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Posts tagged ‘Sally Field’

Supporting Actress Nomination Predictions!

I think there’s only three super-locks in this coming-and-going, ebbing-and-flowing category, Best Supporting Actress. Always the hardest category to predict because I’ve always felt the Academy itself never took it very seriously. It’s sort of the Ad On category. The wacky, anything can happen category.

However, I digress, dear readers, dear cineastes. I think the three locks are Anne Hathaway for making the whole world cry in “Les Miserables”, Sally Field for making sense out of The Wife from Hell in “Lincoln” and Helen Hunt taking it all off as the animated sex therapist extraordinaire from “The Sessions.”

“Downtown Abbey” starts its’ third season tomorrow night and I think all of the affection for that beloved series PLUS the Academy’s seeming love for “Best Exotic Marigold Hotel”(it got a SAG ensemble after all) is going to coalesce around Dame Maggie Smith getting her seventh oscar nomination, for the picky, cantankerous cockney washerwoman who retires to India and doesn’t like it at “The Best Exotic Marigold Hotel.”

Finally I think the fifth slot will be the redoubtable and unstoppable Ann Dowd for “Compliance.” She certainly deserves it for her magnetic, astounding, tour-de-force performance as Sandra, the manager of a fast food restaurant who gets a call from who she thinks are the police. And the plot takes off from there. The suspense never stops, neither does Dowd’s masterful, virtuosic turn. An actor’s actor who had to finance her own campaign, she gets the DIY sympathy vote. She’s got the Best Back Story going. And has become famous this past five or six weeks for doing so. And she DESERVES to be rewarded and awarded.

So I see it alphabetically as ~
Ann Dowd
Sally Field
Anne Hathaway
Helen Hunt
Dame Maggie Smith

So BORED & ANGRY at “Lincoln” I was spitting nickels! Er, pennies…

I was so BORED, DISAPPOINTED & ANGRY at “Lincoln” that I was literally spitting nickels. Or in this case, pennies. Which he’s on.  “Lincoln” is everywhere these days. Opening one day after the election, it kinda sorta got included in mucho campaign overspill. Thank god Obama won, is all I can say. For many reasons. Because otherwise the Steven Spielberg self-proclaimed “masterpiece” would be DOA. Or it’s Oscar campaign would.

I’m totally down with the politics that are advocated in this movie, obviously. But to turn the Emancipation Proclamation and the 13th amendment (and no, they are NOT the same thing, as this dull, dull,dull history lesson  endlessly repeats ) into a, well, …a very dull history movie, it’s just inexcusable coming from a big studio who should know better like Disney. They spent milllions on this historic creation that that did better in their Lincoln exhibit with robots in Disneyland.

And no, I do not think “Lincoln” is a slam dunk for Best Picture. A nomination, probably, but then the Academy routinely nominated both the inferior “Munich,” and also last year the schmaltzy “War Horse” but neither won anything and “Lincoln” may come up empty-handed like Spielberg’s “The Color Purple” did years ago.

Audiences are going to be very, very VERY bored with the ENDLESS talk, talk, talkiness of the over-written, under-dramatized script by Tony Kusher. Hell, the actors could barely get their lines out the language was so abstruse. And it contains a cast of 1000s. Or hundreds So many characters, each with a line or two you can barely keep them straight. Spielberg throws THE ENTIRE House of Representatives at us one bore at a time, and while that may be historically accurate…it makes for a damed boring sit.

Believe it or not, Sally Field (of all people) saves “Lincoln” from being a total disaster. As the borderline crazy Mary Todd Lincoln, his hysterical wife, Field amazingly humanizes her complexity, and makes Daniel Day-Lewis’s cigar store, animatronic,Disneyland Lincoln come alive for the few scenes she has with him.

Ditto Tom Lee Jones as Thaddeus Stephens a fiery, radical Abolitionist. Jones is just magnificent and funny and in a bad wig (that I actually LIKED on him)is just grand. He steals the picture and is able to say these complex words and phrases of Kusher’s (and some that Stephens evidently actually said himself) and makes them compelling and yes, even funny.

But Day-Lewis is more like DEAD Lewis here. It’s such a strained and restrained introverted interior performance that the camera can barely catch a glimmer in his dark,depthless eyes.

Walking and acting and sounding for all the world like WALTER BRENNAN(!?!?!) he just kills the movie with this monotonal performance. He LOOKS like Lincoln, granted, but Lincoln MUST have had a great charisma and warmth that is certainly not on display here.

And with two Oscars for Best Actor already in his pocket Day-Lewis will probably get another nomination because of his startling resemblance to the head on the penny in your pocket, but a win? It’s NOT a slam dunk.

Nobody’s seen “Les Miz” yet, but I think the field is wide open for somebody whose performance burns up the screen, like, we hope, Hugh Jackman does in “Les Miz” as Jean Valjean. Sir Anthony Hopkins as Sir Alfred Hitchcock electrified the layers of latex he had to act through in “Hitchcock.” He could win.

I’m FINALLY seeing “Silver Linings Playbook” tomorrow, so I will see if  hunk Bradley Cooper has the goods to go for the gold, but in a crowded best actor field like this, even someone as supposedly secure as Joaquim(‘The Oscars are utter bullshit”) Phoenix may not even get in. Denzel Washington is getting huzzahs for “Flight” which I also haven’t seen yet. And Jon Hawkes in an iron lung in “The Sessions”, you just CAN’T leave him out.

And with two Oscars already, and another dead Spielberg horse that he’s whipping, albeit listlessly, Day-Lewis just may not be the Academy’s cup of tea if this film tanks with audiences. The critics seem to be more partial to this History Channel really, really good episode that somehow got turned into a movie, but if it flops at the box-office…And the same goes for Sally Field. She’s got two Oscars already. And so a nomination, but not a win, and Tommy Lee Jones has one, too.

Of all of the above Jones stands the best chance, but just a few minutes ago Harvey Weinstein has announced they are running Christophe Waltz for lead in the yes, also still unseen til Christmas “Django Unchained” And THAT move is so that Best Supporting Actor is open in that movie for Leonardo DiCaprio to perhaps finally score his yet un-won Oscar as an evil Southern Plantation owner in Quentin Tarantino’s newest revenge drama.This one also set during the Civil War, and I’m sure we’ll actually SEE some African-Americans in “Django”. I counted THREE with speaking lines in “Lincoln” That’s just simply disgraceful. And Mary Todd Lincoln’s “maid” or “servant” looks like a model for Vogue. Terrible and terribly insulting to African-American woman, since she’s the only female member of that race that we see. God! This movie insulted just about EVERYbody’s intelligence!

When I finally see these remaining movies all will be revealed! Tomorrow,hopefully, has a Silver Lining with “Silver Linings Playbook.”

Oscar Actress Chances per Gurus o’Gold ~ Post TIFF

The Gurus o’ Gold at http://www.moviecitynews.com have posted their first rankings Post-TIFF. Having been a Guru for a couple of years myself, I take this quite seriously, but also at the same time with a grain of salt. Simply because most of the Big Contenders haven’t been seen yet. “Les Miserables”, “Lincoln”, the newly added “Hitchcock” and on and on.

abbreviating it all for you, I was sad to see “Anna Karenina” not make in it to their Top Ten. It was #11. I think that might change. I hope so. But Keira Knightley was clearly included in the five Best Actress choices, albeit at #5. Number One, I’m sorry to say, is Jennifer Lawrence in”Silver Linings Playbook.” Which, full disclosure, I have not seen. I’m looking forward to it, however.

The other four ladies included were Marion Cotillard for “Rust and Bone”, Qu’venzhane Wallis in “Beasts of the Southern Wild”, Emmanuelle Riva in”Amour” and Keira Knightley…but missing were Dame Maggie Smith for “Quartet” OR Ann Dowd for “Compliance.” Two women I clearly thought would be included…

IFC is putting Ann Dowd in Supporting and she did not rate there at all, sad to say. Even though she’s clearly the lead in that taut thriller. OTOH, Helen Hunt’s category switch per Fox Searchlight has put her in the lead in the Best Supporting Actress comedy. This is for her all-naked, all-the-time, full-frontal sex surrogate in”The Sessions.”

Number Two in Supporting for the Gurus was Amy Adams in “The Master”!!!

And Anne Hathaway was Number Three for “Les Miserables.”

Dame Maggie Smith got in there, too for “Best Exotic Marigold Hotel” even though her “Quartet” tour de force was snubbed in Lead.

And finally the supposedly miscast Sally Field as Mary Todd Lincoln in “Lincoln.” In the new trailer of “Lincoln” which is now out, she seems, well, OK.

I’ll have to react to the male side of the slate later. But the big question, Are they going to nominate TWO French actresses, Marion Cotillard and Emmanuelle Riva for acting in FRENCH? That would be a first, though both deserve it.

The Best Thing About This List. It’s a great clarifier, if nothing else. More soon.

 

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