a.k.a. "The Oscar Messenger"

Posts tagged ‘Tilda Swinton’

“Grand Budapest” Wins Two! Best Costumes! Best Hair & Make-Up

Budapest Occar Wins 1The grand “Grand Budapest Hotel” just won two Oscars! And I’m sure it’s going to win twice that! Maybe the most of the evening. It won Best Costumes designed by Milena Cononero (love that name!)

And Best Make-Up and Hairstyling ~Frances Hannon & Mark Coulier. Bravo! Brava!

Tilda Swinton turns up in the middle of the Oscars without even trying to or being there!

And “Ida” the black and white film from Poland won Best Foreign Film. The first time ever, I think for Poland to win one.

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Broadcast Film Critics Nominations Announced

 

The Broadcast Film Critics, sometimes known as the Critics Choice Awards announced this AM and “Birdman”(13 nominations),Budapest 1 then “The Grand Budapest Hotel”(11) led the pack followed by, of course, “Boyhood”(8).

The most interesting thing is that Steve Carrell was snubbed for Best Actor for “Foxcatcher” in a field of six actors! As I prediceted BTW. And “Foxcatcher” also did not make it in to the Best Picture category in a field of ten…very big blow to its’ Oscar chances, which now seem limited to Mark Ruffalo in Supporting Actor, who did nominated.

However, Marion Cotillard DID make it into Best Actress and Tilda Swinton was in in Supporting Actress for “Snowpiercer.” Again both in a field of six.

Also left out of Best Picture was “Into the Woods” but Meryl Streep was IN in Supporting Actress. I’m seeing tonight and will give a full report back.

Also “Gone Girl” was in as was “Nightcrawler.” The Broadcast Film Critics are considered the MOST predictive of the Oscar precursors, but they’re muddying the waters a bit with their fields of six nominees in many categories where they Oscars, of course only have five

BEST PICTURE
Birdman
Boyhood
Gone Girl
The Grand Budapest Hotel
The Imitation Game
Nightcrawler
Selma
The Theory of Everything
Unbroken
Whiplash

BEST ACTOR
Benedict Cumberbatch – The Imitation Game
Ralph Fiennes – The Grand Budapest Hotel
Jake Gyllenhaal – Nightcrawler
Michael Keaton – Birdman
David Oyelowo – Selma
Eddie Redmayne – The Theory of Everything

BEST ACTRESS
Jennifer Aniston – Cake
Marion Cotillard – Two Days, One Night
Felicity Jones – The Theory of Everything
Julianne Moore – Still Alice
Rosamund Pike – Gone Girl
Reese Witherspoon – Wild

BEST SUPPORTING ACTOR
Josh Brolin – Inherent Vice
Robert Duvall – The Judge
Ethan Hawke – Boyhood
Edward Norton – Birdman
Mark Ruffalo – Foxcatcher
J.K. Simmons – Whiplash

BEST SUPPORTING ACTRESS
Patricia Arquette – Boyhood
Jessica Chastain – A Most Violent Year
Keira Knightley – The Imitation Game
Emma Stone – Birdman
Meryl Streep – Into the Woods
Tilda Swinton – Snowpiercer

For complete list see http://www.awardsdaily.com

Marion Cotillard Wins ANOTHER Best Actress Award, This time from Boston Online Film Critics! Two in One Week! Tilda wins, too!

Two Days 2Snowpiercer 1 The beauteous Marion Cotillard is having one hell of a lovely awards week! She won the NY Film Critics on Monday for Best Actress for her two films this year “The Immigrant” and the Belgian film “Two Days, One Night” and today, Saturday, she was also named Best Actress by the Boston Online Film Critics for “Deux Jours, Une Nuit”(The French title).

The Boston Online Film Critics really went rogue and won my heart in a big way by naming not only my darling Tilda Swinton Best Supporting Actress for the also underseen “Snowpiercer.” but they also named “Snowpiercer” Best Picture!

And to top it all off they named Brendan Gleeson Best Actor for “Calvary”! A Trifecta of Perfect Awards for Outstanding Performances that are in danger of being overlooked.

But not anymore, I hope. And tomorrow brings ANOTHER Awards avalanche with the L.A. Film Critics announcing! Could these three also turn up there? Could be!

I hope allll these deserving films and performances get re-distributed and re-seen now that we are at the height of awards season!

Independent Spirit Awards Announced, No “Imitation Game,”No “Wild”, No Reese

Tilda 2Marion Oscar1Birdman 1The Independent Spirit Awards were announced this morning in L.A. No surprise that “Birdman” & “Boyhood” did very well, but “Selma” which STILL is in post-production broke through in several categories. However, the TWC’s big awards player “The Imitation Game” was nowhere to be seen!

Some faves of mine did pop up. Tilda Swinton, who is being honored at the Gothams here in NYC on Monday and Marion Cotillard. Both were nominated for Best Actress for “Only Lovers Left Alive” and “The Immigrant.” Would that Mlle. Marion could crack the OSCAR best actress race for ANOTHER incredible performance in the Belgian film “Two Days, One Night” which was another of her incredible performances in French. C’est la Vie! C’est la Guerre!

However, I was NOT surprised to see that neither “Wild” nor its’ leading lady, Reese Witherspoon turned up. It was a VERY tedious film. I watched the whole damn thing and STILL didn’t know why she was doing all that hiking. No Laura Dern in Supporting either for “Wild.” So not only was “Imitiation Game” shut out, “Wild” was, too!

Shut in, IOW, nominated also in as many categories as “Boyhood” was Jake Gyllenhaal’s marvelously creepy “Nightcrawler.” Yay!

THx to Hitfix for the list!

See the full list of nominations below:

Best Feature
“Birdman or (The Unexpected Virtue of Ignorance)”
“Boyhood”
“Love is Strange”
“Selma”
“Whiplash”

Best Director
Damien Chazelle, “Whiplash”
Ava DuVernay, “Selma”
Alejandro G. Iñárritu, “Birdman or (The Unexpected Virtue of Ignorance)”
Richard Linklater, “Boyhood”
David Zellner, “Kumiko, The Treasure Hunter”

Best Screenplay
Scott Alexander & Larry Karaszewski, “Big Eyes”
J.C. Chandor, “A Most Violent Year”
Dan Gilroy, “Nightcrawler”
Jim Jarmusch, “Only Lovers Left Alive”
Ira Sachs & Mauricio Zacharias, “Love is Strange”

Best First Feature
Ana Lily Amirpour, “A Girl Walks Home Alone at Night”
Justin Simien, “Dear White People”
Dan Gilroy, “Nightcrawler”
Gillian Robespierre, “Obvious Child”
Anja Marquardt, “She’s Lost Control”

Best First Screenplay
Desiree Akhavan, “Appropriate Behavior”
Sara Colangelo, “Little Accidents”
Justin Lader, “The One I Love”
Anja Marquardt, “She’s Lost Control”
Justin Simien, “Dear White People”

John Cassavetes Award
Jeremy Saulnier, “Blue Ruin”
Eliza Hittman, “It Felt Like Love”
Aaron Katz & Martha Stephens, “Land Ho!”
Dave Boyle, “Man From Reno”
Chris Mason Johnson, “Test”

Best Female Lead
Marion Cotillard, “The Immigrant”
Rinko Kikuchi, “Kumiko, The Treasure Hunter”
Julianne Moore, “Still Alice”
Jenny Slate, “Obvious Child”
Tilda Swinton, “Only Lovers Left Alive”

Best Male Lead
André Benjamin, “Jimi: All Is By My Side”
Jake Gyllenhaal, “Nightcrawler”
Michael Keaton, “Birdman or (The Unexpected Virtue of Ignorance)”
John Lithgow, “Love is Strange”
David Oyelowo, “Selma”

Best Supporting Female
Patricia Arquette, “Boyhood”
Jessica Chastain, “A Most Violent Year”
Carmen Ejogo, “Selma”
Andrea Suarez Paz, “Stand Clear of the Closing Doors”
Emma Stone, “Birdman or (The Unexpected Virtue of Ignorance)”

Best Supporting Male
Riz Ahmed, “Nightcrawler”
Ethan Hawke, “Boyhood”
Alfred Molina, “Love is Strange”
Edward Norton, “Birdman or (The Unexpected Virtue of Ignorance)”
J.K. Simmons, “Whiplash”

Best Cinematography
Darius Khondji, “The Immigrant”
Emmanuel Lubezki, “Birdman or (The Unexpected Virtue of Ignorance)”
Sean Porter, “It Felt Like Love”
Lyle Vincent, “A Girl Walks Home Alone at Night”
Bradford Young, “Selma”

Best Editing  
Sandra Adair, “Boyhood”
Tom Cross, “Whiplash”
John Gilroy, “Nightcrawler”
Ron Patane, “A Most Violent Year”
Adam Wingard, “The Guest”

Best Documentary
Iain Forsyth & Jane Pollard, “20,000 Days on Earth”
Laura Poitras, “CITIZENFOUR”
Debra Granik, “Stray Dog”
Juliano Ribeiro Salgado and Wim Wenders, “The Salt of the Earth”
Orlando von Einsiedel, “Virunga”

Best International Film
Ruben Östlund, “Force Majeure”
Pawel Pawlikowski, “Ida”
Andrey Zvyagintsev, “Leviathan”
Xavier Dolan, “Mommy”
Lav Diaz, “Norte, the End of History”
Jonathan Glazer, “Under the Skin”

Robert Altman Award
“Inherent Vice”

Special Distinction Award
“Foxcatcher”

Piaget Producers Award
Chad Burris
Elisabeth Holm
Chris Ohlson

Someone to Watch Award
Ana Lily Amirpour, “A Girl Walks Home Alone at Night”
Rania Attieh & Daniel Garcia  , “H.”
Chris Eska, “The Retrieval”

Truer Than Fiction Award
Amanda Rose Wilder, “Approaching the Elephant”
Darius Clark Monroe, “Evolution of a Criminal”
Dan Krauss, The Kill Team”
Sara Dosa, “The Last Season”
Read more at http://www.hitfix.com/in-contention/birdman-boyhood-selma-lead-the-2015-independent-spirit-awards-nominations#v4s51biGLUv5lUet.99

Jeff Wells Applauds Scott Feinberg’s AFI Panel

Tilda Marion OscarTilda 2Marion Oscar1Jeff Wells does it again! He hits the Oscar bulls-eye on almost a daily basis, but he really out-did himself today putting up an ENTIRE mind-blowing AFI panel which he called Scott Feinberg’s Incredible 8.

And on that panel, on the same stage(!) were not only Jake Gyllenhaal, but also Oscar winners Tilda Swinton and Marion Cotillard(!!!) as well as Kristen Stewart(whom I actually liked here for the first time) all of them talking about Independent Films and how much they love them and how devoted they are to making them. And how difficult it is. And how there is no money for it almost always, but they press on anyway.

Tilda gave a rousing speech about the late gay filmmaking legend Derek Jarman, who died of AIDS, and was a major figure in England, but is still relatively unknown outside cinephile audiences in the United States.

It really blew my mind to see her, and Marion, and Jake, all of whom I’ve interacted with many times and interviewed and known for many years now all on the same stage at once.

Scott Feinberg(STILL the only Oscarologist who links to this blog) really was in his glory and his finest hour to date hosting this at the AFI fest in LA, which is hotter than it’s ever been.

Here’s the link ~ It’s over an hour but I was spell-

bound.http://www.hollywood-elsewhere.com/2014/11/feinbergs-admirable-eight/

He calls it Feinberg’s Admirable Eight and I was surprised and delighted to see former winners Tilda and Marion working it, as it were for their films this year. “Snowpiercer” and “Two Days, One Night.” Especially when I was told by the film’s peeps that they weren’t going to do an Oscar campaign for Marion, though certainly her performance is one of the best of the year. And is definitely going to be on my Ten Best List.

And I kept wondering where I had ever seen them together before and then I remembered! They both won their Oscars in the same year!

Marion for “La Vie En Rose” for Best Actress and Tilda for “Michael Clayton” for Best Supporting Actress! THAT BLEW MY MIND!

 

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The Absolutely Grand “Grand Budapest Hotel”! A screwball comedy with real screwballs!

I am going to go on record right now and say that this new year’s Oscar race, yes, 2014’s, has already started in earnest because Fox Searchlight has just released what I think is for SURE going to be a major topic in the Oscar conversation all year-long, Wes Anderson’s absolutely grand “Grand Budapest Hotel.”

How often does a WITTY comedy open these blockbuster days and become a record-breaking box-office blockbuster itself? Unheard of! Astounding! When everything is a comic book or a sequel that makes me gag, “The Grand Budapest Hotel” towers above all others in laughs, style and brain-i-ness, and oh yes, all the good guys are inexplicably wearing moustaches and Tilda Swinton is an 84 (or is it 83?)-year-old love interest to Ralph Fiennes’ sublime comic creation M. Gustav H.

And as Gustav says himself “She’s dynamite in the sack.” He shrugs,”I’ve had older.”

The concierge M. Gustav is so grand himself, it’s like he’s the hotel manager, in this pink and red-hued fantasy that goes beyond camp into whimsy of the giddiest and most original kind. It’s the kind where you can say “Thank god, there are still films like this being made!”

A screwball comedy with really screwballs! Divine!

And Madame Tilda’s murder sets in motion a dense plot of A-listers-in-cameos all fighting over the dead woman’s money.

And of course, she’s left it all to M.Gustav, and of course, hilarity ensues.

The cast is a who’s who of International Hollywood starting with Ralph Fiennes himself giving the performance of his career, comically speaking. Who knew he had this kind of expert comic timing in him? Anderson’s lines are putting it mildly often tongue-twisters and that fine actor Fiennes is having a fine time getting them all out in that perfect British upper crust accent and hitting the ball out of the proverbial comic park every time.

And Swinton has never been better, or should I say, never been funnier. I always felt she had a penchant for British drawing-room comedy that has never been tapped. Until now. She’s hilarious!

And a new discovery as the perennial Anderson innocent Zero, Tony Revolori of Anaheim, California holds his own against Fiennes and Swinton and Jeff Goldblum and Willem Dafoe and Bill Murray, as he romances Agatha, a kitchen maid played beguilingly by Irish actress Soairse Ronan, who has a large disfiguring birth mark on one side of her face, in that shape of Mexico. This, in pure Anderson style, is never even referred to. It’s just THERE. One side of her face is perfectly classically beautiful and the other side is just well, beautiful, too, because she is.

The film for all of you dear readers, dear cineastes, is in three different aspect ratios, which are too complicated to explain here and spoil all the egg-headed fun as “Grand Budapest Hotel” keeps flash-ing backwards in time from the not-so-grand semi-now, Tom Wilkenson narrates, to F. Murray Abraham, who now is Mister Moustafa and OWNS the “Grand Budapest Hotel”. A journalistic Jude Law asks him how he got it, and as Abraham explicates, we jump back in time again, and it turns out he is Zero, the Lobby Boy, we’re going to be spending a lot of time with as does Ralph Fiennes’ M. Gustav.

For M.Gustav takes on the hapless Zero, who has to draw HIS moustache in with a dark pencil, as his protegee and partner in crime, as they try to well, you have to see the film.

All the villains in the film, like Dafoe, are strangely clean-shaven. Only good guys have moustaches.

I will spoil no further. But suffice it to say that it’s Anderson’s best film by far, and he’s now launched himself into the cinematic stratosphere of THIS year’s Oscar race, which will garner nominations across the board. The visuals being as sumptuous as the acting is delicious.

I can’t wait to see it again! Let the Oscar conversations begin! And the often nominated, but never awarded composer Alexander Desplat, may very well be getting his first Oscar here for his hilarious score keeps the hi-jinks high.

The number of A-list stars director Anderson has pulled into to flash by in the smallest of parts, like, as I said, Academy Award-winner Tilda Swinton, as the grand octogenarian Madame, who Gustav is romancing. Her every tremble is a delight, and who is suddenly found dead.

He says to her corpse, lying in state, “I don’t know what kind of facial cream they’ve used on you, darling, but I want it. You’ve never looked lovelier.”

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More “Grand Budapest Hotel” Hijinks wth WIllem Dafoe & Jeff Goldblum!

The absolutely grand “Grand Budapest Hotel” opened today and the hijinks couldn’t get much higher with co-stars Willem Dafoe(the bad guy) & Jeff Goldblum(one of the many good guys.) A genuine mad cap, screwball comedy with REAL madness and more than a few screwballs in it. It’s to die for.

These guys are more fun than a barrel of Marx Brothers!

Editing ~ Paolo Pellegrino

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