn’t ALWAYS do as Harvey tells them.Or suggests to them, I should say.

Opposite Hathaway, it’s looking like Harvey’s main gal this season is going to be Amy Adams for “The Master”, but evidently some already say the part is too small, only three scenes.

Will Qu’venzhane Wallis the 8 year old in “Beasts of the Southern Wild”  get run in Supporting, instead of lead, where she belongs? However, the Academy is notoriously not partial to putting child actors in the lead category. Look what they did with that girl with the braids from “True Grit.” She ended up in Supporting, though she arguably, also had the lead female role in the Coen Bros. western. What was her name anyway? I’ve completely forgotten! Hallie something? That nomination was the beginning and end of her career.

There’s also the great female Brits in the runaway smash of the Indies this year “Best Exotic Marigold Hotel.” It boasts THREE great performances, Dame Judi Dench, Dame Maggie Smith and Penelope Wilton. Again Dame Judi is the lead here, but again, Fox Searchlight has got her down for Supporting, where she really shouldn’t be. The Academy could put her in lead, if they so deem fit…As I said in the last post, Best Actress is once again Back Up For Grabs this year…

Fox Searchlight has its’ hands full this year! Should Judi Dench go lead? Should Qu’venszhane? Decisions! Decisions!

And then there’s Viola Davis and Maggie Gyllenhaal in “Won’t Back Down”, another Indie. But who is lead and who is Supporting? I don’t think that film is even at Toronto. Which says something.

And though after last year’s debacle with Davis predicted to win all over the place, she lost to Meryl Streep. The Academy was again accused of racism. And it is. Although they did give the Best Supporting Actress Oscar to Octavia Spenser for the controversial “The Help.” Could they try to make it up to her with ANOTHER nomination? If they did, she would then be the first African-American actress to get the most Oscar nominations ever. A total of three.

Or is “Don’t Back Down” even Oscar worthy? We don’t know yet. But its lack of Festival presence says something, I think.

To go back to “Hyde Park on Hudson” there are two British Olivias in Supporting roles. Olivia Williams as Eleanor Rossevelt and Olivia Coleman as the Queen of England, who is visiting the Roosevelts at Hyde Park, with her husband the stuttering King Edward VII.

AND there’s the Oscar perennial Bridesmaid multiple-timed nominee, Annette Bening playing against type as a gambling-obsessed Mom of Kristen Wiig in “Imogene.”  You can never count Bening out.

But judging by the competition she’s up against, IMHO, this category is Anne Hathaway’s to lose.

Oscar Chart by David Poland now up @ Movie City News

Yes, David Poland finally put his first, big Oscar chart of the season up at www.moviecitynews.com

And I felt a bit of relaxation to see that David and I were mostly on the same page. He’s got Woody Allen’s masterpiece “Midnight in Paris” in the #1 position for Best Picture. He’s got Michelle Williams for Best Actress for “My Week With Marilyn”. He’s got BOTH Jean DuJardin and Berenice Bejos in the top spots for Best Actor and Best Supporting Actress in “The Artist” and he’s got Christopher Plummer for Best Supporting Actor. However not for “Beginners” but for the still unseen “Girl With The Dragon Tattoo.”

But quixotically, he’s combined Plummer, also with Stellan Skarsgard for “Tattoo”, too. Plummer is playing the smallish, exposition-filled role of Herman Vanger, the old multi-millionaire who hires Mikael Blomkvist to investigate the disappearance and possible murder of the beloved neice Harriet Vanger, 14 years previously. And Skarsgard, who is also a great, great actor, plays his oldest son.

Don’t think any of THIS is going to happen, and Plummer will be awarded for “Beginners” as we’ve known from, well, the beginning of the season. May, actually.

But the others are intriguingly in sync with my P.O.V.

He doesn’t seem to be overwhelmed with Clooney in “The Descendants”. “Nothing new here” he notes.

I love David’s pithy descriptions of each persons chances! And now in Best Supp. Actress, he AND Scott Feinberg have got Berenice Bejos on top, which is really covering the waterfront in terms of two predictors from opposite ends of the Hollywood spectrum. Scott Feinberg is now at The Hollywood Reporter. But his previous web address was www.scottfeinberg.com And he was the first person to link to this humble blog. I think he still is.

I THOUGHT when I first saw “The Artist” in Montreal that Harvey Weinstein would push both Dujardin AND Bejos through for his film that really is perhaps the most lovable winner imaginable this year. Well, nominee, anyway.

Anne Thompson keeps saying at www.indiewire.com that Dujardin can’t speak English well enough to succeed on the pre-awards interview circuit. And Anne never makes this judgements lightly. I wonder if Berenice Bejos speaks it better?

I know one of the reasons that Marion Cotillard who won so famously and deservedly for “La Vie En Rose” (besides her being on my show!) was that she assiduously STUDIED English very hard during the pre-Oscar months, when she literally MOVED to L.A. and camped out there and went to every party imaginable and that dear readers, dear cineastes is what you have to do.

Poland also thinks Ryan Gosling’s chances are as dead as a doornail this year for “Drive” and for “Ides of March” which everyone is now discounting. And I think that’s right, too…

Berenice Bejos really COULD win. The other most talked about lady in waiting in the Supporting Category is Octavia Spenser for “The Help.” And as David points out regarding “The Bridesmaids” Melissa McCarthy that Oscar does not reward you for shitting in a sink, which evidently she does in this movie. That same maxim can be applied to Spenser, who although she doesn’t do it in the sink, she famously does it somewhere else, which I’m not going to spoil here. But let’s just say, you don’t get an Oscar for doing the brazen, outrageous act that makes her character of the outspoken Minny in “The Help” so memorable. I rest my Octavia Spenser case…

And Poland gives no traction whatsoever to Jeff Wells crusade for “Tyrannosaur” which, BTW, he barely mentions it, except in his Comments section where someone does bring Olivia Coleman’s name up. And Poland quickly brings it down.

And I just finally made myself watch the trailer for “War Horse”. Yes, no one seen it, but EVERYONE has seen the play and the trailer nearly made me cry. My heart just went out to that poor horse! And it’s a gorgeous horse, too! It’s acting its’ heart out. No really. It has Oscar Winner written all over that one.

And a strong supporting cast of un-Oscar-ed British actors, including the great Emily Watson in the pivotal role of the mother. And also Tom Hiddleston, a guest on my TV show, as the noble British captain who buys The Horse. You can see me interview Tom about this in a rather splendid chat we had at TIFF’11 that is now up on my channel at www.youtube.com/StephenHoltShow He talks about “War Horse” in Pt.2.

Only problem I see on the horizon for “War Horse” is that it may be too sentimental, but y’know, that’s never stopped any one from winning an Oscar!

Oscar’s Worst Disease ~ Category Confusion! It can kill a career!

What, I ask myself at this time of year with Hallowe’en fast approaching, is the worst, scariest thing that could possibly happen to an Oscar seeker? The answer is plain, simple and deadly ~ Category Confusion! It’s what happened to the wonderful Leslie Manville in “Another Year” last year. Leslie who? Well, Sony Pictures Classics whom I ADORE really messed up on that one. How? They ran her in Leading Actress. When clearly there were many who thought she was Supporting. Like BAFTA. That’s where they put her. And she lost there. Poor Leslie. Poor, poor Leslie. Category confusion. It’s Oscar’s most deadly disease. And this year, it’s back and seems to be infecting several prominent nominees. ALREADY.

The National Board of Review gave Leslie Manville BEST ACTRESS, and that seemed to be the way to go for her…I guess…but then she turned up…NOWHERE. EVER. AGAIN. And it was a stunning performance. I don’t think I’ll ever forget it. I wrote about it on this blog over and over and you can go back and check. I loved her lost, sad, mad Mary. A suburban singleton of un age certain who was desperate to get married before it was too late. So desperate for any kind of human contact whatsoever she permanently attached herself to her friendly married couple. And they put up with it. To a point.

Mike Leigh at his surprising best. Torturing a full length film out of such an unlikely topic. Single adults and their happily married friends…”Another Year” Catch it on DVD if you can.

Well, poor brilliant Leslie’s career state-side was not launched. Lost is more the word.

And this could happen again this year with a couple of very notable actresses. For some reason, it doesn’t infect male actors as easily as it does female. They are more fragile at Oscar time, and Awards season which is upon us, whether you know it or not, it’s particularly contagious.

And this year both Viola Davis of “The Help” may catch it. Is she lead? Or is she supporting? And so may Jeffrey Well’s crusade du jour unknown, middle-aged British actress Olivia Coleman in “Tyrannosaur” may also succumb, long shot though she is. I haven’t seen “Tyrannosaur”  yet. Not many people have, but most have liked it, like Oscar Goddess Sasha Stone of www.awardsdaily.com And you can read about Jeffrey’s latest crusade(s) at www.hollywood-elsewhere.com

And the Chicago Film Festival critics who gave Olivia Coleman Best Actress.

But some who have seen it have felt she was Supporting in “Tyrannosaur” and therefore should be campaigned in that category. Uh-oh! Here we go again! Leslie Manville-time! And she also has a supporting role in Meryl Streep’s “The Iron Lady” as Margaret Thatcher’s daughter. Confused?

You see the Academy who gives out the Oscars can place actors, on a written ballot, in any category they see fit.

They are supposedly GUIDED by the “For Your Consideration” Campaigns that the various studios and distributors put out, at great expense.  But other organizations like the Golden Globes or the BFCA (Broadcast Film Critics) ARE guided by the studios in category placement. The leading critics groups, not so much. They follow their own whims and wisdoms.

I just hope Disney or Dreamworks or whoever is watching over “The Help” sticks to its’ Viola Davis as Lead campaign. And Davis as brilliant as she is, may not be the leading character. The lead is clearly the Emma Stone character. BUT if they put Viola in lead she may lose there to a younger actress, specifically Michelle Williams as Marilyn Monroe in “My Week with Marilyn.”

And all my fellow Oscarologists are keeping Meryl Streep as Margaret Thatcher in the still unseen “Iron Lady” as their Numero Uno Belle of the Ball.

If Viola Davis is put into Supporting, she would surely win that  still kind of wide open category. But in that category ALREADY ARE possibly TWO other cast-mates from “The Help” Octavia Spencer and Jessica Chastain. No one has ever won an Oscar when THREE people from the same movie are all in the same category. Vis a vis “On the Waterfront”, neither Rod Steiger, Karl Malden or that other guy won. They all cancelled each other out. As did the three Supporting Dames in “Tom Jones”, leaving another Brit darling, Dame Margaret Rutherford to triumph that year for “The V.I.P.s”

So it’s in Viola’s best interest to be put – where? In Best Actress where she may not win? Or Best Supporting Actress, possibly knocking out one of her presumed nominee cast-mates?

Is a puzzlement. To quote Yul Brynner in “The King and I’

OR a disease. Look what happened to Leslie Manville! Category Confusion! AND IT KILLED HER!

And also the same can be said, BTW, about Julianne Moore last year. She was campaigned in lead for “The Kids Are All Right,” and if Focus Features had put her more firmly in Supporting,(they didn’t) she too, like Leslie Manville was  shut out completely. At the Oscars. At the Globes. At the Broadcast Film Critics. Everywhere.

How can this happen, you say? Well, it’s vote-splitting, is what it is. These two actresses specifically Manville and Moore, and just last year, both split their own vote and ended up sitting at home on Oscar night. And watching Melissa Leo say “f**king” and generally lower the level of the Awards forever. A case can be made that either Manville or certainly Moore would have won over the little-known Leo. But Melissa Leo did win. And she did it HER way. But it was always clear WHAT category she was in. She was always Supporting and Natalie Portman was always lead and they both won.

Viola Davis’ performance in “The Help” is a towering achievement. But neither she nor any one I feel is going to topple the beauteous young Michelle Williams as Marilyn Monroe.  Nobody is confused as to what category Williams as Marilyn is supposed to be in. She’s like Natalie Portman in “The Black Swan” last year. Unstoppable. So it does make some sense to put Viola Davis in Supporting.

And then there’s Fox Seachlight’s cock-eyed attempt to campaign Brad Pitt as Supporting for “Tree of Life,” when he’s CLEARLY the lead in that mixed-up muddle of a movie. But what that may do is take votes away from his lead campaign in his career-best performance as Baseball manager Billy Beane in “Moneyball.”

Academy Members of their Acting Branch get confused soooo easily. But they got it absolutely RIGHT a couple of years back when they put Kate Winslet stunning performance as Hannah Schmidt, an illiterate Concentration Camp guard, into lead, when she was being campaigned as Supporting for “The Reader.”

They did absolutely the right thing then. And Winslet won! And made the cover of Time Magazine, BTW.

What will they do this year? Only time will tell. Stay tuned.

Excellent “Oscar Index” at Movieline asks “Is it February yet?” Lol…

Do I love that Oscar Index, penned by the redoubtable Stu Van Airsdale over at the increasingly necessary www.movieline.com ? Yes! I do! I highly recommend it for its’ humor is as good as anything in the New Yorker. Yes, I have now mentioned the words “Oscar” and “The New Yorker” in the same sentence! I admit it!

I have no ads. So I can say anything. And I do. On my blog. On my TV show.

And Stu’s Oscar Index constantly surprises me! Like for instance the major surprise this week was French actress Berenice Bejos, who I just ADORED in “The Artist,” and was always championing since I saw the movie in Montreal- well, Berenice has now bounced right into the center of the Oscar Index’ Best Supporting Actress chart! And fittingly enough, she’s pictured as a Black and White bobble-head, and like the film, she’s not in color.

“The Artist” won the Hamptons Film Festival Audience choice award this past week, so Harvey W. is once again, a happy Hamptons-goer. Last year, “The King’s Speech” won this award.

Besides the Toronto Film Festival audience award, it was the only other award it won on its’ surprising Oscar journey. “The King’s Speech” I mean. Last year, it didn’t start its’ OSCAR winning streak til that famous night at the PGA awards in Hollywood where it won, unexpectedly. Not unexpected by me, though.

But whether it’s “The Artist” or “My Week with Marilyn” the Oscar this year also seems to have Harvey’s name on it. Just like last year. Will the Academy become sick of his dominance? No. I don’t think so. They LOVE it! It’s a throw back to the days of the REAL Old Time Hollywood mogols of yore. Louis B. Mayer, David O. Selznick. Daryl Zanack. Sam Goldwyn, etc. etc. etc.

It’s a Weinstein world and we just live in it! I guess you could replace that noun with George Clooney and you’d be equally right.

Every where I turn in New York right now, George Clooney is coming at me. Off billboards, off BUS ADS, and this is just for “The Ides of March”! Which is sinking link a stone according to Oscar Index,  but is maintaining a low watt Box-Office, but holding steady. The upcoming “The Descendants” is the one who will win George his second Oscar this year. If he is to win it for anything.

And then, on that momentous day at the end of November, “The Descendants,” “My Week with Marilyn,” “The Artist,” and “Hugo” ALLLLL OPEN ON THE SAME DAY! I still can’t get over that confluence of circumstances! And release dates!

And Stu has the brilliant Viola Davis in second place this week. And he drops Michelle Williams down to third, for “The Help” and “My Weekend with Marilyn” respectively.

Now my main prob with Viola Davis is where EXACTLY Disney is gonna place her. In lead? Or Supporting? If she’s in Supporting, she’s a slam dunk. If she’s in lead, it’s iffy. And Category Confusion could lead her to end up where the equally brilliant Lesley Manville ended up last year for “Another Year.”Which is NOWHERE. It COULD happen.

Note to Disney/Dreamworks – MAKE VIOLA’S CATEGORY CRYSTAL CLEAR or else it’s Lesley Manville time…again.*sound of crickets chripping*

Oscar Index still has Meryl Streep’s unseen “Iron Lady” at No. 1 And Gorgeous George is STILL topping Best Actor, naturally. For “The Descendants” which I agree with.

But Meryl? Still? As Margaret Thatcher? One of the most unsympathetic female figures of our times? And rumored to be about her at the end of her life as an Alzheimer’s patient? Didn’t we see this movie before? With Judi Dench? And it was called “Iris”? And James Broadbent was playing her understanding care-giver of a husband? And he won a Supporting Actor Oscar for it? And isn’t James Broadbent playing that same role in “The Iron Lady”? And isn’t it directed by the woman who directed “Mamma Mia”?(which I LOVED by the way.) But the “Iron Lady” doesn’t sound like a light-hearted musical frolic. At least not on paper. Nobody’s seen it, so nobody knows. Yet Oscar Index AND the Gurus o’ Gold are putting Meryl on top of their lists. Me. I’ll wait to see it.

And yes, that’s Harvey’s movie, too…

Just to make everything even more confusing, for us. Never mind him or the entire staff of the Weinstein Co. Who are TOTALLY ready for this challenge of challenges by the way. They can handle anything. Including multiple Oscar campaigns.

Which some people, like Strand Releasing’s Marcus Hu, doesn’t seem to be able to do. At least not according to Jeffrey Wells, the untamed blogger extraordinaire who has now fallen so hard for low-budget, British Indie “Tyrannosaur” that he’s starting to try to raise money through his website www.hollywood-elsewhere.com for Olivia Colman’s lead performance.

Not having seen it, I haven’t a clue how misguided or guided this latest scream of a scheme Jeffrey, an Internet legend to put it mildly, has come up with. You can follow this critic-takes-on-the-role-of-press-agent-to-the-Oscars story blow by hilarious blow at Hollywood-Elsewhere.

It sounds just nuts. Jeffrey thinks his readers will contribute to HIS pay pal account to fund this $2000 evening screening in Hollywood. That’s what it costs, evidently per very nice screening room in L.A. Who knew?

And then, suppose he raises it? Does that mean anyone will come to the screening? First rank critics? AMPAS members? Suppose no one comes? Suppose this rash and unprecedented action turns off more Academy Members than it turns on? To “Tyrannosaur”? To Olivia Coleman? An unknown middle-aged British actress playing an abused wife in a council flat somewhere in Northern England?

I think this is all because Jeffrey was unable to switch his flight back to L.A. from NYC when the NYFF switched the press screening of “My Weekend with Marilyn” to a week ago Sunday. Causing Jeff to miss it completely. On both coasts. If he had seen it, he wouldn’t be going off the deep end like this, I can assure you. Over Olivia Coleman? Really?

Seems he doesn’t like the screenings in L.A. Strand Releasing is (not) setting up for “Tyrannosaur.” What next? And I didn’t know Jeffrey was SUCH an Anglo-phile.

Bottom line, he’s getting a lot of attention(read hits, read Internet traffic) for this. And is this helping Olivia Coleman? And her teeny tiny distributor Strand? I’ve admired Strand for years, but it’s no secret that they don’t have the big bucks. And Oscar campaigns cost MONEY. Maybe you didn’t know that, but now you do.

Is Jeffrey hurting more than he’s helping? Stay tuned. Meanwhile, enjoy Oscar Index at Movieline. THAT’S on the money.

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