a.k.a. "The Oscar Messenger"

Posts tagged ‘Gay’

Will Brittain’s Buff Butt Stars in Gayest Play Ever (at the Roundabout)

Young Texas actor Will Brittain is pretty much entirely nude for the lengthy part he has to play in Joshua Harmon’s “Skintight” at the Roundabout. Well, he does wear a tight black jockstrap that beautifully frames his bounteous buff bubble butt. And boy does Brittain make the most of that astounding ass of his! He struts. He sways. He sashays this way and that waving his naked rear end in the face of audience, the cast and the face of Broadway. If you consider the Laura Pels Theater of the Roundabout to be Broadway. Some say it’s Off Broadway. But whatever you want off it’s Will Brittain’s clothes. We never want to see him dressed again.

Not that he will be. Much. I see A LOT of nudity in his future.And that’s a good thing. It’s a great thing! Has Broadway ever been this nude? Well, there was “Oh! Calcutta!” once upon a time. Has there ever been a play THIS gay? Well, we just had a magnificent, award-winning revival of “Angels in America.” But somehow “Skintight” seems gay-er. And Brittain’s butt just overwhelms the Pels.

And that’s a good thing. It’s a great thing. Will Brittain is having the time of his life upstaging Idina Menzel, no less, and sitting butt-ass naked on her father’s Greenwich Village sofa. The other characters objected to Brittain naked end being strategically placed at one very funny point in this very funny play on their high-end sofa. They all gasped in horror. I gasped in delight. As I’m sure the packed audience did, too.

You see, “Skintight” is very sexy in a way that “Angels” never was. Or could be. It was about the AIDS epidemic in the ’80s. “Skintight” is just about, well, skin. And the fun you could potentially have with it, if you were as un-hung about nudity and the casual display of it as Brittain’s character Trei is. He’s done porn. And he sees it as a legit career choice. Gay porn, of course.

He’s the most philosophically well-adjusted character in Harmon’s charmin’ play. Jack Wetherall, of “Queer as Folk”, has the role of his career as Trei’s 70-year-old lover. “Skintight” is his birthday, which he wants to forget, and get back into bed with Trei, and well, Brittain is so helplessly irresistible, you can’t blame Wetherall’s world-weary fashion designer one bit. Wetherall’s grand-son is gay, too, and he wants to get it on with Trei. In fact, the only straight character is the intrepid Menzel whos gets high marks for making her non-singing debut in THIS extremely gay play.

And she does very well holding her own against, well, Will Brittain’s beautiful butt and playwright Harmon’s beautiful attitude towards being gay. It’s so free. So fun. Go! It’s only on for three more weeks before Will Brittain has to put his clothes back on. Perhaps forever. But being such a perfect physical specimen, I doubt that the Show Biz Godz will have their way with him and he’ll never be able to be clothed again. And that’s a good thing. It’s a great thing!

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A Comedy About Prostate “Milking” & Testicular Cancer?

An Indie comedy about Testicular Cancer? Immediately you want to barf. And “Funeral Day” does kind of make you feel that way until the third act, as they say, of the movie. It’s short 79 mins. but it feels like forever, until it finally gets going at the end. Jon Weinberg is the writer/producer/director/ star and his self-absorption as the hypochondriacal Scott is staggering. He makes everyone around him suffer, especially the audience. The film gets its “quirky” title from the sad fact that this loser we’re supposed to identify with won’t even attend a late friend’s funeral. So he spends the five hours, he calculates, that it would take to attend this event, by running around Hollywood trying to”find himself.” Have you thrown up yet? I can’t believe I kept watching this thing.

“Funeral Day” moves fast, as fast as our hapless protagonist, runs around L.A. From quaint/dull location to location, he sprints, but is never out of breath, because he has no car. This is supposed to make us like him? Not very much. And Weinberg isn’t cute enough or charismatic enough to pull this ridiculously unsympathetic loser of a character off, if anybody even could.

Oh! And if ever a film was in the closet, it’s “Funeral Day.” The plot really gets going in the last third of the film, when he has a friend examine his scrotal area. He thinks he has cancer. He feels a lump. And he asks his stoner friend “Feel my nuts.” This is followed by a verbal description, (no visuals, please!) were his “cock-toid area”(is that even a medical phrase?)is described ad nauseum, and well as his pubic “forest.” I began to think that this film was going to be about coming out, but no. Our hero stays in the closet.

I can’t think of another film where the words “cock,” “nuts” and “balls” is more frequently used. And not in a sexy way. And then the penultimate scene involves him encountering a hetero couple in a park, who immediately diagnose his problem as “You need your prostrate milked.” (?!?) And they do.That this scene is the high-point of the movie, and actually was funny, redeemed “Funeral Day” from being, er, a complete, real funeral.

We don’t see anything, except that yes, Our Hero is pretty summarily in bed at home with the couple (a very game Jed Rees and Kristin Carey, pictured above). His ass is in the air(but demurely covered by the bed clothes and the camera angles) and yes, Rees inserts three fingers into Weinberg’s anus, while  he fondles Ms. Carey’s large breasts. And yes, they do bring him off. And if that isn’t gay, what is?

Turns out that the obliging couple are both doctors, and insist that he see another doctor(presumably a “real” doctor immediately. And in the end, well, I guess I shouldn’t spoil the tiny little surprise that comes at the finale and tries to subvert all the bad writing and acting that has gone before. But it’s not enough. Prostate milking ends up being sold as something everyone should experience. And most gays do on a daily basis. Please. If author/director/producer/star Jon Weinberg wants so badly to be anally penetrated, will somebody please give him directions to the next gay bar?? If “Funeral Day” was a gay film, made by gays, about discovering the joys of anal sex, it might have been a riot. But as it’s made by dull straights…well…it just stays dully in the closet.

 

My Year’s Ten Best 2017!

1. CALL ME BY YOUR NAME ~ One of the Best Films Ever Made. Period. The Gay Movie, we, as gays, have been waiting for all our lives. Timothee Chalamet has won BOTH the New York Film Critics and the L.A. Film Critics Best Actor awards. Armie Hammer is his magnificent love interest and co-star.

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2. WONDER WHEEL ~ Woody Allen’s latest and Kate Winslet’s tear-stained performance is one of her best.

3. THE SHAPE OF WATER ~ Guillermo Del Toro’s Best Film. Sally Hawkins is flat-out amazing as a Spanish Deaf Mute Janitress, who falls in love with something akin to the Creature from the Black Lagoon. But it isn’t ridiculous. It’s beautiful, and moving beyond words. She won Best Actress from the L.A. Film Critics. This film will make you cry.

4. THREE BILLBOARDS OUTSIDE EBBING, MISSOURI– Irish Playwright Martin McDonagh’s magnificent morphing into a great American crime filmmaker. Frances McDormand and Sam Rockwell burn up the screen, literally. This film will make you angry. For all the right reasons.

5.  THE FLORIDA PROJECT ~Unbelievably, an epic film set in the make-shift budget motels across the street from  DisneyWorld, which was first called “The Florida Project,” as it was being built. Willem Dafoe is the sympathetic, sad-sack motel manager and six-year-old mischief maker Brooklynn Prince rock each other’s, and our world. Public access legend Sandy Kane makes a cameo appearance. She told me, “If you blink, you’ll miss me. It’s Tats over tits.”

6.ALL THE MONEY IN THE WORLD ~ Director Ridley Scott is back Big Time, as he directs Michelle Williams and Christopher Plummer in a tense, spine-tingling thriller about the ’70s kidnapping of J. Paul Getty’s grandson, who, yes, gets his ear cut off and sent to his mother (Williams.) But you can’t turn away.

7.LADY BIRD ~ Genius Greta Gerwig channels her boring, restless teenage years in  middle-class Sacramento into a box office bonanza that Irish actress Saoirse Ronan and Laurie Metcalfe as her befuddled, well-meaning mother from Hell, make herstory and could all win Oscars. Best Film of the Year from the New York Film Critics. Will it win the Oscar, too, for Best Picture? It might.

9. DUNKIRK ~ Christopher Nolan’s truly epic epic that makes all WWII war movies look like tiddly winks and utitlizes Oscar Winners  Mark Rylance, Kenneth Branagh and a cast of 100os to re-vitalize history in a seat-of-your-pants thriller diller. And rock star Harry Styles is in it, too. And he’s good!

10.  FROM THE LAND OF THE MOON ~ Marion Cotillard’s mesmeric performance once again lights up the skies in this unusual French love story.

Oscars at the Moment, Before the Election

jackie-1Oscars in early November. Things are getting clearer. Could the National Election itself have an impact on Oscar? We’ll see, but now, if it did, it would be the political movie of the year “Jackie” that gets carried forward. It’s a reminder of how decent and moral the people running the country were in the time of Camelot. The Kennedy Years seem light years away from the partisan horror of this current chilly November moment.

“Jackie” has the gravitas that “La La Land” simply does not. And they’re hiding “La La Land” from the East Coast critics. I STILL haven’t seen it. There’s been no big deal press screenings scheduled. Is it because they think the New York establishment isn’t going to like a musical film, a love story, yet, that glorifies LOS ANGELES? I can think of no other reason for “La La Land”s distributors holding it back like this. It wasn’t at the NYFF, if that means anything. But I do think it’s a little suspicious.

Certainly the curators of the NYFF COULD have chosen it to play if they wanted to. There was certainly room. And I’ve heard that Emma Stone and Ryan Gosling can’t sing. Or can’t sing well enough to carry a movie musical.la-la-land-1 I hope of course that they can, and I look forward to, musical comedy queen that I am, to enjoying its’ delights immensely. viola-davis-fences-1Also still unseen is “Fences” the late August Wilson’s adaptation of his own screenplay with Denzel Washington directing himself  in his Tony-winning role and co-starring of course, the great Viola Davis, reprising HER Tony winning role. Davis has now won herself an Oscar for sure, by putting herself in the Supporting category. But how good is the film? Is it as great on film as it was onstage? Or is it going to seem long, and talky and “stagey”?

August Wilson,esteemed to such an extent that he has a New York Broadway theater named after him, never lived to see any of his many plays translated successfully into film. I hope Denzel has worked his directorial as well as his actor’s magic. Will he also be up for a Best Actor Oscar? His third. Or will it go to now the supposed front-runner Casey Affleck for “Manchester by the Sea.” If “Manchester” is going to win something big, and it’s so good, it should, then maybe it’s Casey Affleck who’s the beneficiary and not the film.

manchester-by-the-sea-5When we see “Fences” we will know, but right now Casey Affleck is at number one in the estimation of the Gold Derby-ites AND the Gurus o’ Gold, of which I was a member. Once upon a time. In a galaxy, far, far away…

Best Supporting Actor is much harder to parse right now, so I won’t, but don’t expect small, gay, indie “Moonlight” to score. If the Academy is going to go for a small, racially charged indie, I think it’s going to be “Loving.” It’s a superb little film that grows in the mind and lingers like a haunting refrain.  Ruth Negga and Joel Edgerton as I’ve posited earlier are both going to get nominated for Best Actress and Actor, respectively, and I think even its’ terrific young director Jeff Nichols will too. Replacing “Moonlight.” In both Best Picture and Best Director.loving-1

If this year it’s going to be OscarsSoBlack, in reaction to last year’s OscarSoWhite, it’s straight “Loving” and “Fences” that will both be nominated for Best Picture. After the rave of raves “Loving” got from Manola Dargis in today’s New York Times, I think THAT’S the indie darling to watch. Not “Moonlight”. If the critically adored “Carol” couldn’t crack it last year then “Moonlight” is certainly a much longer shot at Best Picture or Director.

Only Mahershala Ali in a very small role might get nominated from “Moonlight” in the major categories. That would be as Supporting Actor. But enough Academy members Iin the Actor’s Branch have to see “Moonlight” to nominate him. Will they? And then there’s the terrific Naomie Harris as the drug-addicted mom-from-hell….It worked for Mo’nique in “Precious” and she did no campaigning but she won! Could British actress Harris who so dazzled as Winnie Mandela a few years back in “A Long Walk Home” get nominated, too? That would really be something for this tiny film. And perhaps we might see Black Actors nominated in every category! Wouldn’t that be something new? Something wonderful.

#Oscars

 

 

 

 

 

 

 

 

 

 

 

 

 

Newcomer Andrew Burnap’s Astonishing Debut in “Troilus & Cressida”

Troilus and Cressida 1Andrew Burnap 1“Troilus and Cressida” is considered one of  Shakespeare’s Problem Plays. It’s hardly ever done. It’s wildly uneven, and it’s always nigh to impossible to tell the Greeks from the Trojans. It’s clear that there’s a war on, but who’s who and which is which is always mightily confusing.

Director Dan Sullivan has perhaps rectified all that with his testosterone fueled-production in Central Park this summer. He’s cast one of the strongest male casts I’ve ever seen containing some of the best young Shakespearean actors around today. Main among them is newcomer Andrew Burnap in the usually forgettable title role. But Burnap burns up the stage as he holds his own against as formidable a male cast as I’ve ever seen in Shakespeare in the Park, New York’s annual, pastoral summer ritual. Founded by the late Joe Papp to be free to all New Yorkers, the Park never disappoints, though most times the productions certainly do. But not this time.Shakespeara in the Park 1

I’m happy to say that “Troilus and Cressida” is one of the best Shakespeare’s I’ve ever seen in the Park.

But back to Andrew Burnap. A recent graduate of the Yale School of Drama, he’s stepped right out of school and right into stardom, following in the footsteps of former Yale-ees Meryl Streep and Lupita Nyong’o who just soared immediately upon graduation. His beautiful, brave, heart-broken, angry, and eventually murderous Troilus is everything a dream role for a young actor should be. And blond, blue-eyed, dashing Burnap is living the dream. In a part, I’ve never really even noticed before, he makes it seem a greater role than it’s ever been.

Troilus and Cressida are sort of Romeo and Juliet gone wrong.  The Trojan War  breaks them apart early and nearly kills them.

I saw Helen Mirren as a young girl, maybe even a teenager, make her debut at the Royal Shakespeare Company back in the ’60s as Cressida.Helen Mirren Young Her debut, her first scene, she got rolled out of a Persian carpet completely nude. And thus began her great career. She was utterly heart-breaking in the scene where she emerges ravaged from the rival army’s camp where she has been raped repeatedly. She was shattered, bruised, barely able to speak, unforgettable. The actress here, Ismenia Mendes, just can’t cut it. You barely can tell she’s been gang-raped, and you don’t care much either.

But you do care about Andrew Burnap/Troilus’s reaction to his love being so defiled. He goes madly to war against his enemies, main among them the superb young Shakespearean actor Zach Appelman, as Diomedes, another part no one ever remembers. Appelman, you may remember, was the diamond brilliant Hamlet in Hartford, just this past winter for Darko Tresnjak.

Troilus and Cressida 3In the first act, Diomedes has very little to do, except to flex his muscles and show his six-pack lifting barbells and strutting shirtless (as do many others of this studly, sweating, stunning cast) in the 100 degree heat New York is now experiencing. But in Act 2, he gets to come into his own, as he battles Burnap. Appelman is a Yale graduate, too, btw.  As pictured above and below, you can see how intense their final confrontation is.Troilus and Cressida 4

I also must mention the tremendously strong ensemble feel that this T & C production had and I wasn’t surprised when I checked my program later that there were 10 (!) count’em TEN graduates of the equally superb NYU Grad Acting program! Which boasts its’ own  terrific, classically trained actors, main among them Corey Stoll. Stoll was so memorable as Ernest Heminngway in Woody Allen’s ” Midnight in Paris.” Here the completely bald Stoll is oiliness personified as the only man in a suit in this play, the slippery, Ulysseus, whom Stoll plays as   a corrupt ad exec, who arranges Cressida’s gang rape and many other nefarious things.Corey Stoll 1

I also had the privilege of seeing Understudy Keilyn Durrell Jones go on as the muscle-bound Achilles. He was just so loopily love-struck by his male amour Patroclus (Tom Pecinka), he licks his face like a huge puppy dog.Keilyn The Millionaire Jones

Yes, this is also the gay-est play Shakespeare ever wrote and director Sullivan does not hesitate to show the mighty Achilles, gathering his beloved up in his hugely muscled arms and whisking the giggling Patroclus off to their love-tent.

A male cast this awesome, and striking, who speak the Bard’s lines as magnificently as they make love AND war, makes one re-consider “Troilus and Cressida” as a much better play than it ever seemed before.

#Troilus and Cressida # Shakespeare # Trojan War #Andrew Burnap #Zach Appelman #Shakespeare in the Park #Corey Stoll #Achilles #Helen Mirren # Royal Shakespeare Company #Helen Mirren nude #Ulysses #Dan Sullivan # Problem Play # Central Park #Hamlet # Hartford Stage Company # Darko Tresnjak # Keilyn The Billionaire Jones#Achilles

 

For Those of You Who’ve Never Seen A Complete Episode…

For those of you who’ve never been able to see a complete episode of “The Stephen Holt Show”, only You Tube segments, here’s a complete, unabridged version of what is aired on TV. Enjoy!

Camera ~ Jack Siberine

Editing ~ Kevin Teller

Theme Music, the Overture from “Kareer Suicide” by Donald Arrington

Gay Filmmaker Richard Glatzer Passes at 63 from ALS

The great filmmaker Richard Glatzer has passed from the crippling disease ALS. He was 63. He and his partner Wash Westmoreland, who does most of the talking in this interview, was by his side for the past 20 years.

This interview takes place on the steps of the Courthouse in Newport, Rhode Island, where their break-through film “Quincenara” was the Opening Night sensation in the summer of 2005.

As in most small festivals, you end up hanging out with the friendliest face and that for sure was Richard.

Unbelievably, he developed ALS, the same disease that struck Stephen Hawking, and that Eddie Redmayne just won an Oscar for portraying a few weeks back. And even more poignantly, neither Richard nor Wash could attend the Oscars, seeing Julianne Moore win for their film “Still Alice.”

Moore had been saying that Richard was effected also by early on-set Alzheimer’s, which was what the movie was about, but in her final Oscar acceptance speech, she admitted, at last, it was ALS. And unlike Stephen Hawking who is still alive and vital today in his ’70s, Richard’s disease progressed extremely rapidly.

He was a talented, genial spirit, a fellow native New Yorker. It’s a great loss to the independent film community, to the gay community and to the world.

R.I.P. Richard.

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