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Posts tagged ‘Three Billboards Outside Ebbing’

My SAG 2018 Predictions

After much consideration, and I’m trying to be as simple as I can be, I think the key to this year’s SAG Awards predictions is as plain as the nose on my face. Or as plain as the nose on anyone’s face in Ebbing,Missouri. “Three Billboards Outside Ebbing, Missouri” is going to sweep and win all four of the categories it’s nominated for. The overwhelming performance of an angry, but not tear-stained, grieving mother Mildred will win Frances McDormand her second SAG award. The fierceness of her unforgiving fury will translate into universal acclaim  as she has already received., at 60, the Golden Globe for Best Actress Drama and the same at the Critics’ Choice Awards.And her co-star Sam Rockwell, as the confused small-town policeman, Deputy Dixon, who tries to help her solve the  seemingly unsolvable mystery of her daughter’s violent rape and death, will precede McDormand to the podium and win Best Supporting Actor. Both of them bumping into each other on their way to the Oscars.

And two of the a-fore-seen winners of the other two awards,  Gary Oldman as the definitive Winston Churchill in “The Darkest Hour” (Best Actor) and Allison Janney as Tonya Harding’s frightening mother in the surging “I, Tonya.” (Best Supporting Actress), both will win again.

The SAGS only give out few awards to film. Mostly, it’s television that is being awarded. And usually at the start of the show BANG! They announce one of the two  Supporting Awards. So tune in on time at 8pm tomorrow night at TNT and TBS (Check your local listings.) Or you might miss Sam winning! Hopefully, I’ll survive the suspense until Sunday night when once again, I will be live-blogging.

Their fourth nomination being the supposedly predictive Best Ensemble award. That’s the only one of “Three Billboards” four nominations that I’m a little bit shaky about. But I think it’s their night. They might not win the Oscar, but they’ll win this. It’s an actor’s actor movie. And the SAGs, lest me forget, are actors voting on actors. “Three Billboards Outside Ebbing” is co–starring some of the greatest actors of our time. Woody Harrleson, Peter Dinklage, John Hawkes, Lucas Hedges are among the long list of its’ sterling ensemble.

“The Shape of Water” can’t win because it wasn’t nominated.

It could easily go to one of the other films. I would automatically say “Lady Bird,” but that got shut out surprisingly at the Critics last week! What? What? But I’ll put my pen down for the night, and just wish all of them good luck on Sunday!

My Year’s Ten Best 2017!

1. CALL ME BY YOUR NAME ~ One of the Best Films Ever Made. Period. The Gay Movie, we, as gays, have been waiting for all our lives. Timothee Chalamet has won BOTH the New York Film Critics and the L.A. Film Critics Best Actor awards. Armie Hammer is his magnificent love interest and co-star.

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2. WONDER WHEEL ~ Woody Allen’s latest and Kate Winslet’s tear-stained performance is one of her best.

3. THE SHAPE OF WATER ~ Guillermo Del Toro’s Best Film. Sally Hawkins is flat-out amazing as a Spanish Deaf Mute Janitress, who falls in love with something akin to the Creature from the Black Lagoon. But it isn’t ridiculous. It’s beautiful, and moving beyond words. She won Best Actress from the L.A. Film Critics. This film will make you cry.

4. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI– Irish Playwright Martin McDonagh’s magnificent morphing into a great American crime filmmaker. Frances McDormand and Sam Rockwell burn up the screen, literally. This film will make you angry. For all the right reasons.

5.  THE FLORIDA PROJECT ~Unbelievably, an epic film set in the make-shift budget motels across the street from  DisneyWorld, which was first called “The Florida Project,” as it was being built. Willem Dafoe is the sympathetic, sad-sack motel manager and six-year-old mischief maker Brooklynn Prince rock each other’s, and our world. Public access legend Sandy Kane makes a cameo appearance. She told me, “If you blink, you’ll miss me. It’s Tats over tits.”

6.ALL THE MONEY IN THE WORLD ~ Director Ridley Scott is back Big Time, as he directs Michelle Williams and Christopher Plummer in a tense, spine-tingling thriller about the ’70s kidnapping of J. Paul Getty’s grandson, who, yes, gets his ear cut off and sent to his mother (Williams.) But you can’t turn away.

7.LADY BIRD ~ Genius Greta Gerwig channels her boring, restless teenage years in  middle-class Sacramento into a box office bonanza that Irish actress Saoirse Ronan and Laurie Metcalfe as her befuddled, well-meaning mother from Hell, make herstory and could all win Oscars. Best Film of the Year from the New York Film Critics. Will it win the Oscar, too, for Best Picture? It might.

9. DUNKIRK ~ Christopher Nolan’s truly epic epic that makes all WWII war movies look like tiddly winks and utitlizes Oscar Winners  Mark Rylance, Kenneth Branagh and a cast of 100os to re-vitalize history in a seat-of-your-pants thriller diller. And rock star Harry Styles is in it, too. And he’s good!

10.  FROM THE LAND OF THE MOON ~ Marion Cotillard’s mesmeric performance once again lights up the skies in this unusual French love story.

“Three Billboards…” Superlative, explosive, knockout, lots of Nominations, but Sam Rockwell may be its only winner.



“Three Billboards Outside Ebbing Missouri” is one of the best films of this rich year. For once, the awards hype is justified. It’s a thrill ride through the unimaginable violence that plagues the small town of Ebbing, Missouri after a young girl is raped, as she is murdered, then set on fire. “Three Billboards…” is going to set the Awards season on fire, too. It will get many,many nominations.

Frances McDormand and Sam Rockwell are giving the performances of their careers, but I feel it’s Rockwell who’s going to carry home the gold. He’s been put in the category of Best Supporting Actor, though he’s arguably the co-lead. And he’s already been nominated for a Golden Globe and a SAG award. As has Frances, as has McDonagh.

I’ve been following Sam’s career since he was an Off Broadway actor, and he’s certainly a veteran now and has a role that is thrilling in its range and demands. As a small town cop, he has to be funny. He has to be a bit of a stooge and a stumblebum. And when the film turns dark, he has to go there, too,Oscar Winner Frances McDormand ( For “Fargo”) deserves the accolades that have been accruing to her powerful Mildred Hayes, the mother of the murdered girl. In a totally vanity-free performance, she dominates the screen so powerfully that you’ll never forget that clenched teeth, firmly set jaw, that uncompromised stare as she tries to find out who killed her teenaged daughter.

She astonishes in this film as a woman who can’t smile. She puts up these three billboards in a part of town where her daughter was killed accusing the police of doing nothing to find her the killer. And grief is making her look like a death’s head herself.Everyone in this town seems cut from the cloth of the Confederacy to put it mildly. And any of them could have done it. Especially a member of the Police Force.

Woody Harrelson is once again on hand to provide a firm grounding in ominous white cracker-dom at the outset. His battle with terminal cancer forms the second plot line that I won’t spoil here. But he’s great, too. Both he and his co-hort Rockwell, are both headed to the Oscars, and so is McDormand.But I wonder if the totally de-glammed McDormand is going to be any match for the younger and more comely superstars like Soirse Ronan. Sally Jenkins of “The Shape of Water” is more sympathetic and she’s mute. So Frances has some fierce competition in that category. She’s uncompromising. She’s great. But she has an Oscar already and Saoirse and Sally and even Michelle Williams or Annette Bening are all Oscar free…so far…Three Bill Boards 10

But ah! There is that Oscar golden moment for Frances when she encounters a free-ranging doe when she is tending a flowerbox she has placed near her dead daughter’s billboards. The look they share, eye to eye, female to female animal, is one of the few moments we see Mildred smile in this corrosive movie, you will NOT be able to stop thinking about.

Also the thrilling depths and layers that McDonagh has given Rockwell to play. He starts out as a crispy-crème, donut-chomping bigot. But he CHANGES. I can’t say how, but in the creation of Dixon, a co-lead to McDormand’s angry Mildred, he matches her beat for beat in VERY unexpected and powerful ways. He lives at home with his mother, who is always drunk. The Dear Readers of this blog can infer more…But what a complicated, stupendous role he’s written for Rockwell, who has never had a part this good since he debuted to much acclaim in “Box of Moonlight” in 1996. Unbelievably this prince of American actors has never even been nominated for an Oscar. Yet.

Even writer-director Martin McDonagh has an Oscar for a short he did. He’s certainly going to get a double nomination for both directing and original screenplay, and he’s going to up against Girl-Of-the-Hour Greta Gerwig in both categories for “Lady Bird.”

It’s going to be a very suspenseful Oscar night indeed. But I feel “Three Billboards” is such an IMPORTANT film, that they are going to give it Something Big, and that Something may very well be Sam Rockwell. as the irascible, temperamental, complicated drunk of a cop. That’s just him in the FIRST half of “Three Billboards…” The twists are UNBELIEVABLE, and it’s Sam’s character who gets to play all that juicy jazz as the plot and his character’s place in it unravel. He’s all but unbeatable. What a range McDonagh has allowed him to show!

The ubiquitous and wonderful Lucas Hedges, Oscar nominee of “Manchester by the Sea” is here, too, as McDormand’s bewildered, but compassionate son. In a moment of peak at the breakfast table, she lobs Fruit Loops at him.

He’s in “Lady Bird,” too as Saoirse Ronan’s high school boyfriend. And Peter Dinklage perks up the last third of the film as the town’s only human, a small person who is not small inside,   a midget, who befriends and helps McDormand in her fight against the lacksadaisical,  if  not downright indifferent, police “force.”

 

Their dinner date is a superb piece of comic timing. Yes,”Three Billboards” is darkly funny, too. This tragic tale of loss and corruption has an excellent sense of humor, too. In fact, it made me feel like I was watching a new Coen Brothers movie. The resemblance to their black humor and influence is definitely wonderfully there.

Irish playwright par excellence McDonagh, has fully made the unbelievable transition to American crime filmmaker. “Three Billboards Outside Ebbing, Missouri” thrilled me to my core with its wit, drama and intense originality.

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