a.k.a. "The Oscar Messenger"

Posts tagged ‘GLBT’

For Those of You Who’ve Never Seen A Complete Episode…

For those of you who’ve never been able to see a complete episode of “The Stephen Holt Show”, only You Tube segments, here’s a complete, unabridged version of what is aired on TV. Enjoy!

Camera ~ Jack Siberine

Editing ~ Kevin Teller

Theme Music, the Overture from “Kareer Suicide” by Donald Arrington

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Gay Filmmaker Richard Glatzer Passes at 63 from ALS

The great filmmaker Richard Glatzer has passed from the crippling disease ALS. He was 63. He and his partner Wash Westmoreland, who does most of the talking in this interview, was by his side for the past 20 years.

This interview takes place on the steps of the Courthouse in Newport, Rhode Island, where their break-through film “Quincenara” was the Opening Night sensation in the summer of 2005.

As in most small festivals, you end up hanging out with the friendliest face and that for sure was Richard.

Unbelievably, he developed ALS, the same disease that struck Stephen Hawking, and that Eddie Redmayne just won an Oscar for portraying a few weeks back. And even more poignantly, neither Richard nor Wash could attend the Oscars, seeing Julianne Moore win for their film “Still Alice.”

Moore had been saying that Richard was effected also by early on-set Alzheimer’s, which was what the movie was about, but in her final Oscar acceptance speech, she admitted, at last, it was ALS. And unlike Stephen Hawking who is still alive and vital today in his ’70s, Richard’s disease progressed extremely rapidly.

He was a talented, genial spirit, a fellow native New Yorker. It’s a great loss to the independent film community, to the gay community and to the world.

R.I.P. Richard.

Oscar Winner Eddie Redmayne to Next Play Transgender

Eddie Oscar 1Eddie & Oscar 2Brand-new Oscar Winner Eddie Redmayne hurried right back to London after his Best Actor win on Sunday night to continue rehearsals for his new British film called “The Danish Girl.” And guess what? He’s playing the title role! Yes!

Directed by his ole pal and the man who named me “The Oscar Messenger” Tom Hooper, I can tell you from personal knowledge that Hooper is as dazzled by the Little Golden Guy and his army of Oscars as well say Harvey Weinstein. And me, too, of course. And now, Eddie, who also seems to have captured the Oscar Buzz Bug.

Lili Elbe, who Eddie is playing in “The Danish Girl” was the first ever male-to-female transgender person in 1930. Talk about transformative roles! Eddie is making a career of this. But if ever there was a role that “ticks all the boxes” as Colin Firth said to me when I told him HE was going to win the Oscar for “The King’s Speech.”(And he DID!) It’s Lile Elbe.

And Eddie is trying to lose a massive amount of weight, three stone, which is like 36 pounds to play Lile. That ticks another Oscar box right there.

And Tom Hooper, check (he always has his bar set Oscar-high). British, check. True Life story, check. Period (1930), check. Transformative performance, check.

And Eddie Redmayne, check. Hollywood’s new Golden Boy is going to be transforming himself into a Golden Girl, and guess what, I’m so sure he’s going to be back at the Oscars again next year. Or the year after that with “The Danish Girl.” And if Harvey Weinstein,who is the producer, check. He’s the Oscar Grandmaster, picks this one up, Eddie will be on his way to Oscar Number Two! You heard it here first! He’s the new Daniel Day Lewis! So I see multiple Oscars on his horizon. And it couldn’t happen to a nicer, more down-to-earth guy.

He was so surprised when Cate Blanchett announced his name, I’m sure he thought Michael Keaton or Bradley Cooper was going to win.He won’t be THAT surprised next time around.

You’re the King of the World, Eddie! And he’s also expecting his first child. When straight actors play gay(or transgender) they win. William Hurt, “Kiss of the Spider Woman”, anyone? Phillip Seymour Hoffman in “Capote”, anyone?  Sean Penn as Harvey Milk in “MIlk”….

The precedent is set and the list goes on! Go, Eddie!

Video

And now,more! Scott Cakes 2013 at the Provincetown Film Festival, Pt.1!

Ooops! I do everything backwards! So now ~ here’s Part ONE of my visit with Scott Cunningham of Scott Cakes! YUM! I want another Scott Cake NOW!

Scott discusses his marriage this past fall at the Pilgrim Monument and the correct prediction of Anne Hathaway’s winning the Best Supporting Actress Oscar for “Les Miserables.’

Camera ~ Robert Iacovissi
Editing ~ Kevin Teller

“Oscars are bulls–t”proclaims Joaquim Phoenix, eliminating himself from race!

Never one to suffer fools gladly, Joaquim Phoenix has declared in an interview with Elvis Mitchell in “Interview” magazine that “The Oscars are bullshit….” He goes further declaring Oscar “It’s a carrot, but a dirty carrot and one that I don’t want to eat”!!! He cites his negative experience campaigning full-tilt for “Walk the Line” and watching the less-than-stellar Reese Witherspoon his co-star in the movie as Johnny Cash’s wife, June, waltz off with the Golden Guy.

He was stupendous in “Walk the Line” but that was a popular movie. He was playing a real person. “The Master” is not well-liked and not a box-office success, though I personally liked it. Audiences are staying away. I thought it was a marvelously told closeted gay love story set in the ’50s against  the backdrop of Phillip Seymour Hoffman’s charismatic Lancaster Dodd’s founding of a quasi-religion The Cause.

Perhaps if the film itself “The Master” had come out of the closet  and revealed itself for the epic closeted gay love story it is, it might have gained at least the LBGT support en masse. Which,as it is, it doesn’t have. This is the first case I can remember of “Don’t Tell. Don’t Win.”

As it is, I think Phoenix just eliminated himself from the race. O, a nomination, sure. But that’s probably it. When he’s up against such heavy weights as Daniel Day-Lewis in “Lincoln”, John Hawkes in”The Sessions”, Denzel Washington in “Flight” and Hugh Jackman in “Les Miserables”(still yet to be seen).

There’s also Sir Anthony Hopkins’ Sir Alfred Hitchcock coming up fast, and Bradley Cooper in “Silver Linings Playbook” which has the ever-effective Harvey Weinstein and co. behind it.

Of course, H. Weinstein has been known to drop one film on his slate in support of another, famously backing the flop-a-roonie “Nine,” instead the much more effective “Inglorious Basterds.”

“The Master”, also a Weinstein co. effort, is failing fast at the box-office and with audiences. So Bradley Cooper may have a better shot with “Silver Linings Playbook” and I can see a scenario where Cooper gets in J. Phoenix does not.

In the distant past, you could refuse an Oscar like Marlon Brando and George C. Scott did, but the past is the past. And as recently as two years ago, the prickly auteur David Fincher proclaimed over and over again, in multiple interviews, that he didn’t want nor/care about winning an Oscar for the then critics darling “A Social Network”. And guess what? The Academy took him at his word and the world saw Tom Hooper win Best Director not Fincher. Hooper, and last year, an unknown Frenchman Michel Hazanviscius won for Best Directer of “The Artist” and both were at every Hollywood event imaginable, charming every one.

That’s what counts these days. Although Mo’nique said “No” too. And won. But Supporting Actress is not as big a deal as Best Actor and “Precious” was a popular film, where “The Master” is divisive. So we shall see.

I don’t think you can be an Oscar cry-baby anymore. Not with a Best Actor race as crowded as this one!

“The Master” is a Big Gay Movie! An accurate portrayal of the Closeted 1950s.

So FINALLY seeing “The Master” yesterday, I was astonished to find that my take-away from it was it’s A Big Gay Movie! Although clearly, it’s not being advertised as such. If only it were, I perhaps could’ve really loved it. But I found myself LIKING it more than I thought I would.

It really was to my great surprise a tortured, a VERY tortured gay love story, with two men who are so totally in the closet that they do not know what they’re experiencing as they both feel this inexplicable need and attraction for each other.

According to the Gurus o’ Gold, Daniel Day-Lewis in the still unseen “Lincoln” is right up there on the top of the list of Best Actors, separated by only one vote from Joaquim Phoenix’s tortured portrayal as Freddie Quell in “The Master.” And in Supporting, though again, he’s a LEAD, and shouldn’t be there, and he’s the title role for goodness sakes! Is Phillip Seymour Hoffman ‘s masterful portrayal of “The Master.” And he’s LEAGUES out in front of everyone else in that category. Maybe he’ll win his second Oscar for his role as Lancaster Dodd, the brutish, dapper, magnetic leader/creator/philosopher of “The Cause” a Scientology-ish cult.

The film is the story however of how Dodd, the Master, can NOT keep himself away from, or let go of the violent, abusive, lost drunken ex-sailor Freddie Quell. He becomes obsessed with him. He takes him with him everywhere, and his wife Amy Adams, does not like it. Unfortunately, her role is really nothing but pregnant wall-paper. She MIGHT get nominated if the film catches on with Academy voters, but there’s not much for her to do except, display her constant pregnancy and glare and glower at Freddie.

The fact that his wife is perpetually pregnant, and there is one scene in their bathroom, where she graphically masturbates her husband(Hoffman has his back to us, thankfully.) is meant to show that yes, the Master IS heterosexual, but NOTHING else explains this film and its’ existence except the explanation that The Master is in the closet and is in love with poor Freddie, who is also in the closet. In fact, the whole FILM is in the closet!

The Master”  starts out with a wrestling scene on a beach where a bunch of sailors in tight, brief  40’s navy-issue swim suits, their muscles glistening in the sun, are going mano a mano all around Quell. There is also a large breasted sand dune sculpture of a naked woman that Freddie masturbates, and gets himself a hand full of, of course, mud. Then HE jerks off, facing the ocean. Frustrated libido is everywhere. The film at the end returns to this shot of Freddie on the beach gazing at the gigantic sand woman’s breasts and nipples as he lies next to her on the beach.

Freddie has a girl friend named Doris who he deserts at the beginning of the movie. He’s a constantly in trouble ne’er-do-well, to put it mildly, and an alcoholic who is driven to drinking medicines from everyone’s bathrooms’ medicine cabinets to get high. His potions are so lethal, he accidentally poisons a man at one point a Mexican field hand, who drinks one of his concoctions of paint thinner and whatever else Freddie has devised to put into.And Freddie is then on the run from the law.

One night in a drunken stupor he wanders onto a boat where Lancaster Dodd is having a party that is about to set sail, celebrating his daughter’s wedding. They are to sail “through the Canal to New York” and Freddie stays on board and sails with them.

The Master likes Freddie so much at the outset because Freddie has put together the right combination of paint thinner and peach juice that DOESN’T kill The Master.

And this film is much more about Scientology than I thought it would be. WWII and the post-war 1950s are its’ backdrop and The Master’s control of all his followers in this cult that is called “The Cause” is really rather frightening and chilling. But as the film goes on and on and on(yes, it’s WAAAAY to long) it seemed to me that Hoffman’s portrayal of Dodd got more and more effeminate. And the big gay pay-off scene is of the Master and Quell rolling over and over each other, smiling and laughing, giggling even, as they embrace on the grounds of The Cause’s current posh residence. Over and over and over they roll on top of each other. And they both seem to be having the time of their lives doing so.

It’s the only scene in the film where you see the two men(or any of the characters in this bleak, chilly film) actually expressing human warmth towards each other and having FUN.

There, yes, is a scene, where Freddie, who is prone to alcoholic hallucinations, sees all of Dodd’s female followers dancing around the Master nude. But tellingly,none of the men are.

Clearly, Freddie can’t find happiness with a woman and his only positive, ongoing relationship is with Dodd. Freddie is such a lost soul, you can see why he’s drawn to the charismatic Dodd, but why is Dodd so drawn to Freddie? He loves him. He wants to save him. He wants him with him for the rest of his life. It homo-erotic to say the least.

Phillip Seymour Hoffman’s Master expresses every nuance that is required of him.

And that includes Dodd’s sick, controlling side, too. Which is frightening when it explodes. He HAS to be in the power position over all these people, and to me, he was sublimating his homosexual impulses into this scary, and sometimes violent, controlling persona.

But when Dodd calls Freddie transatlantic from London and says “I need you!” it was a quintessential  gay moment, closeted, of course, to be sure. Freddie is watching a Casper the Friendly Ghost cartoon in an empty balcony of a movie theater when this moment happens. But it is telling nonetheless. It was the ’50s! THIS is how closeted gay men expressed themselves, the only outlet they had. Everything was coded, or sublimated. At that time, it was a love that couldn’t even be mention to those that felt these emotions.

So Freddie expresses it in violence and drunkenness and the Master expresses through his obsessive need of  control over others. It’s a disturbing film, but it may bring Phillip Seymour Hoffman his second Oscar.

Joaquim Phoenix’s Freddie Quell has to duke it out with Daniel Day Lewis’ Abraham Lincoln in “Lincoln.” Only a vote separates them on the Gurus o’ Gold chart. When we can see “Lincoln” in its’ entirety, we will know who really is on top for Best Actor.

“The Master” is a divisive film, because it doesn’t wear its’ homosexuality on its’ sleeve, so you don’t know what is REALLY going on between these two men, but it is there, though unstated, nonetheless. And that was the pre-Stonewall America to a T.

Video

You Tube Phenomenon Chris Crocker of “Leave Britney Alone!” fame on the Stephen Holt Show

Chris Crocker, who sobbed in drag on the Internet dressed as Britney Spears “Leave Britney Alone!” and got 540 million hits, talks to me about his stunning new documentary film “Me @theZoo” about his life online and in rural Tennessee where he was bullied so much he wasn’t allowed to attend high school! His marvelous doc tells his life story and also the story of the Internet and You Tube and the tremendous impact it has on life today.

Shot at Sage restaurant at the Provincetown Film Festival 2012.

Camera & Editing by Kevin Teller

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