Now that’s it all over but the shouting (on Oscar night, this coming Sunday, Feb.28), I’ve been feeling a bit nostalgic about other films that have one Best Picture in the past and really won my heart. Some I’ve watched over and over and over again. Some I own. I love them so much I always want them to be with me or near at hand anyway to play at any time.
Posts tagged ‘The King’s Speech’
It was such a thrill to see “The Danish Girl” again last night after being totally enraptured and blown away by it in Toronto. And like in Toronto, at TIFF, in September, there was the same spellbound reaction from the tony audience.
You could hear a pin-drop. And at the end of this AMPAS-included screening, there was rousing applause. And cheering. And Bravos.
And I don’t usually do this, but I’m going to reprint my TIFF review in its entirety, so you won’t have to go hunting for it in the archives of this Blog.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I’m devastated. I’m in tears writing this. “The Danish Girl” is a masterpiece, so moving, so profoundly important and brilliantly acted and directed, it will win Eddie Redmayne his second Oscar in a row for this heart-wrenching performance as first transgender Lili Elbe. It has its’ slow patches, but once it gets going “The Danish Girl” is so powerful, so engaging, so beautiful, its’ ending, which I won’t reveal here, will absolutely crush you. And Eddie Redmayne is catapulted once again to the head of the Oscar race for Best Actor. As extraordinary as that sounds, it’s true.
His performance is beyond anything we’ve ever seen onscreen before. Never has this subject, transgender-ism, if there is such a word, been treated in this depth, and with such respect, and love. It’s a great love story. And not only Redmayne will be back at the top of everyone’s lists, director Tom Hooper, already an Oscar winner for “The King’s Speech”, will probably be up for every award in the book, for his sensitive, deft, beautifully handled helming of this tragic love story.
And Alicia Vikander, who has been edging towards stardom, with every role she’s essayed, since she first came to global attention with “Anna Karenina”, as the blonde, sweet ingenue to Keira Knightley’s dark, tormented Anna, Alicia Vikander will for sure be nominated, perhaps as Best Actress even, but certainly as Best Supporting, for her astounding turn as Gerda Wegener, the devoted, confounded artist wife, whose husband, Einar is transitioning right before her confused, but compassionate eyes into Lili Elbe.(“Elbe, like the River” at one point Einar/Lili clarifies)
Einar and Gerde Wegener are a happily married couple at the start of “The Danish Girl” in 1920s Copenhagen. Both are artists, and there seems to be no clouds on their sunny, loving horizons. That begins to gradually change when one day, Gerde asks Einar to try on some ballerina attire of a model who has not shown up for her posing session. He obligingly does so, and the feelings of a woman’s stockings and shoes begin to arouse something deep-seated in him.
So begins Einar’s(Redmayne’s ) journey into what today is known as “transitioning.” We see this today in the person of Caitlyn Jenner, who used to be Bruce. Like it or not, Jenner has made this topic extremely relevant and the timing is just right for “The Danish Girl”s Oscar chances. Perfect, in fact.
Redmayne’s Lili is a much more delicate, fragile creature than Caitlyn Jenner, needless to say. Redmayne gives her an ephemeral otherworldy quality. And he sensitively inhabits her every single stage of her transformation. And makes clear what drives Lili into emerging and totally obliterating Einar.
I did not know the shattered ending of this important, historic movie and I was totally enraptured, then horrified as “The Danish Girl” headed to its’ inexorable, tragic conclusion.
And Eddie Redmayne steps wholly and completely into screen history with this beyond magnificent portrayal. Another Oscar for Mr. Redmayne, please.
It seems sometimes like the entire city of Toronto is completely disrupted by having TIFF here. But of course, in a good way. The public is jubilant about it, even if the entire “Festival Village” is now closed to traffic AND trolleys.
This morning there was huge orange balls all over what was formerly a couple of blocks of King St.
And I mean HUGE!
I guess Orange is the official color of TIFF and it’s my favourite color. Always brightens a room, or a wardrobe…
And the weather? It’s been unseasonably hot here in Canada. Especially during the Montreal Film Festival which was last week. This week it’s been cooling down A LITTLE. Today was really quite balmy walking here through all those gigantic balls to the TIFF Bell Light-box. But Global TV’s Morning Show keeps forecasting rain. I don’t ever remember it raining THAT heavily during the Film Festival.
I went to bed at 9:30pm last night! I have to get used to getting up early for the next two days, especially. Tomorrow is the HUGE first press and industry screening for “The Danish Girl” starring Eddie Redmayne, directed by Tom Hooper and aimed and timed EXACTLY as “The King’s Speech” was several years ago, aimed right at OSCAR!
Nobody here believes Donald Trump will be President. In fact, he’s not on TV here at all! Can you believe it?
I now have to head up to the Scotiabank building a couple of blocks north to stand in line to see my darling Saorise Ronan in HER Oscar bid this year “Brooklyn.” It starts unspooling at 11:45 AM. Am I late? Rush, rush, rush.
Brand-new Oscar Winner Eddie Redmayne hurried right back to London after his Best Actor win on Sunday night to continue rehearsals for his new British film called “The Danish Girl.” And guess what? He’s playing the title role! Yes!
Directed by his ole pal and the man who named me “The Oscar Messenger” Tom Hooper, I can tell you from personal knowledge that Hooper is as dazzled by the Little Golden Guy and his army of Oscars as well say Harvey Weinstein. And me, too, of course. And now, Eddie, who also seems to have captured the Oscar Buzz Bug.
Lili Elbe, who Eddie is playing in “The Danish Girl” was the first ever male-to-female transgender person in 1930. Talk about transformative roles! Eddie is making a career of this. But if ever there was a role that “ticks all the boxes” as Colin Firth said to me when I told him HE was going to win the Oscar for “The King’s Speech.”(And he DID!) It’s Lile Elbe.
And Eddie is trying to lose a massive amount of weight, three stone, which is like 36 pounds to play Lile. That ticks another Oscar box right there.
And Tom Hooper, check (he always has his bar set Oscar-high). British, check. True Life story, check. Period (1930), check. Transformative performance, check.
And Eddie Redmayne, check. Hollywood’s new Golden Boy is going to be transforming himself into a Golden Girl, and guess what, I’m so sure he’s going to be back at the Oscars again next year. Or the year after that with “The Danish Girl.” And if Harvey Weinstein,who is the producer, check. He’s the Oscar Grandmaster, picks this one up, Eddie will be on his way to Oscar Number Two! You heard it here first! He’s the new Daniel Day Lewis! So I see multiple Oscars on his horizon. And it couldn’t happen to a nicer, more down-to-earth guy.
He was so surprised when Cate Blanchett announced his name, I’m sure he thought Michael Keaton or Bradley Cooper was going to win.He won’t be THAT surprised next time around.
You’re the King of the World, Eddie! And he’s also expecting his first child. When straight actors play gay(or transgender) they win. William Hurt, “Kiss of the Spider Woman”, anyone? Phillip Seymour Hoffman in “Capote”, anyone? Sean Penn as Harvey Milk in “MIlk”….
The precedent is set and the list goes on! Go, Eddie!
“Grand Budapest Hotel” is one of the true masterpieces out there this year, and is the film I feel could upset “Boyhood”s chances of winning Best Picture. It won Best Film Musical/Comedy at the Globes over “Birdman” then again it won Best Comedy last night at Broadcast Film Critics. It scored with every single guild. It has the most nominations of any of the films(Tied with “Birdman”) at nine. It also has been nominated for Best Ensemble at SAG, and an ensemble it certainly has. It could win that.
The all important award is the Producer’s Guild. If it wins there, then watch this whole race get turned on its’ head, like it did the year “The King’s Speech” triumphed over “The Joy of Typing,” which had won every award up until then. But I never gave up hope. I knew it would change. “The Joy of Typing” better known as…I can’t even remember its name, it was so painful to sit through. “The Joy of Typing” had won everything up until that point that year. Then everything changed. I think that will happen again.
And with Marion Cotillard now in the Best Actress race, poor Julianne Moore might get passed over AGAIN. It COULD happen. Mlle. Marion is in a much better film that Moore is. People arent’ watching their “Still Alive” screeners. Oops, I meant, “Still Alice.”
The A.C.E. or the Eddies, the Editing organization that the public may not know about, but the industry sure does, just announced their nominees and this year in their two film categories there were 11(!) nominations. Six in Drama and Five in Musical/Comedy, like the Golden Globes. There was a tie in the Drama category, but they’re not saying who or which film. Including “Nightcrawler”, they were “Gone Girl,” “Boyhood”, “Imitation Game” and “Whiplash.” And the also surprising last minute, late comer to the race, Clint Eastwood’s “American Sniper.”
The importance of editing as the central or key aspect in film-making today and in the awards season race, can not be underestimated. And also, no Best Picture has won without at least an Eddie nomination, Which is bad news for “Selma”.
If I had it to do over again, I’d study film-editing myself. Sometimes you feel like you’ve missed your calling and I think about trying to start to learn how to edit everyday. But I digress…
The guilds are the first REAL sample of how the industry is feeling this year about the Oscars. All the other awards so far are mainly voted on by CRITICS! And there are NO critics or press in the Academy.
There ARE press agents, but they only are allowed to nominate five pictures for Best Film, as one small for instance. When the nominations are announced they THEN get to vote in all the categories, but this is Phase I, the nomination phase. In fact, Academy members are nominating right now as we speak.
And next to the VAST Actor’s Branch, the second branch that really has a say, I think, is the Editor’s Branch. Not all the members of A.C.E. are IN the editors branch, by the way, but it’s a pretty good indicator.
And what’s surprising about today’s announcements, is what was left in that wasn’t expected, like for instance “Nightcrawler” (on my year’s 10 Best List for sure) and also the late opening Clint Eastwood “American Sniper” starring Bradley Cooper.
Nobody expected either of them to make it and that means they may make it into the Best Picture race at the Oscars. Left out was “Selma”. Which is kind of shocking, with all the supposed momentum that is building for it. But maybe it’s not. Also left out, I’m sorry to say was my fave “The Theory of Everything.” Watch for the Oscar nominations to correct that in two weeks.
But Jake Gyllenhaal has started really picking up nomination speed with nods from the Golden Globes, SAG, and the Broadcast Film Critics. And now this.”Nightcrawler” has LEGS! As many legs as a centipede, it seems.
http://www.hitfix.com has the rest with spirited analysis by their great Kris Tapley and Gregory Ellwood. The complete list is there.
And on Monday, the Producer’s Guild is set to announced its’ list of ten nominees for Best Picture. The PGA as it’s called was the first group to vote for “The King’s Speech,” when they voted for their winner that year when everyone else up to that point was going “The Social Network,” a film that I STILL intensely dislike. I still think of it as “The Joy of Typing.”
The PGA even more than the A.C.E. Eddies are ALLLL mostly Academy Members. They have ten slots and use a preferential ballot, like the Oscars do.
So films that are on the edge of the Oscar bubble, like for instance “Gone Girl,” “Nightcrawler”, “American Sniper,” “Unbroken,” “Into the Woods”, “A Most Violent Year” or “Whiplash” will find their hopes either raised or dashed on Monday.
I think frontrunners like “Boyhood”, “Birdman”, “Imitation Game” and “The Theory of Everything” will all be on the Producer’s List. And “Selma”, too, even though it was left off the A.C.E. Eddie’s today.
Never underestimate the importance of film editors. They silently run the show, and year after year do great unsung work that is respected and admired by the industry. These are the first voters we’ve heard from who REALLY count.
So who do these Eddie Nods help? For sure, Jake Gyllenhaal’s bid to get in to the extremely tight Best Actor Oscar race. It could help give “Nightcrawler” Best Picture cred, too. And don’t forget the wonderful 60-year-old-but-still-glamourous Rene Russo, who could get swept into the Supporting Actress race. Why not? She certainly deserves it.
And what of Bradley Cooper and “American Sniper”? Well, we shall see what we shall see.