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Posts tagged ‘Les Miz’

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He Was a Bway Rising Star just two years ago! Meet Kyle Scatliffe of “Les Miz”!

As I say in this interview from 2012, the minute I saw the 6’7″(or so) Kyle Scatliffe in Scott Siegel’s Broadway’s Rising Stars, AND heard him sing that powerful, climatic song from “Ragtime”, “Make Them Hear You.” I knew he was going to be a star, so I immediately booked him on “The Stephen Holt Show”.

We catch up with Kyle and his classmate from AMDA Graham Bailey at the Bombay Palace Indian restaurant in the theater district after they’ve just experienced the tremendous luncheon buffet there. ALL YOU CAN EAT! And they did!

Kyle is now about to blow Broadway’s minds with a towering(litereally) performance of the revolutionary Enjolras(sp?)in the about to open revival of “Les Miserables” at the Imperial Theater where “Les Miz” played for soooo many memorable years, making it one of the longest running shows in Broadway history.

Kyle was also just nominated for one of London’s top theater awards for his performance there in “The Scottsboro Boys”. There’s no stopping him now!

Camera & Editing ~ Kevin Teller

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Provincetown Film Festival ’13 Wrap Up!

PROVINCETOWN FILM FESTIVAL 15th ANNIVERSARY Wrap-Up

Epstein/Friedman Triumph TWICE with Double Whammy of “Lovelace” &”The Battle of AMFAR” ~ Almodovar, “Fruitvale” and Divine also score

Oscar-winning documentary filmmakers Rob Epstein & Jeffrey Friedman did the seemingly impossible at the 15th Anniversary of the Provincetown International Film Festival, which just wrapped. They opened this smart, exciting, essential & growing film festival with their first narrative feature film “Lovelace” about the ’70’s porn star Linda Lovelace of “Deep Throat” fame and followed it up with a terrific doc about the AIDS organization “The Battle of AMFAR.” Both were superb.

“Lovelace” was my favorite film of PIFF, boasting a surprising trio of Oscar-worthy performances from Amanda Seyfried (“Les Miz,””Mama Mia”) as Linda Lovelace herself,and Peter Sarsgaard (“An Education”) is incredibly believable in his tough-to-take role as Lovelace’s porn producer/husband Chuck Traynor. The triumvirate of great star turns is completed by an unrecognizable Sharon Stone as Lovelace’s hard-nosed Catholic mother. I never thought Seyfried had the dramatic chops, and I, like Harvey Weinstein I was told, did not realize that it was Sharon Stone as the mother, until the end credits rolled, and I nearly jumped out of my skin!

Stone has been nominated once before for “Casino”, but didn’t win, and now I think she will have another strong shot for sure, as Seyfried and Sarsgaard will, too, be up for Oscar consideration again. And this time, as a Best Supporting Actress, she could actually win. And neither Seyfried nor the worthy-as-hell, overdue Sarsgaard has ever been nominated either. Also, Radius the new Weinstein Co. off-shoot is repping this terrific film.

A biopic of a porn star? I didn’t think I’d like it, but “Lovelace” and Seyfried and Sarsgaard and filmmakers Epstein and Friedman draw you in utterly and make you CARE. And it’s funny, too, when it needs to be, and tragic as Lovelace’s story gets darker and darker. And with Harvey Weinstein in the mix behind them, look out!

“The Battle of AMFAR” is about the founders, the unlikely duo of research scientist Dr. Mathilde Krim and superstar-turned-activist Elizabeth Taylor. who joined forces to bring about a critical change in the perception of the HIV/AIDS epidemic in 1985. This terrific doc that sped by at a lightening pace was ALSO directed by Epstein and Friedman, who also directed “Lovelace”! Is there anything these two titans of cinema can’t do? It was definitely their time to shine at this year’s charming sea-side Festival.

The Weinstein Co. was also behind the laceratingly powerful racial drama “Fruitvale Station”, a true story about an innocent African American youth, 22-year-old Oscar Grant, who is wrongly slain by police on New Year’s Eve 2008. Unknown actor Michael B. Jordan has to carry virtually every scene of the film, and he does, but it is Oscar Winner Octavia Spenser(“The Help”) who outdoes herself here as Grant’s mother.

Grant is no plaster saint and his mother knows it. We are shown flashback scenes of Grant in prison, when his mother comes to visit and tells him she won’t be coming to see him anymore and refuses to hug him. We see her try to control her wild, pothead son, when he gets out, and she tries to keep him on the straight and narrow, and most monumentally, we see her grieving when he is shot-to-death by police. Octavia Spenser meets every challenge of this bravura, heart-breaking role that pulls out all the stops, and then some.

Having won both the Grand Jury Prize for dramatic feature and the Audience Award for U.S. Dramatic film at 2013’s Sundance Film Festival, “Fruitvale Station”, the subway station where the tragedy occurs, seems primed to compete across the categories as last year’s Sundance favorite “Beasts of the Southern Wild” did. And with Harvey as its’ producer, you know it will be a significant player this awards season.

An enchanting Film Festival by the sea, picturesque Provincetown is surrounded on three sides by water, and boasted a particularly strong slate of docs this year, with “Casting By” about the late, great, legendary casting director Marion Dougherty. Who at one time, as Tom Donahue’s film amply illustrates, seemed to be running the film industry in the ’70s. Dougherty speaks for herself fortunately in many insightful interviews, where it is revealed that she single-handedly talked directors Peter Friedkin into casting Gene Hackman in “The French Connection” and also persuaded John Schlesinger to cast Jon Voight in “Midnight Cowboy”! Try to imagine those two films without those two great performances, both of which won Best Actor & Best Film. Dougherty became so powerful that she turned Casting which was a male-dominated field, into the female-centric one it is today, as she constantly hired women as her assistants. But Casting Director don’t get Oscars. They don’t even have their own category, even as Dougherty and others fought for accreditation. The all-powerful DGA wants to make sure the power stays with The Director and not The CASTING Director. If the public only knew! And “Casting By” at least shines a bright, benevolent light on this tricky situation.

Another doc that knocked my socks off was “I Am Divine” about the late drag performer and cult icon of John Waters’ films “Pink Flamingos”, “Female Trouble” and “Hairspray” among many others. Filmmaker Jeffrey Schwarz emphasizes what a good actor Divine was underneath all the make-up and gowns and that he was poised to have a substantial character as a male character actor when he died of a massive heart attack at age 40. Too young. Too soon. And like with the unlikely heroine of “Lovelace”, Schwarz makes you care about his too-chubby protagonist, who just couldn’t stop eating. Or acting. Or acting out.

Waters was there to speak about the film and his late star. Noting that when people said that they often saw Divine walking around Provincetown in kaftans back in the Day, Waters said, “That’s a lie! Divine took cabs!”

And last but not least there is Pedro Almodovar’s HILARIOUS new comedy “I’m So Excited!” which is already one of my favorite Almodovar films. The hottest ticket in one of the smallest theaters (The Art House 2), I had to line up in a Rush Line for AN HOUR before the film started! But I got in! And what a delight it was!

I don’t remember Almodovar doing such an out-and-out comedy since “Woman on the Verge…” or “Tie Me Up! Tie Me Down”. Pedro, always a scamp as well as a camp, lets the bobby pins fall where they may as he lets his hair down in the wildest situation imaginable. A plane is stalled flying over Toledo, where it circles and circle and circles. The three tres gay male flight attendants have drugged all the passengers in coach and are left to entertain the first class passengers with campy numbers like “I’m So Excited”, which is a music video-like gem. Pedro could direct musicals, too, if he wanted. I couldn’t stop laughing!

Penelope Cruz and Antonia Banderas make hilarious brief cameo appearances at the beginning of the film. And I was particularly fond of returning Almodovar regular Lola Duenas, “Sole” Penelope’s illegal hair-dresser sister in “Volver”, as a wacky psychic who predicts that she’ll lose her virginity on this flight. What do you think? Hilarity ensues! Don’t miss it!

Oscars! “Argo” wins Best Picture, Jennifer Lawrence wins Best Actress & falls down!

I really enjoyed this year’s Oscars. I ADORED Seth MacFarlane as the host and hope he’ll be back for more! He was funny, and insulting, but not tooooo insulting. Since when did it become a pre-requisite for all Oscar hosts to act like Ricky Gervais?
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This above ^ introductory paragraph was written before the anti-Seth MacFarlane outcry began today and before MacFarlane himself nixed the idea on Twitter.

I must tell you dear cineastes, dear readers, that I am late in responding to the Oscars because a) I was at a wonderful Oscar party with friends on Sunday and b) on Monday I had to start physical therapy for a back and neck injury and it knocked me sideways. But I was feeling, and walking, much better today. I felt a real spring in my step. Was it the Oscars? I think so. Also, Spring is coming. Right? Isn’t it?

But I’m back up tonight and shocked, SHOCKED by everyone in the media world dumping on the stupendous Seth. He can sing. He can dance. He’s got a dazzling kind of Donny Osmond-like charisma, that he undercuts totally with his wicked sense of humor. And I guess it was just too wicked for some. But he’s got a big career ahead of him whether he ever hosts the Oscars again, but since the ratings were WAY UP, he just might be back. He said “Tina and Amy will be doing this next year.” But I wonder…

Everyone at my party enjoyed it and so I am saddened that there was all this back-lash. Seth, I love you! And I thought you did a magnificent, hysterical job!

Quick-witted Seth sort of sank himself at the beginning of the show by doing 17 minutes with the barely endurable William Shatner, who was “beamed in” on a screen above the stage, in all his Star-Trek paraphernalia, and proved just why HE was never a movie star himself.

I know he’s from Montreal, but he was flat-out boring in that flat-lining opening gambit. And it went on far too long, ending, however, in the hilarious set-up of the Gay Men’s Chorus of L.A. singing “We Saw Your Boobs,” which is a number that will go down in Oscar history as love it or hate it, but me, I thought it was the essence of great comedy.

Not unlike his screamingly funny, and money-making film “Ted.” The potty-mouthed Teddy Bear, who MacFarlane voiced in the hit movie, also made an appearance with Mark Wahlberg to announce the Best Sound Categories. Which was an unprecedented tie for Sound Editing between “Zero Dark Thirty” (the only award it got) and “Skyfall” which also got Best Song for Adele.

The hue and cry against MacFarlane has all but dwarfed the actual awards and movies themselves as Oscar Goddess Sasha Stone points out at http://www.awardsdaily.com , but I’m happy to say that “Argo” won three. and Ben Affleck had his great moment in the sun, winning as a producer of the hit film, along with fellow producers,Grant Heslov, who hogged the microphone, and George Clooney, who stood by totally silent, and in a beard, clutching his hard-earned second Oscar like it was pure gold. Which it sort of is. But only gold-plated, really.But his firm grip was noticeable. I thought he was gonna break it in two. But then remember just last year, when he lost out on Best Actor to Jean DuJardin for “The Artist.”

Affleck was incredibly moving as he told everyone everywhere in the world to “never give up.” I took that very much to heart. He also said “Never hold grudges” in Hollywood. And to “always get back up when the world knocks you down.” Words of wisdom all…

“Argo” won Best Adapted Screenplay which I correctly predicted and also Best Editing for William Goldenberger, which I predicted, too. It lost out on Best Score. I thought they would acknowledge Alexandre Desplat, subtle, Middle-Eastern flavored work, but no, they instead gave to “Life of Pi”, which was Indian-flavored.

Affeck’s words about when the world knocks you down, get up, were illustrated minutes earlier, in a Forever in Oscar History Moment when Best Actress winner Jennifer Lawrence tripped on her massive Dior gown and face-planted right on the stairs up to the Oscar stage! For the rest of her career everyone is going to remember her like that! And then she got a standing ovation! Everyone loved her for it! And I did, too!

A great screen comedienne, as well as a talented actress, who is being rewarded at 22. And probably will be again, in a career that is looking by the minute. to be of LEGENDARY PROPORTIONS.

Her fall made the front pages of newspapers around the world! The New York Post headlined her prone picture with the words “Fallen Star”! Lolol..

That fall all but knocked Anne Hathaway’s win for Best Supporting Actress for her stunning, unforgettable turn as the doomed prostitute Fantine in “Les Miserables” out of everyone’s memories.

Hathaway’s unfortunate change of dress from Valentino to Prada, resulted in emphasizing her nipples to a ridiculous, impossible to ignore degree. I know. I know. It was only two seams hitting the wrong places, or perhaps the right places, because this made her pale, pale pink Prado famous around the world for all the wrong reasons. Joan Rivers cracked “Anne Hathaway was with the Pointer Sisters. And they were all very excited to be there.” I think, Anne Hathaway’s Nipples have their own Twitter account.

She’s a great, great young actress, who is just turning 30 and is at the height of her career, and I couldn’t be more happy for her! Congratulations, Annie! You had Oscar at “Hello”! The minute they released the “Les Miserables” trailer in June, I predicted she would win this! And I also predict this will not be her last Oscar. Only her FIRST!

There was a very rousing medley of “Les Miz” sung live by the entire cast, including Russell Crowe(!) and Annie. Another standing ovation! “Les Miz” got three Oscars, the same number as “Argo.” It also won Best Hair and Make-Up, as I predicted, and Best Sound Mixing, for its’ incredible blend of the live singing with a 60(!) piece orchestra that was added later! It’s a stunning achievement, my favorite film of the year and I wish it had won more.

The Academy really OWED Anne Hathaway an Oscar I.O.U. to quote Tom O’Neil, who was in Oscar heaven hyper-drive over at http://www.goldderby.com. After what she went through with James Franco! And their co-hosting a couple of years ago. That was ANOTHER one of Annie’s great performances as she kept trying to keep the show going at all costs despite Franco’s complete, er, disinterest…

And I can’t help but think that Ang Lee’s winning Best Director for “Life of Pi” and Annie’s win for “Les Miz” on Sunday night, were a kind of karmic pay-back from the “Oscar Gods” as Ang called it in his acceptance speech, for that awful night when “Crash” beat “Brokeback Mountain.” And the late Heath Ledger got his Oscar, too, although it was posthumously for “The Dark Knight.”

I was very happy for all of them.

A great, great, memorable show overall,too. I’ll never forget it! And I’ll have plenty more to say about it soon.

SAG Awards ~ Best Supp. Actor & Actress!

Best Male Actor in A Supporting Role! Bang! They’re getting right to it!Nicole Kidman in a black dress with a very weird top. Tommy Lee Jones! And he isn’t even there! I guess he had it after the Golden Globes when he lost to Christophe Waltz then scowled through the rest of the show so frighteningly he ended up being lampooned on Saturday Night Live.At last Lincoln won SOMEthing. And he’s not even there to pick it up! Means he thought he wasn’t going to.

Jennifer Lawrence and Bradley Cooper announce the clip from “Silver Linings Playbook.” Jennifer doesn’t look well and seems very as I said subdued, a bit shaky.And PALE in the close-up.

Best Actress in a Supporting Role ~ ANNE HATHAWAY!!!!!!!!!!!!!!!!!!!!!!!!! Nice speech. Humble. “I want to thank my mother for voting for me. Or she better’ve!”
Started with a bad joke “At Least I get dental” or something like that about dental.
Lovely cocktail dress with what looked like a hundred pinafores under it.Black, again, the color of the night. Sparkly. They didn’t get her on the E! Channel Pre-show, so I don’t know who the designer was but I’m sure we’ll be hearing about it for WEEKS!

She thanked her father “for marrying an actress and for bringing up an actress. It was a very dramatic household.” She was channeling Audrey Hepburn a bit, I thought. Or trying to. She seemed to get more applause and also cheers as Justin Timberlake in a very sharp suit read out the five nominees names out.

Two of the big awards within the first fifteen minutes! This has never happened before. Now they switch to the boring TV awards.

I’m torn between staying with this and not missing Ep.4 of “Downton Abbey”! I’ll stick with this I guess until nine.

Oscar Mindreading ~The Houston Film Critics Were Reading My Subconscious!

Just thoughts! Random, unspoken thoughts and SUDDENLY there they were in print!

Thankx as always to Oscar Goddess Sasha Stone at Awardsdaily for this list. http://www.awardsdaily.com

The HOUSTON FILM CRITICS TOP PICKS ~

Best Picture
Argo

Best Director
Ben Affleck (Argo)

Best Screenplay
Tony Kushner (Lincoln)

Best Actor
Daniel Day-Lewis (Lincoln)

Best Actress
Jennifer Lawrence (Silver Linings Playbook)

Best Supporting Actor
Tommy Lee Jones (Lincoln)

Best Supporting Actress
Anne Hathaway (Les Misérables)

Oscar Maxims of Harvey Weinstein, Advice Taken and Not Taken

How dull would the Awards season be, that is now going full-throttle, well, at least the publicists are, during the holidays this year( more like Holidaze) because of the ridiculously truncated Oscar nomination voting period? How dull would it be withOUT OscarMeister Harvey Weinstein to continually spice things up?

Harvey has a couple of Oscar rules, I’ve gleaned over the years, more like Maxims, really. Words to the wise (if anyone’s really listening, and I know the Oscar strategists are, AND Scott Feinberg (*waves* to Scott) 1) The picture that is seen LAST has the most impact. And 2) Only one nominee(from the Weinstein Co.) in each category.

He certainly seems to have applied Maxim 1) to “Django Unchained” opening as it did strangely on Christmas Day, but the box-office and critical accolades seem to bear out Harvey’s wisdom in this case. I beg to differ on this one, but the Golden Globes nominated it all over the place. Though the SAGs did not get their screeners for “Django” in time, it is said. So no SAG nominations.

Started reading Liz Smith’s “diary” i.e., blog, i.e., column in the http://www.newyorksocialdiary.com and she says about the Hollywood Foreign Press something to the effect that “Who are these people? Nobody you’d ever know, except that once a year the come together to get everyone’s attention.”(I’m paraphrasing) i.e. the Golden Globe Awards.

And Harvey plays the HFPA like a symphony. So, of COURSE, they are going to award his “Django” with a Best Picture, Best Director(Quentin Tarantino), and two Best Supporting Actor noms(Christophe Waltz AND Leonardo DiCaprio). Leo and Christophe may cancel each other out. And THEN who would win? Tommy Lee Jones for “Lincoln”? Jones does seem ahead at the moment. His main competition, “The Master”s Phillip Seymour Hoffman is slipping every day. And NOT because of Hoffman’s stupendous performance. And “The Master” is ALSO a Harvey film. So he has THREE in this category! Which probably means that Jones does get it, because the THREE Weinsteins, may be just way too many nominees.

But right there in this past paragraph you can see that Harvey just contradicted himself big time. So while Maxim1 worked for “Django” with the Globes and at the Box-Office, Maxim 2 got him THREE nominees in the SAME category, something he  always says he wants to avoid. Some may call it an embarassment of riches, but Leo and Waltz and Hoffman could cancel each other out.

It seems HIGHLY unlikely to me that the Academy is going to embrace “Django” on any level. It’s just toooo bloody. One of the most violent films I’ve ever seen in the Oscar race. AND director Quentin Tarantno isn’t due.

The Golden Globes are really not a good indicator of anything anymore, except trouble. THEY are the main reasons for this shortened voting period. AMPAS wants to get the Oscar nominations out FIRST, BEFORE the Golden Globes are held. Which they will be doing, effectively trumping the GGs from having ANY influence on the Oscar nominations themselves, which are announced on Tues. Jan.10 this year. Sooooo early. The earliest ever. And making voters jam all their holidaze with viewing screeners.

There is said to have been more Oscar-oriented parties in L.A. this year than ever. I don’t know. I’m not there. I’m only reporting. In New York, it’s been more or less status quo, as far as that’s concerned, as far as I can see.

But this shortened voting period means the over-burdened Oscar voters have LESS time to see everything they have to see. So what do they do? They choose to see The BIG Must-Sees like probably “Les Miserables”, “Lincoln”, “Argo”, “Zero Dark Thirty” and “Life of Pi” and maybe even “Django” too. Others, like the suddenly on the cusp(and yes, it’s a Harvey film, too) “Silver Linings Playbook” and on down the line-up, may get seen less. Simply because there’s less time.

And speaking of “Silver Linings Playbook” I think it will win Jennifer Lawrence Best Actress in a Comedy or Musical for the Globes. But in the Best Director category, SLP’s director David O. Russell got knocked out by – wait for it! Quentin Tarantino!!! So yes, that Maxim #2 really is something to go by.

Will O. Russell get Oscar nominated, like he was just a couple of years back for “The Fighter”?

I’m thinking not. And we don’t have any DGAs to guide us, as in previous years, because yes, they, too, won’t announce their five ALL IMPORTANT nominees til, yes, that’s right, AFTER the Oscar nominations are announced on the 10th.

Speaking of the 10th. if I were in L.A. and covering the nominations, they occur there at 5:30AM( here, EST, it’s at 8:30AM on the morning news shows) then THAT NIGHT there are the BFCA, the Broadcast Film Critics Association Awards which are USUALLY the most predictive of the Oscar race. That is ONE long day for all the nominees and everyone else involved. Phew!

“Les Miz” in IMAX! My Third Time! Bliss to the Max!!

“Les Miserables,” which is my #1 film of the year, can also be seen now in IMAX, which I didn’t know about until director Tom Hooper mentioned it in an interview. And so I HAD to see it for a THIRD time in a Whirlwind month of “Miz.”

There’s so much to say, and so little time…before I see “Les Miz” AGAIN! Yes! It’s THAT good! And THAT addictive!

FINALLY! Tickets were available for purchase by ordinary movie-goers. It has been sold out in NYC, since its’ opening Christmas Day, when it broke B.O. records, and it’s taking off to be a record-breaking hit all over the world! It may even go over $100 million internationally by the end of this weekend!

And they said musicals weren’t popular with the masses any more!

Well, “Les Miz” is bringing out a certain type of movie-goer those who’ve been STARVED for a great movie musical.

Since I was a kid, it was always the movie musicals that got me into movies in the first place. “Yankee Doodle Dandy” being run over and over and over again on Million Dollar Movie on televisioni on Ch.9. Every single day, maybe even twice a day, when I was a bespectacled, red-headed kid growing up in the Bronx. Then came “Les Girls” and that little boy thought all movies were SUPPOSED to sing.

So it’s grand, just grand that “Les Miserables” returns movies to its’ rightful place, right near OPERA. Opera used to be mass entertainment in its’ time, and I just love that “Les Miz” onscreen is totally sung through. And what wonderful,stirring, powerful music it is!

From those first three thrilling chords of “Look Down” “Ah-huh!” Klang! “Ah-huh” Klang! And the spectacular wreck of a ship hulk that gets hauled into view by literally hundreds of dirty, grimy slaves of the state, Jean Valjean main among them. Well, it shakes you and just takes your breath away at the same time!

Audiences for “Les Miz” come PRIMED now to applaud, it seems to me. At an invited (non-critics) screening I saw(my second time)(many Academy members in attendance) there was applause at least four times and cheering and standing and MORE applause at the end. And this was without any of the talent present, which ups the applause meter even more. Hugh Jackman’s name onscreen got applause at the end as did Anne Hathaway’s and Eddie Redmayne’s and strangely Helena Bonham-Carter’s.

Well, last night this paying, weekday night audience applauded at least EIGHT times!

Of course, Anne Hathaway’s brilliant, blistering, unforgettable solo “I Dreamed a Dream” got applause. And she’ll probably get an Oscar, too.

And then they didn’t really applaud again til “On My Own”, which had not gotten applause at the previous two screenings I attended. That’s Eponine’s rain-soaked solo essayed here by Samantha Barks.

Then, of course, after that, “One Day More” got a rousing hand, and it continued virtually unabated five times more til the magnificent ending! I was losing count in the glory of it all as the suspense mounted, and of course, the wonderful Eddie Redmayne got his hand in “Empty Chairs and Empty Tables,” and the Thernadiers (a super oily Sasha Baron Cohen and the equally slimy Helena Bonham-Carter) even got applauded when they got thrown out of Marius and Cosette’s wedding.! Cheers, too! Amazing!

The involvement of the audience was like at  Broadway show. But no Broadway show gets stopped with applause EIGHT times! At least! But this being a high-paced film, “Les Miserables” never paused for a moment. I don’t think the stage version ever got this much applause. Maybe the 10th and 25th anniversary concerts did. But they were EVENTS. This is just a blockbuster musical. Incredible. I’ve never seen anything like it in my life as a film critic.

“Les Miserables” never fails to disappoint. But I have to say that IMAX isn’t really necessary to see it in. Everything gets magnified and since the film is shot in extreme close-ups most of the time, it really is excessively CLOSE in Imax.Dizzying. I was counting the warts on Russell Crowe’s face. And then the hairs on the warts. I REALLY didn’t need to be THAT CLOSE. Too much information.

But his Javert is meant to scare. And he does. He’s the villain, and his strange, thunderous, bellowed singing is the film’s one discordant note, but it works, because he’s the one who’s out of sync with the melodious singing of the rest of the cast, as his character is out of sync, at war, with the rest of the world.

Hugh Jackman’s Jean Valjean wows me every time! The demands that are placed on him are literally Herculean, and utterly Oscar-bait-y and Oscar – worthy. And then he has to drag the wounded, half-dead, Eddie Redmayne through the sewers of Paris! Saving his life, in  yet another one of Victor Hugo’s novel’s great set-pieces, that is rendered impossibly odious and odoriferous in these tremendous close-ups. Oh yes, Jackman’s “Bring Him Home” sung to the sleeping Redmayne got a spontaneous round of applause, too.

“Les Miserables” is setting audiences free in a wonderful way. They seem FREE to applaud. And VERY free to cry. At the end, with the incredibly moving climatic scenes, there’s not a dry eye in the house. My eyeglasses were salted up with tears. But I was happy. The Greeks has a word for this effect. They called it “Catharsis.” I call it Oscar.

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