a.k.a. "The Oscar Messenger"

Posts tagged ‘Rachel McAdams’

Brie Larson Wins SAG Best Actress for “Room”!”Spotlight” Wins Best Ensemble!

Brie Larson 3Looking not at all like this possessed picture above ^ Brie Larson just won her well deserved SAG Award for Best Actress or as they put it, Best Female Actor.  She seems so much like the girl next door, you can’t believe that she was the “captured for seven years” girl next door.  In the shed in the back garden. And now here comes Best Actor!

Annnnnd it’s Leo. Oh well. And a Standing O, too. That’s it. That’s the ball game. He’ll win the Oscar, too. As will Brie Larson.

And “Spotlight” wins Best Ensemble!!!!!!!!!!!!!!!!!! THANK GOODNESS!!!!

A shocked Mark Ruffalo gave a very nice speech, very moving, very heartfelt. “I really didn’t expect this”he exclaimed. And then handed the blue “Actor” award over to Michael Keaton, who ALSO gave a very impassioned speech about the “disenfranchised everywhere. Flint, Michigan, everywhere.”

So basically, that ALSO is the ballgame, dear readers, dear cineastes, for Best Picture.

I saw “The Big Short”,”Spotlight”s main competitor, but I kept thinking “They’re not giving their main award to a film that they may not understand.”

Even though the heroes in “Spotlight”  are journalists, a species that actors purport to disdain, but not tonight. And this win for “Spotlight” which I’m happy about, re-emphasizes that “Spotlight” is about something very, very serious and it’s a drama. “The Big Short” is a comedy. Comedy always loses and will probably now lose the Oscar, too. Spotlight 4

“Spotlight”is about the decades-long cover up of sexual abuse by priests in the Catholic Church is an important topic. SAG felt it was more important than Wall St.’s corruption.

I also felt that “The Big Short” disturbingly glamorizes this corruption. Which is something that “Spotlight” does not. It faces its’ issues straight on, and condemns them. And everybody in the movie is just terrifically understated, and quietly brilliantly intense.

This win tonight for “Spotlight” puts it in the front-runner spotlight, once again, and I think it will stay there through to the Oscars.

Mark Ruffalo’s very moving acceptance speech showed Oscar voters, who watch these predictive proceedings like a hawk, are very likely to take note of that marvelous moment of Ruffalo’s. They also saw Leo, and Brie, and Alicia Vikander doing their best Oscar audition acceptance speeches, too. And they did it so well, I think all three of them nailed down their Oscar wins tonight. Indupitably.

The only category left up in the air tonight was Best Supporting Actor, because supposed favorite Sylvester Stallone is leading that Oscar category and Idris Elba isn’t nominated there. But Mark Ruffalo is.

So we have a very locked and loaded Oscar race now. Except for Best Supporting Actor, which will be announced VERY early in the evening as it usually is.

This occasion is a much more joyous one than the Golden Globes were.Indubitably.Boston Globe

 

Best Supporting Actress, Wide Open or Not?

sarah PaulsonRoonwy MARA 2Is this year’s Supporting Actress race wide open or not? I think the HFPA(Hollywood Foreign Press Association) who give out the Golden Globs, er, I mean, GLOBES, dynamited both the Best Actress race and the Best Supporting Actress races, by insisting that Rooney Mara for “Carol” and Swedish actress Alicia Vikander of “The Danish Girl” MUST be considered in lead.aLICIA vIKANDER1

And they are 100% right! Both are leading roles. However, after seeing how dismal Rooney Mara’s “Carol” turn is, and how GREAT Cate (the Great) Blanchett’s is in the title role, I think voters are going to have no trouble nominating Blanchett, and overlooking the sub-par Mara for “Carol.”

I would never have thought that yesterday. I had to see it to believe it. I mean, Mara did win Best Actress in Cannes, which I guess in this day and race really means nothing.

And since Best Actress is incredibly jammed already, there just may not be room for Mara AND Blanchett, and/or for Mara and Vikander, who gives a truly transcendent performance as the conflicted wife of a transitioning transgender man-to-woman in “The Danish Girl,” played brilliantly by probable nominee for Best Actor, and last year’s winner, Eddie Redmayne.

Brie Larson in “Room” and Saorise Ronan in “Brooklyn” SEEM locked and loaded as they say. And then there’s Blanchett in “Carol” and Vikander. With only one slot left for Carey Mulligan in “Suffragette” with Lily Tomlin’s “Grandma” and Charlotte Rampling’s “45 years” nipping at her heels. Never mind Dame Maggie Smith coming up fast on the outside for her glorious, smelly, homeless woman “Lady in the Van.”

So who is going to fill up the now empty Best Supporting Actress race?

Well, as I said before, I would love it if Sarah Paulson (above top picture) got nominated for “Carol.” Since the HFPA’s Edict of Nantes, they CAN’T nominate Rooney,in Supporting, they might just go far Paulson’s steely Best Friend and ex-lover of Carol. That would be great and people WILL get to see “Carol”. And see Paulson in it and how good she is.

Paulson was pretty stellar in “Twelve Years a Slave” wherein she horrified voters as the vicious slave-owners wife, who throws a glass decanter in future Oscar winner Lupita N’yongo’s face, scarring her for life.

And then there’s room for probable nominee screen legend Jane Fonda getting in for a five minute scene in “Youth.” I bet they are going to nominate her sight unseen because she is well, Jane Fonda.Jane Fonda Youth 1

I keep banging the drums for Parker Posey in Woody Allen’s “Irrational Man,” but no one seems to be listening to me. Posey has another juicy role coming up next year in Woody’s next opus. Maybe the Academy will wait for that role before they get on the Parker-Posey-is-now-legit(to us)-train.Itrational Man 2

I’ve mentioned before two look-alike blondes Elizabeth Banks and Rachel McAdams in, respectively, “Love and Mercy” and “Spotlight,” the front-runner at the moment for Best Picture. Both blonde beauties may have been pushed further inside the race than they ever might have been otherwise by the HFPA’s ruling on Mara and Vikander.Elizabeth Banks1Rachel McAdams1And let’s not overlook the wonderful Oscar perennial Laura Linney, who really holds Ian McKellan’s house and home(and picture) together as the put-upon drudge of a housekeeper in “Mr. Holmes.” If the voters view “Mr. H.” to see Sir Ian’s great nonogenarian detective, they’ll see how beautiful Linney’s work is opposite him. I thought people would forget this charming film and McKellan’s and Linney’s lovely work in it, but it seems they’re not.Laura Holmes 1And last but not least, you can never count out Dame Helen Mirren’s campier-than-thou take on the late real life gossip columnist Hedda Hopper in “Trumbo,.” who underneath her elaborate headgear was a ruthless red=baiter.Helen Mirren Trumbo

There’s nothing like a Dame as the ole saying goes. A rubric that AMPAS lives by. They’ve always have got to get a “sir” or a “dame” in there somewhere to give the evening class.

Have I left anyone out? Probably. But I’ll catch you up on these magnificent ladies on the flip side.

More Oscar Actress Action – I Get the TIFF Catalogue for the First Time!

Landing like a bomb in my lap, after 14 years of yearning (they’re too expensive for words) is the 2012 TIFF Catalogue! I got handed one on the way out for attending a lovely do this week in NYC featuring Canadian Filmmaker’s whom TIFF is featuring. And was proud enough of to fly them all into New York and put them up in style for a presentation to the New York TIFF-bound press. Or some of them.

I was the most famous person there, which always makes me wonder…like, where’s everyone else? As I said, trips begin before the start, and the Toronto International Film Fest, was ALREADY in full, delightful swing at this event. Held in a swank Soho setting, with more free champagne flowing than I can ever remember anywhere at TIFF itself.

But the TIFF catalogue, with its’ beautiful, classy, snazzy, new 2012 red cover of movie-goers in presumably the Bell Light-Box, is a gift from the Gods, in full color yet, because in it is every single film of the 300 plus movies that TIFF is going to be throwing our beleaguered way in ONE WEEKEND two frenzied weeks from now. With extended and accurate descriptions of each film and complete contact info and credit list of each film as well. *swoon*

And aside from enjoying the hell out of its’ lavish self, what have I learned from it? Since we’ve been discussing actresses here, I’ll just continue along in that vein. Why? Because they’re easier to quantify. Less roles. Less films….Easier usually to get a bead on…Most films coming up later in the year, don’t feature lead actresses the way they almost all do men. The actress race is going to be decided at TIFF. I make one of my famous predictions. Or at least who’s going to be IN, and most clearly, who is going to be OUT!

ANYHOO, Simone….

Front and center, we find out that in addition to Laura Linney, Keira Knightley, Marion Cotillard, we now have Dame Maggie Smith coming full force at us in “Quartet,” the directorial debut of Dustin Hoffman! Set in an old age home for retired opera singers.(Does Dame Maggie let loose with an aria or two? Or just let loose with on-target zingers a la”Downtown Abbey”?”) it looks irresistibly Oscar-bait-y.

And now we can see why Fox Searchlight has been pushing Dame Judi for Supporting for “Best Exotic Marigold Hotel” not lead, though she is the lead. Because they don’t want her colliding with her “Best Exotic” co-star Dame Maggie.

Dame Maggie is everywhere! Like her Oscar-winning role as Miss Jane Brody, she is in “Her Prime!” And that  right there is her problem. She’s won Best Actress before. For that very same “Prime of Miss Jean Brodie.”

“Rust and Bone,” Marion Cotillard’s feature in French, is playing for the public on opening night, but is NOT the Opening Night film. Something called “Loopers” is…In recent years, the Openers at TIFF have been almost ridiculous, if not laughable…Last year’s Canadian Hockey Musical “Scores” is a perfect example…So everyone will pile into the Princess of Wales theater in the theater district for “Rust And Bone.” This beautiful old candy-box of a Victorian show palace is usually housing legit features these days, but this year, it being commandeered by the festival, and will be where “The Master” is being shown. Because it can sustain the 70mm requirements of Paul Thomas Anderson’s much buzzed about take on Scientology. Or is it really about AA? Or something else? All will be revealed next week. Or the week after. Can I wait?

I can wait.

I’ve got to get through the endlessly enchanting Montreal Festival des Film du Monde first….I’m leaving SOON! BYE!

And “What Maizie Knew” with the always-wonderful, always-an-Oscar-bridesmaid, Julienne Moore is a gala presentation. As is “Hyde Park on the Hudson.” But the lovely Laura Linney isn’t enpictured in the catalogue! Only Bill Murray as FDR! What does THAT mean? If anything… Also a gala is “Silver Linings Playbook” with Jennifer Lawrence. The only Weinstein film in the Gala List…hmmm…

Then we have the Masters section, which is where “L’Amour” and Emmanuel Rivas can be seen, followed by “Special Presentations” which is where you’ll find Dame Maggie with her arms flung high into the air in “Quartet,” Keira Knightley looking ravishing in “Anna Karenina”(she ALWAYS looks ravishing), Marion’s “Rust and Bone” (used to be “OF Rust and Bone” in Cannes. They lost the “Of” I guess in translation), Greta Gerwig in “Frances Ha”,Kristen Wiig’s “Imogene”with Annette Bening in Support, Helen Hunt’s ” The Sessions”, Rachel McAdams AND Noomi Rapace in Brian Di Palma’s “Passion”…and well, it now looks like the Best Actress race is more crowded than ever! Oliver Sudden! And Special Presentations is where “The Master” is falling, too.

But by then half these films will be deemed worthy and the other half un-worthy. Separating the Oscar Lambs from the Oscar Goats is something that the Great Gods of TiFF are particularly adept at doing. And it can be brutal.

And Jeff Wells, that great Oscar scalawag, over at www.hollywood-elsewhere.com is stirring the waters today by saying he’s heard that ONE of the aforementioned films ^ is an unmitigated “disaster”! But he teasingly won’t say which one!

Usually, I rely in the TIFF-ites to choose their Galas and Special Presentations very, very carefully…Or maybe it’s something at the NYFF coming up immediately after TIFF?

Jeff said it’s something opening in the Fall…My best first guess would be David Chase’s “Not Fade Away” which is the centerpiece at the New York Film Festival. But it could be one of the above, or Jeff is just stirring the Oscar pot, as is his wont…

But if one of these films really does get blown out of the water, you heard it here first. Or rather, second!

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