a.k.a. "The Oscar Messenger"

Posts tagged ‘Jean Dujardin’

Oscar, Oscar, Who’s Got the Oscar(Buzz)? Geza Rohrig, anyone? Don’t laugh! It could happen!

son of saulArmy of OscarsI can’t remember a year when Oscar was so upside down and backwards. And maybe that’s a good thing. Since when has Best Actor been skimpy and Best Actress so jammed?!? I can’t remember when, if ever, this hMatt Damon 1as not happened before. Simply. Something new under the Hollywood sun and how rare is that?

What the Tom Toms are beating is that Michael Fassbender and “Steve Jobs” are currently dying the Oscar death, being yanked mid-run from so many theaters across the country that it’s almost uncountable. Just go and and try to find that movie tonight at a theater near you. Nobody’s going. Where are they? They’re all having a grand ole time at “The Martian” which even in Imax and 3-D is still playing everywhere, and Matt Damon is going to be nominated for Best Actor and director Ridley Scott could win Best Director.

Matt has never won Best Actor, although he did win way back when he was a mere slip of a lad for co-writing the Best Screenplay with best bud Ben Affleck for “Good Will Hunting.”

But Matt has some stiff competition from Eddie Redmayne in “The Danish Girl” which is just about to explode into cinemas as “Steve Jobs” hastily departs. Also Michael Fassbender will NOT campaign. And Matt Damon and Eddie Redmayne are EVERYWHERE. Or soon will be. At every Hwood party and gathering that they can possibly get into, charming everyone, everywhere.Eddieandlilli

And then there’s the darkest of dark horses in one of the Best Films of All Time, never mind this year.It’s Geza Rohrig, the unknown Hungarian actor. who is playing the title role in the just-about-to-be-released masterpiece “The Son of Saul.” Don’t laugh! It COULD happen!

The Academy has a thing about nominating unknown foreigners. Hell, they even sometimes WIN, like Jean DuJardin in “The Artist.” Or Luise Rainer in “The Great Ziegfeld” way back when. It’s an Academy tradition.

I’ve heard that Sony Pictures Classics, who has the magnificent, smart honor of releasing “Son of Saul,” is going to throw everything including the kitchen sink at it, Rohrig, Best Picture and Best Director, too for Laszlo Nemes. It’s his first feature. He’s got a great story to tell, and so do his cinematographer Matyas Erdely and particularly his sound editor and sound mixing team. It was in post-production for something like five years!.

And this is also Rohrig’s first film. He’s a 39-year-old poet, of all things, who lives in Manhattan.

Did I say it’s set in the middle of the Halocaust at the Auschwitz-Birkenau concentration camp? Since this incredibly tight close-up is ALWAYS (or almost always) focused on Rohrig’s desperate face, he’s front and center EVERY second of this darkest of dark films. It may be considered the best film ever made on the Holocaust.And Rohrig carries it.

Rohrig’s painful, gut-wrenching performance will be hard for Academy members to ignore. His ravaged. savaged face IS the whole fllm. And since we never see much outside of his peripheral vision, we HEAR it! And it’s blood-curdling. As he, Saul, a Sodocammadant, a Jew, who has to do all the dirty work that no one else will do. He has to herd the Jewish victims to their deaths, slamming the gas chambers doors on them,listening to their screams, then quickly taking all “the pieces” as they call the bodies out, and scrubbing the floors clean so the next group won’t see any of their blood.

It’s going to score in soooo many categories its’ going to make pundits heads spin, who’ve left him, and it, off most of their current lists. It won the Grand Jury Prize at Cannes, the Vulcan award for sound design, the Francois Chalais prize, and the Fipresci. How can the Academy ignore these distinctions?

Watch out of “Son of Saul” is all I can say. To ignore it’s profound achievement is to ignore what is going to soon be considered an un-disputed masterpiece.

I’m the Oscar Messenger. I’m telling you the Oscar Message. I’ve read it already and this year it was written in Hungarian and said “Son of Saul”

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Eddie Redmayne Wins Best Actor SAG!!!!!!

Theory 6WOWOWOW! Eddie Redmayne just won the Best Actor Award at SAG for “The Theory of Everything.” Playing the multi-disabled astrophysicist Stephen Hawking, Redmayne had to literally twist himself into a pretzel, literally and figuratively. Congratulations, Eddie!

This is a very important win for him. People kept saying it w as going to go to Michael Keaton for “Birdman” which just won the Producer’s Guild Award LAST night for “Best Picture” trouncing “Boyhood”, the presumed front-runner.

But this is his FELLOW actors chiming in. And the actors know, Redmayne was playing a CHARACTER, whereas Keaton was playing himself in “Birdman.” Not such a difficult feat.

“The Degree of Difficulty” the actors always go for that. This is just tremenous good news!!! I’m so happy for Eddie!

And also if we throw ourselves back a couple of years ago, this is where Jean DuJardin won for “The Artist.” And then he went on to win the Oscar for Best Actor.

The guild awards reveal A LOT. What the industry, not the critics are thinking. And now this puts Eddie in the pole position to win at the Oscars. And he’s only 33! Plus, lest we forget he just won the Golden Globe Award, too, for Best Actor Drama.

WOWOWOW!!!

Oscars for “Wolf of Wall Street”? Dicey

Having just sat through the WAAAAAAAAAAAAAAAAAAAAAAY too long “Wolf of Wall Street”I really wonder about its’ Oscar chances. It’s a three-hour movie that is self-indulgent and repetitive to the max. It’s budget is upwards of $100 million and it stars Leonardo DiCaprio, directed by Martin Scorsese, but I wonder…

Simply on paper alone it looks REALLY appealing to the mostly male, mostly older Academy demographic. There’s a great deal of the Voting Membership that will relish this over-the-top Old Man’s Fantasy of a young man’s wild, drug-fueled life.  So yes, on all those counts it does get in. There’s more tits and ass(including Leo’s) to float it to a nomination from that sector alone. Or maybe not.

EVERYBODY in every branch of  the Academy gets to vote or rather at this stage NOMINATE 10 films for Best Picture, so I think on that alone in a field of ten, and taking into account the “Meat Eaters” Anne Thompson is always referring to from the many tech branches, it will get in.

But only actors can nominate actors. And only five of them. Are you following me on this distinction?

And when you turn to the Actor’s Branch, who is the largest and most critical, some would say snobbish section of the Academy, I dunno. They consider themselves, and perhaps rightly so, as the guardians of the High Art (in the case of “Wolf” that is literally) in the Temple of Acting.

These are the people who will nominate Leo or Jonah Hill…Or not…

And I can tell you right now, the women in the Actor’s Branch are going to be highly offended by the extreme sexism of this Wall St. romp.

And they don’t like Leo, who is still only 39, that much any way. They’ve not given him  an Oscar ~ YET, though he has received three nominations.

He’s giving it all he’s got, and there are some brilliantly funny set pieces, like the soon-to-be infamous “Quaalude” or “Lemon” scene, where Leo takes soooo many “Old” pills of this type, he and Jonah Hill don’t have a reaction til 45 minutes later. Trust me, it’s hilarious, and Leo exhibits a highly developed skill for physical comedy that he has never shown before….but then there’s a climatic scene that is border-line pornographic…well, I don’t see that wowing the sometimes staid Actor’s Branch.

Jonah Hill executes all that he is given to do expertly, but as of yet, he has been shown NO critical love in the crucial precursor awards, and they’ve been MANY of them at this point. He’s playing a truly repulsive character, repulsively.

Leo has turned up on some nomination lists. Like the Golden Globes ~ Best Actor Comedy, most notably, and he could win there.

Although Bruce Dern is in that category, too, for “Nebraska.” Uh-oh.

Leo really HAS to win there, but the Best Actor race has been so tightly locked up with THE FIVE = Dern, Redford, Hanks, Chiwetel Ejiofor, and Matthew McConaughey(who is also in “Wolf” for one terrific scene ONLY). This race has been tied up and locked down for so long, I don’t really know if he’s going to break into it.

So we could see “Wolf of Wall Street” winding up with a Best Picture nomination in a field of ten. But not much else. Certainly not costumes, since in so much of the film, much of the cast, especially the women, aren’t wearing ANYTHING! I’ve never seen $100 million studio release that has had so much blatant onscreen nudity and sex.

“Wolf of Wall Street” is infuriating in that it’s this colossal missed opportunity. With all the talent involved, it operates between scenes of great social satire, alternated with scenes of repetitive boredom. And it’s all on Leo. It’s his movie. He’s in nearly every scene. And when he’s good he’s very, very good, and when he’s  bad, he’s just SHOUTING,And  it’s boring.

And there’s at least FIVE looonnnng monologue scenes of Leo at the mike exhorting his troops, of office workers. to sell MORE, MORE, MORE! Ugh, I wanted to yank the mike out of his hand.

And awards-wise its’ timing, so late in the season, and opening right after “American Hustle” which deals with the same subject on a much smaller canvas and with only two hours running time. With an astounding comic turn from Jennifer Lawrence, it’s a comedy about greed and con artists that is actually quite funny, in the part of the movie that Lawrence is in.

I kept thinking “Has Martin Scorcese lost his mind?” He’s never made such a lewd, nude, orgy-filled film, which of course is probably an accurate representation of the abuses of power on Wall St. which is the point of the film. But there’s too much enjoyment in the excesses and the crime and punishment of said misdoings seems not much at all. Although no one is killed, he is getting away with murder. With gleeful merriment trumping the “It’s illegal” side of the story.

And I can’t believe I’m typing these words, because I wasn’t that wowed by “American Hustle” to say the least, but “Hustle” just did this story, and better, and funnier.

Jean DuJardin pops up as a very funny Swiss bank exec. And is really marvelously comic and venal. And McConaughey’s one scene is also very  funny but pointed and BRIEF.

Martin Scorcese is known for serious films about violence and crime.This film too is about crime and the examination of a criminal mind. There’s no blood this time, just lots and lots of nudity and sex.

Didn’t anybody ever tell these people that brevity is the soul of wit? You can’t have a THREE HOUR COMEDY.

Paramount rushed Scorcese and his legendary editor Thelma Schoonmaker to finish this picture in time for this year’s Oscar Race. It WAS four hours. FOUR HOURS! And now it’s only three. And it’s run right smack dab into the awards karma of “American Hustle.” And it doesn’t gain by comparison.

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Berenice Bejo via Satellite from Paris! Her Oscar campaign starts NOW!

The lovely and charming Berenice Bejo via Satellite from Paris!?! Her Oscar campaign for “The Past” by Ashgar Farhadi starts NOW! She was nominated for an Oscar two years ago for “The Artist” for Best Supporting Actress for Peppy Miller. And her role in “The Past” is a 360 degree revolve from the Black and White silent film that made her famous. “The Past” she is speaking perfect French as a Parisian housewife trying to get a divorce and dealing with three children. It’s an incredibly intense film about families, children, divorce and love.It’s brilliant and she’s brilliant in it! She won the Best Actress Award at the Cannes Film Festival this year for it.

Oscars in November ~ Where We Stand Now

OK. It’s on! The Oscar season has more than officially started. We are in what’s called “Phase One”  and as I’ve been saying since Toronto. It was all over as soon as I saw “12 Years A Slave.” Nothing could touch it. Nothing has.

Of course, it’s a very bad position to be the front-runner from the get go, but quality is quality and this is one of the greatest films of all time, a masterpiece, and the Academy cannot deny it it’s due. AND it’s making money, too.

I was worried when it first unspooled at Telluride that the praise was too deafening to be true. But when I saw it, the hosannas were understated. It’s one of the greats.

I was also worried that it was too much too soon. Could it sustain all the way though this LONG Oscar season, which doesn’t end this year until MARCH!

But it has been sustaining and people are going to see it, placing it at a strong #7 now on the Box-Office Top Ten for two weeks in a row.

And the critics awards aren’t going to be handed out for another 2-3 weeks or so. And when it starts, I’m telling you it won’t stop. “12 Years a Slave” is going to win EVERYthing!

The Best Actor race is much more variable with Chiwetel Ejiafor still out in front in my estimation. That’s for playing the title role in “12 Years a Slave”. And the Academy is poised to make history, which it often doesn’t shy away from doing, by giving Steve McQueen an Oscar for Best Director. He would be the first black man to ever win this award, shockingly.The news this year is that African-American and Black films and stars have all arrived and are here to stay, with performances that should be recognized. I am also predicting a record number of AA nominees this year. Maybe the Most In Oscar History. Call it the Obama Effect hits the Oscar big time this year. And I think that’s a good thing for everybody.

“12 Years a Slave” two months after TIFF is still a juggernaut that can’t be stopped. And thank goodness, everyone is getting on board.

The Gurus of Gold (which I used to be one for several seasons) has both 12YAS, McQueen and Ejiafor in the number one spots in their respective categories. And Lupito Nyong’o, too for Best Supporting Actress. The brilliant actress whose family really is from Africa(her father was a diplomat and politician) and she’s a Yale School of Drama graduate to boot. That stunning performance as Patsey, the tragic slave heroine will haunt your dreams. I can never stop praising her searing, magnificent performance. And Lupita is growing on the Awards Circuit every day, giving gracious, intelligent interview after interview. She’s the Cinderella story of the year, and she’s more than ready for her close-up.

And I still say Michael Fassbender’s multi-faceted turn as the villainous slave-owner Edwin Epps will also win the German-born, Irish actor a Best Supporting Actor Award. He’s got the industry cred behind him, with many many starring roles in movies lined up and coming out one right after the other.So Hollywood has a vested interest in him becoming a bigger and bigger and bigger star. His getting this award will validate all those expensive movies that have already invested millions in him becoming one of Hollywood’s new, true stars. Who also happens to be a great actor, too. And I think his non-campaigning  campaign is only going to help him. Silence is sometimes golden. Ask Garbo, if she were still alive. Ask Jean DuJardin and Michel Hazanaviscious. Hell, ask Mo’nique.

And the fascinating Fassbinder’s  got the title role in the controversial “The Counselor” out now. He’s also one of the leads in the X-Men franchise, and on and on and on. He’s what movie stars are made of, and so is Lupita Nyong’o.

Best Actress I feel personally is going to go to Sandra Bullock for “Gravity.” A sensationally popular mega-hit, which people are seeing over and over again, Bullock, or Sandy as she’s know to one and all in Hollywood, is the only person in 95% of the movie. George Clooney is barely in it. Spoiler alert.

With “Saving Mr. Banks” on the horizon, and two other major players “American Hustle” and “The Wolf of Wall Street” still unseen, it’s non-sensical to even call everything as I have been calling it since Sept. and Toronto. But hey! It’s the Oscars! It’s the Silly Season as David Karr of the NY Times so accurately called it, back in the Golden Days when he was the Times’ Oscar guy. He called himself “The Carpetbagger.” Because that’s what he felt like being a TImes financial reporter covering the Oscars. And so yes, it’s silliness personified.

But then so are the three unseen films which cover “Mary Poppins” back story, and financial guys at different end of the social spectrums. And different eras. Call me irresponsible, but I don’t see anything in the subject matters of these three films, all maybe comedies, We don’t know for sure yet. But yes, they all seem picayune by comparison.

But I can tell you what will win Best Animated Feature already Disney’s “Frozen” and Best Song “Let It Go” From Frozen.

And I don’t see any of these last three films really shaking up The Race.

Oscars! “Argo” wins Best Picture, Jennifer Lawrence wins Best Actress & falls down!

I really enjoyed this year’s Oscars. I ADORED Seth MacFarlane as the host and hope he’ll be back for more! He was funny, and insulting, but not tooooo insulting. Since when did it become a pre-requisite for all Oscar hosts to act like Ricky Gervais?
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This above ^ introductory paragraph was written before the anti-Seth MacFarlane outcry began today and before MacFarlane himself nixed the idea on Twitter.

I must tell you dear cineastes, dear readers, that I am late in responding to the Oscars because a) I was at a wonderful Oscar party with friends on Sunday and b) on Monday I had to start physical therapy for a back and neck injury and it knocked me sideways. But I was feeling, and walking, much better today. I felt a real spring in my step. Was it the Oscars? I think so. Also, Spring is coming. Right? Isn’t it?

But I’m back up tonight and shocked, SHOCKED by everyone in the media world dumping on the stupendous Seth. He can sing. He can dance. He’s got a dazzling kind of Donny Osmond-like charisma, that he undercuts totally with his wicked sense of humor. And I guess it was just too wicked for some. But he’s got a big career ahead of him whether he ever hosts the Oscars again, but since the ratings were WAY UP, he just might be back. He said “Tina and Amy will be doing this next year.” But I wonder…

Everyone at my party enjoyed it and so I am saddened that there was all this back-lash. Seth, I love you! And I thought you did a magnificent, hysterical job!

Quick-witted Seth sort of sank himself at the beginning of the show by doing 17 minutes with the barely endurable William Shatner, who was “beamed in” on a screen above the stage, in all his Star-Trek paraphernalia, and proved just why HE was never a movie star himself.

I know he’s from Montreal, but he was flat-out boring in that flat-lining opening gambit. And it went on far too long, ending, however, in the hilarious set-up of the Gay Men’s Chorus of L.A. singing “We Saw Your Boobs,” which is a number that will go down in Oscar history as love it or hate it, but me, I thought it was the essence of great comedy.

Not unlike his screamingly funny, and money-making film “Ted.” The potty-mouthed Teddy Bear, who MacFarlane voiced in the hit movie, also made an appearance with Mark Wahlberg to announce the Best Sound Categories. Which was an unprecedented tie for Sound Editing between “Zero Dark Thirty” (the only award it got) and “Skyfall” which also got Best Song for Adele.

The hue and cry against MacFarlane has all but dwarfed the actual awards and movies themselves as Oscar Goddess Sasha Stone points out at http://www.awardsdaily.com , but I’m happy to say that “Argo” won three. and Ben Affleck had his great moment in the sun, winning as a producer of the hit film, along with fellow producers,Grant Heslov, who hogged the microphone, and George Clooney, who stood by totally silent, and in a beard, clutching his hard-earned second Oscar like it was pure gold. Which it sort of is. But only gold-plated, really.But his firm grip was noticeable. I thought he was gonna break it in two. But then remember just last year, when he lost out on Best Actor to Jean DuJardin for “The Artist.”

Affleck was incredibly moving as he told everyone everywhere in the world to “never give up.” I took that very much to heart. He also said “Never hold grudges” in Hollywood. And to “always get back up when the world knocks you down.” Words of wisdom all…

“Argo” won Best Adapted Screenplay which I correctly predicted and also Best Editing for William Goldenberger, which I predicted, too. It lost out on Best Score. I thought they would acknowledge Alexandre Desplat, subtle, Middle-Eastern flavored work, but no, they instead gave to “Life of Pi”, which was Indian-flavored.

Affeck’s words about when the world knocks you down, get up, were illustrated minutes earlier, in a Forever in Oscar History Moment when Best Actress winner Jennifer Lawrence tripped on her massive Dior gown and face-planted right on the stairs up to the Oscar stage! For the rest of her career everyone is going to remember her like that! And then she got a standing ovation! Everyone loved her for it! And I did, too!

A great screen comedienne, as well as a talented actress, who is being rewarded at 22. And probably will be again, in a career that is looking by the minute. to be of LEGENDARY PROPORTIONS.

Her fall made the front pages of newspapers around the world! The New York Post headlined her prone picture with the words “Fallen Star”! Lolol..

That fall all but knocked Anne Hathaway’s win for Best Supporting Actress for her stunning, unforgettable turn as the doomed prostitute Fantine in “Les Miserables” out of everyone’s memories.

Hathaway’s unfortunate change of dress from Valentino to Prada, resulted in emphasizing her nipples to a ridiculous, impossible to ignore degree. I know. I know. It was only two seams hitting the wrong places, or perhaps the right places, because this made her pale, pale pink Prado famous around the world for all the wrong reasons. Joan Rivers cracked “Anne Hathaway was with the Pointer Sisters. And they were all very excited to be there.” I think, Anne Hathaway’s Nipples have their own Twitter account.

She’s a great, great young actress, who is just turning 30 and is at the height of her career, and I couldn’t be more happy for her! Congratulations, Annie! You had Oscar at “Hello”! The minute they released the “Les Miserables” trailer in June, I predicted she would win this! And I also predict this will not be her last Oscar. Only her FIRST!

There was a very rousing medley of “Les Miz” sung live by the entire cast, including Russell Crowe(!) and Annie. Another standing ovation! “Les Miz” got three Oscars, the same number as “Argo.” It also won Best Hair and Make-Up, as I predicted, and Best Sound Mixing, for its’ incredible blend of the live singing with a 60(!) piece orchestra that was added later! It’s a stunning achievement, my favorite film of the year and I wish it had won more.

The Academy really OWED Anne Hathaway an Oscar I.O.U. to quote Tom O’Neil, who was in Oscar heaven hyper-drive over at http://www.goldderby.com. After what she went through with James Franco! And their co-hosting a couple of years ago. That was ANOTHER one of Annie’s great performances as she kept trying to keep the show going at all costs despite Franco’s complete, er, disinterest…

And I can’t help but think that Ang Lee’s winning Best Director for “Life of Pi” and Annie’s win for “Les Miz” on Sunday night, were a kind of karmic pay-back from the “Oscar Gods” as Ang called it in his acceptance speech, for that awful night when “Crash” beat “Brokeback Mountain.” And the late Heath Ledger got his Oscar, too, although it was posthumously for “The Dark Knight.”

I was very happy for all of them.

A great, great, memorable show overall,too. I’ll never forget it! And I’ll have plenty more to say about it soon.

“Take That, Oscar!” Who’s on the front page of the NYPost? BEN AFFLECK!

Yes, it’s the Day After the Golden Globes and everything has quieted down tremendously in Oscarland. And who is on the FRONT PAGE of the NEW YORK POST? A newspaper that it can be said NEVER mentions the word OSCAR in its’ headlines, esp. with more than a month and a half to go? Why it’s BEN AFFLECK!?! Boldly holding his TWO Golden Globes!

He’s the hero of The Hour! He’s so hot, he’s even selling NEWSPAPERS! And suddenly has the heart of Hollywood on his side. For, of all things, being BUMPED out of the Best Director category by an Austrian auteur Michael Haneke and/or millennial first-timer Ben Zeitlin.

I don’t know WHO is going to win Best Director now, but really who cares?

I mean, isn’t it usually Best Actress or Best Picture or Best Actor, or if you’re gay, Best Supporting Actress, that takes the cake in terms of Oscar ink?

But HOLT ON! This year it’s BEST DIRECTOR that is getting all the attention! I mean, article after article about Ben Affleck AND Kathryn Bigelow being snubbed! With Ms. Bigelow, the reasons are all too clear. All the film’s controversial elements have descended upon HER. What’s the result of HER snub?

Kathryn Bigelow’s film “Zero Dark Thirty” is no #1 at the Box-Office. Is this the price of a Best Director snub? It suddenly seems like A BEST DIRECTING SNUB is the smartest Oscar Accessory to have right now.

Best Director was formerly only a category that Oscar wonks could get excited about. Usually, historically, it’s just been a tag-along award in the Public’s Eye, IMHO, because it almost always since I was a child (yes, I prognosticated for my little brother) went hand in hand with Best Picture. Ho-hum.

But I tell ya, “Argo”s got all the Oscar mojo in the world right now. Warner Brothers is re-releasing it and it will clean up all over again. And “Argo” now has THE STORY. The biggest most important, most elusive element in winning the Golden Guy.

Like for instance, Anne Hathaway this year has THE STORY in Supporting Actress. Her mother was the UNDERSTUDY for Fantine on the first National Tour of “Les Miz” You can’t top that. She’s a second generation Fantine. Done.

And now Ben Affleck and “Argo” has THE STORY. Oscar snub-bee par excellence, the voters will rally around this egregious error, and vote for “Argo” all over the place, but especially, for Best Picture, well, just BECAUSE, he was snubbed!!! I’m not kidding! They think like that. Or rather they FEEL like that. Oscar voters notoriously vote with their hearts, not their heads. It’s not an intellectual choice. And everybody loved “Argo” anyway. It was always a consensus choice since it opened at Toronto in Sept.

And they all secretly, or not so secretly, hate directors anyway, and this is their way of getting back at that pesky, idiosyncratic(I’m being kind) Director’s Branch.

The New York Post said it all “TAKE THAT, OSCAR!”

And my idol Liz Smith has said it was going to be “Argo” all the time. And what the director’s branch did was turn AMPAS into an ARMY of JEFF WELLS’. Did I say this already? But it bears repeating.

At http://www.hollywood-elsewhere.com Jeff Wells, who has been a memorable guest on my TV show at the Toronto Film Festival, yes, and talking about “Argo”too!

Yes, you can see it here http://www.youtube.com/StephenHoltShow, then search for “Jeff Wells” in the search box…

Jeff Wells has been “Anything BUT ‘Lincoln'” since, it seems forever. He doesn’t bear his grudges lightly, and he HATES Stephen Spielberg.

I don’t think “Lincoln” with its’ 11 nominations is going to win anywhere. It might get totally shut out, a la “The Color Purple”. Sorry if I’m repeating myself, but history does, ya know, repeat itself, too. 11 Nominations for a Spielberg “breakthrough” film and ZEE-ROW wins.

Stephen Spielberg didn’t look too happy last night at the Golden Globes. And this is exactly what happened at the Broadcast Film Critics only just on THURSDAY.
Only Daniel Day-Lewis won. No. I take that back. Tony Kusher won, too, but they gave him Best Screenplay DURING A COMMERCIAL! No that is also saying something. Probably more about what that stupid TV station the BFCA aligned with this year. Talk about lowering the level.

And no, I’m not a member.

What all this BEN-love has done though is push Hugh Jackman off the front-and-center of the Golden Globes coverage. The headlines should be screaming “Les Miserables win the most Golden Globes!” But no, it’s all about Ben winning TWO!

Yes, Ben Affleck has got the Oscar mojo going on. And Spielberg probably alienated all the members of the Academy who voted for “The Blind Side” – well, SOMEbody did! It even got a Best Picture nomination and of course won for the acting-challenged Sandra Bullock. All those members, let’s call them, well, Republicans, did NOT enjoy seeing President Bill Clinton turn up to present the Golden Globe clips of “Lincoln.”

AMPAS voters see that as taking an unfair advantage. ESPECIALLY if they are Republicans and that whole Bill Clinton moment last night reminded me of the George Clooney/Viola Davis Oscar Issue cover of EW last year. Remember THAT?

P.S. neither of them won. It was Jean DuJardin and Meryl Streep.

And “Argo”s win at the Globes last night also reminded Oscar voters that yes, they can kill two birds with one stone and if they vote for “Argo” they get George Clooney up onstage as well as Ben, since he was one of the film’s producers, and they get to FINALLY give Gorgeous George that second Oscar he’s been drooling over for YEARS now, since “Syrianna.” Which since it was Supporting, just wasn’t enough.

The OTHER story that could get rolling is the “David v. Goliath” scenario of “Silver Linings Playbook” v. “Lincoln” or Harvey v. Stephen AGAIN OR “Shakespeare in Love” v. “Saving Private Ryan.”

And you KNOW Harvey Weinstein is gonna get that one going big time.

And whither for that matter was TWC last night? Well their efforts. their magical implied powers yielded them TWO Golden Globes for “Django Unchained” for Quentin Tarantino(screenplay) and Christophe Waltz(Best Supp. Actor) for what a few weeks ago was a leading role. But Waltz was really, really good in that movie and made it watchable and made it all make sense, and spoiler alert! Gets to die violently, too. But he JUST WON an Oscar two years ago, but since it’s Harvey’s only Oscar shot with “Django”s actors, he may just put all his efforts into, except wait!

He’s got TWO other nominees in the category, too, Phillip Seymour Hoffman, for the fading “Master” and for the very lively “Silver Linings Playbook” Robert DeNiro insulted the HFPA two years ago when he got a Lifetime Achievement Award, and so he wasn’t nominated for “SLP” this year, but he IS for the Oscar.

So Harvey ended up with just the situation he didn’t want THREE in a category. It’s almost like “Which one will HARVEY pick?” Hmmmm…

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