a.k.a. "The Oscar Messenger"

Posts tagged ‘Oscar race’

Impact of Election on Oscar Race

fences-6I was just about to write a rave review of the wonderful, important revival of “March of the Falsettos” and then The Election happened and turned the world, and my brain and everyone else’s upside down.

I tried to write about it but I couldn’t. I was in such deep shock. Like when you have a serious fall, as I did recently, and it wasn’t until hours later, or was it a day later, that the real pain kicked in, and I was reminded I had fallen backwards onto a fire-hydrant. It took four or five really strong women(In town for the marathon, I’m guessing) to pull me back up and set me on my feet.

Yes, my reaction to The Election was just as severe as that, as disappointed for anyone who voted for Hillary. I can’t believe it happened. I’m still processing it. And so is the country. It’s something that I can’t snap out of but just being depressed and angry isn’t constructive. Hillary Clinton had nothing but a positive message. Maybe there is something good inside Donald Trump. Well, first of all, he’s a native New Yorker. As I am. And that counts for something.

After coming out of a Whole Foods on Union Square, I ran into hundreds of protesting young people. I got on a bus. It took quite awhile for the big New York City Bus to get through the noisy crowd of protesters. They made me smile though. I knew what they were feeling. I had done this, too, in my youth. Protesting the Viet Nam War. Civil Rights. Free Nelson Mandella. Gay Rights. Aids. There’s been a lot to protest, always peacefully. Make your voice heard.I was happy to see them there.LGBY handsThis made me think of what a terrible day it was when Ronald Reagan got elected. I thought it was it the end of the world. It wasn’t. The same way when Bush after Bush after Bush entered the White House. Until Bill Clinton. Until Barack Obama.

I’ve been thinking of the night when “Brokeback Mountain” lost the Oscar to “Crash.” Sasha Stone and I were both disconsolate that night and so was everyone else on Oscarwatch. We thought we’d never get through it. I was never going to watch the Oscars again. But I did. We got through it because we were together.

Sasha did everything she could think of to help Hillary. I’m still shocked, and sickened, but she’s probably more shocked and more sick. She and Assistant Editor Ryan both added Rodham as their middle names.

But, as with “Brokeback”, she went back to work and felt back. I did, too. Over the years I’m happy to report that I developed a friendly relationship with Jake Gyllenhaal and Anne Hathaway and Michelle s and Williams and now Ang Lee, who did win his first Oscar for “Brokeback” by the way. I loved his new “Billy Lynn’s Long Half Time Walk.”

But all those disappointments and depressions and shocks were way worse than this. Maybe as much as I loved Hillary, and I still do, I just knew, I just KNEW that America was never going to elect a woman to the Oval Office.

And now this happened. Donald Trump may not have meant a lot of what he said. Was it Melania or Ivanka who said he was “saying all those things just to get elected”?

Melania Trump and Michele sitting down to have  tea, to chat and tour the White House. File it under a list of Things I Never Would Have Thought Ever To Have Happened.

And now the Oscar Race, how is this going to land with the very left wing Academy? I think this says goodbye to anything light and fluffy like “La La Land” and hello to something that can’t be denied like “Fences” or the very political “Jackie.”

viola-davis-fences-1jackie-1fences-3Gay Pride 2016 2

EW’s Oscar Issue ~ SO Three Weeks ago!

Parsing EW’s formerly reliable Oscar issue, which just hit the stands…It’s “frontrunners” are sooo three weeks ago. Which is about the time their Oscar Race issue came out, with, prematurely, VERY prematurely George Clooney & Viola Davis pictured as though they were getting out of a limo, both looking as though they both have already won.

Now it’s a couple of issues later, or more, and they are STILL sticking by their three weeks previous frontrunners. George Clooney and Viola Davis, and The Artist and Michel Hazanaviscius, for picture and director, which I think is right, whereas Clooney has been replaced by the SAG win of Jean Dujardin.

Clooney’s stock is sinking like a stone, and so is “The Descendants” a helluva depressing movie, BTW. But of course, EW, having had to “go to bed”, as it is still called in the print media, (yeah, remember THEM?) has its’ Oscar choices frozen as it were in time. And once again, they have to stand by their “Oscar Race” issue cover stars Clooney and Davis. I knew AT LEAST one of them wasn’t going to win.

But even Tom O’Neil at www.goldderby.com had to admit that Jean Dujardin is taking over the lead.  And EW’s Oscar God Dave Karger admitted to Tom in a video on Gold Derby, or was it in a podcast with Scott Feinberg of www.hollywoodreporter.com

that he was “almost ready to switch” to Jean Dujardin.

There’s also an HI-larious nearly hour-long four-way video, where Editor O’Neil literally falls asleep in the middle of his own broadcast. Lolol…I’m not kidding.

He’s got two young reporters broadcasting it seems from Australia, one Rob Licuria is a father,with an enfant constantly trying to grab his attention, and who is also a lawyer down under. One, Chris Beecham, who seems to be a radio guy from Mississippi, and the third a “moderator,” also a young Australian running things. And Tom, in Hwood, presumably, falling asleep at the wheel, half way through. I couldn’t believe he’d let that go public. Maybe it’s gone now. He should take that down.

As Tom is the only one of the four operating out of Hwood, and he, being the grand-daddy of all Oscarologists, you’d THINK he could’ve at least managed to stay awake through his own SHOW. Embarassing. And it makes you wonder. If this year’s final lap around the Oscar Derby Racetrack, is making its’ creator snooze, what is it doing to the public?

Well, I guess the consensus is that Best Picture, Best Director and the two Supporting categories…Christopher Plummer and Octavia Spencer, are all locked up for good. It only remains volatile in the Best Actor and Actress races.

And volatile = interesting.

And in the number #2 slot in the EW issue, there is a HUGE more-than-a- page lay-out and I mean lay-out of Michelle Williams in her Marilyn mode. Stunning, sumptuous color photo and stuck WAAAY on the side of Michelle, in, I guess, EW’s version of 3rd Place, is Meryl Streep! Hmmm….that’s interesting. So EW now thinks it’s Davis, Williams and Streep in that order….Hmmm…

It’s a very tight race between those three women and upsets in tight races do occur. I still have hopes for Michelle winning the BAFTA next weekend and then bringing her win stateside to triumph at the Oscars. If it’s Viola Davis, or Meryl, I’ll have to admit that that woman now has the late-day advantage that BAFTA sometimes bestows on a tight race. Like the year when the unknown French actress Marion Cotillard triumped of Brit icon Julie Christie.

And Best Actor? Well, in the #2 spot EW has Jean Dujardin jumping for joy, in a very funny pic, that also, like Michelle’s, takes up a page and a half. And Gawgeous George is in #1.

EW and Oscar God Dave Karger take note. I think you should’ve switched those two. But ah! It’s tooo late now. The issue is already on the stands but it’s always a little off, historically.

And so it is again this year. For Jean Dujardin to win at the SAGS is just phenomenal. And if he also wins at the BAFTAS, like Marion did for “La Vie En Rose” fawgeddabowdit!

How do you say that in French? Voila, c’est fini!

“Oscar Race” EW Cover w/Clooney & Viola Davis. Controversial? Accurate? Embarrassing?

I really wonder if the venerable Entertainment Weekly has jumped the shark this week with its’ “Inside the Oscar Race” cover prematurely, I think, showing George Clooney in a tux (nothing new), but at his side,, resplendent in a white ball gown, is Viola Davis! THIS is new! And the cover states “Front-runners George Clooney (The Descendants) and Viola Davis (The Help).” WHAT???

I thought Meryl Streep and Michelle Williams were the two heavyweights for Best Actress! But the usually reliable Oscar God David Karger is plunking his two cents down (and EW is presumably totally backing these choices), and inside we see V.D. depicted holding what looks like an award, or a Golden Globe, or SOMEthing, when on closer look it is seen to be a hand mirror. A bejeweled one, but a HAND MIRROR!

This is the kind of thing that INFURIATES Academy Voters, who are voting or rather nominating, right now as you read this. Many of them perhaps have not even sent their ballots in yet or filled them out, and here is EW acting like IT’S ALL OVER! BAD MOVE, EW!

I would be OK with this if it was a year where this was TRUE, but George is fighting for his life in Best Actor, (He’s got one already and “The Descendants” is depressing.) against his BFF Brad Pitt, who, BTW, just won Best Actor from the prestigious National Society of Film Critics. Take THAT, EW! They seem to be saying. And the Best Actress race is all over the place, between those three ladies. Williams, Streep & Davis.

And Viola Davis, as talented as she is, has not yet won ONE major award yet for “The Help”! A cover like this and a lay-out and an interview like that, may infuriate Academy types into NOT voting for her, when the time comes. And it IS a Supporting Performance in most peoples’ books…including mine.

But to photograph her looking so RADIANT and BEAUTIFUL and AIR-BRUSHED to death, well, we’ve never seen her like this before. And acting like she’s already won! But she hasn’t!

I fear this cover is going to make AMPAS voters feel like “Wait a minute! Don’t tell US who’s won!” or who to vote for. MISTAKE! This is what the Board of Governors was actually warning people about this year.  See Scott Feinberg’s excellent analysis of this at www.hollywoodreporter.com where Scott now is writing “The Race.”

And Jean Dujardin of “The Artist” is the one who most Oscar experts are picking for Best Actor. But not to EW.

I totally agree with Dave Karger with his choice that “The Artist” has already won Best Picture and is waaay out in front in that category. He’s right about that. But I would not be a very good Oscarologist myself, if I didn’t feel it incumbent on me to say “WAIT A MINUTE! Hold your (War) horses, EW!”

What they are doing is championing or campaigning for Clooney/Davis with this glossy cover and the even glossier interview inside. Acting like it’s a done deal. That is SOOOO BAD in Oscar campaigning terms.

And I know Dave Karger is familiar with Oscar 101.

I’ve NEVER seen EW so blatantly Up a Duo from two different films, yet, who may not be pictured together ever again this awards season. How embarrassing! But EW is nothing if not BOLD.

However, their first Oscar cover of the season isn’t a NEWS issue. It never is.

Didn’t they depict “Finding Neverland” once upon a time? Oy vay.

And there was once an Oscar issue like this with three actresses shown. I think it was Jennifer Connelly and Nicole Kidman and somebody else. And that third lady did not get nominated. I can’t even remember who she was. How embarrassing was that for her? And presumably for the magazine. But guess not, cuz they’re doing it again!

But some of you will remind me who that third gal was, who didn’t get nominated.

And even though Michelle Williams is splattered all over the INSIDE of the magazine in their for real predictions section on who’s going to be nominated…that story/interview on George ‘n’ Viola’s friendship was a little grating and self-serving. And yes, both of them are acting like they’ve ALREADY WON! NO! They haven’t!

THIS IS A HUGE OSCAR “No!NO!”

George has picked up a couple of critics awards, but Viola has gotten none, separately, herself, for Best Actress. Though “The Help” has gotten kudo-ed for Ensemble in several places.

This is the kind of cover that could de-rail a campaign. SERIOUSLY. Dave, what were you thinking? Well, obviously, he thinks he’s right.

I beg to differ.

And inside, though, his predictions themselves, were pretty spot-on for who was going to be nominated for Best Picture, Actor and Actress, though he’s got Michael Fassbender in there, and I think it’s Demian Bichir. Although Demian DOES receive a cute consolation prize, a “For Your Consideration” box.

But his supporting picks were all over the place, especially in Supporting Actress.

I was shocked at how wobbly his Supporting predictions were and yes, the Supp. Actress category is historically the hardest to predict. He’s got Berenice  Bejo (yes, she’s nominated for a BFCA, Golden Globe and a SAG) Ditto Octavia Spenser. He’s got Janet McTeer pictured, and I think that’s right. And Jessica Chastain for “The Help” which seems to be what she’s inevitably nominated for, though, it’s the least of her EIGHT performances this season! And then he has Melissa McCarthy, who EW just had on another of their covers recently as “The Queen of Comedy”. This would be for the gross-out “Bridesmaids.”

He doesn’t mention Vanessa Redgrave AT ALL. NOWHERE. And I think she WILL TURN UP here. Especially after being snubbed by BAFTA!!! Can you believe it?

I’m sure it’s the ghost of her earlier-in-life, extreme left-wing policies from the ’60s still haunting her. But if the Academy, Anglophile Lefties all, (well, the majority anyway) will over look Redgrave’s policy and put her in where she belongs and she could win this for her ASTOUNDING performance in “Coriolanus.”

Karger also gives Carey Mulligan from “Shame” a “For Your Consideration” box. And that is valid. She was great, if not greater, than Michael Fassbender in “Shame.”

We all know Christopher Plummer is going to win his career award in Supp. for “Beginners” and Dave Karger duly notes this. The other nominees, in this category, though, except for Kenneth Branagh are all up in the air. ESPECIALLY, his pick of Max Von Sydow for “Extremely Late and Incredibly Distasteful”! I don’t think so.

He’s got Jonah Hill and Albert Brooks in there but they were overlooked by SAG, and Nick Nolte and Armie Hammer WERE SAG-nominated, which he notes, but doesn’t see them getting in.

Who could pop up here, unexpectedly, is Corey Stoll for his finely etched portrait of Ernest Hemingway in “Midnight in Paris.”

And Kathy Bates and/or Marion Cotillard could be two last-minute  pop-ups from “Midnight in Paris.” They both just were named on the BAFTA long list…So they’ve been noted there.

Oh, and that BAFTA long list!…well, let’s just say it’s TOO LONG to even bother with at this point. But as always you can check out www.awardsdaily.com for a much closer look at that ENDLESS list, on which nearly everybody who made a film this year, is on. Wait for the BAFTA nominations themselves. But Beth Stevens, at Awardsdaily does a really good job at parsing them, especially in the comment section.

NYFF ends…with a Sneak Peak at Martin Scorsese’s “Hugo”

Yes, it’s finally over! The Best-It’s-Ever-Been 49th Edition of the New York Film Festival! The high points were really high – Centerpiece “My Week with Marilyn” totally blew me away & is probably going to net star Michelle Williams her first Oscar &  Closing Night’s Alexander Payne’s “The Descendants” is probably going to get George Clooney his second. They are both launched, in any case. Ditto “The Artist” also playing here. And Pedro Almodovar’s super superb “The Skin I Live In.”

Yes, if you’re looking to see Oscar fare FIRST from the comfort of your NY-adjacent home, then the NYFF is your cup of tea. And apart from Oscar seekers, there are also films that you get to see in the exciting, glamorous, cinema-loving situation that seem just that more special because you’re viewing them in this unique setting on a big screen, my favorite way to see films. Period.

Like for instance, you could see TWO brand new films, in two entirely different genres, by one grand master of cinema, Martin Scorsese’s 4 hour documentary on George Harrison “Living in the Material World” which is one of the best films he’s ever made. Totally joyous, celebratory, informative, transportive.It’s length not a problem, and coming soon to HBO., where it will be seen in two parts, Beatles and post-Beatles.

Also, there was the thrill of seeing a sneak peek of his new full length feature film “Hugo” which is in 3-D. We, the press, were warned it was still a “work in progress” and not for review. So I will say no more at this point, but that is was very exciting to be allowed to be there. And Scorsese was there himself, in person, to introduce the film.

Sometimes this Business of Show makes me feel outside of things, sometimes, but that night I felt as “In”as In could be, and thank you for including me, NYFF.

I, a Native New Yorker, finally felt like I was being given the keys to the city, albeit for just one brief night.

And the addition,  the two brand spanking shiny new smaller screens across the street from the Walter Reader Theater, the Beale and the Bunin, and the intimate new restaurant between them all, provided  much-needed new spaces that were just a delight to eat in, to watch films in or to just hang out with other festival-goers.

And then there’s the amazing things that happen at the NYFF  – apart from the films, if you can imagine such a thing. Like for instance, “My Weekend with Marilyn” being so tumultuously received that its’ distributor the Weinstein Co. MOVED its’ opening date back three weeks to THE SAME DAY in late November as its’ other Oscar-bait-y film “The Artist”!?!? Now, THAT was stunning development. And not only that. It’s the same day in November that “The Descendants” and also “Hugo” are opening!!?!?!! OMG!

What does all that mean????? Yikes!

Well, it will be a very busy day for the newspapers, the few newspapers, that are left to cover the movies in their movie sections. That are losing readers and advertising EVERY DAY in the Internet. But as you may have noticed not to this particular section of the Internet “The Stephen Holt Show”s blog, which is still AD FREE.

And It’s going to make for a  very, VERY interesting weekend, Thanksgiving weekend, BTW, at the box-office! Yikes!

But “The My Week with Marilyn” reaction was so overwhelming and so positive, this move gives The Weinstein Co. three more weeks to mount a MAJOR Oscar campaign in all categories, something it may or may not have been planning before. IOW, not only for Michelle Williams, brilliant as ever, but also for Kenneth Branagh as Sir Laurence Olivier(a slam-dunk, methinks), Dame Judi Dench as Dame Sybil Thorndike and Eddie Redmayne as the beguiling “My” of the title. Ditto the director Simon Curtis, the screenwriter Adrian Hodges, the cinematographer Ben Smithard, production designer Donal Woods, the costume designer Jill Taylor, the score(Conrad Pope & Alexandre  Desplat) and everything else you, and Harvey Weinstein can think of.

TIFF ’11 Begins! And the Oscar Race is ON!

Just a quick HALLO from Toronto! Yes! I’m at TIFF 11 my 13th consecutive year here and I always have the time of my life at the Toronto International Film Festival.  You just NEVER know what magic can happen here! And it always does in one way or the other.

VERY hard to top getting Colin Firth and Tom Hooper BANG right out of the box for “The King’s Speech” ON THE VERY FIRST DAY last year! And then having Tom Hooper naming me “The Oscar Messenger!” Hard to surpass that…but there’s lots of buzz on the ground level, particularly surrounding the great Glenn Close for her performances AS A MAN in “Albert Nobbs”! Yes! And as improbable as that sounds, people who have already seen it have responded very enthusiastically. And don’t forget that Hilary Swank WON the first of her two Oscars for playing a cross-dressing man in “Boys Don’t Cry.” Which also started its’ Oscar career here in Toronto, and THAT was deemed REALLY improbable. I’m seeing it “Albert Nobbs” shortly.

I interviewed Glenn, and I’m not making this up, about her WIGS when she was on Broadway a while back(Seems like a lifetime  ago) for the New York Times’ Arts and Leisure section. Yes, I did! I was in Beauty School at the time. YES! I was! And I liked her tremendously. So here we are once again on a collision course. With me do to interview her in New York closer to the opening of the film around Thanksgiving. Just so it’s FRESH in Oscar voters movie-filled mine.

“Albert Nobbs” is set in Ireland, so here, in English Canada, which is Ontario, which is where Toronto is, it’s BOUND to have a good, strong reaction.

Check out Oscar Goddess’ Sasha Stones great posts from Telluride’s Film Festival! She saw it there and loved it. And BOY did she love Telluride and wrote very strongly and movingly about it. http://www.awardsdaily.com  She went there with Jeff Well’s who blogs his brains out on a daily basis at http://www.hollywood-elsewhere.com

So that’s TWO views on Telluride that actually differ wildly on the films they both saw.

Another film that was there, and also in Montreal, and is now here, too is the fantabulous French film “The Artist” which I wrote about at awards daily . It’s the B&W silent movie that I think the Academy is going to fall madly in love with.

It’s ABOUT them. Hollywood in  ’20s.

And I’m looking forward to talking about a things Oscar with Anthony Del Col of http://www.killshakespeare.com

Yes, he’s going to be on my show and on my You Tube Channel, too. And of course, you can see MUCH MORE of the Montreal Film Festival at http://www.youtube.com/StephenHoltShow

Skies are gray today in TO. But nothing like the wild rain predicted. Not even drizzling. Ooops! Just looked out the window! Yes, it IS raining! Torrential downpour in NYC as I flew out of Newark. THAT was scary! BUT I’M HERE! And TIFF ’11 begins! I always feel like it’s a miracle!

Yes, I do. But it’s real!

My Montreal Film Fest Wrap-Up Now up at Awardsdaily!

Very happy to report that my Montreal Film Festival Wrap-Up article entitled ” ‘The Artist’ Sparkles and Danny Huston Surprises!” is now up at the always exciting www.awardsdaily.com

I have to explain that this year the Montreal Film Festival moved its’ dates up to much earlier in the summer than its’ ever been. Usually it’s beginning this week in August, not ending, as it will tomorrow night.

So I had to go up and return to NYC BETWEEN Montreal and Toronto. Can’t believe I’m back here anticipating ONLY Toronto and done with Montreal already ~ until next year. And next year I was told that Montreal will be back in its’ old time-slot, so one experiences both festivals, one right after the other, which is what I usually do. But not this year.

The upside is that one gets to do one’s laundry and to get REALLY organized and rest between these two BIG film events.

Hmmm…maybe I’ll do this again next year…or not…

But yes, this is how I spent Irene. Writing about Montreal! Voila!

“Tree of Life” Brad Pitt’s very good & Jessica Chastain makes a spectacular debut, but THOSE DINOSAURS!

What a self-indulgent, beautifully photographed and  very well acted mess “The Tree of Life” is! I’d say it wasn’t worth the price of admission. I left feeling queasy, like I had just seen a 3D movie, but it wasn’t in 3D!  And at the public screening I attended tonight two women were talking very loudly about getting their money back.

Brad Pitt is probably the best he’s ever been in this as the grown Sean Penn’s memory of a stern, but ultimately loving father…But is it enough to win him his long sought-after Oscar?

I wonder…

You have to weigh, or rather wade through, a good half hour or more of primordial ooze and yes, even what looks like Velosoraptors, who seem to have wandered in from “Jurassic Park”! No. I’m not kidding!DINOSAURS! Before you get to the sometimes gripping family drama, that seems more like a memory piece, than a crafted film. If you even call “Tree of Life” that.

I could follow it, but judging by the comments I was hearing, when it was over, from fellow audience members, most couldn’t. Or they got it wrong. “Which son died?” I heard that over and over again.

I THINK it’s the story of an adult male in an urban city (could be Texas. We don’t ever really know) who is played with great stress by Sean Penn, doing a much as he can with virtually no dialogue whatsoever.

Ditto the glorious screen debut of the stupendous, beautiful redheaded young actress Jessica Chastain, who is going to be coming at us in so many movies this year, it’s unbelievable. She’s going to have a very, very BIG screen career. And “The Tree of Life” for all it’s flaws, launches her into the cinematic stratosphere here. At one point, Malick even has her flying through the air, as the embodiment of motherly beauty. And that moment was charming.

But again ,like Penn, she has virtually no dialogue whatsoever, and that she registers at all playing the essence of young feminine beauty and motherly love, in what is basically a silent film debut is very, very impressive.

I saw much of Jessica’s work at Julliard when she was an undergrad there, and I must say I predicted all this would happen to her. She’s dazzling. Amazing. A great young, scintillatingly beautiful actress, with a tremendous range. She can play anything. Classic or modern and she here is made to make one reminiscent of Cate Blanchett, who also had a nearly wordless role opposite Brad Pitt as his wounded-by-a-sniper wife in “Babel.”

Which reminds me of how really, really good Pitt was in that film as a distraught husband. He’s really, really fine here, too, as again, the nearly wordless father. Though he does have MOST of the dialogue of the film, what little there is of it.

I would say a nomination probably, and with a smart Oscar distributor like Fox Searchlight is known to be, behind this monumentally difficult of a sell, he just may score another Best Actor nod. And yes, it’s been selling out. The house, despite the walk-outs was packed.

But it’s an uphill battle with this part of the tough, disciplinarian Dad to get Pitt to the podium for the win. But if anybody can do it, Fox Searchlight can.

The film, if you keep paying attention, and cutting it monumental slack, which I’m actually doing here, is about letting go of your own past. In this case, I THINK it was the guilt the grown Penn feels towards his difficult relationship with his dad, Brad Pitt, and also the death of his younger brother.

Or I THINK it was the younger brother who dies. The sullen main child was meant to be the kid version of Penn. But many audience members weren’t sure. The recalcitrant child is played very well . I think he may actually have the most lines in the film, after Pitt. We see most of this film from his sullen, angry eyes. But many in the audience were confused. And WHAT will the Academy make of this confounding film, with no clear plot line?

All this happens to this typical Waco, Texas WASP church-going middle class family. And the recalcitrant child spends the rest of his life coming to terms with it as he turns into Sean Penn. Right? Or maybe I’m not right. It’s genuinely confounding.

Or something like that.

The cinematography, especially of all of the planets and the protozoa and the lava and whatever else it was we were witnessing at the LONNNNNG, slow, agonizing start of this film, is indeed breathtaking. And the images, hold you, even though it’s very difficult to puzzle out just what the truly frustrating iconic director Terence Malick is up to. And the answer is, well, EVERYTHING. He’s trying to get everything that ever happened in the entire history of the universe into this one film. No wonder it’s running time is over two and a half hours!

It’s Malick, being Malick, so I knew there would be a lot of photographs of leaves and esp. leaves of grass and there are. But it’s a shame that Fox Searchlight or whomever didn’t reign in Malick’s incredibly self-indulgent impulses. It’s very long, arduous experience. It’s work. Not fun. And certainly not entertainment, but Malick probably never intended it to be anything else but portentous. I was going to say PREtentious. But it is that, too. IN SPADES.

But there is a moment in the end where things are getting wrapped up that the film does redeem itself. But by then, as good as he is Brad Pitt may have lost his Oscar.

It’s a restrained, understated, subtle performance and I liked it. But Oscar doesn’t do subtle…usually…

It won the Palme D’Or at Cannes. But here, most people were heading for the door.

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