a.k.a. "The Oscar Messenger"

Posts tagged ‘Shakespeare in Central Park’

“Twelfth Night” in the Park, Cast of Thousands an Amiable Mess


Productions of Shakespeare’s perennial gem of a comedy “Twelfth Night Or What You Will” boasts a cast of literally hundreds, who seem like thousands. Is it too much of a muchness? Almost. 

Directors Oskar Eustis and Kwame Kwei-Armah have taken what is the Shakespeare-in-the-Park’s most enduring positive, the audience, and put all and sundry onstage in the guises of many, many community groups from the Tri-State. It’s overwhelming and it almost overwhelms the play, but not quite. It’s Shakespeare’s best, just about, and seems to weather every storm that is tossed its way. In this case, crowds upon crowds of extras, some of them toddlers, some of them house-wives, all dee-lighted to be onstage at the Delacorte instead of just watching, lining up for hours for tickets and clapping madly.Who can resist a cast that also resolutely SIGNS the play, too? The most beautiful, transcendant moment for me was when an unnamed young, bearded, blonde man, got up and singly signed one of Shakespeare’s more poignant song poems. I wish he was given credit for that in the program. 

Also, because it was virtually the only quiet, thoughtful moment in this amiable, crazy-house of a mess.

There was no intermission. It was only 90 mins. and Shaina Taub’s average music did not send me. It made me long for the first time I saw “Twelfth Night” which was in an historic, traditional production at Stratford-upon-Avon in 1969, when I was in college in the Cotswolds, and young Judi Dench played Viola.

“How will this fadge?” I remember her saying til this day, enunciating Viola’s gender confusion. She’s disguised-as-a-boy Cesario, who everyone is falling in love with. Sir Donald Sindon was the wronged Malvolio, and his performance is awfully close to the present Park’s Malvolio, Andrew Kober, who is the only one of the vast ensemble to capture Shakespeare’s tone of comic absurdity just right.

I also enjoyed Nanya-Akuki Goodrich as an amply-figured Olivia, who is so distraught over her beloved brother’s recent death, she is followed around by a New Orleans jazz band, playing a funeral march every time she enters, black handkerchief in hand, copiously weeping. The tiny little high-heeled shoes that costume designer Andrea Hood has provided her with, ankle straps and all, make her teeter-totter between hilarity, despair, love and high fashion.

And Nikki M. James, a past Tony winner for “Book of Mormon” is quite fine as the business-suited Viola/Cesario. She’s not Judi Dench, but she’s owns the character in her own charming, petite way.Twelfth Night Park 5

 

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He Was a Bway Rising Star just two years ago! Meet Kyle Scatliffe of “Les Miz”!

As I say in this interview from 2012, the minute I saw the 6’7″(or so) Kyle Scatliffe in Scott Siegel’s Broadway’s Rising Stars, AND heard him sing that powerful, climatic song from “Ragtime”, “Make Them Hear You.” I knew he was going to be a star, so I immediately booked him on “The Stephen Holt Show”.

We catch up with Kyle and his classmate from AMDA Graham Bailey at the Bombay Palace Indian restaurant in the theater district after they’ve just experienced the tremendous luncheon buffet there. ALL YOU CAN EAT! And they did!

Kyle is now about to blow Broadway’s minds with a towering(litereally) performance of the revolutionary Enjolras(sp?)in the about to open revival of “Les Miserables” at the Imperial Theater where “Les Miz” played for soooo many memorable years, making it one of the longest running shows in Broadway history.

Kyle was also just nominated for one of London’s top theater awards for his performance there in “The Scottsboro Boys”. There’s no stopping him now!

Camera & Editing ~ Kevin Teller

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