So now I’ve finally seen BOTH of George Clooney’s TWO BIG Oscar seeking movies, and it’s a lot of George to take in. I mean, it’s overwhelming. And what will the Academy think? The most important question. I wonder, I really do.
Oscar Goddess Sasha Stone always says that Frontrunner is a difficult position to be in. And that’s EXACTLY where George Clooney finds himself as a Best Actor, on the Gurus o’ Gold chart, and also the great Movieline.com Oscar Index. He’s at the top of both for
“The Descendants.” Not for “Ides of March” his other equally dark film that is out now currently playing in theaters near you, to OK. business. But not a block-buster by any means.
FINALLY getting to see it, I found myself actually liking it much better than I thought I was. Guy Lodge of Incontention (which is now been absorbed by HitFix) famously said, after seeing it in Venice at the Film Festival there, that is was “good, but not great” and that term has stuck.
BTW, before this article gets too long here are the links www.hitfix.com www.movieline.com
(for the Oscar Index) and www.moviecitynews.com for the Gurus o’ Gold.
The Gurus had the still unseen “War Horse” at #1, that is, until the poster came out, which looked somewhat like “National Velvet”. A boy and his horse love story. Which of course is what it is. But set during World War I, and still packing them in as a play on both sides of the Atlantic.
So then collectively, the Gurus went for “The Descendants” as best film last time out. And “War Horse” is now #2, but still Numero Uno on Stu Van Airsdale’s Oscar Index. (That bobble-head pic of the Horse itself, still cracks me up!)
So let’s just say “The Descendants” is the frontrunner for Best Picture and George for Best Actor.
I liked “The Descendants” it’s a very well done film about DEATH and comas AND DEATH and hospitals and DEATH. And yes, it’s depressing.
I also heard that in some quarters now that it’s being shown some people also are finding it a downer.
And George is just great in this as a beleaguered father and cuckold, as it were. His dying wife cheated on him and he only finds this out after the boating accident that puts her in a non-reversible coma. And it’s his teenage daughter, Shailene Woodley, a probable Oscar nominee herself, who tells him this.
And here I am talking about “The Descendants” all the time, and I meant this to be about “Ides of March.” I guess I liked it. But I didn’t LOVE it. Will it get a Best Picture nod? Possibly. This is the old-fashioned kind of movie about “Politics is a dirty business” which, d’oh, we already know.
It didn’t enthrall me THAT MUCH. But you do admire the Supporting Performances. George is REALLLLY good as the asshole who’s running for President. No likeability factor here. And Phillip Seymour Hoffman has what is probably the only slam dunk Oscar nomination here, in Supporting, as George campaign manager. He’s evenly matched by the wonderful Paul Giamatti, but his part is smaller and less rangey, than Hoffman’s.
Ryan Gosling, I’m sad to say, disappointed me in the leading role. He’s supposed to be this wide-eyed eager naive media consultant. And you know from the beginning he’s not. And then when he ends up where he ends up in this movie that is really HIS story, not George’s, well, it seems like he barely went from A to B. More like A to A. A as in asshole.
Am I giving something away? He’s a brilliant actor and he was great in “Drive.” A MUCH better performance. But I don’t think he’ll get nominated for that film that’s got such an Indie vibe going for it that the Academy may just overlook.
I don’t think Ryan gets nominated any where this year. George will. But will he win? It’s the foregone conclusion. He wrote, directed and PRODUCED “Ides of March.” He’s everywhere, as I’ve noted before, but is a second Oscar within his grasp?
After finally seeing “The Ides of March”, I’m now not so sure that it is. Somebody or something may come along and knock him out of the winning spot. Most likely something we haven’t seen yet.
If “The Descendants” which is now opening the same fateful day in late November that “My Week with Marilyn”, and “The Artist” AND “Hugo” are all opening, too. Will it get lost in the shuffle?