a.k.a. "The Oscar Messenger"

Posts tagged ‘Transexual’

BAFTA Backlash ~ Alicia Vikander v.Kate Winslet

Alicia 9The most shocking upset of the BAFTA night was Alicia Vikander losing Best Supporting Actress to Kate Winslet! Of all people! It was thought that Alicia’s main competition was Rooney Mara in “Carol”, but lo and behold, it’s turning out to be Kate Winslet for playing what amounts to a Slavic doormat-to-end-all-doormats from the flop “Steve Jobs.” Her role was based on a real person,  Joanna Hoffman, marketing executive for Apple and NeXT and Jobs’ confidant in the film. It’s one of those ugly-up roles that actors and actresses use to show their range, as the wonderful Winslet certainly did in this awful film.

Winslet has now won TWO major awards for this slovenly lady. A Golden Globe and now a BAFTA. So her Oscar chances must now be taken seriously. Or do they?
Kate Winslet steve jobs 3It is interesting as I noted yesterday that both these awards for Winslet were from foreign press and industry, the Golden Globes and now the BAFTAs. And she was playing a Polish woman succeeding in America, a woman who was known as the only one who could stand up to Steve Jobs.

However in neither of those awards races was she up against Alicia Vikander for “The Danish Girl.” In both the Golden Globes and the BAFTA, Vikander was competing in the leading actress race. And Vikander’s role as the long-suffering painter wife of a man Einer Vegener, who was going through a sex change, was in the lead in those races.

Vikander WON over Winslet at the SAG awards, when they were both in the Supporting Actress category and again at the Broadcast Film Critics. Both those wins were for “The Danish Girl” in Supporting Actress as she is nominated at the Oscars. As is Winslet for “Steve Jobs.”

At the BAFTAs last night, Winslet was competing with Alicia in Supporting, but it was for Alicia’s role as the Eva the robot in “Ex Machina.”

“Ex Machina” won nothing last night at the BAFTAs. Neither did “Carol.” Nothing. Nada. Zip.

As happy as I am to watch Winslet career trajectory move heavily forward as she progresses in age, I do have to point out that she has already WON an Oscar. For “The Reader, ” in which she was brilliant, and again doing a German accent. Her German accent was better than her Polish, which kept slipping in “Steve Jobs.”

It’s also interesting to note that both Winslet and Vikander were playing parts that are based on real people, something Oscar always loves, and Rooney Mara was playing a fictional character from the Patricia Highsmith lesbian love story, the ’50s  novel “The Price of Salt” on which “Carol” is based.

So don’t worry, Dear Readers, Dear Cineastes, my conclusion is this. As she did at SAG and the BCFCA, Alicia Vikander will win her first Oscar for her shattering portrayal in “The Danish Girl.”, in the Supporting Actress category, whether she’s a lead or not.

More on the Preferential Ballot, shortly.

Alicia 8

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Oscar, Oscar, Who’s Got the Oscar(Buzz)? Geza Rohrig, anyone? Don’t laugh! It could happen!

son of saulArmy of OscarsI can’t remember a year when Oscar was so upside down and backwards. And maybe that’s a good thing. Since when has Best Actor been skimpy and Best Actress so jammed?!? I can’t remember when, if ever, this hMatt Damon 1as not happened before. Simply. Something new under the Hollywood sun and how rare is that?

What the Tom Toms are beating is that Michael Fassbender and “Steve Jobs” are currently dying the Oscar death, being yanked mid-run from so many theaters across the country that it’s almost uncountable. Just go and and try to find that movie tonight at a theater near you. Nobody’s going. Where are they? They’re all having a grand ole time at “The Martian” which even in Imax and 3-D is still playing everywhere, and Matt Damon is going to be nominated for Best Actor and director Ridley Scott could win Best Director.

Matt has never won Best Actor, although he did win way back when he was a mere slip of a lad for co-writing the Best Screenplay with best bud Ben Affleck for “Good Will Hunting.”

But Matt has some stiff competition from Eddie Redmayne in “The Danish Girl” which is just about to explode into cinemas as “Steve Jobs” hastily departs. Also Michael Fassbender will NOT campaign. And Matt Damon and Eddie Redmayne are EVERYWHERE. Or soon will be. At every Hwood party and gathering that they can possibly get into, charming everyone, everywhere.Eddieandlilli

And then there’s the darkest of dark horses in one of the Best Films of All Time, never mind this year.It’s Geza Rohrig, the unknown Hungarian actor. who is playing the title role in the just-about-to-be-released masterpiece “The Son of Saul.” Don’t laugh! It COULD happen!

The Academy has a thing about nominating unknown foreigners. Hell, they even sometimes WIN, like Jean DuJardin in “The Artist.” Or Luise Rainer in “The Great Ziegfeld” way back when. It’s an Academy tradition.

I’ve heard that Sony Pictures Classics, who has the magnificent, smart honor of releasing “Son of Saul,” is going to throw everything including the kitchen sink at it, Rohrig, Best Picture and Best Director, too for Laszlo Nemes. It’s his first feature. He’s got a great story to tell, and so do his cinematographer Matyas Erdely and particularly his sound editor and sound mixing team. It was in post-production for something like five years!.

And this is also Rohrig’s first film. He’s a 39-year-old poet, of all things, who lives in Manhattan.

Did I say it’s set in the middle of the Halocaust at the Auschwitz-Birkenau concentration camp? Since this incredibly tight close-up is ALWAYS (or almost always) focused on Rohrig’s desperate face, he’s front and center EVERY second of this darkest of dark films. It may be considered the best film ever made on the Holocaust.And Rohrig carries it.

Rohrig’s painful, gut-wrenching performance will be hard for Academy members to ignore. His ravaged. savaged face IS the whole fllm. And since we never see much outside of his peripheral vision, we HEAR it! And it’s blood-curdling. As he, Saul, a Sodocammadant, a Jew, who has to do all the dirty work that no one else will do. He has to herd the Jewish victims to their deaths, slamming the gas chambers doors on them,listening to their screams, then quickly taking all “the pieces” as they call the bodies out, and scrubbing the floors clean so the next group won’t see any of their blood.

It’s going to score in soooo many categories its’ going to make pundits heads spin, who’ve left him, and it, off most of their current lists. It won the Grand Jury Prize at Cannes, the Vulcan award for sound design, the Francois Chalais prize, and the Fipresci. How can the Academy ignore these distinctions?

Watch out of “Son of Saul” is all I can say. To ignore it’s profound achievement is to ignore what is going to soon be considered an un-disputed masterpiece.

I’m the Oscar Messenger. I’m telling you the Oscar Message. I’ve read it already and this year it was written in Hungarian and said “Son of Saul”

“Gun Hill Road” terrific new transexual indie!

I predict that the critics will be throwing their collective hats into the collective air above them in hailing the arrival of “Gun Hill Road,” a terrific new Indie about of all things, a Bronx teenage transsexual! And that one of those hats may just land squarely on the very pretty Hispanic head of Harmony Santana, the Latino/Latina actor/actress who gives one of the greatest debut performances I’ve ever seen. Is Oscar listening?

Harmony reminds you a LOT of Jaye Davidson of “The Crying Game” who ended up with a Best Supporting Actor nomination in 1992 for playing a tranny who was passing who hooks up with the IRA. He lost to Gene Hackman in “The Unforgiven” but that startling nomination is there forever. I thought in one of the first years I was predicting the Oscars on my TV show that he would win. Scott Siegel(yes, he’s been on my show THAT long) said it was gonna be Hackman. I should’ve listened.

The New York Times is hailing Harmony, too, in a full-blown, star-is-born feature article pointing the way to a future career for Harmony and also to PERHAPS major awards kudos at the end of the year. If Jaye Davidson can pull of this Oscar hat trick, Harmony Santana can, too!

And yes, as the New York Times so delicately points out, she IS a transsexual playing a transsexual which is a rarity indeed in features.

Out of Sundance via NYU Film School, it is, believe it or not, the “Thesis Films” of its’ VERY talented young director/writer, Rashaad Ernesto Green, who I knew as a wonderful young African-American acting student at NYU’s famed Grad Acting Dept. He was a memorable, sexy, wounded Brick in a production there of Tennessee Williams’ classsic “Cat on a Hat Tin Roof.” And his classmate Corey Stall played Big Daddy. And Corey is lighting up the screen this year in Woody Allen’s “Midnight in Paris”  and he may be Oscar nomination bound, too! I’ve now seen “Midnight in Paris” SEVEN TIMES! An all time record for me!

But back to Rashaad Ernest Green and his wonderful new film “Gun Hill Road”!

Upon graduation, Rashaad had to face the “pounding the pavements” reality of an actors’ life in New York City and this drove him quick smart back to the haloed halls of NYU Film School, this time, to get yet ANOTHER Master’s Degree this time in film.

And boy has he struck pay dirt with “Gun Hill Road”! It’s gone from Sundance to major distribution where it is going to be opening at the Angelika as well as the AMC 42nd St.  this Friday!

If you can’t wait, you can see me interviewing him and Harmony and soon Esai Morales, too, as the jail-house dad, on my You Tube Channel here ~ at www.youtube.com/StephenHoltShow

They’re all going to be famous tomorrow. Or thereabouts.

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