a.k.a. "The Oscar Messenger"

Posts tagged ‘Steven Spielberg’

Mark Rylance Wins Best Supporting Actor! As I predicted!!

Army of OscarsPatricia Arquette who seems drunk, or something, is announcing Best Supporting Actor. She Mark Rylance & Tonymispronounced “Rocky Balboa.” And the Oscar goes to…MARK RYLANCE!!! I knew It! I knew it! I knew it!

Maybe that was why Patricia Arquette was stumbling so  badly in her announcement speech. She knew it WASN’T going to be Rocky Balboa!

And I predicted this! And nobody else did! CONGRATULATIONS, MARK! Check my last few predictive posts. I knew people were voting for him! The Academy really got this one right! Wow! A victory for class, taste, and brilliance, and Rylance gave an actual speech this time. Thanking Steven Spielberg very beautifully, who was giving him a one man standing ovation, IN THE AISLE!

Nobody else was standing! Maybe Patricia Arquette was just afraid of what was going to happen after she said the name Mark Rylance!

The All Important Producers Guild Announces Nominations

Alicia Vikander 3Mark Ruffalo 1Mark Rylance 1The All Important Producers Guild just announced seconds ago its’ list of the Top Ten Films of 2015. Why is the PGA as it’s abbreviated sooo important? Well, apart from SAG, it is the first solid indication of just who’s in and who’s,out the (most likely) to be nominated films for Best Picture and there’s quite a few surprises. This is the industry speaking now, not critics’ groups or press.

And there are more than many snubs. A lot of people’s Oscar dreams are ending right here.

The theatrical motion picture nominees are:

 

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:

Ø  The Big Short

Producers: Brad Pitt & Dede Gardner, Jeremy Kleiner

Ø  Bridge of Spies

Producers: Steven Spielberg, Marc Platt, Kristie Macosko Krieger

Ø  Brooklyn

Producers: Finola Dwyer & Amanda Posey

Ø  Ex Machina

This film is in the process of being vetted for producer eligibility

Ø  Mad Max: Fury Road

Producers: Doug Mitchell & George Miller

Ø  The Martian

Producers: Simon Kinberg, Ridley Scott, Michael Schaefer, Mark Huffam

Ø  The Revenant

Producers: Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent, Keith Redmon

Ø  Sicario

Producers: Basil Iwanyk, Edward L. McDonnell, Molly Smith

Ø  Spotlight

Producers: Michael Sugar & Steve Golin, Nicole Rocklin, Blye Pagon Faust

Ø  Straight Outta Compton

Producers: Ice Cube & Matt Alvarez, F. Gary Gray, Dr. Dre, Scott Bernstein

The Indies, “Brooklyn,” and esp. “Ex Machina” are really shocking as is the inclusion of “Straight Outta Compton.” This is REALLY good news of Saorise Ronan who single-handedly makes this slight film a delight, and gives an equally delightful performance. And Soarise is pronounced SHEER-sha, btw, for those who still don’t know how to say this tremendously charming twenty-year-old’s name. The EXCLUSION of “Room” makes Soarise a real threat to win Best Actress over “Room”s Brie Larson, I’m afraid. But it’s a real duel between the two young ladies now.

This announcement also helps, as I predicted earlier this week, the ever-ascending Alicia Vikander who is the robotic fulcrum of “Ex Machina.” I guess you could say Alicia is playing the title role! This makes her even more likely to land in Supporting for “Ex Machina.” and hopefully in lead, too, for “The Danish Girl.”aLICIA vIKANDER1

Good news also for “Spotlight” since it needs to recover from yesterday’s exclusion for the also-important Ace Eddie Nominations.

Baad news for the Weinstein Co. since neither “Carol” nor “The Hateful Eight” appeared here.

And even though “Star Wars:The Force Awakens” is killing it at the box-office, to put it mildly, it did not land on the Producers’ list. You’d think that any film that making the millions and billions that “Star Wars” is and is becoming a cultural phenomenon to boot, would’ve landed on this list.

Two other extravaganzas “The Martian” and “Mad Max:Fury Road” DID land.Martian 3

And adding in “Ex Machina” that makes it three sci-fi films in contention.

And it makes me think they like, they really like the sexy robot Ava of Alicia Vikander. She WILL win an Oscar ~ Category still to be determined!

 

Oscar to Spread the Wealth! Final Predictions in All Categories!

I think Oscar is going to spread his love all over many movies on Sunday night at the Dolby pavillion, and there’s going to be at least one major upset. Read below.

This is NOT who I WANT to win, but who I think will win. Never did ALLLLL the categories before, but FINALLY this year, I think I can.

Best Picture ~  Argo ~ Slam Dunk. It even just won Best Foreign Film at the Cesars, France’s Oscars. Does any one else even have a chance? Would be the ultimate shock if that happened.

Best Actor – Daniel Day Lewis. Does anyone else have a chance? No. Wish it was Hugh Jackman, but…

Best Actress- Jennifer Lewis ~ She’s Hollywood’s future. Young, beautiful, shapely, funny. She’s got it all. A last-minute surge of Emmanuelle Riva for “Amour” is not gonna be enough. I think not enough people saw it. Believe it or not. But they ALLLL saw “Silver Linings Playbook.”

Best Supporting Actress ~Anne Hathaway. “Les Miz” Slam dunk. See Daniel Day-Lewis.

Best Supporting Actor ~ Robert De Niro “Silver Linings Playbook” He’s got the Weinstein Co. behind him full force. If for some unforseeable upset in Best Actress, meaning Riva OR Qu’venzhane Wallis(my pick. I would vote for her. I WOULD!) getting R. De Niro his third Oscar is where “Silver Linings Playbook” will prevail. It just went of $100 million just this past week.
But if ALAN ARKIN wins here for “Argo” you KNOW that “Argo” is going to win everything it’s nominated for, which it might. It’s not just gonna win Best Picture.

<p>Best Director ~ Ang Li “Life of Pi” Beautiful film, best use ever of 3D, and degree of difficulty make this a second Best Director win for the much loved director of “Brokeback Mountain”. That terrible night when “Brokeback” lost to “Crash” may make Ang Li winning again, a KIND of Karmic pay-back. Same thing happened to the late Heath Ledger, but he was gone, tragically, when he won for “The Dark Knight.” I just feel Heath steering Ang’s boat to shore here.

Best Original Screenplay ~ Michael Hanke “Amour” I think this is the big win for “Amour” like it was for Pedro Almodovar for “Talk to Her” a few years back.

Best Adapted Screenplay -Chris Terrio for “Argo”.Again. It’s going to be an “Argo” kind of night.

Best Cinematography – Claudio Mirando for his beautiful work in “Life of Pi”

Best Visual Effects- Again, “Life of Pi”

Best Costumes -Jacqueline Duran “Anna Karenina” Wish it was going to win more. Another beautiful, beautiful film that wasn’t appreciated as much as it should’ve been.

Best Production Design ~ “Les Miserables” ANOTHER Beautiful film that didn’t get its’ due. I’ve seen it FOUR times! It’s nominated for Best Picture, so I think it will win this category, which used to be called Best Art Direction. They like them big and dressy and period in this category.

Best Film Editing ~ William Goldenberger  for “Argo”. He also edited much of “Zero Dark Thirty” which I don’t think it going to get anything, unfortunately. Too much controversy.

Best Song ~ “Skyfalll” and Adele will blow the roof off the play. Especially if this loses to “Suddenly” from “Les Miz.

Best Score – Alexandre Desplat “Argo” AGAIN.

Best Sound Editing ~ “Argo” AGAIN.

Best Sound Mixing-“Les Miserables” No contest. The live singing was brilliantly mixed!That’s Sound Editing at its best. And how it was blended, later with a 60 piece orchestra! Incredible!

Best Animated Short – “Paperman” Disney’s first black-and-white cartoon since when? “Steamboat Willy”?

Best Live Action Short – “Buzkahshi Boys” The actual Afghan locations and child actors are breathtaking and heartbreaking. Revelatory. And director Sam French is a director/Rock-Star in the making. Alternately, it could be the only film in English, “Curfew” set in New York City. Which is the light-er funny one here. Sometimes that wins this. But who has heard the Afghan language actually as spoken dialogue in a film?

Best Documentary – SHOULD be “Invisible War” but probably will be the very popular “Searching for Sugar Man.”

Best Doc Short “Open Heart”

Best Animated Feature ~ “Wreck It Raplph”

And the biggest surprise upset? Could be if “Amour” does NOT win Best Foreign Film, yes! It could happen! And it goes instead to the feel-good high-seas adventure, Norway’s “Kon-Tiki>” How can that happen when “Amour” seems so locked and so acclaimed and awarded? It’s,as they say, a difficult sit. For “Amour” details in stark, sterile clarity the step-by-step deterioration of a Parisian married woman, Emmanuelle Riva’s acclaimed Ann, after a series of strokes. It’s NOT for the faint-of-heart, which the small, the VERY small and elderly group of Academy voters, who vote on Best Foreign Film, are noted to be.
Anyone who’s a member can vote, but they have to sign in at the screenings of ALL FIVE FOREIGN FILMS, to make sure they’ve seen them all. This also applies to Doc Shorts.

It used to be applicable to Animated and Live Action Shorts and Feature Docs, too, but for the first time this year, they’ve opened up the voting to all 6,000 Academy members and deluged them with screeners. So now, a new rule must be applied. The most popular film like “Searching for Sugar Man” is the likely win over the VERY serious “Invisible War.” Unfortunately.

That’s at least four or is it five for “Argo”? Four for “Les Miserables”,Three for “Life of Pi”,Two for “Silver Linings Playbook”,One for “Amour” and One for “Lincoln” 

 

Check back on Monday and see how right, or WRONG, I was! Have fun watching the Oscars!With “Les Miserables”, “Argo”, “Lincoln”, “Silver Linings Playbook”, “Django Unchained And “Life of Pi” alllll having past the $100 million mark at the box-office, this may be the most-watched Oscars in a very, very long time.

Hugh Jackman Turns Into This Year’s Jean Dujardin! Hugh FTW!

I never thought I’d be writing this sentence, they are SUCH different men and performers, but last night by winning Best Actor Musical I saw Hugh Jackman turn into Jean Dujardin! Or this year’s Jean Dujardin to be more exact.

“Lincoln” lost BIG TIME last night. There’s no denying it with only one win for Daniel Day Lewis, who everybody seemed tired of already. Does he REALLY need a THIRD Oscar? I felt resistance all around that room last night. The applause was lukewarm, at best.

And who was it who cracked “He just grew a beard?” Was that Robert Downey Jr.? Was he expressing sentiments of a larger voting body that he belongs to, i.e., the Academy. SOME presenter onstage said that thought verbally, OUT LOUD, last night.

And then, and THEN “Les Miserables” won Best Film Comedy or Musical! Just like “The Artist” did last year!

The animosity towards Steven Spielberg was as palpable as if everyone in the room suddenly turned in to Jeffrey Wells of http://www.hollywood-elsewhere.com

Exclamation point!

And so this puts “Les Mis” FIRMLY back into the race. The “Lincoln” negativity is coming from the C-Span-ish-ness of that lumbering, sleep-inducing dirge. It’s History Channel all the way.

And now that I’ve got my TV back to working order, I would rather turn on the History Channel ANY DAY than sit through “Lincoln” again in my life-time.

To get it in the neck from the Broadcast Film Critics on Thursday, then again on Sunday for the HFPA, well…two strikes and you’re out.

The only important awards now left before the Oscars are the SAGs, which is where last year George Clooney lost out to Jean Dujardin and “The Artist”s Oscar win was sealed.

Watch for “Lincoln” not to win anything at the SAGs and we’re being set up for, as incredible as it may seem, another “Colored Purple” year. That was when, and I know I mentioned this SOMEwhere in my Live-Blogging posts last night, that was the year when the Steven Spielberg directed “Colored Purple” with 11 nominations going in to the ceremony, LOST ALL ELEVEN!

And it’s starting to happen again…Hugh Jackman really aced it last night by winning that Best Actor award AGAINST the Weinstein machine behind Bradley Cooper.

“Silver Linings Playbook” didn’t win much. Just Jennifer Lawrence for Best Actress Musical-Comedy. She COULD win the Oscar, or it could be —wait for it —Qu’venzhane Wallis! For “Beasts of the Southern Wild!”

This is a really unpredictable year. Full of surprises. I guess I can safely predict THAT.

DGA Nominations! Most Important Predictor Nominations of All!

Here there are – Thanks to Oscar Goddess Sasha Stone at http://www.awardsdaily.com

Ben Affleck – “Argo”
Tom Hooper – “Les Miserables”
Kathryn Bigelow – “Zero Dark Thirty”
Ang Li – “Life of Pi”
Steven Spielberg – “Lincoln”

The Director’s Guild are the most accurate and also most important of all the precursor awards nominations. They match up with the Oscar nominations usually five for five, or at the very least four for five.

Since the ballots voting for the Oscars were all due in on Friday, and nothing received late after the cut-off date will be considered, and since this is the first year that the voting closed BEFORE the DGA noms were announced, we have a unique situation. But maybe not THAT unique, since it is pretty assured that the Oscar noms are gonna go to these guys.

David O. Russell’s controversial hot-head reputation is still following him, I think. And this means “Silver Linings Playbook” a comedy, is not going to win Best Picture.

Also this is the first time in at least three years or more, even, that the Weinstein Co. does not have a pony in this derby as Tom O’Neil would say.I’m sure Tom O. has A LOT to say about this at http://www.goldderby.com

And since O.Russell did also NOT get a Golden Globe nomination he’s pretty much out on his ass.

Also, replacing Quentin Tarantino for “Django Unchained” is “Les Miserables” wunderkind Tom Hooper. I thought the uber-violent “Django” wouldn’t resonate with Academy types, but since this is NOT the Academy, but a separate voting body, the Director’s Guild, you can bet that if THEY with their much larger membership didn’t like it, the Academy won’t either.

This snub might hurt the three purported Best Supporting Actors from “Django” Leonardo DiCaprio, Christophe Waltz(who has an Oscar already) and Samuel L.Jackson.

This also reduces “Silver Linings Playbook” in other categories, too, perhaps. Only Jennifer Lawrence is a lock. In Best Actress.

This also bodes well, very well for “Les Miserables”. The DGA a small, very snobby group, to be sure, like, REALLY likes what recent DGA winner Tom Hooper did with the radical re-thinking of the musical numbers in “Les Miz.” Me? I’ve seen it FOUR times! And maybe means that for instance, in the Supporting Actor category, Eddie Redmayne may get in and the “Django” guyz remaine chained.

Quentin Tarantino supposed respect in Hwood, does not extend to the Director’s Guild. Wait a minute! Does he even belong to it

And all the controversy surrounding “Zero Dark Thirty” did not hurt Ms. Bigelow one bit. Whereas the “Django” controversy did.

And congrats to Tom Hooper! He named me the Oscar Messenger after all! This is a big step forward for “Les Miz”! Yay!

Oscar Mindreading ~The Houston Film Critics Were Reading My Subconscious!

Just thoughts! Random, unspoken thoughts and SUDDENLY there they were in print!

Thankx as always to Oscar Goddess Sasha Stone at Awardsdaily for this list. http://www.awardsdaily.com

The HOUSTON FILM CRITICS TOP PICKS ~

Best Picture
Argo

Best Director
Ben Affleck (Argo)

Best Screenplay
Tony Kushner (Lincoln)

Best Actor
Daniel Day-Lewis (Lincoln)

Best Actress
Jennifer Lawrence (Silver Linings Playbook)

Best Supporting Actor
Tommy Lee Jones (Lincoln)

Best Supporting Actress
Anne Hathaway (Les Misérables)

Producers Guild Award Nominees A DAY EARLY!

With the Oscars themselves experiencing technical difficulties with their new on-line voting system, the Producers Guild, or the PGA, decided to one-up them and announced their nominees a DAY EARLY! Everyone wants to be first!

Thanks to Oscar Goddess Sasha Stone at http://www.awardsdaily.com for this comprehensive list ~
PRODUCERS GUILD NOMINATIONS

Argo” (Warner Bros.)
Producers: Ben Affleck, George Clooney, Grant Heslov

“Beasts of the Southern Wild” (Fox Searchlight Pictures)
Producers: Michael Gottwald, Dan Janvey, Josh Penn

“Django Unchained” (The Weinstein Company)
Producers: Reginald Hudlin, Pilar Savone, Stacey Sher

“Les Misérables”
(Universal Pictures)
Producers: Tim Bevan & Eric Fellner, Debra Hayward, Cameron Mackintosh

Life of Pi” (Fox 2000 Pictures)
Producers: Ang Lee, Gil Netter, David Womark

“Lincoln” (Touchstone Pictures)
Producers: Kathleen Kennedy, Steven Spielberg

“Moonrise Kingdom” (Focus Features)
Producers: Wes Anderson & Scott Rudin, Jeremy Dawson, Steven Rales

Silver Linings Playbook” (The Weinstein Company)
Producers: Bruce Cohen, Donna Gigliotti, Jonathan Gordon

“Skyfall” (Columbia Pictures)
Producers: Barbara Broccoli, Michael G. Wilson

Zero Dark Thirty” (Columbia Pictures)
Producers: Kathryn Bigelow, Mark Boal, Megan Ellison

Not really shocked by any of these nominations except to note the “Beasts of the Southern Wild” got in (YAY!) and “Moonrise Kingdom” did, too! (Boo)

However “Skyfall” too was a bit of surprise. But I knew that “The Dark Knight Rises”, “The Avengers” and “The Master” as well as “Amour” were NEVER going to make it in.”Fllght” not getting in was also a surprise. And this could also indicate the Denzel Washington, the star of “Flight” could also be left at the Oscar altar this year.

“Amour” is NOT liked as much by the Industry types, as I’ve been saying for MONTHS, as opposed to critics who are putting it at the top of their lists. AND it’s in French. AND it’s a downer about D.E.A.T.H. It MAY get nominated for Best Foreign Film from Austria, but it could even get shut out there. It’s on the short list.

“The Master”s not making this list is no surprise to me. The movie is NOT LIKED. AND it didn’t make any money. This also may eliminate two if not all three of its’ major actors. Which would mean no Joaquim(Dirty Carrot) Phoenix, Amy(she’s been nominated enough already, 3x in this category, and they know she won’t win this year either)Adams for a pallid perfomance as Phillip Seymour Hoffman’s strange, always-pregnant wife. And yes, even maybe the great PSH himself might miss out on a nod for Best Supp. Actor. He’s the only one who’s still got a little life in his Oscar dance now, I think.

This helps ALLLLL the other films. And yes, with this early move the PGA IS trying to influence Oscar voters, who still haven’t voted.

And it especially helps, on the cusp of being eliminated “Beasts of the Southern Wild” YAY!

So BORED & ANGRY at “Lincoln” I was spitting nickels! Er, pennies…

I was so BORED, DISAPPOINTED & ANGRY at “Lincoln” that I was literally spitting nickels. Or in this case, pennies. Which he’s on.  “Lincoln” is everywhere these days. Opening one day after the election, it kinda sorta got included in mucho campaign overspill. Thank god Obama won, is all I can say. For many reasons. Because otherwise the Steven Spielberg self-proclaimed “masterpiece” would be DOA. Or it’s Oscar campaign would.

I’m totally down with the politics that are advocated in this movie, obviously. But to turn the Emancipation Proclamation and the 13th amendment (and no, they are NOT the same thing, as this dull, dull,dull history lesson  endlessly repeats ) into a, well, …a very dull history movie, it’s just inexcusable coming from a big studio who should know better like Disney. They spent milllions on this historic creation that that did better in their Lincoln exhibit with robots in Disneyland.

And no, I do not think “Lincoln” is a slam dunk for Best Picture. A nomination, probably, but then the Academy routinely nominated both the inferior “Munich,” and also last year the schmaltzy “War Horse” but neither won anything and “Lincoln” may come up empty-handed like Spielberg’s “The Color Purple” did years ago.

Audiences are going to be very, very VERY bored with the ENDLESS talk, talk, talkiness of the over-written, under-dramatized script by Tony Kusher. Hell, the actors could barely get their lines out the language was so abstruse. And it contains a cast of 1000s. Or hundreds So many characters, each with a line or two you can barely keep them straight. Spielberg throws THE ENTIRE House of Representatives at us one bore at a time, and while that may be historically accurate…it makes for a damed boring sit.

Believe it or not, Sally Field (of all people) saves “Lincoln” from being a total disaster. As the borderline crazy Mary Todd Lincoln, his hysterical wife, Field amazingly humanizes her complexity, and makes Daniel Day-Lewis’s cigar store, animatronic,Disneyland Lincoln come alive for the few scenes she has with him.

Ditto Tom Lee Jones as Thaddeus Stephens a fiery, radical Abolitionist. Jones is just magnificent and funny and in a bad wig (that I actually LIKED on him)is just grand. He steals the picture and is able to say these complex words and phrases of Kusher’s (and some that Stephens evidently actually said himself) and makes them compelling and yes, even funny.

But Day-Lewis is more like DEAD Lewis here. It’s such a strained and restrained introverted interior performance that the camera can barely catch a glimmer in his dark,depthless eyes.

Walking and acting and sounding for all the world like WALTER BRENNAN(!?!?!) he just kills the movie with this monotonal performance. He LOOKS like Lincoln, granted, but Lincoln MUST have had a great charisma and warmth that is certainly not on display here.

And with two Oscars for Best Actor already in his pocket Day-Lewis will probably get another nomination because of his startling resemblance to the head on the penny in your pocket, but a win? It’s NOT a slam dunk.

Nobody’s seen “Les Miz” yet, but I think the field is wide open for somebody whose performance burns up the screen, like, we hope, Hugh Jackman does in “Les Miz” as Jean Valjean. Sir Anthony Hopkins as Sir Alfred Hitchcock electrified the layers of latex he had to act through in “Hitchcock.” He could win.

I’m FINALLY seeing “Silver Linings Playbook” tomorrow, so I will see if  hunk Bradley Cooper has the goods to go for the gold, but in a crowded best actor field like this, even someone as supposedly secure as Joaquim(‘The Oscars are utter bullshit”) Phoenix may not even get in. Denzel Washington is getting huzzahs for “Flight” which I also haven’t seen yet. And Jon Hawkes in an iron lung in “The Sessions”, you just CAN’T leave him out.

And with two Oscars already, and another dead Spielberg horse that he’s whipping, albeit listlessly, Day-Lewis just may not be the Academy’s cup of tea if this film tanks with audiences. The critics seem to be more partial to this History Channel really, really good episode that somehow got turned into a movie, but if it flops at the box-office…And the same goes for Sally Field. She’s got two Oscars already. And so a nomination, but not a win, and Tommy Lee Jones has one, too.

Of all of the above Jones stands the best chance, but just a few minutes ago Harvey Weinstein has announced they are running Christophe Waltz for lead in the yes, also still unseen til Christmas “Django Unchained” And THAT move is so that Best Supporting Actor is open in that movie for Leonardo DiCaprio to perhaps finally score his yet un-won Oscar as an evil Southern Plantation owner in Quentin Tarantino’s newest revenge drama.This one also set during the Civil War, and I’m sure we’ll actually SEE some African-Americans in “Django”. I counted THREE with speaking lines in “Lincoln” That’s just simply disgraceful. And Mary Todd Lincoln’s “maid” or “servant” looks like a model for Vogue. Terrible and terribly insulting to African-American woman, since she’s the only female member of that race that we see. God! This movie insulted just about EVERYbody’s intelligence!

When I finally see these remaining movies all will be revealed! Tomorrow,hopefully, has a Silver Lining with “Silver Linings Playbook.”

“Lincoln” is Boring Tweet Clarification

So, is it a Tempest-in-a-Teapot that was? Or was it the real deal? Super Critic Thelma Adams picked up my Tweet Delete story and confronted Lou Lumenick of the NYPost about it. on Facebook. Thelma, full disclosure, used to be one of the New York Posts film critics herself.

This is all regarding an article in the NY Post about a New Jersey viewer stumbling into a sneak peek preview of Steven Spielberg’s Oscar-seeking “Lincoln” which doesn’t open for another 7 weeks or so.

The viewer was incensed that it was so BOR-ING.

And Lou told Thelma, on Facebook, that yes, the story was up, and yes, the story went down, along with the rest of the New York Post yesterday, eividently and now, this morning his story, tweet and all are back up and readable at www.nypost.com  And no, DreamworksDisney did not make him do it. He has heard nothing from them he claimed.

Technical glitches do happen of course, even to major newspapers.

Jeffrey Wells was suspicious, nonetheless, and you can read his version of things at http://www.hollywood-elsewhere.com

I believe the film goer. A congressional procedural movie on the passing of a bill, however important, can be VERY dull to watch as politicians drone on and on…I get it. That IS dull. And if that is what the film is mainly about…well, it sounds like a history LECTURE, rather than a film. A MOVIE. It should MOVE.

According to this disgruntled film-goer it’s just dull, dull, dull.

Well, the trailer is dull, too.

The positive note that this viewer struck was the appreciation of Daniel Day-Lewis’s Lincoln, and Tommy Lee Jones and Hal Holbrook’s performances, too. Sally Field, as I reported, was roundly dissed as “mis-cast.”

And there you have it. That’s the story, folks. Read Jeff Wells. Read Thelma Adams. Read Lou Lumenick of the NYPost and you can make up your own minds about this.

TIFF ads names to Supp.Oscar Race & “Lincoln” trailer sounds WRONG!

TIFF is SUCH a leveler. And always a surprise,too. Coming out of “Quartet,” one of the hottest tickets in town, was not only a VERY major Oscar chance at Best Actress for Dame Maggie Smith, but also for her supporting co-star, the other female member of the titular quartet of ex-Opera singers, Pauline Collins.

Collins dithers delightfully, and has alllll the audiences’ sympathy in the big, soon-to-be-infamous “Flower Scene” with Dame Maggie. I will say no more.It’s a massive spoiler. Once that scene happened I knew “Oscar Nomination for Pauline in Supporting.”

She’s been nominated before, too. For Best Actress, a number of years back, for “Shirley Valentine” and so she’s no stranger to Oscar.

A very solid supporting turn is done by Willliam H. Macy in “The Sessions” as a conflicted Catholic priest, who has to listen to all of the FOR SURE ROCK SOLID BEST ACTOR NOMINEE John Hawkes’ awkward sexual confesstions. It’s comic, but he’s very good (he always is) and I don’t think he’s even been nominated before. Shame, Academy, shame…Unless it was for “Fargo” many moons ago…

Jude Law in “Anna Karenina” is a shoo-in for a Supp. Actor nod, and maybe even a win, as his almost unrecognizable turn as Anna’s dull-as-paint husband Karenin. He shaved his hairline back and wears tiny little specatacles that transform his face entirely. And his performance as a stiff, repressed beaureaucrat ,who is boring  his wife Anna to tears, never bores the audience. No mean feat.

Then we have the always nominatable Phillp Seymour Hoffman, in what is really a lead, in “The Master.” The Venice Film Festival jury gave both Hoffmand and co-star Joaquin Phoenix a joint Best Actor Award.

Also finding herself in the Supporting category may be a surprised and always naked Helen Hunt, who thought she was playing a lead in “The Sessions.”Oscar Goddess Sasha Stone always points out how the Academy always awards female nudity and no one, believe me, NO ONE has ever shown so much of herself onscreen as Helen Hunt does as a sex “worker” in this terrific tearjerker about a man in an iron lung (Hawkes) who wants to finally experience sex before he dies. He does. And he does. And that’s the plot of “The Seesions.”

And from earlier in the year, before the essential TIFF-winnowing, we have both Dame Maggie Smith(yes, HER again) and her Downtown Abbey co-star Penelope Wilton in the box-office/senior citizen smash “Best Exotic Marigold Hotel”both being giving campaigns from Fox Seachlight in Supporting. And so is Bill Nighy for that film.

Don’t know whether they’ve dropped Dwight Henry off their campaign roster for this excellent non-actor’s first ever performances as Qu’venzhane Wallis, dead beat dad in “Beasts of the Southern Wild.”

And last but not least, let’s not overlook Michael Pena’s fine, fine work in the police actioner “End of Watch.” He could be this year’s Demian Bechir.

I happened to watch the just-dropped “Lincoln” trailer today. Once, first, without sound, and then again tonight with it. And at first I thought all those early Oscar predictions of Tom O’Neil’s crew at “Gold Derby” nevermind “The Gurus o’ Gold”‘ were right on…then WITH the sound, everybody’s voices sounded WRONG. Esp. Daniel Day Lewis as Lincoln! He looks great but sounds like a baseball player! Brad Pitt in “Moneyball!”

If it looks like they’re hiding DDL in the trailer, they ARE!

Let us not forget “War Horse” and the great trailer that promised so much….and then gave us…well, not that much.

Just like “Munich”! Spielberg’s next-to-last Oscar foray.

Uh-oh!

Snoring and pretentious and over-hyped. Here we go again!

I thought we just went through this last year!

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