a.k.a. "The Oscar Messenger"

I have always been enthralled by Icelandic Cinema, and also dismayed by the almost complete lack of attention paid to it state-side. But the American glacier of indifference is slowly melting as evidenced by the historic Icelandic retrospective of films recently on display by the enterprising Film Society of Lincoln Center, which just had a very big spring with their Rendez-Vous with French Cinema in March.
Scheduled directly opposite the Tribecca Film Fest downtown,  this terrific retrospective tribute was struggling to gain media attention, and also public attention. But the films are very, very good, some of them unforgettable, and attention must be paid.
I was fortunate to have been in Reykjavik twice in its’ banner season of 1999-2000, when Baltasar Kormakur who is now one of the main forces in Icelandic cinema, had his first film “101 Reykjavik” a GLBT comedy/romance about lesbian marriage starring Spain’s Victoria Abril, open to record-breaking box-office attendance in Iceland.
Baltasar was also starring in the true Icelandic legend Fridrik Thor Fridriksson’s “Angels of the Universe” as a stuttering madman who thinks he is a Beatle.
The Film Society proclaimed “Angels of the Universe” as “Fridriksson’s masterpiece” having seen the film four or five times now over the years(once without English subtitles!) I can only heartily concur.
“Angels” is a haunting, beautifully rendered cry of great pain from the great heart of Fridriksson as he charts the downward spiral of schizophrenia in the true story of his best friend’s brother. Based on Einar Gudmundsson’s prize-winning book, its’ a compassionate, violent and also very funny look at Iceland’s attitude towards the insane. Ingvar Sigurdsson’s Pall is wrenchingly memorable as the central character who longs to paint or play music or SOMEthing, before his world fades inevitably to black.
And  the asylum he is sent to is almost a respite from the endless white noise in his head. There he encounters Baltasar Kormakur’s crazed/shy Beatles’ maniac, who stutters and strums his way into the viewers heart with an Icelandic “Hey Jude.” Kormakur utterly captivates the audience as he befriends the friendless Pall, who doesn’t seem insane to him at all.
The scene where they, on an illicit afternoon out, end up having the most expensive and delicious dinner of their lives at the Hotel Holt (yes, the Hotel Holt. I must be Icelandic going back centuries…) and then getting arrested when they, of course, try to walk out on their bill, It’s a hilarious set-piece and also heart-breaking as you realize this will never ever again happen in their imprisoned lives.
And there  is the suicide of another chain-smoking inmate played memorably by Hylmir Snaer Gudnsasson. Who was also the star of Baltasar’s “101 Reykjavik.”
And did I mention Baltasar was also directing “Midsummer’s Night Dream” at the National Theatre of Iceland while starring in another production there of “A Doll’s House.”? He’s a one-man Icelandic powerhouse.
Iceland also produces incredibly talented and versatile actors, by the dozens(literally) who populate the films in “Images” from the Edge” over and over again. In a country which now has a population of 320,000, there is a lot of artistic overlap, and because of the small size of its’ vibrant and highly creative film and theater community, actors are expected to be as skilled at drama, and comedy, and even musicals.And they are. Because if they want to work constantly, they have to be.
Baltasar Kormakur also proved a vital action hero in this festival’s “Reykjavik Rotterdam”(2008) directed by Oskar Jonasson. It’s a pulse pounding thriller, which had the highest audience turn-out so far at Lincoln Center this Sunday. You’ll be familiar with this story of luckless drug smuggling sailors as Kormakur just directed Mark Wahlberg in its’ American language re-incarnation this spring. It was “Contraband” and it made # 1 at the box-office, the first time any Icelandic director has ever done this American hat-trick, and it has catapulted Kormakur into directing Wahlberg’s next feature starring him and Denzel Washington and Paula Patton now lensing in New Orleans.
In addition to Fridrik Thor Fridriksson’s magnificent “Angels of the Universe”(2000),this towering almost -Viking figure, had THREE other films in the Festival, one of them “Rock in Reykjavik” from 1982, a doc on Iceland’s red-hot music scene, featuring a teen-aged Byork, in her then group called Tappi Tikarrass.Also “White Whales” (1987) and an installation in , off the main foyer of the Walter Reade Theater called “The Circle” or “Ring-Road” which looped constantly  in the Furman gallery, And hypnotized all who watched it as the camera,as Fridriksson described it, “moving at the speed of light” down Iceland’s all encompassing Hwy.No .1 which literally rings the island.
Set in the middle of the North Atlantic Ocean, this isolated volcanic island of poets, artists, actors and filmmakers touches the Arctic Circle. And anyone who seeks out any of these marvelous films(too numerous to mention here) will also be touched by this enchanted island’s magical allure. Iceland itself is always the main character in any of its’ films. I can’t wait to go back.
If only “Angels of the Universe” had been shown at the New York Film Festival when it was originally made in 2000! Now 12 years later, it’s getting its’ due But I was shocked to discover that no Icelandic film,  as EVER been shown in the prestigious NYFF. I think after this colossal “Images from the Edge” retrospective festival, things will be different in the future.
It ran through April 26.

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Comments on: "icelandic Film Festival at Film Society of Lincoln Center" (1)

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