a.k.a. "The Oscar Messenger"

Posts tagged ‘lesbian’

National Society of Film Critics Names “Spotlight” Best Film

Spotlight 4The National Society of Film Critics perhaps the most esoteric of the awards-giving critics groups have named “Spotlight” the Best Film of the Year. It also won Best Screenplay. Already way out ahead of every other film this year, “Spotlight” just solidifies its’ lead and is making this year’s Best Picture race seem more like the year “Slumdog Millionaire” trounced everything in its’ path and won every award heading up the ultimate, the Oscars.

Surprisingly, the overlooked Michael P. Jordan won Best Actor for “Creed”.Michael P. Jordon 1

It’s also interesting to note that Geza Rohrig came in second place for “The Son of Saul.” I still think he’s going to get nominated by the Academy for Best Actor. Only Leonardo Di Caprio and Eddie Redmayne are the locks in that category. Anything can happen. Especially with the critical and box-office strength “The Big Short” is showing. Although the National Society didn’t give it anything. Although it came in third for Screenplay behind the winner “Spotlight” and the stop-action animated film by Charlie Kaufman.

Best Actress went to Charlotte Rampling who really needed this boost for “45 Years.”Charlotte Rampling 1 Best Supporting Actress  Kristen Stewart for “The Clouds of Sils Maria.” Second place went to Alicia Vikander for “Ex Machina” solidifying her march to TWO possible nominations as I’ve noted in the previous post.Ex Machina 2 Supporting for “Ex Machina” sexy, manipulative robot Eva and in Lead for “The Danish Girl.” The Awards Coronation of Vikander is well underway.

And Best Supporting Actor is once again Mark Rylance for “The Bridge of Spies” for his comical/sad/shifty Russian spy, who also doubles as a painter. Rylance a four-time Tony Award winner is beginning to be the assumed front-runner for the Steven Spielberg Cold War spy thriller.

Best Director was also surprisingly Todd Haynes for “Carol.” It also won Best Cinematography for the great Ed Lachman beautiful 16 mm. lensing of this Patricia Highsmith lesbian love story.Carol 3

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Best Supporting Actress, Wide Open or Not?

sarah PaulsonRoonwy MARA 2Is this year’s Supporting Actress race wide open or not? I think the HFPA(Hollywood Foreign Press Association) who give out the Golden Globs, er, I mean, GLOBES, dynamited both the Best Actress race and the Best Supporting Actress races, by insisting that Rooney Mara for “Carol” and Swedish actress Alicia Vikander of “The Danish Girl” MUST be considered in lead.aLICIA vIKANDER1

And they are 100% right! Both are leading roles. However, after seeing how dismal Rooney Mara’s “Carol” turn is, and how GREAT Cate (the Great) Blanchett’s is in the title role, I think voters are going to have no trouble nominating Blanchett, and overlooking the sub-par Mara for “Carol.”

I would never have thought that yesterday. I had to see it to believe it. I mean, Mara did win Best Actress in Cannes, which I guess in this day and race really means nothing.

And since Best Actress is incredibly jammed already, there just may not be room for Mara AND Blanchett, and/or for Mara and Vikander, who gives a truly transcendent performance as the conflicted wife of a transitioning transgender man-to-woman in “The Danish Girl,” played brilliantly by probable nominee for Best Actor, and last year’s winner, Eddie Redmayne.

Brie Larson in “Room” and Saorise Ronan in “Brooklyn” SEEM locked and loaded as they say. And then there’s Blanchett in “Carol” and Vikander. With only one slot left for Carey Mulligan in “Suffragette” with Lily Tomlin’s “Grandma” and Charlotte Rampling’s “45 years” nipping at her heels. Never mind Dame Maggie Smith coming up fast on the outside for her glorious, smelly, homeless woman “Lady in the Van.”

So who is going to fill up the now empty Best Supporting Actress race?

Well, as I said before, I would love it if Sarah Paulson (above top picture) got nominated for “Carol.” Since the HFPA’s Edict of Nantes, they CAN’T nominate Rooney,in Supporting, they might just go far Paulson’s steely Best Friend and ex-lover of Carol. That would be great and people WILL get to see “Carol”. And see Paulson in it and how good she is.

Paulson was pretty stellar in “Twelve Years a Slave” wherein she horrified voters as the vicious slave-owners wife, who throws a glass decanter in future Oscar winner Lupita N’yongo’s face, scarring her for life.

And then there’s room for probable nominee screen legend Jane Fonda getting in for a five minute scene in “Youth.” I bet they are going to nominate her sight unseen because she is well, Jane Fonda.Jane Fonda Youth 1

I keep banging the drums for Parker Posey in Woody Allen’s “Irrational Man,” but no one seems to be listening to me. Posey has another juicy role coming up next year in Woody’s next opus. Maybe the Academy will wait for that role before they get on the Parker-Posey-is-now-legit(to us)-train.Itrational Man 2

I’ve mentioned before two look-alike blondes Elizabeth Banks and Rachel McAdams in, respectively, “Love and Mercy” and “Spotlight,” the front-runner at the moment for Best Picture. Both blonde beauties may have been pushed further inside the race than they ever might have been otherwise by the HFPA’s ruling on Mara and Vikander.Elizabeth Banks1Rachel McAdams1And let’s not overlook the wonderful Oscar perennial Laura Linney, who really holds Ian McKellan’s house and home(and picture) together as the put-upon drudge of a housekeeper in “Mr. Holmes.” If the voters view “Mr. H.” to see Sir Ian’s great nonogenarian detective, they’ll see how beautiful Linney’s work is opposite him. I thought people would forget this charming film and McKellan’s and Linney’s lovely work in it, but it seems they’re not.Laura Holmes 1And last but not least, you can never count out Dame Helen Mirren’s campier-than-thou take on the late real life gossip columnist Hedda Hopper in “Trumbo,.” who underneath her elaborate headgear was a ruthless red=baiter.Helen Mirren Trumbo

There’s nothing like a Dame as the ole saying goes. A rubric that AMPAS lives by. They’ve always have got to get a “sir” or a “dame” in there somewhere to give the evening class.

Have I left anyone out? Probably. But I’ll catch you up on these magnificent ladies on the flip side.

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At Last! Ellen Page comes out!

The closet is really a terrible thing. Not everybody is Out. Even today. As an Out Gay entertainment journalist, I am often running into celebrities, who are still in the closet, believe it or not, in this day and age. And it happens more often than you’d think. And it’s really gauling, to me, who has been out since the year Dot. And here is one glaring example.

At the Toronto Film Festival in 2009, I tried to interview Ellen Page for her new film “Whip It”, which was getting a full on press junket as you can see at the Park Hyatt hotel, if I remember correctly.

And I had decided to bring up the fact that she was playing a young woman on SNL in the last skit of the night she hosted, where her character was talking about whether or not she should go to Lilith Fair, the great Women’s Festival, that is held every year. And in the end of the skit, her character decides to go. And she’s very happy about it.

Well, she just didn’t like the fact that I mentioned the “L” word .And she cut me off and/or froze up, I can’t remember which but here’s the truncated interview that ends suddenly. And now you know why.

Also, when I say there’s nothing in the film “Whip It” that would appeal to gay men, she was visibly disturbed/alarmed, as you can see. I think also in that moment, it dawned on her that people might not like this film. They didn’t. It bombed big time.

Ellen, I’m glad you came out. It’s a personal different journey for everyone who does, and it happens at different times in their lives. I hope you’ve now found peace. It seems you have. But on this day, you clearly hadn’t.

NYFF 2012 ~ Strong Films Feature Strong Actresses, “Amour”, “Beyond the Hills”

This year’s New York Film Festival is  just about at the half-way through point, for press. The press screenings started just about immediataely that I got back from Toronto. And begin two weeks or so before the public begins to see the films, which began Friday night with “The Life of Pi.”

The 50th annivarsary edition of the NYFF has cerainly been featuring strong films about strong women, with VERY strong actresses doing award-worthy work.

The strongest by far is “Amour” the Palme d’Or winner at this years’ Cannes film festival, and this almost unbearably-painful-to-watch film by Michael Haneke(pronounced like Hun-a-kuh, like the Festival of Lights) stars French luminaries from the past Emmanuelle Riva and Jean-Louis Trintigant.

Emmanuelle Riva’s performance as Anne, an 80-something former music teacher who lives with her octogenarian husband, the equally magnificent Trintigant, in a beautifully quaint Paris apartment. And the lovely, charming Anne begins to be the victim of a series of strokes that leave her, first paralyzed on the right side, then paralyzed even further.

The demands on M. Riva are gargantuan in terms of enacting all the dibiltating stages of her decline, and she magnificently meets  every one of them with bravery and great force. You really are appauled at the toll old age is taking on her as she is ravaged by one malady after the other after the other. And Trintignant has the less showy role of the caretaker, the devoted husband who is appauled and dismayed by the excruciating decline and pain of his wife’s deteriotating conditiion.

Haneke is one of my favorite filmmakers and his previous work “Cache”, “Funny Games” and “The White Ribbon” are all extremely challenging and perplexing in different ways. “Amour” which should have been named “Le Mort” is tough, but “Amour” is the toughest, as it unflinchingly chronicles the end-of-life traumas that all human beings are going to have to face sooner or later. Some thing as grim as this material has never been shown onscreen. It’s disturbing, horrifying and unforgettable, all at the same time.

Austria has chosen it as their official entry for the Oscar for Best Foreign Film even though the actors speak French and it is set in France. Haneke, the director, is Austrian. France has chose the light-hearted comedy “The Intouchables” a Weinstein Co. production. So it will be comedy v. tragedy in this category at the Oscars in February. I’m sure both films may be nominated and Ms. Riva, too, may get a Best Actress nomination, her performance an the dying Anne is so awe-inspiring.

There’s also, like Haneke’s “Cache” and “The White Ribbon” especially, a kind of mystery that needs to be solved at the end. And I can only alert you to the fact that everything you need to know is in the OPENING scene of the movie. Just pay close attention.

Equally devastating, but somehow, lighter, if that’s even possible, is Roumanian director Christian Mungiu’s “Beyond the Hills.” This film was also awarded at Cannes, with a dual Best Actress prize, for the two young women,Cosima Strahaan and Cristina Flutur, who play the leads. Childhood best friends since the orphanage they grew up in, Stratan’s character joins an Orthodox nunnery that separates her from Flutur.

Alina(Flutur) is obsessively attached to Voichita(Strahan) and right off the bat, in the very first scene of the film, she crushingly hugs her friend, collapsing in tears in a train station, in such a way that Voichita, the nun, is dreadfully embarassed.

Alina, long story short, is revealed to have an overwhelming lesbian love for Voichita, and will stop at nothing in the convents’ attempts to separate the two, after Alina comes for an extended visit and then stays and stays. Her obsession becomes violent and the nuns and their priest attempt to exorcise the demons they believe Alina is possessed by. It’s horrifying. And it it not set in the past though the   convent and its’ inhabitants and rituals seem medieval.

And this is based on the non-fiction novels of Tatiana Niculescu Bran, which in turn were based on a true story.

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Stephen Holt Show at Saki Sushi! Provincetown Here we come!

Provincetown here we come! And we always start off this Summer series of episodes about the Provincetown Film Festival and all its’ fabu hotels and restaurants at Saki Sushi, with the Hostess with the Mostest, the equally fab Janet Jorgelescu! And our other two guests, Nancy Coleman and Ticia Smith-Coleman were on their honeymoon!
Editing by Kevin Teller

Can You Can Cannes? Some do. Some don’t.

As Cannes 2012 departs, it’s reverberations nevertheless will be felt throughout the Oscar season to come.

Pete Hammond of http://www.deadlinehollywood.com chimes in that he LIKED “Lawless” the Weinstein Australian gangster movie starring Shia LeBouef. Whereas Manohla Dargis of the New York Times  just dismissed it out right.

Jeffrey Wells was left with a WTF? reaction to the awards at http://www.hollywood-elsewhere.com and is taking three days off to recuperate.

Todd McCarthy, now at the Hollywood Reporter, felt the awards went where they should’ve gone, as did Dargis at the Times.

Hammond unearths a little known Cannes factoid that the two unknown Roumanian actresses, who are now unknown no longer, since they shared the Best Actress prize for Christian Mongiu’s lesbian nun story “Beyond the Hills” , were found by their director ON THE INTERNET! Now that should be uplifting news to a lot of aspiring actresses out there, that the Internet is now a career path.

Did they have websites I wonder? Just WHAT were they doing when Mongiu spotted them?

Another little know fact. If a film wins the Palme d’Or, the French equivalent of Best Picture, it can NOT win another major award, like for instance, say Best Actor or Actress.

And with the across-the-board acclaim of Michael Haneke’s “Amour” and the praise being heaped on 80-something stars Jean-Louis Trintingant and Emmanuelle Riva, they are both likely Oscar contenders for nominations, not wins. But who knows? I still think this film will not be nominated by the French, and the Austrians or Germans are unlikely to support a film that is in the French language.

Sony Pictures Classics already has this on the awards track. “Amour” is a must-see, no matter which way you slice it.

And Marion Cotillard’s “Of Rust and Bone” is being mentioned by all who have seen it as also a very likely Oscar contender for another nomination for Maid Marion. Having just won rather recently for “La Vie En Rose” acting in her own language, French, I wonder if that lightning would strike TWICE for her in another French film. The win, I mean, not the nomination. The nomination for Mlle. Cotillard seems almost a done deal and the only one that is emerging from Cannes.

Although there is also that American film, that opened Sundance “Beasts of the Southern Wild” which also won a major prize, for a first feature film, and is also a film that Oscar Goddess Sasha Stone of http://www.awardsdaily.com kept commenting on in her famous Cannes’  podcast luncheon with Jeffrey Wells. Sasha thinks, especially with Fox Searchlight having picked it up, that they are going to  ride this one all the way to a Best Picture nomination. The directors first name is Behn. Others would spell it “Ben” and he’s only 23. But this is the film, about a 6-year-old girl trying to cope with the after-effects of Hurricane Katrina, that has captivated not only the Sundance scenesters, but also the French, so it’s broadly popular.

And Sasha thinks the young girl in it could likely be the youngest person ever nominated for an Oscar. She’s THAT good evidently. And her name is unpronounceable and well as un-spell-able, so I’m going to look it up and include it later.

No American films seem to have hit at Cannes, but this one has. And with Fox Searchlight behind it. They are gonna “Tree of Life” it all the way to the Dolby. Which is the new name of the Kodak.

But other than “Beasts” no other American film has gotten much, if any traction. Then comes the big Summer Pause in the awards world, where all the summer blockbusters roll out and we don’t really see much of anything until Toronto. Which I will be attending for the 14th year! Can’t wait! But first comes Provincetown in a couple of weeks. And they always have such smart films there…

A GRRRReat Day for “The Artist”! Bad day for George Clooney…

So Super Tuesday of the Awards Season has come and gone and the faster-than-they’ve ever been, the Speedy Alkaselzters of Film Critics, the New York Film Critics Circle named “The Artist” Best Picture and its’ unknown-in-America director Michel Hazanaviscius, Best Director! Yay! But what does this alll MEAN?

Sasha Stone at www.awardsdaily.com and Tom O’Neil, the guy who started all this Oscar madness, at www.goldderby.com both point out that only five times in the past 20 years have the Oscars and the New York Film Critics agreed.

But it must be a VERY happy day over at the Weinstein Company! And at chez Hazanaviscius! The champagne corks must be popping! I mean, not only is this bon-bon of a movie in BLACK and WHITE, it’s also SILENT! And FRENCH! Or French made! And I can NOT name a French movie that has gotten THIS close to Oscar before.

So it’s unprecedented and unbelievable, but not by Sasha and I who called it as soon as we saw it. She, in Cannes, and I, in Montreal! At the Montreal Film Festival! What a beautiful moment that was!

And I described earlier how exciting the NY Press junket was. In this blog, just a little while back, I said that I felt Oscar’s presence in that room. Or rather suite of many rooms. Everyone was just so happy that day! But there was the little(or not so little, really) golden guy’s overwhelming presence in the air!

I knew I was surrounded by winners but the alllll knew it too. It was a nonpareil feeling, vraiment! Bien sur!

And since this is the first announced major award of the season, it may have more impact than any other NYFCC’s awarding has ever had before.

Famously the NYFCC moved up its date to be BEFORE the National Board of Review which is set to announce on Thursday. Will they rubber stamp the NYFCC? Or will they differ? Well, they may choose a different Best Actress than Meryl Streep. They could choose Michelle Williams’ wonderful Marilyn. But their choice of La Streep shows that yes, indeed, she is the front-runner in that category and NOT Viola Davis. Also, strangely, it’s a movie that hasn’t even opened yet and won’t for a couple of more weeks.

Oh, and not so strangely, “The Iron Lady” is ANOTHER Weinstein opus. I mean, it’s just incredible!

Also incredible is that David Fincher’s American re-make of “The Girl With the Dragon Tattoo” got NO-THING from the NYFCC. And this is the movie that made them move their date YET AGAIN to accommodate seeing this just-finished film.

Also everyone and his blogging brother was saying it was  a war between “The Descendants” and “The Artist” and now…”The Descendants” lost big time all over the place. It got NO-THING from the NYFCC and also George Clooney did not get a Best Actor Nomination from the Independent Spirit Awards. Yes, THEY were announced today, too, and Sasha has all of them over at www.awardsdaily.com And her take on what all this means.

I think, personally it means nominations for all these winners. It REALLY helps Albert Brooks who got Best Supporting Actor for “Drive”. And “Drive” which I liked immensely seemed to be slipping off the pundit-o-sphere. But Albert’s back and I think IN. And yes, he WAS really scarey in that movie! He was playing a gansta. No, I’m not kiddin’! He really was! People forget what a good, solid actor is underneath the rest of his many talents, but the NYFCC with this award has reminded everyone.

This is not necessarily the case for the lovely Jessica Chastain who wins for THREE movies. But which of these three “The Tree of Life”, “The Help”, and “Take Shelter” is the Academy(and the Globes and SAG, etc. etc) going to choose to rally behind as THE ONE. The Academy only allows for one film per nomination.

Like for instance, the National Board of Review can give Jessica the same Supporting Actress award for all those movies, too.

But the Oscars have to pick just one. It seems like “The Tree of Life” is the one with the most life in it. It tied the Gotham Awards last night for Best Picture with “Beginners” Yay! For Mike Mills! And for Christopher Plummer! “Beginners” also got Best Ensemble at the Gothams! And “The Descendants” AGAIN got nothing.

I tell you as well made as I felt “The Descendants” was it was ultimately extremely depressing.
So we can almost write “The Descendants” off our lists. And it seems Brad Pitt is now the movie star to beat for Best Actor, since he won here for “Moneyball” and “The Tree of Life”(yup, there it is again!) As I wrote earlier in the Comments Section of Awardsdaily tonight, I REALLY DON’T WANT TO KEEP TALKING ABOUT “TREE OF LIFE” but it seems I have, too.

People keep bringing it up, primordial ooze, dinosaurs and all. RIDICULOUS film! But Brad Pitt’s and Jessica Chastain’s ’50 Texas husband and wife WERE lovely. I’m just surprised to find people remember them and remember them so strongly.

So now it’s Brad Pitt v. Jean Dujardin with George Clooney running on the sidelines, huffing and puffing, like he does so memorably, in his Mad Dash scene in “The Descendants”…trying to keep up.

Well, we’ll see what the National Board of Review does. They, too, may pick “The Artist” but I’m betting Best Actor, Actress and Supporting will be different. But Jessica Chastain may score again with them because she’s got those multiple movies. Seven I think, behind her this year.

But congratulations to all these winners, and let me do a final shout out to winner of the Breakthrough Director Award Dee Rees for “Pariah” and also to Adepero Oduye who received an Independent Spirit Award for Best Actress for “Pariah” Both were my guests at TIFF this year.

And you can see them and ALLLL “The Artist”s on my YouTube channel www.youtube.com/StephenHoltShow

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