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Posts tagged ‘Tony Nomination’

“Heidi Chronicles” Closing Sunday is a Crime!

Heidi 1“The Heidi Chronicles” closing on Broadway on Sunday is a crime! I just saw it for the SECOND time last night, and enjoyed it all over again. I RARELY, as you know, dear readers, RETURN to revisit a show, especially in this high Drama Desk season, but I’m so glad I did.

The cast was very relaxed and giving and warm, warm, warm and funny, too, as the late Pulitzer winning playwright Wendy Wasserstein was in real life.

Insightful, witty, observant, and yes, timely, too, I do feel that Wasserstein’s “Heidi” is not dated at all and is as relevant today as it was then when it opened to great critical acclaim in 1989. It won the Pulitzer and also the Tony.

And I saw the original production, but I liked this one much better. The performances of Elizabeth Moss in the title role and the redoubtable Bryce Pinkham as her gay best friend were both awards-worthy, and thankfully Moss has been nominated for a Tony for Best Actress. Pinkham however was not, although he did get an Outer Critics nomination for Best Featured Actor in a Play. The Drama Desk ignored it completely.

I wonder if the shows’ unexpected, premature closing had something to do with the unjust lack of awards consideration “Heidi” has gotten.

Elizabeth Moss was simply magnificent last night, shining like a golden  sun and immensely relatable as the hapless heroine Heidi. Moss’ monologue ending with the famous line “I feel stranded” was a bravura tour-de-force of the highest order.

And Pinkham held his own in a 360 degree turn from his usual villainous musical rogues (“A Gentleman’s Guide to Love and Murder” and “Ghost”.) as a very warm, relatable doctor. His Dr. Peter Patrone goes from campy to bitchy to saintly in an arc than every gay man was experienced since the ’60s, ending with yes, a penultimate scene dealing with AIDS in the late ’80s. The  hyper-versatile Pinkham captures every nuance, pulse and throb of pain and joy that Peter undergoes.

The house was packed last night. The audience applauded every scene. That’s something that rarely happens with a straight play.

I urge you to try to see “Heidi” before it closes on Sunday. Maybe there will be enough of a demand to see its’ beautiful life extended.

Could “Wolf Hall Pts 1 & 2” Win All the Tonys???

Could the astoundingly popular British six-hour smash hit “Wolf Hall Pts. 1 & 2” win all the Tonys it’s sure to be nominated for in less than two weeks? It certainly could. It’s massive length, and its massive cast of nearly two dozen imported Royal Shakespearean actors is based on the equally massively successful and acclaimed novels by Dame Hilary Mantel.Wolf Hall 1 TONY 2015 1“Wolf Hall” and its’ successor “Bring In the Bodies” BOTH won the prestigious Mann Booker awards in Britain. And though you would think the six-hour long marathon length would daunt theater-goers, it was a success in Stratford-Upon-Avon, where it appropriately started, then in the West End, when it transferred, and now on Broadway,

Anglophiles seem to be coming out of the wood-work lapping it up as a day well-spent time-travelling to the uttterly corrupt court of King Henry VIII. It has already been adapted into a critically acclaimed hit by Mike Poulton at London’s Royal Shakespeare Company, and its current Broadway transfer has grossed almost $2 million in previews since March 20; it opened April 9. And the novels themselves have sold over three million copies world-wide

It’s also currently airing on PBS starring Mark Rylance as Thomas Cromwell, here the protagonist. With overwhelming stats like these, I think it’s going to get nominated for every Tony Award in the book. Including and especially  Best New Play, Best Actor (Ben Miles ~ Thomas Cromwell), Best Supporting Actress (Lydia Leonard ~ Anne Boleyn) and Best Supporting Actor (Nathaniel Parker ~ King Henry VIII) and you can throw in Best Director, and all the technical awards, too.

I wasn’t sure about this  TONY sweep happening, although all my critical colleagues were throwing their hats very high into the air with the best reviews of the season, until I saw a 90 minute Q&A at the New School’s auditorium in Greenwich Village.

Hosted by the jovial and expert Richard Ridge, Parker, Miles and Ms. Leonard utterly charmed and beguiled me, as they participated in this, one of the best symposiums I’ve ever attended. Hosted by SAG and Broadwayworld.com, the Tudor trio & Ridge created what was one of the most delightful afternoons chats I’ve ever been witness to.

Also invited were Drama Desk members, and all were thrilled by what they were hearing as Parker, Miles and Ms. Leonard regalled us with a totally complete picture of just how “Wolf Hall” transformed into  two stage plays from those very thick British novels.

And all three were unstinting in their generosity in their replies to Ridge’s apt questions. They were three actors talking from their hearts to an audience full of actors(The Screen Actors Guild) and they couldn’t’ve been more charming, intelligent, completely forthcoming and utterly winning.

Ben Miles, Lydia Leonard and Nathaniel Parker may have arrived here as virtual strangers on our shores, but they are going to leave nominated for every acting award they’ll be eligible for. The Drama Desk and the Tonys all announce their choices within the next two weeks. I can’t wait!

Video

Bryce Pinkham, the Gentleman of ” A Gentleman’s Guide…”

The super-hot new leading man/matinee idol on Broadway this season is Bryce Pinkham, the titular gentleman of “A Gentleman Guide to Love and Murder”, which just won 7 Drama Desk Awards drops by “The Stephen Holt Show” at the Drama Desk Awards themselves. Bryce is nice. No really, he is not anything like the villainous characters he has played on Broadway in “Ghost” and now the kinder, gentler semi-villain, semi-hero of “A Gentleman’s Guide…” which has earned him a Tony nomination for Best Actor in a Musical. He talks about this and his background as a graduate of the Yale School of Drama.

Videography ~ Jack Siberine

New York Film Festival begins! I run into Nina Arianda & Hugh Dancy!

The New York Film Festival, my home town film festival begins before it starts with crack-of-dawn press screenings, just like in Toronto. And although I’ve seen “The Artist”, as you all know, and loved it in Montreal, I’m surprised and happy to say that “The Artist” is also on the bill here at the NYFF. So it debuted at Cannes, was at Telluride, Montreal, and Toronto and now New York! Support keeps building for this very unusual, but beautiful film, in Black and White and SILENT!

Will it go all the way to the Oscars? As the French say, “Pourquoi Pas?” Why not?

AND it’s got the Weinstein Company behind it. So as they say “Voila!” But will it win? THAT remains to be seen, but people keep loving it.

I think it’s paving the way, not necessarily for its’ own win, but for ANOTHER French-themed film Woody Allen’s “Midnight in Paris” and THAT could be the winner. It’s still hanging in there in theaters. Up to $54 million made so far…for Sony Pictures Classics…and Woody…

And I just bumped into, on the street, one of its’ stars, Nina Arianda! She plays Michael Sheen’s malapropping American wife, in the present sections of the film, who falls victim to “a bad oyster” at one part.

She and her dashing co-star”Venus in Furs”s Hugh Dancy both ran right into me on Broadway! I’m sure on their way to a rehearsal of “Venus in Furs” Nina’s Off-Broadway triumph that I never saw. And always felt awful that I missed, because it DID make her a star.

I know Nina from NYU Grad Acting where I saw here in many, many plays there and always thought so highly of her work. And even then she had that great comic sense that has served her so well in her Tony nominated turn in “Born Yesterday” on Broadway this past season. And also, of course, in Woody Allen’s triumph which I’ve seen now EIGHT times!

She and co-star Dancy, who is one of the finest young actors working on-screen, or stage, today, both looked very happy and startled to see me right in their path. They were crossing 8th Avenue so they couldn’t avoid me. And we exchanged “Hellos” and I congratulated Nina on her INCREDIBLE year.

Which will probably get even MORE incredible if “Venus in Furs” becomes the hit I think it’s going to be ON Broadway.

You just never know who you’re going to run into on the Rialto!

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