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Posts tagged ‘Prostitute’

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Brady Corbet & Director Antonio Campos talk sex scenes in “Simon Killer”, Pt.2

As Brady Corbet & his director Antonio Campos talk about the many and varied sex scenes in this chilling erotic thriller”Simon Killer”, guess what? The interview heats up, too!

Downtown Abbey, Season 3, Ep.3 ~ Recap & Review

“Downton Abbey” continues on as such a delectable television delight that I just feel compelled to write about it again! Right now! And this will contain spoilers so if you don’t want to know what happened in Ep.3 last night, then DO NOT READ ONWARDS! SPOILER ALERT TO THE MAX!

Mrs. Hughes, the housekeeper, does not have cancer. Poor Lady Edith has rebounded remarkably well from her altar-side betrayal by the spineless Lord Strallin, and writes a letter to the London Times about British women getting the vote, and the episode ends with it being published!

Edith, it seems, is now an embryonic Suffragette, and we glimpse that this may be her character’s main focus from now on. And good for Edith!

When her older, beautiful sister, Lady Mary, tries to commiserate with Edith over her abandonment by Lord Strallin, Edith dismisses it with “that was horrid” and moves right on to the next topic! British Stiff Upper Lip philosophy in action! Which can be summarized as “Don’t talk about it, get on with it!” She’s doing as her grandmamma, the Dowager Countess told her, “Stop whining! And DO something!”

Her younger sister, the beauteous Lady Sybil, y’know, the one who “Married beneath her station” to the Irish Chauffeur, Tom Branson, has been stranded in Ireland as her hunky hubbie has fled from the country due to the start of the “The Irish War”,it seems he’s been instrumental in perpetrating, including the burning down of a castle of a family who was friends with the Crawleys, the Drumgooles.

The Dowager Countess Grantham otherwise known as Cousin Violet otherwise known as Dame Maggie Smith, puts it all in perspective with a “Thank goodness! That house was hideous!”

And her son, the Earl, promptly shuts her up.”Mother, please! You’re not helping matters any!”

But Tom Branson seems to have been directly involved in planning the conflagration and is now sought by the police and has had to flee the country in fear of his life, leaving his pregnant wife behind.

“How could you?” Lord Grantham exclaims!

Lady Sybil finally arrives unscathed, but now neither of them can leave Downton until their child is born, which means it will now be born British, not Irish, as father Tom wanted.

There has always been so much trouble in Ireland I just don’t know when one war begins there and another ends. The Troubles there really never ended until modern times.

And the pregnant Lady Sybil, and mainly Branson, are really the focal points of this episode, which is more of a place-holder than the last, explosive one. Although as you can see, there was plenty going on at Downton, always.

Meanwhile, below-stairs, the stalwart Anna is dismayed that her jailed husband Bates has stopped writing to her. And Bates, and we see him often in various prison situations, is equally disturbed that she has not written him, but the “bit of bother” in the jail is eventually resolved by the episode’s end with Anna going to bed with the packets of Bates’ dirty envelopes. Ah! How ineffably,painfully romantic!

Meanwhile, in another fast developing subplot, the fired housemaid Ethe Parks, who did not look like a major character at the start of her storyline in Season 2, now is taking more and more center stage as the Seasons wear on. She has become a prostitute and ends up going to Mrs. Crawley(the wonderful Penelope Wilton)for aid for herself and her little boy who has no father. She wrenchingly at last lets him go into the hands of the boy’s late, ne-er-do-well father’s parents, the Bryants, IOW, his grandparents, who are, of course, conveniently wealthy. And can make sure the boy goes “to the right schools” which is everything to these people in these times.

Penelope Wilton endeared herself forever to me by her memorable performance in this year “Best Exotic Marigold Hotel.” She was the dark character in that light film, the one who can’t change and just doesn’t like India.

But I digress. Mrs. Crawley or Cousin Isabelle, Matthew’s mother, is also aflame with righteous reformist zeal as she not only aids damaged-goods Ethel, but in the end takes her in, at least temporarily, as her house-maid.

Their housekeeper/cook, Mrs. Byrd is scandalized.”It is not part of my duties to wait on the likes of her.”!?!

Downstairs is also all lit up with the arrival of the sexiest new footman imaginable (played engagingly by Ed Speleers), who calls himself Jimmy, but whom Mr. Bates insists is now “James.” And suddenly we’re reminded that Thomas is gay, and yet ANOTHER sleeping-dog subplot is re-awakened, as we see Thomas’ eyes lighting up at the sign of comely Jimmy.

All the downstairs ladies like rock-star footman Jimmy, too, like the hapless Daisy, the lovelorn kitchen-maid who is in this Episode promoted to “Assistant Cook.” Mr. Bates urges Lord Grantham to get this staff “back up to snuff” as they were pre-War. And a sassy, new kitchen maid Ivy is hired, whom Daisy, of course, at first sight, doesn’t like one bit.

And Miss O’Brien, who is usually referred to in the butch-est of terms as “O’Brien,” is seen lurking about in the background wearing her darkest blacks as Thomas ogles the sexy Jimmy. Uh-oh! Not since the Wizard of Oz and Margaret Hamilton have we seen such a witch!Cue the hisses and boos every time she comes on!

And I can’t wait for the NEXT episode, next Sunday! 9pm!

Meanwhile, Episode 3 is now up on PBS.org, in case you missed it.

“Downton Abbey” is the best series on television right now. I don’t know HOW you can bear to miss it!

Best Supporting Actress- Pre-Festivals, Pre-TIFF

BEST SUPPORTING ACTRESS 2012 -Pre-TIFF

This category was ceded by many, months ago, to Anne Hathaway’s heartbreaking, shattering performance in the trailer of “Les Miserables.” I have never seen a trailer to have such an impact on the Oscar Race, and so EARLY! Back in June. Or May even…And the film doesn’t come out til Christmas!

“The Dream Lives,” the trailer ends with these titles “This Christmas.” Well, I for one can hardly wait!

Why was Universal releasing this so early?

Well, it was superbly done, brilliantly edited, and plaintively sung by Hathaway. It contains the song “I Dreamed A Dream,” which is arguably one of the most famous songs from “Les Miz” that always pulls heart-strings, if it’s done right.

This is the song that made Susan Boyle an over-night sensation on “Britain’s Got Talent” a few years back. And Musical Comedys are NOT at all a sure-fire, can’t-miss genre these days. No matter how well they may be done. They released this that early to build buzz. And it has succeeded in that respect. And Anne Hathaway also scored as Catwoman in TDKR, too, this year.

Oscar Winner for Best Director for “The King’s Speech” is back again with “Les Miz” and he directs period pieces soooo well…just check out the Multi-Emmy-Award Winning TV series “John Adams.” That was one of the greatest TV series I’ve ever seen, and it could have been as dry as dust, instead it was riveting. And it won its two leads Paul Giamatti and Laura Linney Best Actor and Best Actress Emmys, too. As John and Abigail Adams respectively.

And Laura is back in the Best Actress hunt again this year. Her FOURTH nomination, if she gets one for “Hyde Park on the Hudson” which I already discussed in the previous post just below this one.

Which is to say that Hooper’s actors win awards, see Colin Firth in “The King’s Speech.”

Anne Hathaway’s part in “Les Miz” is the doomed prostitute Fantine, which also won Patti LuPone an Olivier Award, when she played that part in the original London production. So it’s an awards-magnet role. And Hathaway totally aces it in the trailer’s Oscar-y moment par excellence when she, sobbing and dirty, gets all her real hair cut off.  It’s a horrifying, but award-worthy moment. The song is MUCH longer than that,too And there is much more to her role in “Les Miz” although she does die early on.  But who’s to say if they might run her as Best Actress instead of Supporting?

They might. But then again the Academy’s Actor’s Branch voters are the ones who ultimately decide which category an actress, or an actor, is going to be in. The Studios and distributors can campaign all they want…but it’s Hathaway’s peers who will decide where to put her.

The many For Your Consideration ads are run by the Studios as a means of clue-ing the Actor’s Branch especially for who goes where.  They decided for instance that Kate Winslet should be considered for Best Actress for “The Reader” when no less an Oscar personage than Harvey Weinstein was running her as Supporting for that film. Which she did eventually win a Golden Globe for. And also, for Best Actress that year for “Revolutionary Road.” Her “I got TWO!” picture with a Golden Globe in each hand, flashed around the world.

I think this instance shows that the Academy doesn’t ALWAYS do as Harvey tells them.Or suggests to them, I should say.

Opposite Hathaway, it’s looking like Harvey’s main gal this season is going to be Amy Adams for “The Master”, but evidently some already say the part is too small, only three scenes.

Will Qu’venzhane Wallis the 8 year old in “Beasts of the Southern Wild”  get run in Supporting, instead of lead, where she belongs? However, the Academy is notoriously not partial to putting child actors in the lead category. Look what they did with that girl with the braids from “True Grit.” She ended up in Supporting, though she arguably, also had the lead female role in the Coen Bros. western. What was her name anyway? I’ve completely forgotten! Hallie something? That nomination was the beginning and end of her career.

There’s also the great female Brits in the runaway smash of the Indies this year “Best Exotic Marigold Hotel.” It boasts THREE great performances, Dame Judi Dench, Dame Maggie Smith and Penelope Wilton. Again Dame Judi is the lead here, but again, Fox Searchlight has got her down for Supporting, where she really shouldn’t be. The Academy could put her in lead, if they so deem fit…As I said in the last post, Best Actress is once again Back Up For Grabs this year…

Fox Searchlight has its’ hands full this year! Should Judi Dench go lead? Should Qu’venszhane? Decisions! Decisions!

And then there’s Viola Davis and Maggie Gyllenhaal in “Won’t Back Down”, another Indie. But who is lead and who is Supporting? I don’t think that film is even at Toronto. Which says something.

And though after last year’s debacle with Davis predicted to win all over the place, she lost to Meryl Streep. The Academy was again accused of racism. And it is. Although they did give the Best Supporting Actress Oscar to Octavia Spenser for the controversial “The Help.” Could they try to make it up to her with ANOTHER nomination? If they did, she would then be the first African-American actress to get the most Oscar nominations ever. A total of three.

Or is “Don’t Back Down” even Oscar worthy? We don’t know yet. But its lack of Festival presence says something, I think.

To go back to “Hyde Park on Hudson” there are two British Olivias in Supporting roles. Olivia Williams as Eleanor Rossevelt and Olivia Coleman as the Queen of England, who is visiting the Roosevelts at Hyde Park, with her husband the stuttering King Edward VII.

AND there’s the Oscar perennial Bridesmaid multiple-timed nominee, Annette Bening playing against type as a gambling-obsessed Mom of Kristen Wiig in “Imogene.”  You can never count Bening out.

But judging by the competition she’s up against, IMHO, this category is Anne Hathaway’s to lose.

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