a.k.a. "The Oscar Messenger"

Posts tagged ‘Swedish film’

Noomi v. Rooney~ Take Two~ “Dragon Tattoo” FINALLY lands…

So it is with great trepidation that I look forward to Monday and the inevitable screening of the American version of “Girl With the Dragon Tattoo.” Will I like or won’t I? I would like to THINK I am approaching this with an open mind. But I wonder…

If you saw all three brilliant, beautiful Swedish movies and read all the books and had the privilege of interviewing Noomi Rapace herself, how un-prejudiced, how objective  can you really be?

I mean, I’ve gone on record with my indignant “How dare they remake perfection?” and you can look back in this blog to find many, many posts on Steig Larsson and Lisbeth Salander and how wonderful I thought this all was…The three Swedish movies and those three great un-put-downable books…

So I didn’t REALLY press the press people behind this film. I mean, there was this EMBARGO and all, I guess Sony(who is the producer of this $125 million REMAKE) figured that they knew I probably wouldn’t like it so they didn’t pursue me and I didn’t pursue them and there was this awful embargo thingie.

And everyone kept saying “It’s not an Oscar movie.” anyway…so I took it easy…but now that the embargo is lifted and the reviews are starting to pile in and pile up…and they’re GOOD…I’m beginning to thaw towards Rooney Fincher…I think of them as one…

MAYBE I might even enjoy this.

I feel so terrible for Noomi Rapace. But maybe…just maybe…I might actually LIKE this movie….This is a pre-review. I’m “reviewing the situation” as Fagin sang so memorably in “Oliver!” another Best Picture winner of years gone by…

Oscar Goddess Sasha Stone just LOVED it to pieces. But then of course, she’s a HUGE Fincher fan. Read her moving pieces, by all means, at  www.awardsdaily.com But Stu VanAirsdale at www.movieline.com said in his ESSENTIAL Oscar Index this week that she was the only one…

But then more reviews, like Owen Gleiberman in EW www.ew.com wrote very movingly about it. And Rooney Fincher DID get a Golden Globe nomination, and then and then….

A fellow journo, a broadcast TV producer took me out to dinner tonight at my favorite place in NYC Angus McIdoe’s www.angusmcindoe.com and he told me that he had just done the “Girl with a Dragon Tattoo” TV junket THIS AFTERNOON!!!??!!!

I had no idea it was TODAY! And obviously, I wasn’t invited…and well, my friend, who had read none of the books, and HAD seen the movie, liked it. He thought it was “interesting.” Hmmm…

And he said Rooney Mara and Daniel Craig were taking it VERY seriously. And Christopher Plummer and Stellan Sarsgaard were not. THEY were incredibly jolly and having the time of their lives, evidently. Stellan, who I’ve interviewed many, many times, stood up and greeted every journalist as they came in the TV junket door.

No one ever does that.

And Christopher Plummer was jovial personified, my friend said. Well, I countered “Of COURSE, he is. He’s having the biggest moment of his career. He’s in this BIG movie, and he’s going to win an Oscar for Best Supporting Actor this year. Of COURSE, he’s in a good mood!” And he was incredibly funny and witty as only Canadians can be when they’re on a role.

And Rooney Fincher? She said as my friend entered her suite that she was in a bad mood. Guess she was still in character…Did she say that to allll the journalists?

But in all fairness, the movie is riding on HER, and her performance, and even though she’s got Cynthia Swartz on her side, she doesn’t have Harvey Weinstein. She’s got Scott Rudin, whose dreaded EMBARGO seems to have nearly killed the buzz on this film…I mean, it’s all a tad late, isn’t it?

To open a film this late in the (Oscar) season, and to junket it TODAY when Christmas is nearly upon us…Peace on Earth. Good will towards men. The OPPOSITE philosophy of Lisbeth Salander. The Feel Bad Movie for Xmas…

Well, I guess I’m in the mood for it…Buzz is starting. People seem to have wildly divergent reactions to it.

Kristopher Tapley got into an almost-fight in his podcast with St. Anne Thompson of Thompson on Hollywood www.indiewire.com Anne REALLY liked it. She really, REALLY liked it. Like Sasha did. And Krist HATED it…

But he admitted to liking Rooney Fincher’s performance…Hmmm…

Well, if Sasha and Anne and OWEN liked it…

But one thing’s for sure. It’s TWO HOURS AND A HALF!!!!!

Well, on Monday I’ll let you all know what I thought. Or for sure on Tuesday.

And I DID like “Se7en” and “Zodiac”…HATED “Fight Club” and “The Joy of Typing”….so…we’ll see…Is it too late-breaking for Oscar? Everyone says “Yes” but maybe I’ll like it just for itself.

My friend said they took the book very, very seriously. I liked the sound of that…

But can Rooney erase the memory of Noomi?

I see “Midnight in Paris” for the SIXTH time!!!

I can’t help myself! I can’t believe it! I never see movies more than once, usually, but SIX times! This amounts to an obsession. But a lovely one.

“Midnight in Paris” is so entrancing, so enthralling I keep going back to see it again and again and again. And again and again and again.

Why am I doing this???

As I bought my ticket yet again(also something I NEVER do, being a film critic, if I don’t see it at a press screening, I usually don’t catch up with it til it’s on DVD) and I was a little late, and I told the woman that that was Ok, because I’d already seen the movie five times. And she said “Is it THAT good?” Absolutely astonished.

Yes, it’s THAT good.

It’s also just not me who’s seeing it in this monumental terms. People all over the world and flocking, making it on track to be Woody Allen’s greatest grossing movie of all time, but also, perhaps, too, SONY PICTURES CLASSICS greatest grossing movie of all time.

And the Academy is certainly going to take notice of this, as I’ve said before.

Could it win Best Picture for Woody? Who hasn’t had a Best Picture win since “Annie Hall” way back in the deep, dark ’70s….

Could the Woodman score again?

With these numbers(and yes, I admit to driving them up, but if I’m going back to see it again and again, others must be, too) With this immense popularity(it’s playing in theaters a Woody Allen film has never played in. EVAH!) Oscar can’t really ignore it.

But more pertinently, what may it be up against in the final show down in November/December?

There’s Stephen Spielberg’s upcoming movie version of the Tony winning Best Play “War Horse” and there’s also David Fincher’s remake of the Swedish movie, a classic to some(me included) “The Girl With the Dragon Tattoo.”

I think Woody’s feel good “Midnight” might actually beat these two, if it keeps going the way it’s going. And yes, it is STILL going.

“Crouching Tiger, Hidden Dragon” was the other top grosser that Sony Pictures Classics has that “Midnight in Paris” has to unseat and it looks like it’s going to.

CTHD got nominated for Best Picture, too, that year, but didn’t win.

Frankly, it’s charms eluded me. I’m not that into Kung Fu, or whatever it was they were doing in that movie.

Though I liked the first Kung Fu Panda.

But “Midnight in Paris” is a delightful film. Delight. A very, very rare commodity these days. And charming. And well, even exceptionally acted.

Sony Pictures is going to do an Oscar campaign for leading actor Owen Wilson, and he just may score a nomination. Yes,even for a comedy. He shows Cary Grant-like chops in this movie. Sublime comic timing, and a character every one in the West Coast dominated Academy can relate to, a surfer dude-like sell-out.

Leading men who can carry a spritely comedy like this and pull it off so delightfully(there’s that word again) are rare, rare, rare in H’wood these days.

He’s made many,many movies. Has a multi-billion dollar franchise at Number One right now. “Cars Two” (and no, I’m not rushing to see it). So he’s everywhere this year.

But back to repeat showings. Rachel MacAdams’ family and she herself become more and more genuinely loathsome upon repeat viewings. And Marion Cotillard grows in beauty each time.

At one point, I think it’s the great Kathy Bates as Gertrude Stein, who says in one of the pivotal scenes in the film, “She has one of the great faces” and she does.

Bates’ Stein is berating Picasso, who has painted a ridiculous abstract portrait of Adriana, Marion’s character, and says he has not grasped the essence of her beauty. She says in French that it is “plus subtle” and Picasso has made her look like “a whore in the Place Pigalle.”

Seeing “Midnight in Paris” so many times means it becomes like seeing an old friend. It’s comforting. It makes you happy, as good friends ought to do. And also a continued inspiration.

I just love it to pieces and I bet the Academy is going to, too.

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